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7 articles
Article
A set of silver-gilt waiters by Benjamin Pyne for the Courtenay family of Powderham Castle, Devon
06/2018 | 1383 | 160
Pages: 478-485
related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
media:
places:
Illustrations
Attributed works:
9. Salver, marked for Edward Farrell, London. 1824–25. Silver-gilt, width 25.5 cm. (Private collection).
Attributed works:
1. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Niche in the buffet servery linked to the dining room, Uppark, West Sussex. 1812–13. (Photograph National Trust).
Attributed works:
12. Design for a cartouche, Plate 18 from Raccolta di varii capricci, by Stefano della Bella. c.1646. Etching. (Victoria and Albert Museum, London).
Attributed works:
13. Sideboard dish, one of a pair, marked for Edward Farrell, London. 1824–25. Silver-gilt, diam. 38.1 cm. (The National Trust).
Attributed works:
2. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (The Gilbert Collection, on long loan to the Victoria and Albert Museum, London).
Attributed works:
3. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (State Historical Museum, Moscow).
Attributed works:
4. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (Royal Ontario Museum, Toronto).
Attributed works:
5. Diverses figures a l’eau forte de petits amours [sic], by Abraham Bosse after Paolo Farinati. 1644. Etching, 12.8 by 16.2 cm. (British Museum, London).
Attributed works:
6. Plate 3 from A book of ornaments useful to Jewellers, Watchmakers and All Other Artists, by Simon Gribelin. London 1697. Engraving, 19.2 by 15.8 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Design for a frieze, plate 12 from Ornamenti di Fregi et Fogliami, by Stefano della Bella. c.1648–49. Etching, 8.2 by 24.9 cm. (Victoria and Albert Museum, London).
Attributed works:
8. Detail of one of the Powderham waiters, showing maker’s mark for Benjamin Pyne, with Britannia standard mark, London hallmark and the date letter for 1698–99. (Victoria and Albert Museum, London).
Western art unattributed:
11. Trade card of Kensington Lewis. c.1822–27. Etching. (British Museum, London).
Article
The ‘Crucifixion’ and the ‘Last Supper’: two bronzes by Francesco Brambilla for Milan Cathedral
11/2015 | 1352 | 157
Pages: 764-768
related names
Author:
Zanuso, Susanna (Zanuso, Susanna)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
34. Crucifixion, designed by Camillo Procaccini, wax model made by Francesco Brambilla and bronze cast by Giovan Battista Busca. 1596-99 (Royal Ontario Museum, Toronto)
Attributed works:
35. Last Supper, designed by Camillo Procaccini, wax model made by Francesco Brambilla and bronze cast by Giovan Battista Busca. 1596-99 (Bode-Museum, Berlin)
Attributed works:
37. Last Supper, by Camillo Procaccini. c.1596 (Biblioteca Ambrosiana, Milan)
Western art unattributed:
36. Altar of St John the Evangelist, subsequently dedicated to the Sacred Heart (Milan Cathedral)
Book Review
Moving Rooms. The Trade in Architectural Salvages, London
04/2009 | 1273 | 151
Pages: 248-249
Article
Lady Conyngham's Silver Gilt in the Royal Ontario Museum
06/1992 | 1071 | 134
Pages: 368-374
related names
Author:
Kaellgren, C. Peter (Kaellgren, C. Peter)
Subjects
artists:
artists:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
19. Mahogany Case with Gilt Hardware Containing a Suite of Silver-Gilt and Porcelain Tea and Tablewares, the Silver by Philip Rundell, John Bridge and Other Makers. 20.3 by 80.4 by 41.1 cm. (Case). (Royal Ontario Museum, Toronto).
Attributed works:
20. The Cunning and Happy Family, by J. L. Marks. 1822. Etching with Water-Colour, 24.2 by 33.5 cm. (British Museum, London).
Attributed works:
21. Retrenchment. Economy. Reform; Or the Cunning Jeweller, Attributed to W. Heath. 8th May 1822. Etching with Water-Colour, 21 by 31.5 cm. (British Museum, London).
Attributed works:
22. Packing up, by W. Heath. 1st July 1830. Etching with Water-Colour, 23.5 by 33.5 cm. (British Museum, London).
Attributed works:
23. Salver, by Philip Rundell. London, 1821. Silver Gilt with Chased Decoration and Engraved Ciphers, 35.3 cm. diam.; Weight 1,495 g. (Royal Ontario Museum, Toronto).
Attributed works:
24. Galvanic Goblet, by Philip Rundell. London, 1814. Silver Gilt, 13.4 cm. High; Weight 182 g. (Royal Ontario Museum, Toronto).
Attributed works:
25. Coffee Pot and 'Small Pot to go inside' (Probably a Canister for Ground Coffee), by John Bridge. London, 1826. Silver Gilt, 16.5 and 10.8 cm. High. (Royal Ontario Museum, Toronto).
Attributed works:
26. Porringer and Stand, by John Bridge. London, 1826. Silver Gilt with Chased Decoration and Engraved Ciphers, 9 by 17.7 cm.; Weight 579 g. (Royal Ontario Museum, Toronto).
Attributed works:
27. Tea Kettle, Lamp and Stand, by John Bridge. London, 1826. Silver Gilt with Carved Ivory Handle. 26 cm. High; Weight 1,733 g. (Royal Ontario Museum, Toronto).
Attributed works:
28. Three-Piece Tea Set, by Philip Rundell. London, 1821. Silver Gilt, 10 cm. High (Teapot); Weight 422 g. (Teapot and Stand), 318 g. (Sugar Bowl), 170 g. (Cream Ewer). (Royal Ontario Museum, Toronto).
Attributed works:
29. Small Mug, Tumbler and Pap Boat, by John Bridge. London, 1826. Silver Gilt. Pacifier with Bells and Whistle, by Robert Jones. London, 1826. Coral with 22 Carat Gold Mounts. Mug: 7.5 cm. High, Weight 152 g.; Tumbler: 7.5 cm. High, Weight 176 g.; Pap Boat: 14.2 cm. Long, Weight 107 g.; Coral: 14 cm. Long. (Royal Ontario Museum, Toronto).
Attributed works:
30. Skipper on a Rose, by John Bridge. London, 1826. Cast and Chased Silver-Gilt Finial. 1.8 cm. High. Although This Finial Is Found on Eight Pieces in the Group, None Bears Full Hallmarks. (Royal Ontario Museum, Toronto).
Attributed works:
31. Honi soit qui mal y pense; A Slap Turn Out!!!, by H. Heath. London, May 1829. Etching with Water-Colour, 24.2 by 35.3 cm. (British Museum, London).
Supplement
Recent Ceramic Acquisitions by Major Museums: Supplement
05/1985 | 986 | 127
Pages: 337-346
Subjects
dates:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
Illustrations
Attributed works:
10. Vase, Decorated in Blue and White in the Style of Kangxi Porcelain, Ansbach, 1728. Faience, Height 37 cm. Marked I U 1728 (Johann Leonhard Uz, Painter at the Faience Factory in Ansbach, 1723-47). (Museum für Kunst und Gewerbe, Hamburg).
Attributed works:
11. Coffee Set, Meissen c.1905. Porcelain Painted in Underglaze Colours, Height of Coffee Pot 15.8 cm. Blue Grey and Blue on White Ground. Designed by Theodor Grust (1857-1919). (Bayerisches Nationalmuseum, Munich).
Attributed works:
12. Tile Panel, William de Morgan, 1880. Height 163.5 cm. Designed by William Morris. (Kunstgewerbemuseum, Cologne).
Attributed works:
13. Cock, Arthur Storch. Älteste Volkstedter Porzellanmanufaktur, c. 1921-23. Porcelain, Height 98 cm. (Kunstgewerbemuseum, Cologne).
Attributed works:
14. Pot-Pourri 'vaisseau', Sèvres, 1760. Soft Paste Porcelain, in Pink, Blue and Green, Height 37 cm. The Cartouche Was Probably Painted by Dodin. (Musée du Louvre, Paris).
Attributed works:
15. Clock, Sèvres, 1762(?) Soft-Paste Porcelain, Decorated in 'petit verd', Height 39 cm. From the Collection of Madame de Pompadour at the château de Ménars. (Musée du Louvre, Paris).
Attributed works:
16. Tile, Delft (Greek A Factory), between 1686 and 1701. Tin Glazed Earthenware, Decorated at High Temperature in Monochrome Blue, Height 62 cm. In the Central Medallion, William III on Horseback. This Tile Originates from the Dairy at Hampton Court, and the Design Is Derived from Engravings by Daniel Marot. (Musée National de Ceramique, Sèvres).
Attributed works:
17. One of Two Table Decorations, Representing Fountains, Delft, (Ascribed to the Greek A Factory) c. 1700; Earthenware with Blue Decoration, Height 52 cm. (Rijksmuseum Paleis Het Loo, Apeldoorn).
Attributed works:
19. Dish, Delft, c. 1680. Earthenware Decorated in Blue with Chinoiserie Designs, Diam. 30.5 cm. From the Pottery De Metalen Pot, under Lambertus Cleffius, Marked with the Monogram LC. (Rijksmuseum, Amsterdam).
Attributed works:
2. Jug with Trilobate Opening, Cafaggiolo, c. 1515. Polychrome Maiolica, Height 35 cm. On the Front, Portrait of Pope Leo X. (Museo Internazionale Delle Ceramiche, Faenza).
Attributed works:
20. Ewer, Delft, Ascribed to the Greek A Factory, c. 1690. Glazed Earthenware, with Blue Decorations. (Rijksmuseum Paleis Het Loo, Apeldoorn).
Attributed works:
21. Shepherd and Shepherdess in an Arbour, Frankenthal, c. 1760. Porcelain, with Polychrome and Gold Decoration, and Bright Blue for the Rocailles, Height 32.1 cm. Marked with a Lion in Underglaze Blue, Model of Johann Wilhelm Lanz. (Rijksmuseum, Amsterdam).
Attributed works:
22. Bowl, Lucie Rie, 1978. Stoneware with Engraved Line Decoration, Light Grey/Green Glaze, Height 29.6 cm. (Museum Boymans-van Beuningen, Rotterdam).
Attributed works:
23. Teapot, Tournai, c. 1765-70. Porcelain, Decorated with Landscapes in Monochrome Crimson Attributed to Duvivier, and Gold cul-de-lampe, Height 12.5 cm. (Musée de Mariemont, Morlanwelz).
Attributed works:
24. Two Figures, Marieberg, Early 1770s. Hybrid Porcelain with Painted Decoration. (National Swedish Art Museum, Stockholm).
Attributed works:
25. Drug Jar, Naples 1717. Maiolica, Height 8.2 cm. Painted by Francesco Antonio Xaverio Grue. Inscribed within the Rim Nicolaus Ferrara Iatrotechnis Neapolitanus (British Museum).
Attributed works:
26. Underside of Fig.25: Inscribed near the Foot Raphethichol and Beneath the Foot MD CCXVII VII KAL XBRIS D Grue f Neap [Drug Jar, Naples 1717. Maiolica, Height 8.2 cm. Painted by Francesco Antonio Xaverio Grue. Inscribed within the Rim Nicolaus Ferrara Iatrotechnis Neapolitanus (British Museum).]
Attributed works:
27. Plate, Wedgwood, c.1773. Creamware, Diam. 22.5 cm. View of 'Westcowes Castle in the Isle of Wight' from a Drawing by Francis Grose, 1761. This May be a 'Trial Piece' for the 'Frog Service' Commissioned from Wedgwood and Bentley by Catherine the Great. (British Museum).
Attributed works:
28. Tea Jar, Staffordshire, c.1690-98. Red Stoneware, Height 11.5 cm. Attributed to John and David Elers, Bradwell Wood, Newcastle-under-Lyme. This Is the Earliest Form of Tea Jar or Caddy in Western Europe. (Hampshire County Museum, Winchester).
Attributed works:
29. Wall Plaque, Wedgwood, 1878. Creamware, Decorated by Thomas Allen in the Egyptian Style, Diam 38.5 cm. (British Museum).
Attributed works:
3. Gourd, Siegburg (Rhineland), 1573. Stoneware with Reliefs, Height 40 cm. Workshop of Anno Knütgen. (Hetjens-Museum, Düsseldorf).
Attributed works:
30. Figure of Minerva, Wiener Keramik Werkstätte, c.1910. Hard Paste Porcelain, Decorated in Black, Height 33.6 cm. Probably Designed by Michael Powolny. Marks: WW (City Art Gallery, Manchester).
Attributed works:
31. River God, Probably Southwark, c.1680. Tin Glazed Buff Earthenware Decorated in High Temperature Oxide Colours, Height 13.5 cm. (Hampshire County Museum, Winchester).
Attributed works:
32. Cabaret Set, Vienna, 1801-09. Hard Paste Porcelain, Height of Jug 21.5 cm. Decorated in Gilt on a Lavender-Blue Ground. Marks: Banded Shield in Underglaze Blue. (City Art Gallery, Manchester).
Attributed works:
33. La France as Goddess of War, Vincennes c. 1752. Glazed White Soft Paste Porcelain, Height 21.1 cm. The Only Recorded Example of This Model, Which Forms a Pendant to the Victoria and Albert Museum's Vincennes Figure of La France as Goddess of Peace. (Victoria and Albert Museum).
Attributed works:
34. Harlequin Family, Meissen, c.1740-45. Hard Paste Porcelain with Enamelled Decoration, from a Model by J. J. Kändler, Height 8.5 cm. (Mrs Jose Finney Bequest, Victoria and Albert Museum).
Attributed works:
35. Vase, Gustavsberg, Sweden, c.1930-40. 'Argenta'ware, Stoneware with Applied Silver Decoration, Height 20.5 cm. Designed by Wilhelm Håge (1889-1960). Wilhelm Håge Was Head of the Art Studio at Gustavsberg, 1917-49. (Victoria and Albert Museum).
Attributed works:
37. Tureen, Cover and Stand, Chelsea, c.1755. Soft Paste Porcelain Moulded and Painted in Pinkish-Orange, Purple, Yellow-Green and Greyish-Bluish-Green Enamel Colours, Height 22.9 cm. Marks: A Red Anchor Painted in Enamel on the Tureen and Stand; 'w' Incised on the Stand. (Royal Scottish Museum, Edinburgh).
Attributed works:
39. Dessert Plate, Nantgarw, 1818. Porcelain, Diam. 24.2 cm. London Decorated. Part of a Service Presented by the Prince Regent to His Younger Brother, Adolphus, Duke of Cambridge, (National Museum of Wales, Cardiff).
Attributed works:
4. Bowl on high foot with outward curling lip, painted in orange, yellow, green, deep blue, dark red, grey with white highlights, Faenza, 1529. Maiolica ('berettina') blue, height 11.5 cm, diam. 27 cm. Workshop of Piero Bergantini. Recto: Sacrifice of Marcus Curtius and small medallions with heads between trophies. Verso: grouped motives of vines, festoons, fruit, grotesques and trophies. On the inside of the foot, inscribed FATA. IN FAENZA. I(N). LABOTEGA/DE. Mo. PIERE. BERGA(N) TIN(N)O. M. CCCCC/1529 adi 17 di zugno. (Museo Internazionale delle Ceramiche, Faenza).
Attributed works:
40. Skillet, Meissen, c.1735. Hard Paste Porcelain Decorated in Underglaze Blue and Overglaze Enamels, with a Design of Crayfish and Foliage Copied from Chinese Famille Verte. Height Approx. 10.5 cm (National Museum of Wales, Cardiff).
Attributed works:
41. Coffee Pot, Meissen, 1710-15. Red Stoneware with Dark Brown Glaze, Enamelled in Red and Yellow, Height 16 cm. Oriental in Inspiration, This Is among the Earliest Examples of Böttger's so Called Jasper Porcelain. (Nelson-Atkins Museum of Art, Kansas City).
Attributed works:
42. Columbine, Kloster Veilsdorf, 1764-65. Hard Paste Porcelain, with Enamel Colours Height 15.9 cm. Modelled by Wenzel Neu. (Nelson-Atkins Museum of Art, Kansas City).
Attributed works:
43. Sundial, Sèvres, 1793. Hard Paste Porcelain, Height 3.8 cm. Diam. 28.6 cm. Painted by Pfeiffer (Active 1771-1800). (Museum of Fine Arts, Boston).
Attributed works:
44. Ecuelle, Cover and Stand, Sèvres, 1782. Hard Paste Porcelain, Height of écuelle and Cover 13 cm. Painted by Jean-Jacques Dieu. (John and Ernestine Payne Fund, Museum of Fine Arts, Boston).
Attributed works:
45. The Mouse Catchers, Capodimonte, c. 1745. Soft Paste Porcelain, Height 14.9 cm. (Gift of Douglas Dillon, Metropolitan Museum of Art, New York).
Attributed works:
46. Satyr, Mennecy, c. 1740. Soft Paste Porcelain, Height 18 cm. Mark: D. V. in Blue Enamel. (Metropolitan Museum of Art, New York).
Attributed works:
47. Bragget Pot and Cover, Staffordshire, Late Seventeenth Century. Lead Glazed Earthenware, Height 28.6 cm. Decoration: Five Birds in Tones of Olive Green, with Stylised Floral Motifs. Covered Overall with Brilliant Lead Glaze of Honey Tones. (Fine Arts Museum of San Francisco).
Attributed works:
48. Tureen in Form of a Hen and Her Chicks, Bow, c.1755. Soft Paste Porcelain, Naturalistically Decorated in Shades of Yellow, Grey, Brown, Rust and Black, Height 17.1 cm. (Fine Arts Museum of San Francisco).
Attributed works:
49. Tureen in Form of a Basket of Game, Sceaux, c. 1760. Faience, Height 20 cm. (Cleveland Museum of Art).
Attributed works:
5. Bowl, Florence, Medici Factory, c. 1580. Porcellaneous Frit, Height 4.76 cm, Diam. 13.02 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
50. Figure Seated on a Lion, Chantilly, c.1750. Soft Paste Porcelain, Height 18.2 cm. (Cleveland Museum of Art).
Attributed works:
51. Hot Water Jug and Shaving Basin, St Cloud, 1730-50. Soft Paste Porcelain, Jug with Silver Mounts. Height of Jug 20.3 cm. (Gift of Florence Scott Libbey, Toledo Museum of Art).
Attributed works:
52. Pair of Perfume Burners, Tournai, c. 1760. Soft Paste Porcelain, Height: Spring 29 cm., Autumn 27.5 cm. (Gift of Florence Scott Libbey, Toledo Museum of Art).
Attributed works:
53. Three Lidded Vases, Sèvres, 1781. Soft Paste Porcelain with bleu nouveau Ground Colour, Height of Central Vase 51.2 cm. These Formed the Central Part of a Garniture of Five Vases des Âges. The Mythological Subjects Painted on the Front Reserves Are Taken from Engravings Published in 1773 by Jean-Baptiste Tilliard after Designs by Charles Monnet (1732-1808), and Illustrate Fénelon's Aventures de Télémaque. (J. Paul Getty Museum, Malibu).
Attributed works:
54. Louis XV, Mennecy, c.1750-55. Soft Paste Porcelain, Height 42.5 cm. The Bust Was Fired in Two Parts, as the Kilns at Mennecy Could Not Hold Objects of More Than 22.5 cm. (J. Paul Getty Museum, Malibu).
Attributed works:
55. Ewer and Basin, Sèvres, 1757. Soft Paste Porcelain, Height of Ewer 19.2 cm. The Ewer Incised T. m. The Basin Bears an Unidentified Painter's Mark of a Spray of Flowers and Is Incised C. N. (J. Paul Getty Museum, Malibu).
Attributed works:
56. Peacock, Minton, c.1874. Maiolica, with Polychrome Decoration, Modelled by Paul Comolera (1818-1897), Height 144 cm. (Power House Museum, Haymarket, New South Wales).
Attributed works:
57. Stool, Wedgwood, c. 1880. Earthenware, Height 42 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
58. Sugar Bowl, Derby, 1800-10. Soft Paste Porcelain with Gilt Decoration of Hieroglyphics, Orange, Black and Gold Borders, Height 8.8 cm. This Unusual Derby Pattern Was Very Likely Inspired by the Battle of the Nile and the Discovery of the Rosetta Stone. (Gift of Mrs Estelle Morris, Royal Ontario Museum, Toronto).
Attributed works:
59. Teapot, English, Impressed 'Turner' c.1800-05. Fine White Stoneware, Smear-Glazed and Trimmed in Blue with Polychrome Scenic Vignettes on the Sides, Height 14 cm. (Gift of Mrs Brown, Royal Ontario Museum, Toronto).
Attributed works:
6. Mark from Base of Fig. 5: Dome of Florence Cathedral with 'F' (In Centre of Foot). [Bowl, Florence, Medici Factory, c. 1580. Porcellaneous Frit, Height 4.76 cm, Diam. 13.02 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
61. Scaramouche, Würzburg, c.1775. Hard Paste Porcelain, Height 13.5 cm. Costume Partially Coloured with Black Enamel and Gilded. (George R. Gardiner Museum of Ceramic Art, Toronto).
Attributed works:
62. Watering can, Vincennes, 1753. Soft Paste Porcelain, Banded with 'bleu lapis' and Gilded, Floral Sprays in Polychrome Enamel, Height 20 cm. (George R. Gardiner Museum of Ceramic Art, Toronto).
Attributed works:
7. Tureen in Shape of a Turkey, Hoechst (Near Frankfurt) C. 1750. Faience with Overglaze Painting, Height 38 cm. (Hetjens-Museum, Düsseldorf).
Attributed works:
8. Augustus-Rex Vase, Meissen, c.1726-28. Porcelain, with Relief Decoration and Painted in the Style of Famille Verte, Height 66 cm. (Museum für Kunst und Gewerbe, Hamburg).
Attributed works:
9. Teapot, Nymphenburg, c. 1765-70. Hard Paste Porcelain, Polychrome and Gilt, Height 26 cm. Bacchanalian Scenes and Decoration Attributed to Cajetan Purtscher (1740-1813). (Bayerisches Nationalmuseum, Munich).
Non-western art unattributed:
1. Ovoid Vase, Decorated in Underglaze Blue and Black. Syria, Fourteenth Century. Fritware, Height 31.5 cm. (Museo Internazionale Delle Ceramiche, Faenza).
Non-western art unattributed:
18. Vase, China, Eighteenth Century. Porcelain, for Export, with Polychrome and Gold Decoration, Height Without Stand 128 cm. (Museum Boymans-van Beuningen, Rotterdam).
Non-western art unattributed:
36. Three Teapots, Yixing Kilns (China, Jiangsu Province), Contemporary. Coloured Stoneware Clays, Height of Teapot in Water Chestnut form 5 cm (By Jiang Rong), of the Larger Teapot 6.5 cm (By Xu Xiutang), and of the Smaller Teapot 5.8 cm (By Jin Zhixu). (Victoria and Albert Museum).
Western art unattributed:
38. Mug, English (York), Late Seventeenth Century. Fine Grey Stoneware Covered with a Grey Glaze Sparsely Streaked Greenish-Blackish-Brown, Height 6.7 cm. By Francis Place. (Royal Scottish Museum, Edinburgh).
Western art unattributed:
60. Effigy Vessel, Teotihuacan, Mexico, c. A. D. 250-650. 'Thin Orange' Ware, Height 22.8 cm. (George R. Gardiner Museum of Ceramic Art, Toronto).
Book Review
Origins of Chintz. With a Catalogue of Indo-European Cotton-Paintings in the Victoria and Albert Museum, London and the Royal Ontario Museum, Toronto
05/1971 | 818 | 113
Pages: 280+283
related names
Reviewer:
Irwin, Francina (Irwin, Francina)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Origins of Chintz. With a Catalogue of Indo-European Cotton-Paintings in the Victoria and Albert Museum, London and the Royal Ontario Museum, Toronto | author: Brett, Katherine B. , author: Irwin, John
Article
A Greek Glass Vase from China
11/1922 | 236 | 41
Pages: 235-237+250
related names
Author:
Pijoán, José (Pijoán, José; Soteras, José Pijoán y; Pijoan, J.; Pijoan, Joseph)
Subjects
museums and institutions:
subjects:
Illustrations
Western art unattributed:
Vase, Carved From Glass. Height, 22.9 cm., Width, 25.4 cm. Probably Greek, Found in China (Royal Ontario Museum, Toronto). A Greek Glass Vase from China