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12 articles
Article
Paolo Stella’s Belvedere: a Genoese outpost in Prague
11/2022 | 1436 | 164
Pages: 1088-1103
related names
Author:
Schulz, Anne Markham (Schulz, Anne Markham)
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Illustrations
Attributed works:
1. The west front of the Belvedere, Prague. (Photograph Jan Bazant).
Attributed works:
10. Charles V liberating Christian captives, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [11E]; photograph Prague Castle).
Attributed works:
11. Meeting of King Mulay Hassan and Charles V, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [13E]; photograph Prague Castle).
Attributed works:
12. King Ferdinand and Queen Anna, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [3W]; photograph Prague Castle).
Attributed works:
13. Plexippos and Toxeus, sons of Thestius, carrying the head of the Caledonian Boar, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, south side [5S]; photograph Prague Castle).
Attributed works:
14. Perseus and Atlas, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [4N]; photograph Prague Castle).
Attributed works:
15. Hermes and Battus, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [7W]; photograph Prague Castle).
Attributed works:
16. Cadmus and the dragon, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [13W]; photograph Prague Castle).
Attributed works:
17. Jason and the Golden Fleece, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [2W]; photograph Prague Castle).
Attributed works:
18. Zeus and Ganymede, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [8W]; photograph Prague Castle).
Attributed works:
19. Hannibal and Scipio Africanus, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [2N]; photograph Prague Castle).
Attributed works:
2. Detail from Miracle of the Goblet, by Giammaria Mosca and Paolo Stella. 1520–29. (Cappella del Santo, Basilica di S. Antonio, Padua; photograph Mauro Magliani).
Attributed works:
20. Mago the Carthaginian reaping grain, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [6W]; photograph Prague Castle).
Attributed works:
21. Leda and the swan, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [11W]; photograph Prague Castle).
Attributed works:
22. Perseus and Andromeda, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [3N]; photograph Prague Castle).
Attributed works:
23. Garden façade of the Villa Doria, Genoa. (Photograph Alinari).
Attributed works:
3. Detail of Fig.2, showing the central kneeling woman. (Photograph Mauro Magliani).
Attributed works:
4. Hope, from the tomb of Lodovico Euffreducci, S. Francesco, Fermo, by Paolo Stella. (Diocesan Museum, Fermo; photograph Mauro Magliani).
Attributed works:
5. St Thomas Aquinas, by Paolo Stella. c.1525. Marble, height 161 cm. (SS. Giovanni e Paolo, Venice; photograph Anne Markham Schulz).
Attributed works:
6. Tomb of Giovanni Battista Bonzio. 1525–26. (SS. Giovanni e Paolo, Venice).
Attributed works:
7. Tomb of Lodovico Euffreducci. c.1528–29. (S. Francesco, Fermo; photograph Mauro Magliani).
Attributed works:
8. Pursuit of fleeing Tunisians by imperial forces, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [9E]; photograph Prague Castle).
Attributed works:
9. Danaë, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [10W]; photograph Prague Castle).
Article
The Dream of Aeneas: A Rosa Source for Cheere's River God at Stourhead
12/1974 | 861 | 116
Pages: 756+758
related names
Author:
Woodbridge, Kenneth (Woodbridge, Kenneth)
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Illustrations
Attributed works:
66. River God, by John Cheere. (National Trust, Stourhead, Wilts.)
Attributed works:
67. Dream of Aeneas, by Salvator Rosa. Etching.
Short Notice
Nicolò dell'Abate's 'Aristeus and Eurydice'
02/1970 | 803 | 112
Pages: 106-108
related names
Author:
Langmuir, Erika (Langmuir, Erika; Langmuir, Erika H.)
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Illustrations
Attributed works:
52. Aristeus and Eurydice, by Nicolò dell'Abate. Canvas. (National Gallery, London.)
Attributed works:
53. Aristeus and Eurydice, with Orpheus, by Baldassare Carrari the Younger. Panel. (Formerly Spiridon Collection. Paris.)
Attributed works:
54. Detail from the Painting Illustrated in Fig. 52. [Aristeus and Eurydice, by Nicolò dell'Abate. Canvas. (National Gallery, London.)]
Short Notice
A Virgil Illuminated by Marco Zoppo
08/1969 | 797 | 111
Pages: 512+514-517
related names
Author:
Alexander, Jonathan J. G. (Alexander, Jonathan J. G.; Alexander, J. J. G.; A., J. J. G.; Alexander, Jonathan)
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Illustrations
Attributed works:
37. Orpheus Charming the Beasts, Here Attributed to Marco Zoppo. (bibliothéque Nationale, Paris, Latin 11309, fol.4v.)
Attributed works:
38. Virgil, Eclogues, Here Attributed to Marco Zoppo. (Bibliothèque Nationale, Paris, Latin 11309, fol.5.)
Attributed works:
39. Triumph of Bacchus and Ceres, Here Attributed to Marco Zoppo. (Bibliothèque Nationale, Paris, Latin 11309, fol.21v.)
Attributed works:
40. Triumph of Mars, Here Attributed to Marco Zoppo. (Bibliothèque Nationale, Paris, Latin 11309, fol.64v.)
Attributed works:
41. Page from Sketchbook by Marco Zoppo. (Department of Prints and Drawings, British Museum, fol.15.)
Article
The 'Altieri Claudes' and Virgil
07/1960 | 688 | 102
Pages: 312-318
related names
Author:
Kitson, Michael (Kitson, Michael; K., M.)
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Illustrations
Attributed works:
27. The Arrival of Aeneas at Pallanteum, by Claude Lorrain. 1675. Final Study for Fig.28. Pen and Wash with Black Chalk, Heightened with White, 24.7 by 33.1 cm. (Uffizi, Florence.)
Attributed works:
28. The Arrival of Aeneas at Pallanteum, by Claude Lorrain. 1675. Canvas, 172.5 by 221 cm. (Collection Lord Fairhaven.)
Attributed works:
29. A Sacrifice to Apollo, by Claude Lorrain. 1662. Canvas, 172.5 by 221 cm. (Collection Lord Fairhaven.)
Attributed works:
30. Landscape with a City, Boats and a River, by Claude Lorrain. 1675. Preliminary Study for Fig.28. Pen and Brown Ink Wash with Corrections in White Body-Colour, 17.7 by 25.2 cm. (Collection Count Seilern.)
Attributed works:
31. Aeneas and Achates Hunting, by Claude Lorrain. 1672. Canvas, 112 by 157.5 cm. (Musée Royal des Beaux-Arts, Brussels.)
Attributed works:
32. Ascanius Shooting the Stag of Sylvia, by Claude Lorrain. 1682. Canvas, 120 by 150 cm. (Ashmolean Museum, Oxford.)
Article
Poussin Studies VII: Poussins in Neapolitan and Sicilian Collections
03/1958 | 660 | 100
Pages: 76-87
related names
Author:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
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Illustrations
Attributed works:
10. Christ Driving the Traders Out of the Temple. Engraving after a Drawing by Hubert Robert (Based on a Sketch by Fragonard) of a Composition by Giordano.
Attributed works:
11. Riposo, by Nicolas Poussin. Canvas, 76.2 by 63 cm. (Dr and Mrs Rudolf Heinemann, New York.)
Attributed works:
12. Venus, Bacchus, Cupid and Putti (?), by Nicolas Poussin. Canvas, 71 by 56 cm. (Hermitage, Leningrad.)
Attributed works:
13. Venus, Adonis and Putti, by Nicolas Poussin. Canvas. (Rhode Island School of Design, Providence.)
Attributed works:
14. Venus Bringing Arms to Aeneas, by Nicolas Poussin. Canvas, 107 by 134 cm. (Art Gallery, Toronto.)
Attributed works:
15. Group of Putti. Fragment of a Drawing by Nicolas Poussin. (Museum Boymans, Rotterdam.)
Attributed works:
16. Venus and Putti, by Giacinto Gimignani. Traces of Signature. Canvas, 72 by 58 cm. (Marquess of Exeter, Burghley.)
Attributed works:
19. X-ray of a Painting by Nicolas Poussin of Two Heads (A Fragment of a Golden Calf) in the Collection of Captain Guy Liddell, Showing Underneath the Colosseum and Other Roman Buildings.
Attributed works:
2. Midas, by Nicolas Poussin. Canvas, 50 by 66 cm. (Musée Fesch, Ajaccio.)
Attributed works:
3. X-ray of the Midas Reproduced in Fig. 2.
Attributed works:
4. X-ray of the Landscape with the Virgin Protecting the Town of Spoleto, by Nicolas Poussin. (Alleyn's College of God's Gift, Dulwich.)
Attributed works:
5. God the Father Supported by Putti from an Annunciation. Engraving after a Drawing by Fragonard of a Composition by Poussin.
Attributed works:
6. Riposo. Engraving after a Drawing by Fragonard of a Composition by Poussin.
Attributed works:
7. Annunciation, by Nicolas Poussin. Canvas, 75 by 95 cm. (Musée Condé, Chantilly.)
Attributed works:
8. Christ Driving the Traders Out of the Temple, by Luca Giordano. (Church of the Gerolomini, Naples.)
Attributed works:
9. Flight into Egypt. Engraving after a Drawing by Fragonard of a Composition by Poussin.
Short Notice
A Drawing by Nicolo Dell'abate in Windsor
09/1942 | 474 | 81
Pages: 224+226-227
related names
Author:
Antal, Frederick (Antal, Frederick; Antal, F.; Antal, Friedrich)
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dates:
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museums and institutions:
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subjects:
subjects:
works:
Illustrations
Attributed works:
A-Two Figures Entering the Underworld. Here Attributed to Nicolo Dell'abate. Pen and Wash, Heightened with White. 19.5 by 25.3 cm. (H. M. The King, Windsor Castle). D-The Descent of Aeneas and the Cumaean Sibyl into Avernus. By Nicolo Dell'abate. Detail of a Fresco, Now in the Gallery of Modena. Shorter Notices: A Drawing by Nicolo Dell'abate in Windsor.
Article
Limoges Enamels of the Aeneid Series at Alnwick Castle
05/1921 | 218 | 38
Pages: 238+240-241+243-245
related names
Author:
Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)
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Illustrations
Western art unattributed:
Plate I. Limoges Enamels of the Aeneid series at Alnwick. A The signal for war given by Turnus from the citadel of Laurentum. "Rauco strepuerunt cornua cantu."
Western art unattributed:
Plate I. Limoges Enamels of the Aeneid series at Alnwick. B The sacrificial feast of Evander before the walls of Pallantium interrupted by the arrival of Aeneas and his fleet; Pallas, son of Evander, challenging Aeneas, who answers from the poop of his vessel. "Tum pater Aeneas puppi sic futur ab alta"
Western art unattributed:
Plate II. Limoges Enamels of the Aeneid series at Alnwick. C Pallas conducts Aeneas from the ship to his father. "Exceptique manu dextramque amplexus inhaesit"
Western art unattributed:
Plate II. Limoges Enamels of the Aeneid series at Alnwick. D Evander relating to Aeneas how Fauns and wild men once dwelt in the land. "Haec nemora indigenae Fauni Nymphaeque tenebant"
Western art unattributed:
Plate III. Limoges Enamels of the Aeneid series at Alnwick. E Venus making a sign with thunder and the flashing of arms in the heavens to Evander and Pallas with Aeneas and Achates. "Arma inter nubem.... rutilare vident et pulsa tonare"
Western art unattributed:
Plate III. Limoges Enamels of the Aeneid series at Alnwick. F Evander bidding farewell to Pallas who rides forth with Aeneas and Achates to meet Tarcho and the Etruscans appearing from a grove in the background. "Ipse agmine Pallas In medio, chlamyde et pictis conspectus in armis." (The six plaques belong to the Duchess of Northumberland)
Article
Blake's Woodcuts
12/1920 | 213 | 37
Pages: 284-285+288-289
related names
Author:
Binyon, Laurence (Binyon, Laurence; B., L.; Binyon, L.)
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Illustrations
Attributed works:
Plate I. Examples of William Blake's Woodcuts
Attributed works:
Plate II. Examples of William Blake's Woodcuts
Book Review
P. Vergili Maronis Opera
07/1913 | 124 | 23
Pages: 242
related names
Reviewer:
L., G. T. (L., G. T.)
Subjects
Reviewed Items
subjects:
P. Vergili Maronis Opera | author: Postgate, Joannis P. , author: Virgil
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