By using this website you agree to our Cookie policy

Search

38 articles
Short Notice
An anamorphic perspective box painting rediscovered: a work by Pieter Saenredam?
02/2024 | 1451 | 166
Pages: 159–163
related names
Shorter Notice by:
Dupertuis Bangs, Jeremy (Dupertuis Bangs, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
1. Interior of St Bavo, Haarlem, looking west. Oil on panel, 37.5 by 29.3 cm. (Private collection).
Attributed works:
2. Fig.1, photographed at an angle.
Attributed works:
3. Interior of St Bavo, Haarlem, looking west, by Job Berckheyde. 1668. Oil on canvas, 109.5 by 154.5 cm. (Frans Hals Museum, Haarlem).
Attributed works:
4. Interior of St Bavo, Haarlem, looking west, by Isaak van Nickelen. Oil on canvas, 30.3 by 36 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
5. Interior of St Bavo, Haarlem; view of the west end and nave, with the tomb of a bishop in the south transept, by Pieter Jansz. Saenredam. 1630. Pen and brown ink, with grey wash, over black chalk, 11.9 by 16.3 cm. (British Museum, London).
Attributed works:
6. A construction combining Fig.1 with a speculative drawing of the panel that formed the left half of the two-part triangular image, open flat.
Attributed works:
7. The construction in Fig.6 shown at an angle, suggesting what could have been seen when presented as a perspective box.
Attributed works:
8. Interior of St Bavo, Haarlem (‘the Grote Kerk’), by Pieter Jansz. Saenredam. 1648. Oil on panel, 200 by 150 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
9. Interior of St Bavo, Haarlem, by Pieter Jansz. Saenredam. 1635. Pen and brown ink with grey wash and touches of red chalk over graphite on laid paper, squared in red chalk, 49.1 by 38.5 cm. (National Gallery of Art, Washington).
Book Review
In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca.1624–1664)
07/2023 | 1444 | 165
Pages: 806–807
related names
Reviewer:
Osnabrugge, Marije (Osnabrugge, Marije)
Subjects
places:
Reviewed Items
subjects:
In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca.1624–1664) By Stefania Girometti. 466 pp. incl. 63 col.+ 53 b. & w. ills. (arthistoricum.net, Heidelberg, 2022), €64.90 ISBN 978–3–98501–045–5. | :
Illustrations
Attributed works:
4. Martyrdom of St Lawrence, by Michele Desubleo. Early 1640s. Oil on canvas, 250 by 140 cm. (Private collection).
Article
Jan van Belcamp in London: new documents and perspectives
06/2022 | 1431 | 164
Pages: 558-567
related names
Author:
Davies, Justin (Davies, Justin)
Author:
Innes-Mulraine, James (Innes-Mulraine, James)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.6, showing the figures painted by Jan van Belcamp.
Attributed works:
2. Anne of Denmark and a groom, by Paul van Somer. 1617. Oil on canvas, 265.5 by 209 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
3. Anne of Denmark, by Jan van Belcamp after Paul van Somer. 1630–39. Oil on canvas, 247.2 by 144.4 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
4. Henrietta Maria, by an unknown artist, the background by Hendrik van Steenwyck. c.1635. Oil on canvas, 215.9 cm by 135.2 cm. (National Portrait Gallery, London).
Attributed works:
5. Louis XIII, by Jan van Belcamp, 1636. Oil on canvas, 201.6 by 122.6 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
6. A view of Greenwich with Charles I and Henrietta Maria among a group of courtiers, by Adriaen van Stalbemt and Jan van Belcamp. c.1632. Oil on canvas, 83.5 by 107 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
7. Henrietta Maria, by Jan van Belcamp and Hendrick van Steenwyck the Younger. 1637. Oil on panel, 51 by 44.5 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden).
Exhibition Review
Baroque Brilliance: Drawings and Prints by Giovanni Benedetto Castiglione
03/2022 | 1428 | 164
Pages: 288-290
related names
Reviewer:
Bätschmann, Oskar (Bätschmann, Oskar)
Subjects
dates:
museums and institutions:
places:
styles:
Reviewed Items
subjects:
Baroque Brilliance: Drawings and Prints by Giovanni Benedetto Castiglione Kunsthaus Zurich 10th December 2021– 6th March 2022 | :
Illustrations
Attributed works:
5. Sacred and profane love, by Giovanni Benedetto Castiglione. c.1635. Brush drawing, brown and red-brown oil paint with red and blue-grey touches, 21.6 by 29.5 cm. (Royal Collection / HM Queen Elizabeth II; exh. Kunsthaus Zurich).
Attributed works:
6. The genius of Castiglione, by Giovanni Benedetto Castiglione. Before 1648. Etching, 37 by 24.9 cm. (Cabinet cantonal des estampes, collection de l’Etat de Vaud – Musée Jenisch Vevey; exh. Kunsthaus Zurich).
Attributed works:
7. Annunciation to the shepherds, by Giovanni Benedetto Castiglione. 1650– 55. Monotype, 37.2 by 24.6 cm. (Albertina, Vienna; exh. Kunsthaus Zurich).
Attributed works:
8. Presumed self-portrait, by Giovanni Benedetto Castiglione. Late 1640s. Etching, 18.8 by 13.8 cm. (Cabinet cantonal des estampes, collection de l’Etat de Vaud – Musée Jenisch Vevey; exh. Kunsthaus Zurich).
Article
Global mission iconography in the Jesuit Church in Innsbruck (1636–66)
08/2020 | 1409 | 162
Pages: 658-672
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. St Francis Xavier and the miracle of the crab. Second half of the seventeenth century. Oil on canvas. (Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck).
Attributed works:
10. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Bistre, graphite, wash and reddish and ochre pigments on paper, 16.2 by 21 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
11. Detail of Fig.5.
Attributed works:
12. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink and reddish pigment on paper, 43.4 by 29.8 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
13. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink, reddish pigment and wash on paper, 42.2 by 24.1 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
15. This illustration shows us the people and island which have been discovered by the Christian King of Portugal, by Johann Froschauer. 1505. Woodcut. (From A. Vespucci: Mundus Novus, Augsburg; Bridgeman Images).
Attributed works:
17. Detail of Fig.5.
Attributed works:
2. Vault of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Georg Braun and others. 1636. Stucco and gilding.
Attributed works:
4. Martyrdom of the Japanese saints Paul Miki, James Kisai and John de Goto, by Paul Pock. 1644. Oil on canvas, height 400 cm. (Church of the Holy Trinity, Innsbruck).
Attributed works:
5. Altar of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Bartholomäus von Opstal. 1666–68. Marble and gilded bronze, 690 by 400 cm. The altarpiece is Francis Xavier baptising an Indian nobleman, attributed to Heinrich Schönfeld. 1670. Oil on canvas, 250 by 175 cm.
Attributed works:
6. Detail of Fig.2, showing the map of India.
Attributed works:
7. A figure of the East Indies and adjacent islands. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1570. (Boston Public Library).
Attributed works:
8. A depiction of the islands of Japan. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1595. (Sanderus Antiquariaat, Ghent).
Attributed works:
9. Detail of Fig.2, showing the map of Japan.
Attributed works:
Xavierius’s dream of bringing help to the Indies, by Abraham van Diepenbeek. Engraving, 10.5 by 13.5 cm. (From Imago Primi Saeculi Societatis Iesu, Antwerp 1640).
Western art unattributed:
14. Design for the Francis Xavier altar. c.1666. Bistre, graphite and wash on paper. 44.9 by 30.9 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
16. Design for a sculpture of St Francis Xavier for the Francis Xavier Altar. c.1666. Graphite, black ink and wash on paper, 42 by 24 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
3. Plan of the Jesuit (now the University) Church, Innsbruck. 1781. Ink and watercolour on paper, 73.5 by 52 cm. (Tiroler Landesarchiv).
Book Review
Wallpapers at Temple Newsam 1635 to the Present, A. Wells-Cole and B. Walker
05/2019 | 1394 | 161
Pages: 442-443
related names
Reviewer:
Hoskins, Lesley (Hoskins, Lesley)
Subjects
museums and institutions:
Illustrations
Western art unattributed:
5. Wallpaper fragment. c.1720. Coarse handmade paper grounded in yellow, stencilled in pale pink and block-printed in deep pink, 18.4 by 59.7 cm. (Temple Newsam, Leeds).
Book Review
Elisabetta Sirani ‘Virtuosa’: Women’s Cultural Production in Early Modern Bologna. By Adelina Modesti
06/2017 | 1371 | 159
Pages: 480-481
related names
Reviewer:
Bohn, Babette (Bohn, Babette)
Subjects
dates:
Illustrations
Attributed works:
35. Portia wounding her thigh, by Elisabetta Sirani. 1664 (Collezioni d'Arte di Storia della Fondazione Cassa di Risparmio, Bologna)
Book Review
Le Beau Langage de la Nature; l’Art du Paysage au Temps de Mazarin, A. Lemoine and O. Svatier Sjöholm, eds.
03/2014 | 1332 | 156
Pages: 175
related names
Reviewer:
Langdon, Helen (Langdon, Helen)
Subjects
dates:
dates:
places:
Article
A letter of introduction for Velázquez in Bologna
09/2012 | 1314 | 154
Pages: 616-619
related names
Author:
Salort Pons, Salvador (Salort Pons, Salvador; Pons, Salvador Salort)
Subjects
dates:
places:
places:
subjects:
Illustrations
Attributed works:
3. Innocent X, by Diego Velázquez. 1650. Canvas, 114 by 119 cm. (Galleria Doria-Pamphilj, Rome).
Attributed works:
4. Cardinal Bernardino Spada, by Guido Reni. c.1631. Canvas, 227 by 147 cm. (Galleria Spada, Rome).
Attributed works:
5. The abduction of Helen, by Guido Reni. 1627–29. Canvas, 253 by 265 cm. (Musée du Louvre, Paris).
Attributed works:
6. The death of Dido, by Guercino. 1629–31. Canvas, 287 by 335 cm. (Galleria Spada, Rome).
Attributed works:
7. Apollo at the forge of Vulcan, by Diego Velázquez. 1630. Canvas, 223 by 290 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
8. Joseph’s bloody coat brought to Jacob, by Diego Velázquez. 1630. Canvas, 223 by 250 cm. (Patrimonio Nacional, El Escorial).
Publication Received
Pellegrino Peri. Il mercato dell’arte nella Roma barocca
09/2012 | 1314 | 154
Pages: 648
related names
Reviewer:
Robertson, Clare (Robertson, Clare)
Subjects
collectors and dealers:
places:
Reviewed Items
subjects:
Pellegrino Peri. Il mercato dell’arte nella Roma barocca | author: Lorizzo, Loredana
load more