By using this website you agree to our Cookie policy

Search

7 articles
Article
A reverse-glass painting by Gerhard Janssen in the Valtice Palace
07/2024 | 1456 | 166
Pages: 675–9
related names
Author:
Macurová, Zuzana (Macurová, Zuzana)
Author:
Míchalová, Zdeňka (Míchalová, Zdeňka)
Subjects
dates:
Illustrations
Attributed works:
1. The inscription on the panel on the reverse of Fig.3.
Attributed works:
2. Detail of Fig.3, showing the fragment of Gerhard Janssen’s monogram.
Attributed works:
3. The baptism of the eunuch, here attributed to Gerhard Janssen. 1677. Pigment and gold leaf on glass, 56 by 52 cm. (Valtice Palace, National Heritage Institute; photograph Martin Kučera).
Attributed works:
4. Detail of Fig.3, showing St Philip and the eunuch.
Attributed works:
5. The baptism of the eunuch, by Jan Gillisz. van Vliet, after Rembrandt. 1631. Engraving, 59.2 by 49.1 cm. (Rijksmuseum, Amsterdam).
Attributed works:
6. Detail of Fig.3, showing the man on horseback.
Attributed works:
7. Gerhardt Janssen, by Ulrich Daniel Metzger. 1725. Pigment and gold leaf on glass, 13.5 by 10.7 cm. (Vitromusée, Romont)
Article
Counter-Reformation ambers: Friedrich Schmidt’s workshop in Kretinga, Lithuania
09/2022 | 1434 | 164
Pages: 839-853
related names
Author:
kulka, Rahul (kulka, Rahul)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
1. Altar, by Friedrich Schmidt. 1678. Amber, ivory, wood, glass, silver and parchment, 29 by 20.7 by 16.5 cm. (Altonaer Museum, Hamburg; © SHMH-Altonaer Museum, permanent loan from the Federal Republic of Germany).
Attributed works:
10. Detail of the altar in Fig.1, showing an ivory panel carved with a kneeling saint.
Attributed works:
11. Detail of the casket in Figs.13 and 14, showing an ivory panel carved with the Annunciation.
Attributed works:
12. Detail of the altar in Fig.1, showing an ivory panel carved with the Annunciation.
Attributed works:
13 and 14. Casket of St Casimir (Cassetta di San Casimiro), by Friedrich Schmidt and workshop. 1678. Amber, ivory, glass, wood and silver, 35.5 by 58 by 20 cm. (Museo degli Argenti, Florence; © su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
15 and 16. Small altar with Crucifixion group, by the workshop of Friedrich Schmidt. 1677–78. Amber, ivory, glass and wood, height 59 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
17 and 18. Large altar with Crucifixion group, by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass and wood, height 136 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
19. Detail of the altar in Figs.17–18.
Attributed works:
2. The rear of the altar illustrated in Fig.1 .
Attributed works:
20. Candlestick, one of a small-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
21. Candlestick, one of a medium-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
22. Altar with Crucifixion group, by the workshop of Friedrich Schmidt, c.1678. Amber, ivory and wood, height 78 cm. (Schloss Weißenstein, Pommersfelden; from A. Rohde: Bernstein: Ein deutscher Werkstoff, Berlin 1937, fig.214).
Attributed works:
23 and 24. Reliquary by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass, wood and silver, 32 by 49.5 by 24.2 cm. (Convento di Santa Chiara, Naples; photograph © Marco Pedicini, courtesy the Central Directorate for Religious Affairs and for the Administration of the Fondo Edifici di Culto of the Ministry of the Interior).
Attributed works:
25. Candlestick, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory and wood, height 28 cm. (Museo di Capodimonte, Naples; © Su concessione del Ministero della Cultura – Museo e Real Bosco di Capodimonte).
Attributed works:
26. Altar, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and wood, height 31 cm. (Museum of Fine Arts, Boston; photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
27. Detail of the altar in Fig.28, showing a verre églomisé panel from the right side.
Attributed works:
28. St Casimir, by the Władysław Łazarski printing house. Early 20th-century reprint of an 18th-century woodblock print, 34 by 24 cm. (Częstochowa Museum; © Muzeum Częstochowskiego).
Attributed works:
29. Detail of the top of the altar in Fig.26.
Attributed works:
3. The interior of the altar illustrated in Fig.1.
Attributed works:
4. Detail of the altar illustrated in Fig.1, showing a verre églomisé panel.
Attributed works:
5. Detail of the altar illustrated in Fig.1, showing the inscription on the book.
Attributed works:
6 and 7. Details of an altar with Crucifixion group, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and silver, height 45 cm. (© Muzeum Bursztynu, Malbork; on permanent loan from Muzeum Okręgowe, Tarnów).
Attributed works:
8. Altar, attributed to the workshop of Friedrich Schmidt. After 1678. Amber, ivory and wood, 53 by 36 by 23 cm. (Ostpreussisches Landesmuseum, Lüneburg; © Ostpreußisches Landesmuseum Lüneburg, Deutschbaltische Abteilung).
Attributed works:
9. Detail of the left side of the casket in Figs.13 and 14.
Article
Gilded glass and English saints: a medieval reliquary at Douai Abbey
04/2021 | 1417 | 163
Pages: 314-323
related names
Author:
Campbell, Marian (Campbell, Marian; C., M.)
Author:
Zöschg, Michaela (Zöschg, Michaela)
Subjects
styles:
Illustrations
Attributed works:
10. Diagram of the ‘Wheel of Twenty Opposites’, from the Howard Psalter and Hours. England, c.1310–20. Pigments and gold on parchment, sheet 36 by 23.5 cm. (British Library, London, Arundel MS 83 I, fol.4r; Bridgeman Images).
Attributed works:
12. Crucifixion and the Adoration of the Magi, from the Hours of Jeanne d’Evreux, by Jean Pucelle. Paris, c.1324–28. Grisaille, tempera and ink on vellum, single folio 9.2 by 6.2 cm. (Metropolitan Museum of Art, New York; accession number 54.1.2).
Attributed works:
14. Crucifixion, from the De Lisle Psalter. England, c.1308–40. (British Library, London, Arundel MS 83 II, fol.132r; Bridgeman Images).
Attributed works:
15. Crucifixion, from the Queen Mary Psalter. England, c.1310–20. (British Library, London, Royal 2B VII, fol.256v; Bridgeman Images).
Attributed works:
17. Scenes from the Passion of Christ, from the De Lisle Psalter. England, c.1308–40. (British Library, London, Arundel MS 83 II, fol.125r; Bridgeman Images).
Attributed works:
18. Detail from The Swinburne Pyx, showing the face of Christ. England, c.1310–25. Silver and silver gilt, diameter 5.7 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Historiated initial ‘B’ with the Jesse Tree from the Howard Psalter and Hours. England, c.1310–20. Pigments and gold on parchment, 36 by 23.5 cm. (British Library, London, Arundel MS 83 I, fol.14r; Bridgeman Images).
Attributed works:
6–9 (clockwise from top left). Details of Fig.5, showing: the arms of England; France; Ely; and Bury St Edmunds.
Attributed works:
Opposite 4. Crucifixion, detail of Fig.1, showing the gilded glass panel.
Western art unattributed:
1. Reliquary. England (?), c.1320–30. Wood, gesso, gilding, textile and gilded glass, 31 by 20 by 2.5 cm. (Douai Abbey Library).
Western art unattributed:
11. Wing of a reliquary diptych with the Crucifixion and saints. Umbria, c.1350. Wood, gesso, gilding and gilded glass, 22.5 by 15.6 by 1.4 cm. (Thyssen–Bornemisza Collections, Madrid).
Western art unattributed:
13. Detail from the Westminster Retable, showing the Feeding of the Five Thousand. English (?), c.1270. Oil on oak panel with decorated elements, 333.5 by 95.8 cm. (Westminster Abbey, London; Bridgeman Images).
Western art unattributed:
16. Crucifixion with the Virgin Mary and St John the Evangelist. c.1320. Wall painting. St Mary’s Church, Brent Eleigh (Bridgeman Images).
Western art unattributed:
2. The back of Fig.1.
Western art unattributed:
3. Detail of Fig.1, showing the relic of Robert of Bury.
Article
A Sienese verre eglomisé and Its Setting
03/1981 | 936 | 123
Pages: 132+148-151+153
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
artists:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
18. Wooden Reliquary Base and Frame, Decorated with Pastiglia and Gilded, with Inset Pieces of verre eglomisé. (Cleveland Museum, Ohio). [Tentatively attributed to Luca di Vieri]
Western art unattributed:
1. Virgin and Child Enthroned with Saints; The Annunciation. Verre eglomisé Panel, 25 by 11 cm. (Fitzwilliam Museum, Cambridge). [Sienese school, associated with the workshop of Simone Martini]
Western art unattributed:
19. Fig.1 in Its Present Setting. (Fitzwilliam Museum, Cambridge).Virgin and Child Enthroned with Saints; The Annunciation. Verre eglomisé Panel, 25 by 11 cm.[Sienese school, associated with the workshop of Simone Martini]
Article
The Italian Exhibition: I - Bronzes; II - Textiles; III - Maiolica; IV - Glass.
01/1930 | 322 | 56
Pages: 9-11+14-17+20-23+26-27+30-31
related names
Author:
Buckley, Wilfred (Buckley, Wilfred)
Author:
Kendrick, A. F. (Kendrick, A. F.; K., A. F.; K., A.; Kendrick, Albert Frank)
Author:
Longhurst, Margaret H. (Longhurst, Margaret H.; Longhurst, M. H.; Longhurst, M.; Longhurst, Margaret)
Author:
Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)
Subjects
artists:
artists:
dates:
dates:
places:
places:
places:
places:
places:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
Plate I. A-Hercules and Cacus, by Pollaiuolo. Bronze. (Museo Nazionale, Florence). The Italian Exhibition
Attributed works:
Plate I. B-Youth Playing a Fiddle, by Bertoldo. Bronze. (Museo Nazionale, Florence). The Italian Exhibition
Attributed works:
Plate II. A.-Cope, One of a Set of Vestments Made for the Opening of Henry VII's Chapel, Westminster Abbey. (Stonyhurst College). The Italian Exhibition [Design tentatively attributed to Pietro Torrigiano]
Attributed works:
Plate II. B-Asia, One of a Set of Tapestries of the Continents, Designed by Leonardo Bernini and Worked by Vittorio Demignot (Uffizi, Florence). The Italian Exhibition
Attributed works:
Plate III. A-Maiolica Roundel, Painted with the Holy Family, after Dürer; Caffaggiolo Factory; Circa 1510. (Mr. Henry Oppenheimer). The Italian Exhibition
Attributed works:
Plate V. Triptych by Francesco del Cossa. St. Peter (Brera Gallery, Milan); St. Vincent Ferrer, 1.52 by 0.9 m. (National Gallery); St. John the Baptist (Brera Gallery, Milan); Miracles of S. Giacinto (Vatican). The Italian Exhibition
Attributed works:
Plate VI. A-The Death of Lucretia, by Ercole Roberti. (Pinacoteca, Modena). The Italian Exhibition
Attributed works:
Plate VI. B-Virgin and Child, by Piero della Francesca. (Marchesa di Villamarina, Rome). The Italian Exhibition
Attributed works:
Plate VII. A-Portrait of a Man, by Antonello da Messina. (Malaspina Collection, Pavia). The Italian Exhibition
Attributed works:
Plate VII. B-The Bishop Lorenzo Roverella and SS. Paul and Maurelius, by Cosimo Tura. (Prince Colonna, Rome). The Italian Exhibition
Attributed works:
Plate VII. The Story of the Holy Girdle, by Bernardo Daddi. (Prato Museum). The Italian Exhibition
Attributed works:
Plate VIII. The Magdalen, by Piero di Cosimo. (Corsini Gallery, Rome). The Italian Exhibition
Western art unattributed:
Plate III. B-Maiolica Dish; Faenza; Circa 1520. (Sir Otto Beit, Bart). The Italian Exhibition
Western art unattributed:
Plate IV. A-Diamond-engraved dish, with the arms of Pius IV; crica 1560; B-Pilgrim's bottle, with the arms of Sforza and Bentivogolio, circa 1500; C-Enamelled goblet, with dummy foot; second half of fifteenth century; D-Goblet with filigree ornament; sixteenth century; E-Canister of "schmelz" glass; late sixteenth or early seventeenth century. (A, B, D and E in the possession of Mr. Wilfred Buckley; C in the possession of Mr. George Eumorfopoulos). The Italian Exhibition
Letter
Églomisé
03/1918 | 180 | 32
Pages: 121
related names
Author:
Cook, Charles (Cook, Charles)
Subjects
Article
Eighteenth-Century Mirrors. Article II (Conclusion)
06/1906 | 39 | 9
Pages: 176-179+181-182
related names
Author:
Clouston, R. S. (Clouston, R. S.; C., R. S.)
Subjects
artists:
artists:
dates:
places:
places:
styles:
styles:
subjects:
subjects:
Illustrations
Western art unattributed:
1. [Example of Queen Anne mirror with Chippendale-syle features] Eighteenth-Century Mirrors
Western art unattributed:
2. [Chippendale-style mirror foreshadowing the later overmantel style] Eighteenth-Century Mirrors
Western art unattributed:
3. [Mirror with wreaths, fruit and foliage, with both elements of Chippendale and Adam style] Eighteenth-Century Mirrors
Western art unattributed:
4. [Example of Verre églomisé] Eighteenth-Century Mirrors
Western art unattributed:
5. [Part of a bedroom suit in Empire style] Eighteenth-Century Mirrors
Western art unattributed:
6. [Example with decoration of Sphinxes in Empire Style] Eighteenth-Century Mirrors