Grinling Gibbons and his
Contemporaries (1650–1700):
The Golden Age of Woodcarving
in the Netherlands and Britain
By Ada de Wit. 426 pp. incl. 350 col. + 4
b. & w. ills. (Brepols, Turnhout, 2022),
€150. ISBN 978–2–503–58488–1. |
:
Illustrations
Attributed works:
4. ‘Queen Sophie’s Bookcase’, incorporating
carving of c.1690 from William III’s
bedchamber at Huis De Voorst. 1847–49.
Rosewood, mahogany, oak and limewood,
346 by 233 by 55 cm. (Photograph Paleis
Het Loo, Apeldoorn).
Exhibition Review
Giovanni Bellini: Influences Croisées
Musée Jacquemart-André, Paris
3rd March–17th July
Giovanni Bellini: Influences
Croisées
Musée Jacquemart-André, Paris
3rd March–17th July |
:
Illustrations
Attributed works:
10. The painting
in Fig.9,
photographed
c.1996. (From
J. Anderson:
Giorgione: The
Painter of Poetic
Brevity, Paris
1997, p.321).
Attributed works:
7. Birth of
the Virgin, by
Jacopo, Gentile
and Giovanni
Bellini. c.1460–65.
Tempera and oil
on canvas, 112 by
152 cm. (Galleria
Sabauda, Turin;
exh. Musée
Jacquemart-
André, Paris;
Bridgeman
Images).
Attributed works:
8. Crucifixion, by
Giovanni Bellini.
c.1470. Tempera,
oil (?) and gold
on panel, 54.5 by
30 cm. (Museo
Correr, Venice;
exh. Musée
Jacquemart-
André, Paris).
Attributed works:
9. Virgin and
Child, by
the circle of
Romanino. c.1517.
Oil on panel,
68 by 48.1 cm.
(Gemäldegalerie,
Berlin;
exh. Musée
Jacquemart-
André, Paris).
Orazio Borgianni: A Restless
Genius in Caravaggio’s Rome
Galleria Nazionale, Palazzo
Barberini, Rome
6th March–1st November |
:
Illustrations
Attributed works:
10. Lamentation
over the dead
Christ, by Orazio
Borgianni. c.1615.
Oil on canvas,
73.8 by 90.3 cm.
(Fondazione di
Studi di Storia
dell’Arte Roberto
Longhi, Florence;
exh. Galleria
Nazionale, Palazzo
Barberini, Rome).
Attributed works:
7. The martyrdom
of St Erasmus, by
Orazio Borgianni.
c.1611–12. Oil on
canvas, 131 by
97 cm. (Luca
Tagliapietra
Collection, Milan;
exh. Galleria
Nazionale, Palazzo
Barberini, Rome).
Attributed works:
8. Self-portrait,
by Orazio
Borgianni.
c.1608–09. Oil on
canvas, 63 by 47
cm. (Accademia
Nazionale di
San Luca;
exh. Galleria
Nazionale,
Palazzo
Barberini,
Rome).
Attributed works:
9. Christ
disputing with
the doctors, by
Orazio Borgianni.
c.1607–09. Oil
on canvas, 78.1
by 108 cm.
(Rijksmuseum,
Amsterdam;
exh. Galleria
Nazionale,
Palazzo
Barberini,
Rome).
Book Review
Senza più attendere a studio e insegnamenti. Scritti su Caravaggio e l’ambiente caravaggesco. By Gianni Papi
Senza più attendere a studio e
insegnamenti. Scritti su Caravaggio
e l’ambiente caravaggesco
By Gianni Papi. 256 pp. incl. 217 col. + 48 b.
& w. ills. (artstudiopaparo, Naples, 2018). |
:
Exhibition Review
Bernard van Orley: Brussels and the Renaissance Centre for Fine Arts (BOZAR), Brussels
7. Attack on the
French camp
and the flight of
the civilians, one
of the tapestries
of the Battle of
Pavia series,
designed by
Bernard van
Orley and woven
in the workshop
of Willem
Dermoyen.
1525–31. Wool,
silk and preciousmetal
wrapped
threads, 440
by 818 cm., 7–8
warp threads
per cm. (Museo
e Real Bosco di
Capodimonte,
Naples; exh.
Centre for Fine
Arts, Brussels).
Attributed works:
8. Head of a
dog, fragment
of a tapestry
cartoon, from
the workshop
of Bernard van
Orley. c.1525–31.
Bodycolour
heightened
with white
(partly oxidised)
on paper,
silhouetted,
17.1 by 17.9 cm.
(British Museum,
London).
Attributed works:
9. Execution of St
John the Baptist,
by Bernard van
Orley. c.1510.
Panel, 64.5 by
74.2 cm (Private
collection; exh.
Centre for Fine
Arts, Brussels).
Article
The legacy of Girolamo da Carpi: An unpublished document on the history of his drawings
1. Drawings of a frame and details of the so-called Arch of Drusus and
Raphael’s house, Rome, by Girolamo da Carpi. c.1549–53. Pen and ink,
31.2 by 12.2 cm. (Rosenbach Museum and Library, Philadelphia).
Attributed works:
2. Study for two kneeling kings, by Girolamo da Carpi after Polidoro
da Caravaggio. 1525. Pen, ink, wash and white lead on blue paper,
27 by 20 cm. (Musée du Louvre, Paris).
Attributed works:
3. Study for the ‘Allegory of Ferrara’, by Girolamo da Carpi. c.1534–37.
Pen and wash with white lead on blue paper. 27.2 by 20.3 cm. (Gabinetto
Disegni e Stampe degli Uffizi, Florence).
Book Review
Dutch Drawings in Swedish Public Collections. By Börje Magnusson
Dutch Drawings in Swedish Public Collections. By Börje Magnusson |
:
Illustrations
Attributed works:
4. Portrait of Titia van Uylenburch, by
Rembrandt Harmensz van Rijn. 1639. Pen
and brown ink, brown wash, 17.4 by 14.6 cm.
(Nationalmuseum, Stockholm, NMH 2078/1863).
Book Review
Après Caravage: Une peinture caravagesque?, by Olivier Bonfait; Spogliando modelli e alzando lumi:
Scritti su Caravaggio e l’ambiente caravaggesco, by Gianni Papi; Caravaggio: Reflections and Refractions, edited by Lorenzo Pericolo and David M. Stone