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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
Book Review
Dutch Drawings in Swedish Public Collections. By Börje Magnusson
03/2019 | 1392 | 161
Pages: 256-258
related names
Reviewer:
Seifert, Tico (Seifert, Tico )
Subjects
art literature:
dates:
media:
styles:
subjects:
Reviewed Items
subjects:
Dutch Drawings in Swedish Public Collections. By Börje Magnusson | :
Illustrations
Attributed works:
4. Portrait of Titia van Uylenburch, by Rembrandt Harmensz van Rijn. 1639. Pen and brown ink, brown wash, 17.4 by 14.6 cm. (Nationalmuseum, Stockholm, NMH 2078/1863).
Article
Spadarino’s ‘Doubting Thomas’ rediscovered
10/2015 | 1351 | 157
Pages: 678-681
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
10. The feast of the gods, by Giovanni Antonio Galli, called Spadarino. 1620s (Galleria degli Uffizi, Florence)
Attributed works:
11. Cimon and Pero (Roman charity), by Giovanni Antonio Galli, called Spadarino. 1620s or 1630s (Galleria Doria-Pamphilj, Rome)
Attributed works:
12. Christ displaying his wounds, by a follower of Caravaggio (Spadarino?). c.1615-25 (Perth Museum and Art Gallery, Scotland)
Attributed works:
6. The incredulity of St Thomas, here attributed to Giovanni Antonio Galli, called Spadarino. 1620s? (Wrotham Park, Hertfordshire)
Attributed works:
7. The incredulity of St Thomas, by Caravaggio. c.1601 (Sanssouci, Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg, Potsdam)
Attributed works:
8. The miracle of St Valeria before St Martial, by Giovanni Antonio Galli, called Spadarino. 1629-30 (Chapter House, St Peter's Rome)
Attributed works:
9. The denial of St Peter, by Giovanni Antonio Galli, called Spadarino. c.1615-18 (Pinacoteca Nazionale, Bologna)
Book Review
Catalogue of drawings by Rembrandt and his school in the British Museum: online research catalogue, 2011
02/2013 | 1319 | 155
Pages: 102-104
related names
Reviewer:
Bevers, Holm (Bevers, Holm)
Subjects
museums and institutions:
subjects:
Illustrations
Attributed works:
34. Youth seated in a window, attributed to Abraham van Dijck (British Museum, London)
Article
Drawings by Rembrandt and his pupils
02/2011 | 1295 | 153
Pages: 97-102
related names
Reviewer:
Royalton-Kisch, Martin (Royalton-Kisch, Martin; Kisch, Martin Royalton-)
Subjects
places:
subjects:
Reviewed Items
subjects:
Drawings by Rembrandt and His Pupils. Telling the Difference | institution: J. Paul Getty Museum
Illustrations
Attributed works:
24. Lot and his family departing from Sodom. School of Rembrandt van Rijn. c.1638–39. Pen and brown ink, brush and brown wash, 22 by 23.5 cm. (Albertina, Vienna).
Attributed works:
25. Bust of an old man looking left, here attributed to Rembrandt van Rijn. c.1629–30. Red and black chalk on paper, 13.7 by 11.6 cm. (Private collection, The Hague).
Attributed works:
26. Study of a man’s head and shoulders, by Jan Lievens. c.1630. Red and black chalk on paper, 17 by 13.5 cm. (British Museum, London).
Attributed works:
27. Christ as a gardener appearing to Mary Magdalene, by ?Carel Fabritius. c.1640. Pen and brown ink with white gouache, 15.4 by 14.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
28. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, brush and grey-brown wash, gouache white heightening, 11.6 by 20.2. (Trustees of the Chatsworth Settlement, Chatsworth).
Attributed works:
29. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, with brown wash and white heightening on grey-brown paper, 14.3 by 27 cm. (Lugt collection, Institut Néerlandais, Paris).
Attributed works:
30. Seated female nude. School of Rembrandt van Rijn. c.1661. Pen and brown ink, with wash, brown and white hightening on paper, 29.2 by 17.5 cm. (Rijks­museum, Amsterdam).
Attributed works:
31. Seated female nude, by Rembrandt van Rijn. c.1660. Pen and brown ink, brown wash and white gouache on paper, 21.1 by 17.7 cm. (Art Institute of Chicago, Clarence Buckingham collection).
Book Review
Drawings by Rembrandt, His Anonymous Pupils and Followers
03/1986 | 996 | 128
Pages: 223-224
related names
Reviewer:
Andrews, Keith (K. A., K. K. A.) (Andrews, Keith (K. A., K. K. A.); Andrews, Keith K.; A., K.; A., K. K.)
Subjects
dates:
places:
Reviewed Items
subjects:
Drawings by Rembrandt, His Anonymous Pupils and Followers | author: Rembrandt van Rijn , author: Schatborn, Peter
Book Review
Rembrandt, ses eleves, ses imitateurs, ses copistes. Ecole Hollandaise, Tome III
09/1934 | 378 | 65
Pages: 135-136
related names
Reviewer:
Hind, Arthur M. (Hind, Arthur M.; Hind, A. M.; H., A. M.; Hind, Arthur Mayger)
Subjects
dates:
places:
Reviewed Items
subjects:
Rembrandt, ses eleves, ses imitateurs, ses copistes. Ecole Hollandaise, Tome III | author: Lugt, Frits
Book Review
A Study of Rembrandt and the Paintings of His School by Means of Magnified Photographs
09/1930 | 330 | 57
Pages: 145-146
related names
Reviewer:
Holmes, Charles John (Holmes, Charles John; Holmes, C. J.; H., C. J.; Holmes, Charles J.; Holmes, Charles; Holmes, Charles)
Subjects
dates:
places:
Reviewed Items
subjects:
A Study of Rembrandt and the Paintings of His School by Means of Magnified Photographs | author: Laurie, A. P.
Book Review
Watteau and his School
04/1903 | 2 | 1
Pages: 266
related names
Reviewer:
N., R. (N., R.)
Subjects
artists:
dates:
media:
places:
subjects:
subjects:
Reviewed Items
subjects:
Watteau and his School (The Great Masters in Painting and Sculpture) | author: Staley, Edgcumbe