4. Badge of St Margaret. Probably eastern France, second half of the
fifteenth century. Alloy of gold and copper, 5.9 by 4 cm. (The Wyvern
Collection).
Attributed works:
6. Horn, by Léonard Limosin. Limoges, 1538. Enamel painted on copper
with silver fittings, mounted on a cow’s horn, length 30.5 cm. (The
Wyvern Collection).
Attributed works:
7. Head of the Virgin. Northern Spain, c.1270–1300. Wood, paint,
gilding and gesso, height 59 cm. (The Wyvern Collection).
Attributed works:
8. Head of the mourning Virgin. France (Paris or Normandy),
c.1530–40. Clear glass painted with stipple shading, leaded in a
later setting, 13.5 by 11.5 cm. (The Wyvern Collection).
Western art unattributed:
1. Phylactery. Mosan, c.1160–70. Champlevé enamel on copper
with gilding, vernis brun, rock crystal and gems on a wooden core,
22.5 by 22 cm. (The Wyvern Collection).
Western art unattributed:
2. Chrismatory. Anglo-Saxon, c.800, and Carolingian, late 9th
century. Repoussé copper-alloy sheets with gilding and silver on
an oak core, height 15.6 cm. (The Wyvern Collection).
Western art unattributed:
3. Plaque. England, c.1180–1200. Champlevé enamel on copper with
gilding, height 5.7 cm. (The Wyvern Collection).
Western art unattributed:
5. Travelling chalice. Lower Rhine (probably Cologne), c.1240–50. Silver,
parcel-gilt, with filigree, pearls and semi-precious stones, height 8.2 cm.
(The Wyvern Collection).
Book Review
Limoges: L’Apogée 1190–1215. Corpus des émaux méridionaux, vol.II
52. Chasse of Champagnet. Limoges, c. 1150. Copper and Champlevé Enamel, 12.4 by 18.9 by 8.5 cm. (Metropolitan Museum of Art, New York).
Western art unattributed:
53. Murder of Thomas Becket. Limoges, c. 1180-90. Copper, Champlevé Enamel, 20.6 by 19.8 by 8.8 cm. (Louvre, Paris).
Western art unattributed:
54. Ciborium of Master Alpais. Limoges, c. 1200. Copper, Champlevé Enamel, Glass Cabochons and Enamelled Beads, 30.1 by 16.8 cm. (Louvre, Paris).
Western art unattributed:
55. Head of St Ferreolus. Limoges, 1346. Copper, Champlevé Enamel and Semi-Precious Stones, 60 by 32 cm. (Parish Church of the Beheading of St John the Baptist, Nexon; Exh. Metropolitan Museum of Art, New York).
Book Review
Medioevo e produzione artistica di serie: smalti di Limoges e avori gotici in Campania
65. Adoration of the Magi, by the so-called Monvaerni. Limoges enamel Pax, end of fifteenth century. 9.8 by 6.9 cm. (Cleveland Museum of Art, John L. Severance Bequest.)
Attributed works:
66. Adoration of the Magi, with Jean Barthon de Montbas, Bishop of Limoges and St John the Evangelist, by the So-Called Monvaerni. Limoges Enamel, End of Fifteenth Century. 9.1 by 13.1 cm. (Musée Municipal, Limoges.)
Attributed works:
67. Adoration of the Magi, by the so-called Monvaerni. Limoges enamel in gilt-copper frame mounted as a Pax; end of fifteenth century. Area of enamel, 9.9 by 6.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
68. Adoration of the Magi, by the So-Called Monvaerni. Limoges Enamel, End of Fifteenth Century. c. 24 by 23 cm. (Formerly Seligmann Collection.)
Attributed works:
69. Charlemagne, attributed to Pierre Pénicaud(?) or Martin Didier, called Pape. Limoges enamel, mid-sixteenth century. Diameter, 9.5 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
70. David vanquishing Goliath, by Pierre Reymond. Signed with initials. Limoges enamel, mid-sixteenth century. Diameter, 8.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
71. Naked Man riding a Horse, attributed to Pierre Reymond. Limoges enamel, sixteenth century. 5.7 by 5.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
72. Nativity, by Léonard Limosin. Limoges enamel, sixteenth century. 17.1 by 16.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Article
A Limoges Champlevé Book-Cover in the Gambier-Parry Collection
58. Christ in Majesty, with the Symbols of the Evangelists. Central plaque from a book-binding. Limoges enamel, c.1190-1200; height, 23.6 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Western art unattributed:
59. Crucifixion. Central plaque from a book-binding, remounted as book-binding on the Gospel of St Ludger. c.1190-1200. Limoges enamel. (Musće Condć, Chantilly.)
Western art unattributed:
60. Christ in Majesty, with the Symbols of the Evangelists. Central plaque from a book-binding. Limoges enamel, c.1180-90. (Staatliche Museen, Berlin-Dahlem.)
Western art unattributed:
61. Adoration of the Magi. Limoges Enamel Châsse. (Formerly Gambier-Parry Collection; Now Widener Collection, National Gallery of Art, Washington, D. C.)
Western art unattributed:
62. Christ in Majesty, with the Symbols of the Evangelists. Central Plaque from a book-binding. Limoges Enamel, c.1190-1200. (Musée du Louvre.)
Western art unattributed:
63. Christ in Majesty, with the Symbols of the Evangelists. Book-Binding. Limoges Enamel, c.1200. (Victoria and Albert Museum.)
Western art unattributed:
64. Christ in Majesty, with the Symbols of the Evangelists. Central Plaque from a book-binding. Limoges Enamel, c.1190-1200. (British Museum.)