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Article

A drawing attributed to Adam Elsheimer in the Biblioteca Nacional de España, Madrid

06/2021 | 1419 | 163

Pages: 508-513

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Author:

Chenel, Álvaro Pascual (Chenel, Álvaro Pascual)

Author:

García-Toraño Martínez, Isabel (García-Toraño Martínez, Isabel)

Author:

Rebollo, Ángel Rodríguez (Rebollo, Ángel Rodríguez)

Subjects

artists:

Elsheimer, Adam / Goudt, Hendrick

buildings:

Petworth House, Petworth, Sussex, Great Britain

museums and institutions:

Biblioteca Nacional, Madrid, Spain

subjects:

German art / Studies (visual works) / Drawings / Tobias / Attributions / Prints

Illustrations

Attributed works:

1. Tobias and the angel, by Adam Elsheimer. 1605. Oil on silvered copper, 9 by 7 cm. (Petworth House, West Sussex; photograph © National Trust Images/Derrick E. Witty).

Attributed works:

10. Tobias and the angel, by John Smith after Adam Elsheimer. c.1685. Mezzotint, 12.1 by 16 cm. (British Museum, London).

Attributed works:

2. Tobias and the angel, here attributed to Adam Elsheimer and dated c.1605–10. Pen, ink and wash with red chalk on paper, 15.2 by 19 cm. (Biblioteca Nacional de España, Madrid).

Attributed works:

3. The small Tobias, by Adam Elsheimer. 1607–08. Oil on copper, 12.1 by 19 cm. (Historisches Museum, Frankfurt).

Attributed works:

4. The small Tobias, by Adam Elsheimer. 1607–08. Etching, 9 by 14 cm. (Rijksmuseum, Amsterdam).

Attributed works:

5. The small Tobias, by Hendrik Goudt after Adam Elsheimer. 1608. Engraving, 11.3 by 18 cm. (Biblioteca Nacional de España, Madrid).

Attributed works:

6. The large Tobias, by Hendrik Goudt after Adam Elsheimer. 1613. Engraving, 25.9 by 25.2 cm. (Biblioteca Nacional de España, Madrid).

Attributed works:

7. The large Tobias, by Hendrik Goudt after Adam Elsheimer. 1613. Pen and brown ink on parchment, 19.2 by 25 cm. (Morgan Library and Museum, New York).

Attributed works:

8. The denial of St Peter, by Adam Elsheimer. c.1600–05. Pen and brown ink on paper, 12.4 by 16.7 cm. (Städel Museum, Frankfurt).

Attributed works:

9. Ceres changes Stellio into a lizard, by Adam Elsheimer. 1605–08. Gouache and pen and brown ink on paper, 11.6 by 6.8 cm. (National Gallery of Art, Washington).

Article

Jean-François Millet’s ‘Waiting’: a ‘realist’ religious painting

05/2009 | 1274 | 151

Pages: 298-305

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Author:

Kelly, Simon (Kelly, Simon)

Subjects

artists:

Millet, Jean-François, 1814-1875

dates:

1850-1869

museums and institutions:

Nelson-Atkins Museum of Art, Kansas City (MO), United States

print:

Millet, Jean-François, 1814-1875

subjects:

Collections, Public / Tobias / Tobit / Religious art / French painting / Critical Reception / Salons (art exhibitions) / Iconography

Illustrations

Attributed works:

16. Waiting, by Jean-François Millet. c.1853–61. Canvas, 83.8 by 121.6 cm. (Nelson-Atkins Museum of Art, Kansas City).

Attributed works:

17. Woman feeding her child, by Jean-François Millet. 1861. Canvas, 114 by 99 cm. (Musée des Beaux-Arts, Marseille).

Attributed works:

18. The mother of Tobias, by Charles Gleyre. 1860. Pencil and crayon on ochre paper, 36.7 by 62.7 cm. (Musée Cantonal des Beaux-Arts, Lausanne).

Attributed works:

20. Study for ‘Waiting’, by Jean-François Millet. c.1853–54. Pencil on paper, 8.6 by 10.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris).

Attributed works:

21. Study for ‘Waiting’, by Jean-François Millet. c.1853–54. Charcoal and pastel, verso of Fig.22.

Attributed works:

22. Study for ‘Waiting’, by Jean-François Millet. c.1853–54. Charcoal on blue-grey paper, 27 by 30.48 cm. (Santa Barbara Museum of Art).

Attributed works:

23. Standing woman seen from behind, by Jean-François Millet. c.1860. Black conté crayon on paper, 31.9 by 25.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris).

Attributed works:

24. Half-length study of Tobit, by Jean-François Millet. c.1853–54. Pencil on paper, 8.6 by 10.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris).

Attributed works:

25. Study of hands, by Jean-François Millet. c.1860. Black conté crayon on paper, 31.9 by 25.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris).

Attributed works:

26. The blind leading the blind, by Pieter Bruegel the Elder. 1568. Tempera on canvas, 86 by 156 cm. (Museo Nazionale di Capodimonte, Naples).

Attributed works:

27. Departure of Tobias, by Adolphe-William Bouguereau. 1860. Canvas, 153 by 119 cm. (State Hermitage Museum, St Petersburg).

Attributed works:

28. The mother of Tobit watching out for the return of her son, by Nadar and Darjou. From Journal Amusant 286 (22nd June 1861). (Cabinet des Estampes et de la Photographie, Bibliothèque Nationale, Paris).

Attributed works:

29. Jean-François Millet. Photograph by Eugène Cuvelier. 1862. (From E. Moreau-Nélaton: Millet raconté par lui-même, Paris 1921, II, fig.170).

Western art unattributed:

19. Anonymous photograph of a view of Millet’s home in Gruchy. (Musée du Louvre, Paris).

Article

Additions to the Work of Jan Provost and Quentin Massys-I

11/1941 | 464 | 79

Pages: 156-157+159-160

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Author:

Ring, Grete (Ring, Grete)

Subjects

artists:

Provost, Jan, the younger, 1465-1529

artists:

Metsys, Quinten

dates:

1480-1519

places:

Netherlands

subjects:

Netherlandish painting / Attributions

subjects:

Tobias / Iconography / Christian iconography

Illustrations

Attributed works:

A-The Birth of the Virgin. By Jan Provost. 33 by 19 cm. (Van Beuningen Collection, Rotterdam). Additions to the Work of Jan Provost and Quentin Massys-I.

Attributed works:

B-The Annunciation. Here Attributed to Jan Provost. (Formerly Henry Wagner Collection). Additions to the Work of Jan Provost and Quentin Massys-I.

Attributed works:

C-The Adoration of the Magi and Tobit with the Angel. Here Attributed to Jan Provost. 25.5 by 28.5 cm. (Formerly in the L. Gow Collection). Additions to the Work of Jan Provost and Quentin Massys-I.

Attributed works:

D-The Birth of Christ. By Jan Provost. 27.5 by 17 cm. (English Private Collection). Additions to the Work of Jan Provost and Quentin Massys-I.

Attributed works:

E-Christ Appears to the Virgin. By Jan Provost. (Present Whereabouts Unknown). Additions to the Work of Jan Provost and Quentin Massys-I.

Article

A Newly Discovered Botticelli

04/1925 | 265 | 46

Pages: 156-159+161-163+166-167

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related names

Author:

Yashiro, Yukio (Yashiro, Yukio; Yukio Yashiro)

Subjects

artists:

Botticelli, Sandro

collectors and dealers:

Lee, Arthur Hamilton, Viscount Lee of Fareham, 1868-1947

dates:

1450-1499

places:

Italy / England / Florence

subjects:

Italian painting / Renaissance / Attributions

subjects:

Tobias / Iconography / Altarpieces / Visual sources

Illustrations

Attributed works:

Plate II. B-Tobias and the Archangel. Detail from the Trinity Shown on the Frontispiece. A Newly Discovered Botticelli

Attributed works:

Plate II. C-St. Francis. Detail from the Madonna and Child with Six Saints, by Botticelli. (Accademia, Florence). A Newly Discovered Botticelli

Attributed works:

Plate III. D-St. Sebastian, by Botticelli. (Staatliche Museen, Berlin). A Newly Discovered Botticelli

Attributed works:

Plate III. E and F-God the Father and St. John the Baptist. Details from the Trinity Shown on Frontispiece. A Newly Discovered Botticelli

Attributed works:

Plate IV. G-Scenes from the Life of the Magdalen. Detail of the Predella on the Frontispiece. (Johnson Collection, Philadelphia). A Newly Discovered Botticelli

Attributed works:

The Trinity with St. John the Baptist and the Magdalen, here identified as by Botticelli, with additions by one or more pupils. Panel, 2.2 m. by 1.9 m. (Viscount Lee of Fareham) Scenes from the Life of the Magdalen. Predella here connected with the above. (Johnson Collection, Philadelphia, U. S. A.)

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