Cardinal Alessandro Albani:
collezionismo, diplomazia e mercato
nell’Europa del Grand Tour:
Collecting, Dealing and Diplomacy
in Grand Tour Europe (Studi sul
Settecento Romano 37). Edited by
Clare Hornsby and Mario Bevilacqua.
399 pp. incl. numerous col. + b. & w.
ills. (Edizioni Quasar, Rome, 2021),
€60. ISBN 978–88–5491–188–8. |
:
subjects:
Villa Albani Torlonia: architetture,
collezioni, giardino. Edited by Carlo
Gasparri. 379 pp. incl. numerous col. +
b. & w. ills. (Electa, Milan, 2022), €49.
ISBN 978–88–918–2134–7. |
:
subjects:
Villa Albani Torlonia: The
Cradle of Neoclassicism. Photographs
by Massimo Listri with texts by
Salvatore Settis, Carlo Gasparri,
Alvar González-Palacios and Raniero
Gnoli. 335 pp. incl. numerous
col. + b. & w. ills. (Rizzoli,
New York, 2021). $150.
ISBN 978–8–8918–3214–6. |
:
The Torlonia Marbles:
Collecting Masterpieces
Villa Caffarelli, Musei Capitolini,
Rome
14th October 2020–
29th June 2021 |
:
Illustrations
Attributed works:
3. Installation
view of The
Torlonia Marbles:
Collecting
Masterpieces at
Villa Caffarelli,
Musei Capitolini,
Rome, 2020.
(Fondazione
Torlonia /
Electa / Bulgari;
photograph Oliver
Astrologo).
1. Johann Joachim Winckelmann, by Anton von Maron. 1767. Oil on
canvas, 136 by 99 cm. (Stadtschloss, Weimar; Bridgeman Images).
Attributed works:
2. The Villa Albani, Rome, by Giovanni Battista Piranesi. 1760–78.
Etching, 44.5 by 69.7 cm. (British Museum, London).
Attributed works:
3. Thomas Jenkins, by Anton von Maron. 1791, possibly after an original
of 1761. Oil on canvas, 66.5 by 50 cm. (Accademia di San Luca, Rome).
Attributed works:
4. Thomas Hollis, by Richard Wilson. 1752. Oil on canvas, 56.5 by 44.4 cm.
(Harvard College Library, Harvard University, Cambridge MA).
Western art unattributed:
5. Votive stele, known as the ‘Mantheos relief’. Ancient Peloponnese
Greek or eighteenth-century pastiche. Marble, 39 by 52 cm. (Wilton
House, Wiltshire).
Western art unattributed:
6. The Albani-Farnese Athena. Roman, after a fifth century BC
Greek original, with additions by Bartolomeo Cavaceppi, c.first–
second century AD. Marble, height 224 cm. (Museo Archaeologico,
Naples; Bridgeman Images).
Book Review
The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum
16. Landscope with Banditti round a Tent, by Richard Wilson. 1752. Canvas, 73.1 by 99.1 cm. (Mr J. A. Tooth.)
Attributed works:
17. Landscope with Banditti: The Murder, by Richard Wilson. Signed and Dated 1752. Canvas, 74.3 by 98.5 cm. (Mr J. A. Tooth.)
Attributed works:
18. The Summons of Cincinnatus, by Richard Wilson. 1752. Canvas, 73.1 by 98.5 cm. (Mr J. A. Tooth.)
Attributed works:
19. The Departure of Regulus, by Richard Wilson. Dated 1752. Canvas, 73.7 by 98.5 cm. (Mr J. A. Tooth.)
Attributed works:
20. Narcissus, by Richard Wilson. 1752. Canvas, 48.5 by 62.5 cm. (Father D. J. Lucey.)
Attributed works:
21. Venus and Satyr, by Richard Wilson. 1752. Canvas, 48 by 62.5 cm. (Father D. J. Lucey.)
Attributed works:
22. Sketch, Probably a Study for Landscape with Banditti: The Murder (Fig. 17), by Richard Wilson. Fragmentary Chalk Drawing, 19.7 by 36.2 cm. (Ashmolean Museum.)
Attributed works:
23. Prow of a Roman Galley, a Study for the Galley in The Summons of Cincinnatus (Fig. 18), by Richard Wilson. Inscribed: R. W. G. B. Chalk drawing 9.5 by 15 cm. (British Museum.)
Attributed works:
24. The Murder, Possibly a Preliminary Sketch for Landscape with Banditti: The Murder (Fig. 17), by Richard Wilson. Canvas, 43.2 by 50.8 cm. (Mr Brinsley Ford.)
Attributed works:
25. The Log Fire, Presumed to be Study for the Log Fire in Landscape with Banditti round a Tent (Fig. 16), by Richard Wilson. Chalk Drawing, 17.2 by 2.42 cm. (Mr Brinsley Ford.)
Attributed works:
27. Head of a Capuchin, by Richard Wilson. Signed and Dated 1752. Canvas, 48.5 by 38 cm. (Father D. J. Lucey.)
Attributed works:
28. Head of an Old Man, by Richard Wilson. 1752. Canvas, 49 by 38 cm. (Father D. J. Lucey.)