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51 articles
Article
Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’
12/2023 | 1449 | 165
Pages: 1305–1319
related names
Author:
Lomas, David (Lomas, David)
Subjects
dates:
styles:
Illustrations
Attributed works:
1. Detail of Fig.2, showing a painter at an easel with the Ampurdan plain stretching beyond.
Attributed works:
10. The dream and lie of Franco, by Pablo Picasso. 1937. Aquatint and etching, image 31.7 by 42.1 cm. (Plate I, 8th January 1937, printed by Roger Lacourière; © Succession Picasso and DACS, London; Scala, Florence).
Attributed works:
11. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1933–34. Photogravure and drypoint after celluloid engraving, 33 by 25 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Florence/bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; Sprengel Museum, Hannover).
Attributed works:
12. The knight of death, by Salvador Dalí. c.1934. Oil on canvas, 65 by 54 cm. (Private collection; Bridgeman Images).
Attributed works:
13. Plate from Les Chants de Maldoror (Comte de Lautréamont), by Salvador Dalí. 1934. Photogravure and drypoint after celluloid engraving, 33.2 by 25.2 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
14. Expressions of fury in horses, a lion and a man, by Leonardo da Vinci. c.1503–04. Pen and ink with wash, and red chalk on paper, 19.6 by 30.8 cm. (© 2023 His Majesty King Charles III; Royal Collection Trust).
Attributed works:
15. Study for Suburbs of a paranoiac-critical town, by Salvador Dalí. 1935. Pencil and ink on paper, 32 by 22.8 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Sammlung Scharf-Gerstenberg, Berlin).
Attributed works:
16. Paranoiac woman-horse (invisible sleeping woman, lion, horse), by Salvador Dalí. 1930. Oil on canvas, 50 by 65 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; NPL – DeA Picture Library; Bridgeman Images; Musée National d’Art Moderne, Centre Pompidou, Paris).
Attributed works:
17. Conversion of St Paul, by Caravaggio. 1601. Oil on canvas, 230 by 175 cm. (S. Maria del Popolo, Rome; Bridgeman Images).
Attributed works:
18. St George slaying the dragon or Roger and Angelica or Perseus and Andromeda, by Giorgio de Chirico. 1940. Oil on canvas, 91 by 116 cm. (Private collection).
Attributed works:
19. Battle for the Standard (re-touched copy after Leonardo da Vinci’s Battle of Anghiari), by Peter Paul Rubens. 1603. Black chalk, pen and paint on paper, 45.3 by 63.6 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Debris of an automobile giving birth to a blind horse biting a telephone, by Salvador Dalí. 1938. Oil on canvas, 54.5 by 65.1 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
20. Paranonïa, by Salvador Dalí. c.1935–36. Oil on canvas, 38.1 by 46 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Dalí Museum, St Petersburg).
Attributed works:
21. Duncan’s horses, by Salvador Dalí. 1946. Pen and India ink on card, 25.3 by 19.4 cm. (Private collection).
Attributed works:
22. The city rises, by Umberto Boccioni. 1911. Tempera on card, 36 by 60 cm. (Jesi Collection, Milan; Bridgeman Images).
Attributed works:
3. The enigma of Hitler, by Salvador Dalí. 1938. Oil on canvas, 95 by 141 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
4. Street lamp, study of light, by Giacomo Balla. 1909. Oil on canvas, 174.7 by 114.7 cm. (© Peter Willi; Bridgeman Images; Museum of Modern Art, New York).
Attributed works:
5. Detail of Fig.2, showing Gala as a winged Victory and a father and child with a Leonardesque rock formation at Cadaqués.
Attributed works:
6. Detail of Guernica, by Pablo Picasso. 1937. Oil on canvas. (© Succession Picasso and DACS, London; Bridgeman Images; Museo Reina Sofía, Madrid).
Attributed works:
7. Detail of Fig.2, showing the horse and the light bulb hanging above it, which echoes the position of the electric light in Guernica.
Attributed works:
8. William Tell, by Salvador Dalí. 1930. Oil and collage on canvas, 113 by 87 cm. (© Salvador Dalí, Fundació Gala – Salvador Dalí and DACS, London; Bridgeman Images; Musée National d’Art Moderne, Centre Georges Pompidou, Paris).
Attributed works:
9. Horse head: study for ‘Guernica’, May 2, 1937, by Pablo Picasso. Oil on canvas, 65 by 92 cm. (© Succession Picasso and DACS, London; Scala, Florence; Museo Nacional Centro de Arte, Reina Sofia, Madrid).
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Advertisements (front)
11/2023 | 1448 | 165
Pages: i-xxvii
Subjects
advertisements:
Illustrations
Attributed works:
A dalmatian hound (possibly owned by the Medici family), by Pandolfo Reschi (1640–96). Oil on canvas, 74.5 by 97 cm. [GALERIE ENRICO FRASCIONE, FLORENCE Fine Arts La Biennale]
Attributed works:
Andrea di Bartolo, Saint Benedict, Sienna, 14th Century £20,000-£40,000 [Sloane Street Auctions]
Attributed works:
ANTOINE-LAURENT DANTAN (Saint-Cloud, 1798 – Paris, 1878) Presumed self-portrait White marble H : 64.5 cm; L : 49 cm; D : 30 cm Signed and dated on the right side : DANTAN aîné 1850 [Charles Ratton & Guy Ladrière]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Charles Hoyau (d. 1644) Active in Le Mans, France Angel Terracotta with original paint and gilding Circa 1630 73 cm high [Daniel Katz Gallery]
Attributed works:
Circle of Lorenzo Monaco, The Prophet Jeremiah £70,000-£100,000 [Sloane Street Auctions]
Attributed works:
Desiderio da Settignano Umkreis, € 150,000 - 300,000 [Kinsky]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Carlo Orsi/Nicholas Hall]
Attributed works:
GEORG PFRÜNDT (1603–1663) GERMAN, SCHWÄBISCH HALL OR NUREMBERG, CIRCA 1625–1635 CAIN AND ABEL Solnhofen stone, 20.5 by 17 cm. [Erik Bizet]
Attributed works:
Giambologna Birdcatcher Cast by Antonio Susini (1558–1624) Florence, c. 1580 Bronze, Height: 31 cm [Stuart Lockhead]
Attributed works:
Gian Maria Falconetto (Veronese, 1468 - 1540), A mythological or historical scene £200,000-£400,000 [Sloane Street Auctions]
Attributed works:
Giovan Battista Foggini (1652 – Florence – 1725) After a model by Giambologna of 1589 Hercules and the Erymanthian Boar Bronze: h. 45.4 cm [Patricia Wengraf]
Attributed works:
Giovanni di Pietro, 1432-pre 1479 A Court Scene £100,000-£200,000 [Sloane Street Auctions]
Attributed works:
Guido Reni Bologna, 1575 - 1642 Christ Bearing the Cross Oil on copper, 49.5 x 36.5 cm [Moretti]
Attributed works:
Jewellery presentation project, by Salvador Dalí (1904–89). 1949– 51. Watercolour, gouache, pencil and collage on cardboard, 30.2 by 18.4 cm. [GALERIA MAYORAL, BARCELONA AND PARIS/Fine Arts La Biennale]
Attributed works:
Jupiter and Antiope, by Rembrandt (1606–69). 1659. Etching and drypoint on paper, 13.7 by 20.4 cm. [GALERIE H.H. RUMBLER, FRANKFURT Fine Arts La Biennale]
Attributed works:
Le Palais de rideaux (The Palace of curtains), by René Magritte (1898–1967). 1928. Oil on canvas, 81 by 116 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/Fine Arts La Biennale]
Attributed works:
Niccolo Giolfino (1476 – 1555), Mucius Scaevola thrusting his hand into the Flame £100,000-£200,000 [Sloane Street Auctions]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes Fine Art]
Attributed works:
Vase, by Arthur Craco (1869–1955). c.1900. Enamelled terracotta, height 18.5 cm. [LANCZ GALERIE, BRUSSELS Fine Arts La Biennale]
Attributed works:
Virgin of the Immaculate Conception, attributed to Gervais Il Delabarre (1603–1650/53). France, c.1630–40. Gilt and polychrome terracotta, 70 by 55 by 35 cm. GALERIE SISMANN, PARIS/Fine Arts La Biennale]
Attributed works:
Vrancke van der Stockt, Two altar-piece fragments, 15th Century £20,000-£30,000 [Sloane Street Auctions]
Attributed works:
Winter landscape with ice skater and a bird trap, by Pieter Brueghel the Younger (1564–1638). Oil on panel, 38 by 55.2 cm. [DE JONCKHEERE GALLERY, GENEVA/Fine Arts La Biennale]
Non-western art unattributed:
Folio from the Dastan-i Amir Hamza. Bikaner, Rajastan, c.1680. Ink, watercolour and gold on paper, 24.9 by 16 cm. [ART PASSAGES, SAN FRANCISCO Fine Arts La Biennale]
Non-western art unattributed:
Makonde anthropomorphic pipe. Tanzania or Mozambique, early 20th century. Wood, height 32.5 cm. [BERNARD DE GRUNNE, BRUSSELS. Fine Arts La Biennale]
Western art unattributed:
Head of a king. France, 15th century. Stone, height 26 cm. [GALERIE RATTON  LADRIÈRE, PARIS/Fine Arts La Biennale]
Western art unattributed:
The Master of Monte Oliveto, Christ on the Cross, Early 14th Century £100,000-£200,000 [Sloane Street Auctions]
Article
Tanguy's titles
09/2023 | 1446 | 165
Pages: 932–45
related names
Author:
Mack, Stephen (Mack, Stephen)
Subjects
sources:
Illustrations
Attributed works:
1. Maman, Papa est blessé, by Yves Tanguy. 1927. Oil on canvas, 92.1 by 73 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
2. Dame à l’absence, by Yves Tanguy. 1942. Oil on canvas, 115 by 89.5 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; photograph by Walter Klein; Kunstsammlung Nordrhein- Westfalen, Dusseldorf).
Attributed works:
3. Inventions of the monsters, by Salvador Dalí. 1937. Oil on canvas, 51.4 by 78.4 cm. (© Salvador Dali, Fundació Gala-Salvador Dalí; DACS, London; Art Institute of Chicago).
Attributed works:
4. Poem-object, by André Breton. 1941. Carved wood bust of man, oil lantern, framed photograph, toy boxing gloves and paper mounted on drawing board, 45.8 by 53.2 by 10.9 cm. (© ADAGP, Paris and DACS, London; Museum of Modern Art, New York).
Attributed works:
5. Le Diaposin de satin, by Yves Tanguy. 1940. Oil on canvas, 99.1 by 81.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Metropolitan Museum of Art, New York).
Attributed works:
6. La Grue des sables, by Yves Tanguy. 1945. Gouache on paper, 46.1 by 31 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Art Institute of Chicago).
Attributed works:
7. Terre d’ombre, by Yves Tanguy. 1927. Oil on canvas, 99.1 by 80.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; |Detroit Institute of Art).
Exhibition Review
Surrealism Beyond Borders
06/2022 | 1431 | 164
Pages: 592-594
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
dates:
Reviewed Items
subjects:
Surrealism Beyond Borders Tate Modern, London 24th February–29th August | :
Illustrations
Attributed works:
1. A circus rider’s dream, by Yayoi Kusama. 1955. Gouache on paper, 74.9 by 64.5 cm. (Private collection; © Yayoi Kusama; courtesy David Zwirner, New York; Ota Fine Arts, Tokyo, Singapore and Shanghai; Victoria Miro, London and Venice; photograph Elisabeth Bernstein; exh. Tate Modern, London).
Attributed works:
2. The seven sons of Lautréamont (and his dutiful beautiful daughter), by Ted Joans, Heriberto Cogollo, Agustin Cárdenas, Jorge Camacho, Wifredo Lam, Roberto Matta, Hervé Télémaque and Joyce Mansour. 1970–79. Ink on paper with poem, 76.2 by 21.6 cm. (Private collection; © Ted Joans Estate; courtesy Laura Corsiglia; photograph Buddy Ratner; exh. Tate Modern, London).
Attributed works:
3. Ekrany (screens), by Erna Rosenstein. 1951. Oil on canvas, 48 by 64 cm. (© Muzeum Sztuki, Łódź; exh. Tate Modern, London).
Exhibition Review
Millet and Modern Art: From Van Gogh to Dalí. Saint Louis Art Museum, St Louis
04/2020 | 1405 | 162
Pages: 346-348
related names
Reviewer:
Clarke, Michael (Clarke, Michael)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Millet and Modern Art: From Van Gogh to Dal  Saint Louis Art Museum, St Louis 16th February–17th May | :
Illustrations
Attributed works:
21. Archaeological reminiscences of Millet’s Angelus, by Salvador Dalí. c.1934. Oil on panel, 31.8 by 39.4 cm. (Dalí Museum, St Petersburg FL; exh. Saint Louis Art Museum).
Attributed works:
22. In the rice fields, by Angelo Morbilli. 1901. Canvas, 182.9 by 130.2 cm. (Private collection; exh. Saint Louis
Book Review
Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting. By Gavin Parkinson
01/2020 | 1402 | 162
Pages: 81-83
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
art literature:
Reviewed Items
styles:
Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting By Gavin Parkinson. 352 pp incl. 15 col. + 113 b. & w. ills. (Bloomsbury, London and Oxford, 2018), £102. ISBN 978–1–5013–3725–3. | :
Illustrations
Attributed works:
7. Be in love and you will be happy, by Paul Gauguin. 1889. Wood relief, 95 by 72 by 6.4 cm. (Museum of Fine Arts, Boston).
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Exhibition Review
Dalí and Duchamp. London
01/2018 | 1378 | 160
Pages: 51-52
related names
Reviewer:
Cox, Neil (Cox, Neil)
Subjects
dates:
styles:
Reviewed Items
styles:
Dali / Duchamp at the Royal Academy of Arts, London | :
Illustrations
Attributed works:
21. Etant donnés 1. La chute d’eau et 2. Le gaz d’éclairage (The waterfall and the illuminating gas), by Marcel Duchamp. 1948–49. (Moderna Museet, Stockholm; © Succession Marcel Duchamp and DACS, London; exh. Royal Academy of Arts, London).
Attributed works:
22. The king and queen surrounded by swift nudes, by Marcel Duchamp. 1912. (Philadelphia Museum of Art; © Succession Marcel Duchamp and DACS, London; exh. Royal Academy of Arts, London).
Attributed works:
23. Madonna, by Salvador Dalí. 1958. (Metropolitan Museum of Art, New York; © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, and DACS, London; exh. Royal Academy of Arts, London).
Publication Received
Salvador Dalí and Andy Warhol: Encounters in New York and Beyond. By Torsten Otte
08/2017 | 1373 | 159
Pages: 650
related names
Reviewer:
Williams, Gilda (Williams, Gilda)
Subjects
Exhibition Review
Dalí. Paris and Madrid
05/2013 | 1322 | 155
Pages: 357-359
related names
Reviewer:
Ades, Dawn (Ades, Dawn)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
61. Tunny fishing, by Salvador Dalí (Société Ricard, Marseille; exh. Museo Nacional Centro de Arte Reina Sofía, Madrid)
Attributed works:
62. The great masturbator, by Salvador Dalí (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Museo Nacional Centro de Arte Reina Sofía, Madrid)
Attributed works:
63. The railway station at Perpignan, by Salvador Dalí (Museum Ludwig, Cologne)
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