By using this website you agree to our Cookie policy

Search

81 articles
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Book Review
Carrington’s Letters: Her Art, Her Loves, Her Friendships. By Dora Carrington, edited by Anne Chisholm
06/2018 | 1383 | 160
Pages: 523-524
Book Review
The Diaries of Randolph Schwabe: British Art 1930–48. By Gill Clarke & Inquisitive Eyes: Slade Painters in Edwardian Wessex. By Gwen Yarker
10/2017 | 1375 | 159
Pages: 830
related names
Reviewer:
Freeman, Julian (Freeman, Julian)
Subjects
dates:
places:
Illustrations
Attributed works:
64. Portrait of Herbert Barnard John Everett, by William Orpen. c. 1900 (National Maritime Museum, London).
Article
Richard Hamilton at the Slade School of Fine Art (1948-51) and his ‘abstract’ paintings of the early 1950s
09/2015 | 1350 | 157
Pages: 623-630
related names
Author:
Casini, Giovanni (Casini, Giovanni)
Subjects
dates:
subjects:
Illustrations
Attributed works:
33. Particular system, by Richard Hamilton. 1951 (Private collection, on long loan to Museo Nacional Centro de Reina Sofia, Madrid)
Attributed works:
34. Respective, by Richard Hamilton. 1951 (Pallant House Gallery, Chichester)
Attributed works:
35. d'Orientation, by Richard Hamilton. 1952 (Private collection)
Attributed works:
36. Refraction, by Richard Hamilton. 1952 (Tate, London)
Attributed works:
37. Chromatic spiral, by Richard Hamilton. 1950 (Tate, London)
Attributed works:
38. Seated nude, by William Coldstream. 1952-53 (Tate, London)
Attributed works:
39. The Earl Jowitt, by William Coldstream. 1945-51 (Private collection)
Attributed works:
40. Elements from Paul Klee's Pedagogical Sketchbook reproduced in Siegfried Giedion's Mechanisation Takes Command, 1948
Attributed works:
41. Self-portrait, by Richard Hamilton. 1951 (Tate, London)
Attributed works:
42. Portrait of an equilibrist, by Paul Klee. 1927 (Museum of Modern Art, New York)
Attributed works:
43. Mask of fear, by Paul Klee. 1932 (Museum of Modern Art, New York)
Publication Received
A Crisis of Brilliance: Five Young British Artists and the Great War
04/2010 | 1285 | 152
Pages: 260
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
print:
print:
Reviewed Items
subjects:
A Crisis of Brilliance: Five Young British Artists and the Great War | author: Hancock, David Boyd
Book Review
William Coldstream
01/2005 | 1222 | 147
Pages: 51–52
related names
Reviewer:
Bowness, Alan (Bowness, Alan)
Subjects
Reviewed Items
subjects:
William Coldstream | reviewer: Bowness, Alan , author: Laughton, Bruce
Advertisements
Advertisements September 1944 (front)
09/1944 | 498 | 85
Pages: i-ii
Subjects
Illustrations
Attributed works:
[Duveen Brothers Ltd. 720 Fifth Avenue, New York.] Duveen Brothers Inc. Art Galleries. 720 Fifth Avenue, New York. N. W. Corner of 56th Street
Attributed works:
[W. E. Duits, 6 Duke Street, St. James’s, London, S.W.1] Pieter de Hoogh. 1632 - 1686 23 3/4 × 18½ Inches
Advertisements
Advertisements September 1943 (front)
09/1943 | 486 | 83
Pages: i-v
Subjects
Illustrations
Attributed works:
[Alex. Reid & Lefevre Ltd. 1a King Street, St. James’s London, S.W.1.] The Coral Necklace. Harold Gilman
Attributed works:
[Duveen Brothers Ltd. 720 Fifth Avenue, New York.] Duveen Brothers Inc. Art Galleries. 720 Fifth Avenue, New York, N. W. Corner of 56th Street
Attributed works:
[Gallery Matthiesen. 142 New Bond Street. London, W.1.] Ambrosius Benson (Working Bruges, 1519-1550). The Three Annes. 30½ × 23 Inches.
Attributed works:
[J. Leger & Son, 13 Old Bond Street, London, S.W.1.] Benjamin West. Signed and Dated
Attributed works:
[Max Rothschild, Princes House, 39 Jermyn Street, London, W] Lo Spagna. Panel, 29 × 20 Inches.
Attributed works:
[P&D Colnaghi & Co. Ltd, 14 Old Bond Street, London, W1] Lucas Cranach. St. George. Woodcut, 1506
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale, October 13th-The Three Gabled Cottages, Etching by Rembrandt.
Attributed works:
[The Arcade Gallery, Ltd. 15 Royal Arcade, 28 Old Bond Street. London, W.1.] Francesco Guardi (1712-1793).
Attributed works:
[W. E. Duits, 6 Duke Street, St. James’s, London, S.W.1] Salomon Ruysdael (1600-1670). Canvas 13¼ × 19 Inches
Western art unattributed:
[Frank Partridge & Sons, Ltd., 26 King Street, St, James’s Sq., London] An Exceptionally Finely Carved Chippendale Armchair, 1715-1762
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale in the Autumn-"Capricorn" from the Calendar of a Fine Psalter (See Also Opposite).
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale in the Autumn-"December" from the Calendar of a Fine Psalter (See Also Opposite).
Article
Three Teachers: Brown, Tonks and Steer
06/1943 | 483 | 82
Pages: 141-146
related names
Author:
Schwabe, Randolph (Schwabe, Randolph; S., R.)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
Plate I. A-Henry Tonks John S. Sargent and Wilson Steer. By Sir William Rothenstein. About 1904. Sketch in Oils. (Property of the Artist). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate I. B-Portrait of the Artist. By Frederick Brown. Dated 1932. Canvas, 91 by 66 c. m. (Tate Gallery). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate I. C-The Garden. By Frederick Brown. Dated 1937. Canvas, 46 by 61 c. m. (Tate Gallery). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate II. A-Study of Trees. By Henry Tonks. Pen Drawing, 25.4 by 35.6 cm. (The Slade School of Fine Art). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate II. B-The Storm. By Fred Brown. Signed and Dated 1914. Ink and Watercolour, 24 by 35 cm. (Tate Gallery). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate II. C-Sheet of Figure Studies. By Henry Tonks. Pen Drawing, 42 by 31.8 cm. (The Slade School of Fine Art). Three Teachers: Brown, Tonks and Steer
load more