35. Tapestry Woven by Joshua Morris of Soho (Probably after Designs by Andien de Clermont); Second Quarter of Eighteenth Century. (Viscount Cobham, Hagley Hall.)
16. The Arming (or Disarming) of Mars. Vulcan and Venus set. Mortlake, Probably Fifth Weaving, 1630-40. (Mobilier National, Paris.)
Attributed works:
17. Detail of the Borders of the Hero and Leander set, on Red Ground. With Mortlake mark and Monograms of Sir Francis Crane and Philip de Maecht. (H. M. The King of Sweden.)
Attributed works:
18. Detail from the Miraculous Draught of Fishes. Acts of Apostles set. Mortlake; from the Set with the Royal English Arms. (Mobilier National, Paris.)
Attributed works:
19. Detail of the Borders of the Sacrifice at Lystra. Acts of the Apostles Set, on Silver Ground. With Mortlake Mark and Master-Weaver's Initials 'P. S.' (Louvre.)
Article
A Set of Beauvais Tapestries Alluding to the War of American Independence
6. Les Quatre Parties du Monde: I. America. Beauvais Tapestry, Designed by J. J. F. Lebarbier in 1786. 307 by 320 cm. (Osterley Park; from Arlington Court, Devon.)
Attributed works:
7. Les Qualre Parties du Monde: II. Europe. Beauvais Tapestry, Designed by J. J. F. Lebarbier in 1786. 301 by 394 cm. (Osterley Park; from Arlington Court, Devon.)
Attributed works:
8. Les Quatre Parties du Monde: III. Africa. Beauvais Tapestry, Designed by J. J. F. Lebarbier in 1786. 294 by 320 cm. (Osterley Park; from Arlington Court, Devon.)
Attributed works:
9. Les Quatre Parties du Monde: IV. Asia. Beauvais Tapestry, Designed by J. J. F. Lebarbier in 1786. 310 by 384 cm. (Osterley Park; from Arlington Court, Devon.)
14. The Boar and Bear Hunt (Detail of Centre and Right Side). Tapestry, Woven at Arras or Tournai, Second Quarter of the Fifteenth Century. Here Suggested as a Reversed Cartoon Woven in Low-Warp Tapestry. (Chatsworth Estates Company.)
Japanese Silk Showing "Wanashi" Pattern. (Victoria and Albert Museum)
Non-western art unattributed:
Plate I. A, B-Silk Damasks, Macao. Second Half of the Sixteenth Century; C-Satin and Twill Silk Tissue. Spanish. Sixteenth Century; D, E-Silk Tissues. Macao. Second Half of the Sixteenth Century. (All in the Victoria and Albert Museum); F-Silk Tissue. Macao. Second Half of the Sixteenth Century. (Museum für Ostasiatische Kunst, Cologne). Some Silks Woven under Portuguese Influence in the Far East
Non-western art unattributed:
Plate II. A-Embroidered Silk Coverlet. Indo-Portuguese. Sixteenth Century; B-K'O-Ssu. Chinese (Reproduced from A. De Tizac: Etoffes de la Chine (1914); C-Silk Damask. Macao. Second Half of the Sixteenth Century; D-Silk and Gold Tissue. Japanese. Probably Eighteenth Century; E-Silk Damask. Macao. Second Half of the Sixteenth Century; F-Silk Damask. Spanish. Sixteenth Century. (All Except B-In the Victoria and Albert Museum). Some Silks Woven under Portuguese Influence in the Far East
Plate I. A-Silk Damask. Spanish; Sixteenth Century. B-Lustre-Ware Plate (Back). Valencia; Second Half of the Fifteenth Century; C-Silk Damask. Spanish; Sixteenth Century; D-Silk Damask. Spanish; Sixteenth Century; E-Silk Damask. Spanish; Sixteenth Century; F-Lustre-ware Tile. Valencia; Late Fifteenth Century (Victoria and Albert Museum). Sixteenth-Century Silk Damasks-A Spanish Group
Western art unattributed:
Plate II. A-Silk Damask. Spanish; End of the Sixteenth Century; B-Silk Damask (Detail of a Chasuble). Spanish; End of the Sixteenth Century. C-Silk Damask. Spanish; Sixteenth Century; D-Carpet (Detail). Spanish; Sixteenth Century; E-Silk Damask (Detail of a Dalmatic). Spanish; Sixteenth Century; F-Satin and Twill Damask. Spanish; Sixteenth Century (Victoria and Albert Museum). Sixteenth-Century Silk Damasks-A Spanish Group