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9 articles
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05/2025 | 1466 | 167
Pages: i-xii
Subjects
Illustrations
Attributed works:
Animal farm no.27, TH332, by Chou Ching-hui (b.1965). 2014. Inkjet print, 108 by 148 cm. [CHINI GALLERY, TAIPEI/Photo London]
Attributed works:
B is for Barney, by Alexander Calder (1898–1976). 1973. Steel stabile with red base, two white elements and two black elements, 30.5 by 35.6 by 15.2 cm. [BEN BROWN FINE ARTS, LONDON/TEFAF New York]
Attributed works:
Carl Reininghaus, by Egon Schiele (1890–1914). 1910. Watercolour, gouache and black crayon on paper, 44.5 by 31.8 cm. [RICHARD NAGY, LONDON/Tefaf New York]
Attributed works:
Carlo Grubacs, Venice: The Volta di Canal at Night with the Festivities in Honour of Emperor Ferdinand I of Austria, 7th October, 1838. [Charles Beddington Ltd. Classic Art London]
Attributed works:
Charles Edward Peruginin Presumed portrait of Katherine Dickens, c. 1880 Tessier - Sarrou, Auction on 20 June 2025
Attributed works:
Charleston, South Carolina, by Baldwin Lee (b.1951). 1984. Gelatin silver print, 50.8 by 40.6 cm. [DAVID HILL GALLERY, LONDON/Photo London]
Attributed works:
Ecriture No.31–75, by Park Seo-Bo (1931–2023). 1975. Pencil and oil on canvas, 129.9 by 193.4 cm. [TINA KIM GALLERY, NEW YORK/TEFAF New York]
Attributed works:
Joseph-Siffred Duplessis Portrait of Louis Dussieux. [Drouot}
Attributed works:
Kaapa Tjampitjinpa c.1926–1989 Budgerigar Dreaming 1972. [D.Lan Contemporary]
Attributed works:
Pablo Picasso at Hotel Vaste Horizon, by Dora Maar (1907–97). 1937. Original contact print, 5.5 by 5.4 cm. [AMAR GALLERY, LONDON/Photo London]
Attributed works:
Rural retreat, Virginia, by O. Winston Link (1914– 2001). 1955. Gelatin silver print, 39.4 by 49 cm. [PETER FETTERMAN GALLERY, SANTA MONICA/Photo London]
Attributed works:
Silent Anchor V, by Otobong Nkanga (b.1974). 2024. Rope, glass, ceramic, blue chamomile oil, 129 by 82 by 67 cm. [LISSON GALLERY, LONDON AND NEW YORK/Tefaf New York]
Attributed works:
Spatial concept, by Lucio Fontana (1899–1968). 1964–65. Aluminium with gashes, holes and graffi to, 65 by 98 cm. [ROBILANT + VOENA, LONDON, ROME, NEW YORK/TEFAF New York]
Attributed works:
Statues of the plain, Thebes, by Francis Frith (1822–98). 1858. Albumen print from glass negative, 38 by 48 cm. [ROBERT HERSKOWITZ LTD, LINDFIELD/Photo London] [CHINI GALLERY, TAIPEI/Photo London]
Attributed works:
The flood at Billancourt, by Charles-François Daubigny (1817–78). 1866. Oil on canvas, 49.5 by 64.8 cm. [DAVID TUNICK, NEW YORK/TEFAF New York]
Attributed works:
Untitled (S.506, hanging open form with six extensions), by Ruth Asawa (1926–2013). c.1950–59. Copper wire, 57.1 by 61 by 62.2 cm. DAVID ZWIRNER, NEW YORK, LONDON AND PARIS/TEFAF New York]
Attributed works:
Untitled, by Waldemar Cordeiro (1925–73). 1952. Enamel on plywood, 23.5 by 30.5 cm. [THE MAYOR GALLERY, LONDON/Tefaf New York]
Attributed works:
Young girl with a bouquet, by Marie Laurencin (1883– 1956). c.1925. Oil on canvas, 45.9 by 37.5 cm. [ALMINE RECH, PARIS, LONDON, NEW YORK, BRUSSELS/TEFAF New York]
Western art unattributed:
Head of a bearded god. Roman, c.2nd century CE. Marble, 20 cm. [CHARLES EDE, LONDON. TEFAF New York]
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04/2025 | 1465 | 167
Pages: i-xii
Subjects
Illustrations
Attributed works:
Anna Tonelli (c.1763-1846) Portrait of Honor Edgeworth, nee Sneyd (Guy Peppiatt Fine Art and the Limner Company)
Attributed works:
Henry Parsons Riviere, The Girandola at the Castel Sant'Angelo, Rome (Nonesuch Gallery)
Attributed works:
JMW Turner, Inverary Pier, Loch Fyne, Morning, c. 1845 (detail). Oil on canvas, (Yale Center for British Art, Paul Mellon Collection)
Attributed works:
JMW Turner, The Lauerzersee with the Ruins of Schwanau and the Mythens. watercolour over an underdrawing in pencil 227 x 287 mm. (Stephen Ongpin)
Attributed works:
John Smart (1741-1811) Portrait miniature of a lady. (Guy Peppiatt Fine Art & the Limner Company)
Attributed works:
Luca Cambiaso, Diana and Callisto, oil on canvas, 230 x 185.5 cm (Dorotheum)
Article
A portrait of an unknown woman by Titian
03/2025 | 1464 | 167
Pages: 212–17
related names
Author:
Humfrey, Peter (Humfrey, Peter)
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Portrait of a woman in a green dress, by Titian. c.1550–55(?). Oil on canvas, 86 by 70.4 cm. (Private collection).
Attributed works:
2. Detail of the back of the canvas of Fig.1.
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Portrait of a woman, by Paolo Veronese. c.1555. Oil on canvas, 106 by 87 cm. (Musée de la Chartreuse, Douai; photograph Hugo Maertens).
Attributed works:
5. Portrait of a woman. Venice. c.1555(?). Oil on canvas, 101 by 77 cm. (Musée des Beaux-Arts, Béziers).
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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Article
The Buccleuch portrait of Sir Nicholas Carew re-examined
02/2023 | 1439 | 165
Pages: 120-127
related names
Author:
Kimbriel, Christine Slottved (Kimbriel, Christine Slottved)
Subjects
dates:
Illustrations
Attributed works:
1. Sir Nicholas Carew, by Hans Holbein the Younger. 1527. Black and coloured chalks on paper, 54.8 by 38.5 cm. (Kunstmuseum Basel).
Attributed works:
2. Sir Nicholas Carew, after Hans Holbein the Younger. c.1585–90. Oil on panel, 95.1 by 102.4 cm. (Collection of the Duke of Buccleuch; photograph Hamilton Kerr Institute).
Attributed works:
3. Infra-red image of Fig.1. (© Hamilton Kerr Institute).
Attributed works:
4. Digital overlay of Figs.1 and 2.
Attributed works:
5. Detail of Fig.2, showing the extreme bottom of the slashed skirt and the better-preserved blue paint with red glaze paint.
Attributed works:
6. Impresa of the Basel book printer Johann Froben, by Hans Holbein the Younger. c.1523. Tempera on unprimed canvas (Tüchlein), 44 by 31 cm. (Kunstmuseum Basel).
Attributed works:
7. The Prodigal Son, by Huybrecht Beuckelaer. 1563–84. Oil on canvas, 127.5 by 155.5 cm. (Musées royaux des Beaux-Arts de Belgique, Brussels).
Article
George Gower: portraitist, Mercer, Serjeant Painter
09/2020 | 1410 | 162
Pages: 730-747
related names
Author:
Town, Edward (Town, Edward)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Self-portrait, by George Gower. 1579. Panel, 56.4 by 49.6 cm. (Private collection).
Attributed works:
10. Richard Drake, by George Gower. 1577. Oil on panel, 91.1 by 71.1 cm. (National Maritime Museum, Greenwich).
Attributed works:
11. Infra-red detail of Fig.12, showing the sitter’s eye with pentimento of the iris.
Attributed works:
12. Called Henry Wriothesley, 2nd Earl of Southampton, by George Gower. 1572. Oil on panel, 54 by 34.5 cm. (The Bute Collection, Mount Stuart, Isle of Bute).
Attributed works:
13. Sir Henry Sidney, here attributed to George Gower. 1573. Oil on panel, 202 by 122 cm. (Petworth House, Sussex).
Attributed works:
14. Sir Henry Sidney, here attributed here to George Gower. c.1573. Oil on panel, 67.6 by 52.5 cm. (National Portrait Gallery, London).
Attributed works:
15. Details of Figs.16 and 13, showing the sitters’s right eye and nose.
Attributed works:
16. Sir Henry Sidney, here attributed here to George Gower. c.1573. Oil on paper, 30.5 by 27.9 cm. (National Portrait Gallery, London).
Attributed works:
17. Frances Sidney, Countess of Sussex, here attributed to George Gower. c.1572. Oil on panel, 193.2 by 110 cm. (Sidney Sussex College, Cambridge).
Attributed works:
18. Elizabeth I (The Hampden Portrait), here attributed to George Gower. c.1567. Oil on panel, 196 by 140 cm. (Private collection; Philip Mould & Co., London).
Attributed works:
19. Detail of an infra-red photograph of Fig.17 (left); and a tracing of the features evident in the underlying portrait (right).
Attributed works:
2. Sir Thomas Kytson, by George Gower. 1573. Panel, 53 by 36.9 cm. (Tate, London).
Attributed works:
20. Detail of an infra-red photograph of Fig.18.
Attributed works:
21. Elizabeth I (The Fonthill Portrait), here attributed to George Gower. c.1567. Oil on panel, 45.7 by 33 cm. (Private collection).
Attributed works:
22. Elizabeth I (The Berger/Northwick Park portrait), here attributed to George Gower. c.1567. Panel, 54 by 43.2 cm. (The Berger Collection, Denver Art Museum).
Attributed works:
23. Elizabeth I, here attributed to George Gower. c.1580. Pencil and watercolour on paper, 15.2 by 18.4 cm. (National Portrait Gallery London).
Attributed works:
24. Elizabeth I (The Ermine portrait), here attributed to George Gower. 1585. [Oil on?] panel, 105.4 by 86.4 cm. (Hatfield House, Hertfordshire).
Attributed works:
3. Inscriptions attributed to Gower’s hand from the following portraits, from top to bottom: called Henry Wriothesley, 2nd Earl of Southampton, 1572 (Fig.12); Elizabeth Cornwalllis, Lady Kytson, 1573 (fig.4); Francis Hart of Lullingstone Castle, 1573 (private collection); Elizabeth Knollys, Lady Leighton, 1577 (Fig.8); and Frances, Lady Brydges, 1579 (Fig.5).
Attributed works:
4. Elizabeth Cornwallis, Lady Kytson, by George Gower. 1573. Panel, 68.3 by 52.1 cm. (Tate, London).
Attributed works:
5. Frances, Lady Brydges, by George Gower. 1579. Panel, 91.1 by 68.6 cm. (Yale Center for British Art, New Haven).
Attributed works:
6. Details of Figs.4, 5, 8 and 9 showing the sitters’ right eyes.
Attributed works:
7. Details of Figs.8 and 5, showing gold-mounted jewels.
Attributed works:
8. Elizabeth Knollys, Lady Leighton, by George Gower. 1577. Panel, 61 by 45 cm. (Montacute House, Somerset, National Trust).
Attributed works:
9. Lady Philippa Coningsby, by George Gower. 1578. Panel, 93 by 70.1 cm. (Indianapolis Museum of Art).
Article
The Art of Conservation XII. Art history, science and practice: the training of paintings conservators in the twentieth century
08/2017 | 1373 | 159
Pages: 630-637
related names
Author:
Hill Stoner, Joyce (Hill Stoner, Joyce)
Subjects
subjects:
Illustrations
Attributed works:
39. A reconstruction in progress of Rogier van der Weyden's painting of The Magdalene reading (National Gallery, London), made by Brian Baade for the Winterthur/University of Delaware Program in Art Conservation. 2013 (Photograph Joyce Hill Stoner)
Attributed works:
41. Paolo and Laura Mora demonstrating the tratteggio technique of inpainting at the J. Paul Getty Museum painting conservation studio in Los Angeles. 1985 (Photograph Joyce Hill Stoner)
Attributed works:
42. Stephen Rees Jones in the Technology Department of the Courtauld Institute of Art, London. 1972 (Photograph Joyce Hill Stoner)
Western art unattributed:
37. Johannes Hell. Date unknown. (Photograph courtesy FAIC, Winterthur Museum, Library and Archives)
Western art unattributed:
38. William Suhr in his studio in Berlin (sitting on the far left). 1920s (Photograph courtesy FAIC, Winterthur Museum, Library and Archives)
Western art unattributed:
40. The Staatliche Akademie der Bildenden Künste, Stuttgart, Institut für Technologie der Malerei. 1965
Western art unattributed:
43. Sheldon Keck (far left) and James Hester, former President of New York University, welcome Jacqueline Kennedy to the New York University Conservation Center at the Institute of Fine Arts, New York. Leonetto Tintori is on the far right. c.1961 (Photograph courtesy of the New York University Institute of Fine Arts)
Western art unattributed:
44. Delegates to the International IIC Congress on Museum Climatology outside the Albert Hall, London. 1967 (Photograph courtesy of the International Institute for Conservation of Historic and Artistic Works, London)
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Advertisements January 1988 (Front)
01/1988 | 1018 | 130
Pages: i-xxiv
Subjects
Illustrations
Attributed works:
[Armin B. Allen, 3 Bury Street, London] A Rare Holitsch Faiënce Centerpiece. Circa 1760, Height 11¼ Inches.
Attributed works:
[Asprey, 165-169 New Bond Street, London] A Charles II Tankard, Makers Mark R. N., London 1678. 6¼″ High. 24 07.
Attributed works:
[Bankside Gallery, 48 Hopton St., London] The Wave, by Jacqueline Rizvi R. W. S. Watercolour and Bodycolour, 14″ by 19½″.
Attributed works:
[Bourne Fine Art, Duke St., London] Cellardyke, by Sam Bough R. S. A. (1822-78). Watercolour, Signed and Dated 1875, 13½″ by 19″.
Attributed works:
[Colnaghi, 14 Old Bond St., London] A View of Windsor from the Thames, by William Evans of Eton (1798-1877), Pencil and Watercolour Heightened with White, 11½″ by 17½″.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Jean-Baptiste Santerre Magny-en-Vexin (Pontoise) (1651) - Paris, (1717). A Young Girl Beckoning, Canvas: 79.5 × 64 cms. Signed and Dated on Letter: Santerre 1703.
Attributed works:
[David Carritt Limited, 15 Duke Street, London] John Martin. Sadak in Search of the Waters of Oblivion. 1812. Oil on Canvas 72 × 49½in
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] Gustave Courbet (1819-1877). Seated Male Figure, Called 'The Gaul'. Black Chalk on White Paper (With Touches of Red Chalk). 24⅜ × 19 in.; 62 × 48 cm.
Attributed works:
[Heim Gallery (London) Limited, 59 Jermyn Street, London] Philippe Mercier Berlin 1689-1760 London. A Concert. Oil on Canvas. 96.5 by 127 cm
Attributed works:
[J.S. Maas & Co. Ltd, New Bond St., London] Portrait Head of Beatrice Stuart, by Sir Frank Dicksee P. R. A. (1853-1928). Pencil, Signed and Dated, 1912. 10⅞" by 7¼″.
Attributed works:
[James MacKinnon, 17 Savile Row, London] Portrait of a Gentleman, by Antoine-Pierre Mongin (1761-1827), Charcoal. 16½″ by 14″. Signed and Dated.
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Giovanni-Paolo Lomazzo, Milano 1538-1600. 'Study for an Apostle'. Black Chalk Heightened with White on Blue Paper Squared with Red Chalk 328 × 248 mm. Watermark: Hand
Attributed works:
[Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London] Pearl One 1987. Oil on Canvas 94 × 84in./238.8 × 213.4 cm.
Attributed works:
[Martyn Graham, 34 Bury St., London] Brahmin Bull in a Landscape, by John Collet (c. 1725-1780).
Attributed works:
[Matthiesen Fine Art Ltd, 7-8 Mason's Yard, Duke Street, London] Gentileschi St Francis Receiving the Stigmata
Attributed works:
[Oscar and Peter Johnson Limited, 27 Lowndes St., London] A View of Oxford from Boar's Hill, by Philip Henry Delamotte, Watercolour, 12¼″ by 16½″, Framed.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York] Guido Reni Bologna, 1575-1642. The Penitent Magdalene. Oil on Canvas, 35¾ x 29¼ Inches (90.5 × 74.4 cm.) Formerly in the Collections of Cardinal Flavio Chigi and Lord Kinnaird of Rossie Priory. Acquired By The Walters Art Gallery, Baltimore
Attributed works:
[Richard L. Feigen Company, 113 East 79th Street, New York] Richard Parkes Bonington, 'Disguised: Quentin and Louis XI (Walter Scott, Quentin Durward),' 1826, Pencil and Watercolour on Paper, 5¾ Inches by 4¼ Inches (14.6 by 10.8 cm) Signed and Dated, Lower Left: 'RPB 1826'
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York] Massimo Stanzione (1585-1656). Adoration of the Magi. Oil on Canvas. 97 by 62 Inches. Signed with Monogram: MX
Attributed works:
[Stephen Somerville Ltd, 40 Warwick Avenue, London] Windy Morning, by Sir George Clausen R. A. (1852-1944). Watercolour and Bodycolour on Wove Paper, 250 by 314 mm. Signed in Pen and Black Ink.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork St., London] Self-Portrait, by Jules Adolf Aimé Louis Breton (1827-1905). Charcoal and Pencil, 44 by 30 cm, Signed Lower Centre.
Attributed works:
[Wartski, 14 Grafton Street, London] Carl Faberge. The Double Opening Matt Gold Case Is Decorated with a Greek Key Pattern in Black Enamel Set with Rose Diamonds and Brilliant Diamonds Weighing Approximately a Carat Each. The Thumbpush Is Also Set with Rose Diamonds. Signed Fully Fabergé and Bearing the Gold Standard 56. Moscow c. 1900.
Attributed works:
[William Drummond, Ryder St., London] Studies of a Young Woman Looking over Her Left Shoulder. 1890 by Adolf von Menzel, Breslau (1815-1905) Berlin. Black Chalk, 14 by 11 cm, Signed with Monogram and Dated Lower Right. 'A. M. 90′.
Non-western art unattributed:
[Michael B. Weisbrod Inc., 987 Madison Avenue, New York] Ritual Bronze 'Jia' Vessel. Shang Dynasty. 13th-12th Century BC. Height: 19¼ in. (49.0 cm)
Western art unattributed:
[Athenaeum, 5 Avenue Princesse Alice, Monte Carlo] Lombardy. End XIVth/Beginning XVth Century. Height: 20.5 cm. Width: 15 cm.
Western art unattributed:
[Edward R. Lubin, 3 East 75 Street, New York] A Green-Tinted Puzzle Goblet (Scherzgefass), German, 17th Century. Height: 13½ Inches (35 cm.).
Western art unattributed:
[Kimbell Art Museum, 3333 Camp Bowie Boulevard, Fort Worth, Texas] On the Cover: (Front) Detail. Michelangelo da Caravaggio. The Cardsharps, c. 1594-95: (Back) Kimbell Art Museum, View to the North from Conservation Studio: Inside Spread. Kaikei, Standing Shaka Buddha, c. 1210.
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, New Bond Street, London] Fine George III Mahogany Octagonal Rent Desk, Sold Recently at Phillips for £36,000.
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Advertisements June 1983 (Back)
06/1983 | 963 | 125
Pages: nil
Subjects
artists:
Illustrations
Attributed works:
[Christie's, 8 King Street, London, UK] Juan Gris: Verres, Journal et Bouteille de Vin, 1913, Collage, Gouache, Watercolour, Coloured Chalks and Charcoal, 45 by 29.5 cm.