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115 articles
Article
Recasting and republicanising Millet’s horizons: Félicien Rops, Jean-François Raffaëlli and Jean-Charles Cazin
05/2025 | 1466 | 167
Pages: 460–69
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Flight of crows, by Jean-François Millet. c.1866. Pastel and black conté crayon on blue-grey paper, 39.4 by 52.7 cm. (Frick Art and Historical Center, Pittsburgh).
Attributed works:
10. The day’s work done, by Jean-Charles Cazin. 1888. Oil on canvas, 199 by 166 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
11. The sower, by Jean-François Millet. c.1865. Pastel and black crayon on pale brown paper, 36 by 43 cm. (Private collection; Bridgeman Images).
Attributed works:
12. Coquelin aîné, by Dornac. 1891. Albumen print, 14 by 19 cm. (Bibliothèque nationale de France).
Attributed works:
2. White horse in a wasteland, by Jean-François Raffaëlli. c.1890. Oil on board, 30.5 by 39.4 cm. (Niedersächsisches Landesmuseum Hannover, Hanover; Bridgeman Images).
Attributed works:
3. The end of the furrow, by Félicien Rops. (From O. Uzanne: Son Altesse la Femme, Paris 1885, opposite p.207).
Attributed works:
4. The watering place, by Jean-François Millet. (From É. Pécaut and C. Baude: L’Art: Simples Entretiens à l’Usage de la Jeunesse, Paris 1885, p.207).
Attributed works:
5. Tobias and the Archangel Raphael, by Jean-Charles Cazin. 1880. Oil on canvas, 186 by 142 cm. (Musée de Beaux-Arts, Lille; Bridgeman Images).
Attributed works:
6. Ragpicker lighting his pipe, by Jean-François Raffaëlli. 1879. Oil on canvas, 77 by 59 cm. (Musée des Beaux-Arts, Nantes; Alamy Stock Photo).
Attributed works:
7. Return of the flock, by Jean-François Millet. 1863–64. Black conté crayon and pastel on paper, 38.7 by 50.3 cm. (Museum of Fine Arts, Boston).
Attributed works:
8. The Angelus, by Jean-François Millet. 1855–57. Oil on canvas, 55.5 by 66 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
9. Cazin – Cachez se sein que je ne saurais voir! Exemple de pudeur bien rare chez un terrassier, by Stop. 1888. (From Salon Humoristique Illustré, Paris 1888, p.66).
Exhibition Review
Pastels: From Millet to Redon
07/2023 | 1444 | 165
Pages: 790–792
related names
Reviewer:
Jones, Kimberly A. (Jones, Kimberly A.)
Subjects
dates:
media:
museums and institutions:
Reviewed Items
subjects:
Pastels: From Millet to Redon Musée d’Orsay, Paris 14th March–2nd July | :
Illustrations
Attributed works:
14. Portrait of a woman, by Jacques-Émile Blanche. 1887. Pastel on canvas, 129 by 64 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Bouquet of daisies, by Jean-François Millet. c.1871–74. Pastel on beige paper laid on canvas fixed to a strainer, 68 by 83.5 cm. (Musée d’Orsay, Paris).
Attributed works:
16. Going out to fish (Zuiderzee), by Piet Mondrian. c.1900. Pastel, watercolour and charcoal on paper, 60 by 100 cm. (Musée d’Orsay, Paris).
Article
The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
07/2021 | 1420 | 163
Pages: 586-593
related names
Author:
Shaw, Samuel (Shaw, Samuel)
Subjects
Illustrations
Attributed works:
1. The brewer’s drayman, by Hubert Herkomer. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 20th November 1875; Bridgeman Images).
Attributed works:
2. The British rough, by William Small. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 26th June 1875; Bridgeman Images).
Attributed works:
3. A Cornish fisher-lad, by Arthur Hopkins. 1883. Unknown engraver. Wood engraving. (First published in the Graphic, 23rd June 1883; Bridgeman Images).
Attributed works:
4. The English pauper, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41; Bridgeman Images).
Attributed works:
5. The dress-maker, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41).
Attributed works:
6. Old Willie: The village worthy, by James Guthrie. 1886. Oil on canvas, 60.8 by 50.8 cm. (Kelvingrove Art Gallery and Museum, Glasgow; Bridgeman Images).
Attributed works:
7. Mamma Mia Poveretta, by Walter Sickert. c.1904. Oil on canvas, 46 by 38.2 cm. (Manchester Art Gallery; Bridgeman Images).
Attributed works:
8. Eli the thatcher, by William Rothenstein. 1913. Oil on canvas, 76.5 by 63.3 cm. (Manchester Art Gallery; Bridgeman Images).
Exhibition Review
Millet and Modern Art: From Van Gogh to Dalí. Saint Louis Art Museum, St Louis
04/2020 | 1405 | 162
Pages: 346-348
related names
Reviewer:
Clarke, Michael (Clarke, Michael)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Millet and Modern Art: From Van Gogh to Dal  Saint Louis Art Museum, St Louis 16th February–17th May | :
Illustrations
Attributed works:
21. Archaeological reminiscences of Millet’s Angelus, by Salvador Dalí. c.1934. Oil on panel, 31.8 by 39.4 cm. (Dalí Museum, St Petersburg FL; exh. Saint Louis Art Museum).
Attributed works:
22. In the rice fields, by Angelo Morbilli. 1901. Canvas, 182.9 by 130.2 cm. (Private collection; exh. Saint Louis
Publication Received
Frederick Walker and the Idyllists. By Donato Esposito
08/2018 | 1385 | 160
Pages: 709-710
related names
Reviewer:
Goldman, Paul (Goldman, Paul)
Subjects
dates:
places:
Illustrations
Attributed works:
11. The bathers, by Frederick Walker. 1865–68. Canvas, 92.7 by 214.7 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images ).
Article
Paul Durand-Ruel and James Duncan of Benmore
07/2018 | 1384 | 160
Pages: 558-571
related names
Author:
WATSON, Andrew M. (WATSON, Andrew M.)
Subjects
art literature:
media:
Illustrations
Attributed works:
1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).
Attributed works:
10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).
Attributed works:
11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).
Attributed works:
12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).
Attributed works:
13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).
Attributed works:
4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).
Attributed works:
5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).
Attributed works:
6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).
Attributed works:
7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).
Attributed works:
8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).
Attributed works:
9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).
Attributed works:
Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).
Western art unattributed:
2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).
Western art unattributed:
3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).
Advertisements
Advertisements (front)
06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Advertisements
Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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09/2012 | 1314 | 154
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Subjects
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Illustrations
Attributed works:
[Agnew's, London. Man gathering fruit, by Keith Vaughan (1912-77). 1948. Signed and dated: Vaughan /48. Oil on canvas, 84 by 64 cm]
Attributed works:
[Alan Wheatley Art, London. Two figures (January 1967), by Barbara Hepworth (1903-75). Polished bronze, 23 cm high. Edition of 9]
Attributed works:
[Ana Chiclana, Paris. The young painter Ribera surrounded by figures, by Joseph-Nicolas Robert Fleury (1797-1890). Signed and dated 1838. Oil on canvas, 74.1 by 82.8 cm.]
Attributed works:
[Ars Magazine. Jusepe de Ribera. St. Jerome (detail). Circa 1615-1616. Oil on canvas. 1.34 x 0.98 cm]
Attributed works:
[Ben Elwes Fine Art, London. The garden of Eden, by René Charles Eugène Longa. 1932. Oil on canvas, 214 by 294 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. François Duquesnoy (Brussels 1597 - Leghorn 1643). Apollo. Terracotta, 65 cm high. 1636]
Attributed works:
[Charly Bailly Fine Art, Genève. Love as Folly, by Jean-Honorè Fragonard (1732-1806). c.1770. Oil on canvas, 55 by 46 cm]
Attributed works:
[Colnaghi, London. La latitière normande, by Jean-François Millet. 1840. Red chalk. 22.5 by 16.3 cm]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Ane-Louis Girodet de Roussy-Trioson (Montargis 1767 - 1824 Paris). Portrait of Jacques-Joseph de Cathelineau(1785-1832). Oil on canvas 21 1/2 x 18 1/2 in. (55 x 47 cm.)]
Attributed works:
[Daniel Katz Gallery, London. Arminius and Thusnelda, by Carl Steinhauser. c. 1845. Marble relief, 63.5 by 97 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. Portrait of King Christian II of Denmark, by Lucas Cranach the Elder and workshop. Oil on panel, 57 by 42 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Antonio Canal, Il Canaletto (1697-1768), London: the New Horse Guards from St. James's Park, Oil on panel, 58.5 x 110 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Filippo Falciatore. Naples, documented 1718-1768. Music or a Concert in a Garden. Dance or A Dance in a Garden. A pair: oil on canvas, 39.5 x 97 cm (15 7/16 x 38 3/16 in) each]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse 1. CH-6003. Luzern Jean Baptiste Weenix (1621 - c.1660)- 'Herdsmen in an Italian landscape'. Oil on canvas, 64 x 85.5 cm.]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse 1. CH-6003. Luzern Jusepe de Ribera (1591-1652). 'St. Mary Magdalene in meditation'. Oil on canvas. 47 x 35.5 cm]
Attributed works:
[Giovanni Sarti, Paris. Virgin and Child (Maria Mater Domini), by Giovanni Salamone di Ser Albertino da Bologna. c.1380. Inscribed: MPM OMV (Maria Mater Domini). Tempera and gold on panel, 88 by 55 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Henri Moore, 1898-1986. Two Seated Figures, 1944. Pen and ink, wax crayon, chalk and watercolour. 19 1/4 x 19 1/2 inches; 49.3 x 49.5 cm Signed and dated.]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giandomenico Tiepolo. 1727 Venice 1804. Head of a Turbaned Philosopher. Oil on canvas: 61 by 51 cm]
Attributed works:
[L & M Arts, New York and Los Angeles. Liz #1, by Andy Warhol, 1963. Silkscreen ink and acrylic on linen, 101.6 by 101.6 cm]
Attributed works:
[Piano Nobile, London. Flanders Fields, by William Crozier (1930-2011). 1962/62. Signed. Oil on canvas, 152.5 by 152.5 cm]
Attributed works:
[Robilant + Voena, London and Milan. Portrait of Michael Elias Meyer, by Robert Lefèvre. 1804. Oil on canvas, 45.7 by 35 cm]
Attributed works:
[Rowntree Clark, London. Girl in red cap, by Dod Procter (1892-1972). 1922. Signed upper left: Dod Procter. Oil on canvas laid on board, 38.5 by 29.1 cm]
Attributed works:
[Stair Sainty, London. An allegory of justice and peace, by Corrado Giaquinto, c. 1753-54. Oil on canvas, 41 by 70 cm]
Attributed works:
[TATE Britain. Dante Gabriel Rossetti. Astarte Syriaca. 1877]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. William Theed, The Elder (1764-1817). An important bronze of Thetis returning from Vulcan with the armour of Achilles. Bronze, 128 cm high (50 1/2 in. high), 120 cm wide (47 1/4 in. wide), 143 cm long (56 1/4 in. long)]
Attributed works:
[Tomasso Brothers, Leeds. Bust of a young nobleman in the guise of a Roman Emperor. Early 17th century. Attributed to Il Soncino. White and colored marble, 84 by 65 cm]
Attributed works:
[Waterhouse & Dodd, London and New York. Baby bird / the egg, by Eric Kennington (1888-1960). c. 1935. Portland stone, 44 cm. high.]
Western art unattributed:
[Brimo de Laroussilhe, Paris. Joseph of Arimathea, from a deposition group. c.1230. Wood, with remains of polychromy. Height: 142 cm]
Western art unattributed:
[Emanuel von Baeyer, London. Berthe de Vlaminck, Maurice de Vlaminch, Marc Chagall, Ambroise Vollard, Ida Chagall and Bella Chagall. Silver bromide print, 8 by 14 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. A pair of reliquaries, Sts Thecla and Susanna. Spanish, first half 16th century. Walnut, with original polychrome. Thecla: Height: 43.5 cm. Width: 40 cm. Depth: 25 cm. Susanna: Height: 40.5 cm. Width: 33 cm. Depth: 21 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Virgin and Child. Limestone, with original polychrome. France, Lorraine, circa 1310. H. 70 x W. 30 x D. 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Baptism of a child. Miniature (cutting). Northern France, second half of the 13th century]
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06/2012 | 1311 | 154
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Subjects
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subjects:
Illustrations
Attributed works:
[Adrian Alan Fine Art & Antiques, London. A Florentine Renaissance revival pietre dure and carved giltwood centre table, by Angiolo Barbetti. c.1870. Height: 95 cm. Width: 125 cm. Depth: 68 cm]
Attributed works:
[Adrian Sassoon, London. Bud, by Kate Malone. 2011. Crystalline glazed stoneware. Height: 100 cm]
Attributed works:
[Agnew's, 35 Albemarle Street, W1. In the gardens of the Villa Negroni at Rome, by John Robert Cozens (1752-1790). Watercolour, 26.1 by 37.1 cm]
Attributed works:
[Agnew's, London. Charles I and Henrietta Maria with their two eldest children, Prince Charles and Princess Mary, by Sir Anthony van Dyck (1612-51). Oil on oak panel, 20 by 23.5 cm]
Attributed works:
[August Laube Exhibiting at: Daniel Crouch Rare Books LLP, 4 Bury Street, SW1. Boy looking down, by Ernst Ludwig Kirchner (1880-1938). Chalk on wove paper, 50.5 by 35 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. A view in Italy, by Jean-Charles-Joseph Rémond (1795-1875). Oil on canvas, 22.5 by 35 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, Grande Arabesque, premier tamps]
Attributed works:
[C.G. Boerner Exhibiting at: Trinity Fine Art Ltd, 29 Bruton Street, W1. The singer's contest at Warburg Castle, by Anton Romako (1832-1889). Signed lower left: Pencil on wove paper, 39.4 by 52.8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Att. to Jacques du Broeucq (1505 (?) - 1584). Alabaster. XVIth century. H. 31.3 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Hercole Procaccini (1596-1676). 37,5 x 25,8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Three chairs stamped G. Jacob. Circa 1775. From Comte d'Artois in Versaille]
Attributed works:
[Darnley Fine Art, London. Portrait of William Warham, after Hans Holbein the Younger (1497-1543). Oil on canvas, 83.8 by 71.1 cm]
Attributed works:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Sedes Sapientiae - Enthroned Virgin. Polychromed Wood - Spain/Catalunya, about 1220 - h: 58 cm]
Attributed works:
[Dickson, 58 Jermyn Street, SW1. The tomb of Caecilia Metella on the Via Appia, outside Rome, by Carlo Labruzzi (1748-1817). Watercolour over pencil, 37.8 by 51.7 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street, W1. Study for 'The union of design and colour', by Charles-Joseph Natoire (1700-1777). Inscribed upper left: n° 26. Blacjk chalk heightened with white on blue paper, 28.5 by 35.5 cm]
Attributed works:
[Florian Harb, 5 Dalmeny Cout, 8 Duke Street, SW1. The adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano (1536-1571). Pen and brown ink and wash, over black chalk heightened with white on blue paper, 26.5 x 19.5 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Giovan Battista Dell'Era (Treviglio 1765-1799 Florence). Giovanni Antonio Santarelli (1758-1826). Signed in pencil, lower right, Batta Dell Era fecit. Black and red chalk, 330 by 240 mm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardino Campi. Reggio Emilia, 1521-1591. Venus, Eros and Anteros. Oil on wood panel, 25 x 20 cm (9 7/8 x 7 7/8 in)]
Attributed works:
[Harry Moore Gwyn, London. Promenaders in the park at Golden Hill, by Ethelbert White, R.W.S. (1891-1972). Signed: Ethelbert White. Oil on panel, 51 by 40 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Works 1960-1966. Earls Court studio, 1964.]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Two seated figures, by Henry Moore (1898-1986). 1944. Signed and dated. Pencil, wax crayon, chalk, charcoal, watercolour, pen and ink, 49.3 by 49.5 cm]
Attributed works:
[Hill-Stone Exhibiting at: The Fine Art Society, 148 New Bond Street, W1. A study for the figure of Charon, by George Romney (1734-1802). Pen and brown ink over black chalk, 34.6 by 27.2 cm.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Gaetano Gandolfi. San Matteo della Decima 1734 - 1802 Bologna. A Sheet of Head Studies. Drawing in red pen and ink; 1795. Signed with the artist's initials and dated verso in the same red ink in which the drawing was executed. 148 x 209 mm (5 7/8 x 8 1/4 inches)]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Giovanni Paolo Panini. Pair of Landscape with Ruins and Figures (detail).]
Attributed works:
[Jane Kahan Gallery, New York. Femme sur l'echelle, by Pablo Picasso. Aubusson tapestry, 202 by 178 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard, SW1. Self-portrait on a diff top in Howth, by Sir William Orpen. Signed: ORPEN at lower right. CHarcoal with gouache and oil on buff coloured paper, 50 by 36 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Francesco Barbieri, called Il Guercino. Cento 1591 - 1666 Bologna. Study of a dragon pierced by a lance. Pen and brown ink, 194 x 186 cm]
Attributed works:
[Johnny Van Haeften Ltd, 13 Duke Street, SW1. The gates of hell, by Cornelis Saftleven (1607-81). Oil on panel, 46 by 58 cm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. La laitière normande, by Jean-François Millet (1814-1875). Stamped with the estate stamp: J.F.M, lower right. Red chalk, 22.5 by 16.3 cm]
Attributed works:
[Lefevre Fine Art, London. A boxwood figure, by Henry Moore (1898-1986). 1912. Height: 43.2 cm]
Attributed works:
[Mark Mitchell, London. Still life with mustard jar, tomatoes, knife and glass on a striped tablecloth, by George Weissbort. 1928. Signed. Oil on canvas laid onto board 38.4 by 61.3 cm]
Attributed works:
[Rafael Valls Ltd, 11 Duke Street, SW1. A trompe l'oeil of a violin and a violin bow hanging from a red silk ribbon on a deal wood panel, by Claes Bellekin (1620-c.1675). Oil on canvas, 90 by 65 cm]
Attributed works:
[Robilant + Voena, 1st Floor, 38 Dover Street, W1. Virgin and Child with a Saint, by Andrea Solario (c. 1465-c.1524). c. 1517. Tempera and oil on panel, 37.5 by 33.5 cm]
Attributed works:
[Rountree Fine Art, London. Study of Mr. J.J. Moubray's Bay Hunter, by Sir Alfred Munnings P.R.A., R.W.S. (1878-1969). Oil on panel, 30.5 by 40.6 cm]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. Ferdinand-Victor-Eugène Delacroix. Arab Chief.]
Attributed works:
[Sphinx Fine Art Exhibiting at: 50 Maddox Street, W1S. Portrait of the Right Honorable William Pitt the Younger (1759-1806), three-quarter length in a black coat, standing before a column and gold brocade drape, by John Hoppner (1758-1810). Oil on canvas, 144.5 by 114.5 cm]
Attributed works:
[Stephanie Hoppen Gallery, London. Hummingbird and tubors, by Orlanda Broom. 2012. Acrylic and resins, 100 by 150 cm.]
Attributed works:
[Stephen Ongpin, London. Design for the cover of Sir magazine (no.4, 1964), by René Gruau (1909-2004). Signed with the artist's initial '*G' in black ink, gouache, and green film, over a pencil underdrawing, on paper, 41 by 28.7 cm]
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, W1. The estuary at Trieux, Bretagne, by Paul Signac (1863-1935). Signed lower right. Watercolour, pencil and ink, 11.2 by 20 cm]
Attributed works:
[The Silver Fund, London. Tea and coffee set on trey, by Jean Puiforcat. Mexico, c.1934. Signed. Sterling silver with green onyx handles]
Attributed works:
[Tomasso Brothers Fine Art, Leeds. Captive Dacians, by Francesco Righetti (1749-1819), and Luigi Righetti (1780-?1852). Signed and dated: FR. RIGHETTI. ET. FIL. FECIT. ROM / 1811. Bronze, rich brown-green patina. Height: 32.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Claus (active between 1754-1783). Bust of Caracalla. Signed J. CLAUS FECIT, dated 1757 and inscribed with the artists monogram I.C. White marble. 74 cm high]
Attributed works:
[Trinity Fine Art Exhibiting at: 29 Bruton Street, W1. The studio of artist Charles Guigon, by Fanny Guigon. Signed lower right: F. Guigon. Oil on cardboard, 25.5 by 33.2 cm]
Attributed works:
[Waterhouse Dodd, London. Le pesage Ombregé à Deauville, by Raoul Dufy. 1929-30. Signed. Watercolour and Gouache on paper, 50 by 65 cm.]
Non-western art unattributed:
[Jorge Welsh, London and Lisbon. 'Kinrade plate'. Ming Dynasty, c.1540-1600. Chinese porcelain in underglaze cobalt blue, overglaze iron red and gilt. Diameter: 19 cm]
Non-western art unattributed:
[Laura Bordignon, Finchingfield, Essex. Japanese okimono group of father and son. Wood and ivory. Signed in a tsuidhu red lacquer reserve. Sadamitsu, late Meiji Period.]
Western art unattributed:
[Cahn. Galleries in Basle and St. Moritz. A black-figure White-ground Lekythos. Attributed to the Athena Painter. With Munzen und Medaillen AG, Basle, ca. 1965.]
Western art unattributed:
[Charles Ede Ltd, London. A Roman marble Bust of the Aphrodite of Epidauros, Aphrodite Armata. c.1st century AD to early 2nd century AD.]
Western art unattributed:
[Daguerre. 5 bis, rue du Cirque. Paris. Languedoc. Circa 1120-1140. H. 31.5 cm]
Western art unattributed:
[De Backker Works of Art, Hoogstraten, Belgium. A stone capital with fir-cones. Italian. Height: 35 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. ,,The Falcon's Bathe". Flanders, 1400-1415. Warp and Weft: wool, height: 333 cm, width: 445 cm]
Western art unattributed:
[Jean-David Cahn, Basel. A head of Medusa from the Traianeum of Pergamon. c.114-29 AD. Grey, middle-grained marble. Height: 37.5 cm]
Western art unattributed:
[Joanna Booth. French, Paris, circa 1350. Ivory diptych wing, The Crucifixion. Height: 10 cm (4 in)]
Western art unattributed:
[Joanna Booth. Spain, Catalonia circa 1300. Bishop or Saint, probably St. Martin of Tours (detail). Limestone with some original colour. Height: 110 cm (43 1/2 in)]
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