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3 articles
Article
The Photography Centre at the Victoria and Albert Museum, London
05/2023 | 1442 | 165
Pages: 536-543
related names
Author:
Stein, Lisa (Stein, Lisa)
Subjects
Illustrations
Attributed works:
1. The display of cameras at the entrance to the Photography Centre at the Victoria and Albert Museum, London, in 2018. (Courtesy David Kohn Architects, London; photograph Will Pryce).
Attributed works:
10. Devotion, by Julia Margaret Cameron. 1865. Albumen print from wet collodion glass negative, 22.8 by 27.9 cm. (Victoria and Albert Museum, London, inv. no.45154).
Attributed works:
2. The Sir Elton John and David Furnish Gallery at the Victoria and Albert Museum, London, in 2018. (Courtesy David Kohn Architects, London; photograph Will Pryce).
Attributed works:
3. Architectural rendering of the Kusama Gallery (Room 98) in the Photography Centre at the Victoria and Albert Museum, London, designed by Gibson Thornley Architects (© Schmidt Massie).
Attributed works:
4. Architectural rendering of the Parasol Foundation Gallery (Room 97) in the Photography Centre at the Victoria and Albert Museum, London. (© Gibson Thornley Architects).
Attributed works:
5. Self-portrait as walking woman with bag, 1979 Lima, Peru 2019 Los Angeles, CA, from the series 1979 contact negatives, by Tarrah Krajnak. 2019, printed in 2022. Cyanotype, 60.8 by 50.5 cm. (© Tarrah Krajnak; Victoria and Albert Museum, London; inv. no.PH.139-2023).
Attributed works:
6. Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London, inv. no.PH.1209).
Attributed works:
7. The Exhibition of the Photographic Society of London and the Société Française de Photographie at the South Kensington Museum, by Charles Thurston Thompson. 1858. Albumen print from wet collodion negative, 29 by 33.3 cm. (Victoria and Albert Museum, London, inv. no.2715-1913).
Attributed works:
8. Raphael Cartoon, The conversion of the proconsul also known as The blinding of Elymas, by Raphael, c.1515–16, by Charles Thurston Thompson. 1858. Scan from a glass plate negative, 91.4 by 91.4 cm. (Victoria and Albert Museum, London, inv. no.E.644-2017).
Attributed works:
9. Ancient ruins in the Canon de Chelle, New Mexico, by Timothy O’Sullivan. 1873. Albumen print, 20.1 by 27.3 cm. (Victoria and Albert Museum, London, inv. no.PH.242-1979).
Article
Nicéphore Niépce and the industry of photographic replication
12/2021 | 1425 | 163
Pages: 1112-1119
related names
Author:
Siegel, Steffen (Siegel, Steffen)
Subjects
Illustrations
Attributed works:
1. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1827. Print on paper after a heliographic plate, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
2. Georges Cardinal d’Amboise Grand Ministre d’Estat et Legat en France, by Isaac Briot. 1633. Engraving, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
3. A horse and groom, by Nicéphore Niépce. 1825. Print on paper after a heliographic plate, taken from a copy of an etching by Dirck Stoop (1651), 14.7 by 10 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
4. View from the window at Le Gras, by Nicéphore Niépce. 1826. Heliograph, 25.8 by 29 cm. (Harry Ransom Humanities Research Center, University of Texas at Austin).
Attributed works:
5. The Holy Family, by Nicéphore Niépce. 1826. Helio-engraved metal plate (tin-led-alloy), taken from an engraving by Étienne-Jehandier Desrochers after Le Brun, probably early 18th century, 26.7 by 19.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
6. A prisoner, by Nicéphore Niépce. 1826. ‘Gravure vernie’ of a print by Jean-Baptiste de Poilly after a drawing by François Verdier, probably early 18th century, 24.5 by 18 cm. (Musée Nicéphore-Niépce, Chalonsur- Saône).
Attributed works:
7. Landscape (‘after Le Lorrain’), by Nicéphore Niépce. 1826–27. Helioengraved metal plate (tin), 14.2 by 20.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
8. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1826. Helioengraved metal plate (tin), 17.9 by 14.1 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
9. Composition, by John William Draper. c.1840. Daguerreotype, 8.2 cm by 10.2 cm. (Photographic History Collection, National Museum of American History, Smithsonian Institution, Washington).
Book Review
The Prints of Paul Sandby (1731–1809): A Catalogue Raisonné. By Ann V. Gunn
06/2018 | 1383 | 160
Pages: 521-523
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
6. The Fair Stationer in Hyde Park 1780, by Paul Sandby. 1780. Outline etching handcoloured with grey wash, 22.4 by 29.1 cm. (The British Museum, London).