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6 articles
Book Review
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of Northumberland
07/2022 | 1432 | 164
Pages: 218-219
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
Reviewed Items
subjects:
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of Northumberland By Adriano Aymonino. 400 pp. incl. 285 col. + b. & w. ills. (Yale University Press, New Haven and London, 2021), £50. ISBN 978–1–913107–17–8. | :
Illustrations
Attributed works:
1. Design for a family tree mural on the wall of the chapel at Alnwick Castle, Northumberland, by the office of Robert and James Adam. 1777. Pen and washes, 53.5 by 44.5 cm. (Sir John Soane’s Museum, London, Adam, XXXIX, no.19; © Ardon Bar Hama).
Short Notice
Sèvres Porcelain Given by Charles X in 1825 to the Duke of Northumberland
03/1993 | 1080 | 135
Pages: 215-219
related names
Author:
Shifman, Barry (Shifman, Barry)
Subjects
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Illustrations
Attributed works:
59. Detail of Vase in Fig.63. [Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).]
Attributed works:
60. Detail of Vase in Fig.63. [Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).]
Attributed works:
61. Preliminary Drawing of Vase Médicis in Fig.63, by Jean-Charles-François Leloy. 1822. Pen, Pencil and Water-Colour, 59.7 by 49.4 cm. (Archives, Manufacture nationale de Sèvres, Sèvres).
Attributed works:
62. Detail of Vase in Fig.63. [Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).]
Attributed works:
63. Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).
Attributed works:
64. Clock (Pendule trois époques d'un jour d'Eté à Paris en MDCCXXIII), Plaques Decorated by Jean-Charles Develly, Charles-Antoine Didier Fils, and François-Antoine Boullemier aîné. 1823. Sèvres Hard-Paste Porcclain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, 72.39 cm. High; 36.83 cm. Wide. (Duke of Northumberland Collection, Syon House, Middlesex).
Attributed works:
65. Detail of Clock in Fig.64 (Le Matin, au marché aux fleurs), by Jean-Charles Develly.
Attributed works:
66. Detail of Clock in Fig.64 (Le Milieu de la Journée. Promenade aux Champs Elysées), by Jean-Charles Develly.
Attributed works:
67. Detail of Clock in Fig.64 (Le Soir, au boulevard du théâtre des Variétés), by Jean-Charles Develly.
Western art unattributed:
68. Picture Gallery at Northumberland House, London. Unidentified Artist. c.1870. Water-Colour, 54.6 by 77.5 cm. (Duke of Northumberland Collection, Syon House, Middlesex).
Article
Joseph Wilton, Francis Hayman and the Chimney-Pieces from Northumberland House
04/1983 | 961 | 125
Pages: 195-203
related names
Author:
Allen, Brian (Allen, Brian)
Subjects
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artists:
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Illustrations
Attributed works:
10. Scene from 'Antony and Cleopatra', by Francis Hayman. Pen, Ink and Grey Wash, c. 21.6 by 14.6 cm. (Folger Shakespeare Library, Washington D. C.).
Attributed works:
11. Self Portrait with Martin Folkes, by Francis Hayman. 71.8 by 91.4 cm. (National Portrait Gallery).
Attributed works:
12. Caricature Group, by John Hamilton Mortimer. 83.8 by 106.7 cm. (Paul Mellon Collection, Yale Center for British Art, New Haven).
Attributed works:
13. Self Portrait with Joseph Wilton and a Student, by John Hamilton Mortimer. 76.2 by 63.5 cm. (Royal Academy).
Attributed works:
2. Joseph Wilton with His Wife and Daughter Frances, by Francis Hayman. 76.2 by 102.9 cm. (Collection Sir Robert Kirkwood).
Attributed works:
3. Detail of Fig.2.
Attributed works:
4. Bust of Joseph Wilton, by Louis-François Roubiliac. Plaster, Height 83.8 cm. (Royal Academy).
Attributed works:
5. Marble Chimney-Piece (Formerly at Northumberland House, Now at Victoria and Albert Museum).
Attributed works:
6. Drawing for a Chimney-Piece, Attributed to Henry Keene. Pen, Ink and Grey Wash, 31.1 by 17.1 cm. (Victoria and Albert Museum).
Attributed works:
7. Marble Chimney-Piece (Formerly at Northumberland House, Now at Syon House).
Attributed works:
8. Marble Chimney-Piece in the Gallery at Croome Court, Worcs., Designed by Robert Adam and Executed by Joseph Wilton.
Attributed works:
9. Marble Chimney-Piece in the Red Drawing Room at Hopetoun House, West Lothian, Designed by Robert Adam and Executed by J. M. Rysbrack.
Article
The Picture of the Secretary of Titian
03/1966 | 756 | 108
Pages: 112+114-127
related names
Author:
Jaffé, Michael (Jaffé, Michael)
Subjects
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Illustrations
Attributed works:
1. Detail from the Titian Double Portrait Reproduced in Fig.4. [Georges d'Armagnac, Bishop of Rodez, with Guillaume Philandrier, by Titian. Canvas, 104.1 by 114.3 cm. (Collection the Duke of Northumberland, Alnwick Castle.)]
Attributed works:
10. Detail from the Van Dyck Double Portrait Reproduced in Fig.19. [Thomas Wentworth. Earl of Strafford with Sir Philip Mainwaring, by Sir Anthony Van Dyck. (Collection Earl Fitzwilliam.)]
Attributed works:
11. Copy (?By Symon Stone) of the Titian Reproduced in Fig.4. (Collection Sir Gyles Isham.)
Attributed works:
12. Copy of the Titian Reproduced in Fig.4. Canvas, 99.5 by 101.6 cm. (Dêpot de la Récuperation artistique, Musée du Louvre.)
Attributed works:
13. Detail from Cardinal Carondolet and His Secretaries, by Sebastiano del Piombo. 1511-12. (Collection Baron von Thyssen-Bornemicza, Schloss Rohoncz.)
Attributed works:
14. George of Denmark with George Clarke, by Sir Godfrey Kneller. c. 1705. Canvas. (All Souls College, Oxford.)
Attributed works:
15. Rt Hon. Henry Pelham, as 1st Lord of the Treasury, with John Roberts, by John Shackleton. Canvas, 78.7 by 139.8 cm. (Collection Sir Michael Culme-Seymour, Bt.)
Attributed works:
16. Charles Watson-Wentworth, 2nd Marquess of Rockingham, with His Secretary Edmund Burke, by Sir Joshua Reynolds. Canvas, 145.3 by 158.8 cm. (Fitzwilliam Museum, Cambridge.)
Attributed works:
19. Thomas Wentworth. Earl of Strafford with Sir Philip Mainwaring, by Sir Anthony Van Dyck. (Collection Earl Fitzwilliam.)
Attributed works:
2. Here Identified as Georges d'Armagnac, Bishop of Rodez, by Corneille de Lyon. Panel, 18.1 by 14.6 cm. (National Trust, Waddesdon Manor.)
Attributed works:
3. Guillaume Philandrier. Engraving by Theodore de Bry.
Attributed works:
4. Georges d'Armagnac, Bishop of Rodez, with Guillaume Philandrier, by Titian. Canvas, 104.1 by 114.3 cm. (Collection the Duke of Northumberland, Alnwick Castle.)
Attributed works:
5. Cardinal Georges d'Armagnac in Old Age, Attributed to François Bunel. Miniature. (Collection Comtesse de Corneillan.)
Attributed works:
6. Georges d'Armagnac. Engraving by Frank von Wyngaerde Illustrating Eloges historiques des Cardinaux illustres by Père Henri Albi (1644).
Attributed works:
7. Cardinal Georges d'Armagnac. Medal by Pastorino. Signed and Dated 1554. (Formerly Whitcombe Green Collection.)
Attributed works:
8. X-Ray Mosaic by Courtauld Institute of Art of the Titian Double Portrait Reproduced in Fig.4.
Attributed works:
9. Detail from the Titian Double Portrait Reproduced in Fig.4. [Georges d'Armagnac, Bishop of Rodez, with Guillaume Philandrier, by Titian. Canvas, 104.1 by 114.3 cm. (Collection the Duke of Northumberland, Alnwick Castle.)]
Western art unattributed:
17. Detail from Missal for Good Friday. Dated 1565. Paper, 42 by 28 cm. Showing Device of Cardinal Georges d'Armagnac (Musée Calvet, Avignon.)
Western art unattributed:
18. Detail from Missal for Palm Sunday, Dated 1564. Illuminated Missal, 41.8 by 28.5 cm. Showing Device of Cardinal Georges d'Armagnac. (Musée Calvet, Avignon.)
Western art unattributed:
20. Cardinal Georges d'Armagnac. Frontispiece to Pontifical Missal, Dated 1557. Illumination on Parchment. Paris. Bibl. Nat. 637 XAL 1506.
Letter
A Riminese Panel from Alnwick
05/1953 | 602 | 95
Pages: 170
related names
Author:
Egbert, Virginia Wylie (Egbert, Virginia Wylie)
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Article
Limoges Enamels of the Aeneid Series at Alnwick Castle
05/1921 | 218 | 38
Pages: 238+240-241+243-245
related names
Author:
Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)
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Illustrations
Western art unattributed:
Plate I. Limoges Enamels of the Aeneid series at Alnwick. A The signal for war given by Turnus from the citadel of Laurentum. "Rauco strepuerunt cornua cantu."
Western art unattributed:
Plate I. Limoges Enamels of the Aeneid series at Alnwick. B The sacrificial feast of Evander before the walls of Pallantium interrupted by the arrival of Aeneas and his fleet; Pallas, son of Evander, challenging Aeneas, who answers from the poop of his vessel. "Tum pater Aeneas puppi sic futur ab alta"
Western art unattributed:
Plate II. Limoges Enamels of the Aeneid series at Alnwick. C Pallas conducts Aeneas from the ship to his father. "Exceptique manu dextramque amplexus inhaesit"
Western art unattributed:
Plate II. Limoges Enamels of the Aeneid series at Alnwick. D Evander relating to Aeneas how Fauns and wild men once dwelt in the land. "Haec nemora indigenae Fauni Nymphaeque tenebant"
Western art unattributed:
Plate III. Limoges Enamels of the Aeneid series at Alnwick. E Venus making a sign with thunder and the flashing of arms in the heavens to Evander and Pallas with Aeneas and Achates. "Arma inter nubem.... rutilare vident et pulsa tonare"
Western art unattributed:
Plate III. Limoges Enamels of the Aeneid series at Alnwick. F Evander bidding farewell to Pallas who rides forth with Aeneas and Achates to meet Tarcho and the Etruscans appearing from a grove in the background. "Ipse agmine Pallas In medio, chlamyde et pictis conspectus in armis." (The six plaques belong to the Duchess of Northumberland)