The Avant-garde Networks of
‘Amauta’: Argentina, Mexico, and
Peru in the 1920s
Blanton Museum of Art, University
of Texas at Austin
16th February–17th May |
:
Illustrations
Attributed works:
22. Mayor of
Chinchero, by
José Sabogal.
1925. Oil on
canvas, 169
by 109 cm.
(Pinacoteca
Municipal Ignacio
Merino, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
24. Installation
photograph
of The Avantgarde
Networks
of Amauta:
Argentina,
Mexico, and Peru
in the 1920s at the
Blanton Museum
of Art, University
of Texas at Austin,
2020.
Attributed works:
25. Mexican flag,
by Lola Velásquez
de Cueto. 1920s.
Silk tapestry
made with chain
stitch, 42 by
150 cm. (Private
collection, Lima;
Sucesi n Mireya
Cueto; photograph
of Lance Aaron;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
Opposite
23. Allegory to
the farmers, by
Carlos Quízpez
As n. 1928. Oil on
canvas, approx.
190 by 150 cm.
(Universidad
Nacional de
Ingenier a, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Article
New sources for Melchiorre Cafà’s 1665 sculpture of Rose of Lima
16. Rose of Lima with an angel, by Melchiorre Cafà. 1665 (Convent of Santo Domingo, Lima)
Attributed works:
17. Tomb of Giovan Battista Gisleni, by Giovan Battista Gisleni, portrait by Jacob Ferdinand Voet, with epitaph by Orazio Quaranta. 1672 (Church of Santa Maria del Popolo, Rome)
Attributed works:
18. Detail of Fig.16
Article
The fantastical Rococo altarpieces of Santiago de Surco, Peru
38. Interior of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Before 1759-1773
Attributed works:
41. Detail of the façade of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Completed 1773
Attributed works:
42. Altarpiece model from series 49, by Franz Xaver Habermann and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
43. Confessional model from series 37, by Ignaz Carl Junck and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
44. Altar of the Virgin Immaculate (high altar), here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
45. Pulpit, here attributed to Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
46. Altar of Christ the Nazarene, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
47. Epitaph model from series 115, by Jeremias Wachsmuth and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Staatliche Graphische Sammlung, Munich)
Attributed works:
48. Altar of Our Lady of the Rosary, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
49. Calvary altar, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
50. Altarpiece model from series 78, by Emanuel Eichel the Elder and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Victoria and Albert Museum, London)
Western art unattributed:
39. Altar of Our Lady of the Remedies and the Guardian Angel. 1786-98 (Church of La Merced, Lima)
Western art unattributed:
40. Altar of the Infant Jesus. c.1759-1773 (Church of the Carmen, Trujillo)
Book Review
The Architecture of Conquest: Building in the Viceroyalty of Peru 1535-1635