38. Interior of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Before 1759-1773
Attributed works:
41. Detail of the façade of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Completed 1773
Attributed works:
42. Altarpiece model from series 49, by Franz Xaver Habermann and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
43. Confessional model from series 37, by Ignaz Carl Junck and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
44. Altar of the Virgin Immaculate (high altar), here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
45. Pulpit, here attributed to Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
46. Altar of Christ the Nazarene, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
47. Epitaph model from series 115, by Jeremias Wachsmuth and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Staatliche Graphische Sammlung, Munich)
Attributed works:
48. Altar of Our Lady of the Rosary, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
49. Calvary altar, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
50. Altarpiece model from series 78, by Emanuel Eichel the Elder and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Victoria and Albert Museum, London)
Western art unattributed:
39. Altar of Our Lady of the Remedies and the Guardian Angel. 1786-98 (Church of La Merced, Lima)
Western art unattributed:
40. Altar of the Infant Jesus. c.1759-1773 (Church of the Carmen, Trujillo)
Publication Received
Art in Spain and the Hispanic World. Essays in Honor of Jonathan Brown
94. Allegory of the name of the Virgin Mary, by Cristóbal de Villalpando. c.1690–1700. Canvas, 183 by 291 cm. (Museo de la Basílica de Santa María de Guadalupe, Mexico City; exh. Palacio de Cultura Banamex, Mexico City).
Attributed works:
95. The Immaculate Conception, by Alonso Vázquez. c.1590. Canvas, 283 by 206 cm. (Museo de Bellas Artes, Seville; exh. Palacio de Cultura Banamex, Mexico City).
55. Mezquital Crucifixion. Anonymous artist working in New Spain. c.1585. Polychromed cornstalk paste, 160 by 140 by 50 cm. (Durango Cathedral; exh. Centro Cultural, Tijuana).
Western art unattributed:
56. St Francis of Assisi. Anonymous artist working in ?Spain. Seventeenth century. Carved, polychromed and gilded wood, 130 by 65 cm. (Museo Nacional del Virreinato, Tepoltzotlán; exh. Centro Cultural, Tijuana).
Western art unattributed:
57. The martyrdom of San Felipe de Jesús. Anonymous artist working in New Spain. c.1650. Canvas, 152.4 by 121.9 cm. (Museo Regional de Guadalupe; exh. Centro Cultural, Tijuana).