Revoir Watteau: Un comédien
sans réplique. Pierrot, dit le
‘Gilles’
Musée du Louvre, Paris
16th October 2024–3rd February
2025 |
:
Illustrations
Attributed works:
1. Jean-Louis
Barrault in
the role of
Jean-Gaspard
(‘Baptiste’)
Deburau, still
from the film
Les Enfants du
paradis, dir. M.
Carné. 1945.
(Pathé Films;
exh. Musée du
Louvre, Paris).
Attributed works:
2. Pierrot
(formerly called
Gilles), by Antoine
Watteau. c.1719.
Oil on canvas, 184
by 155 cm. (Musée
du Louvre, Paris)
Attributed works:
3. Les Comédiens
italiens, here
attributed to
Antoine Watteau
and collaborators.
c.1720. Oil on
canvas, 129 by
93 cm. (J. Paul
Getty Museum,
Los Angeles; exh.
Musée du Louvre,
Paris).
Short Notice
New questions about Sickert’s ‘Vesta Victoria at the Old Bedford’
1. Vesta Victoria at the Old Bedford,
by Walter Sickert. c.1890. Oil on board,
36.8 by 23.5 cm. (Private collection).
Attributed works:
2. Vesta Victoria at the Old Bedford, by
Walter Sickert. c.1890. Black chalk with
white heightening, pen and ink, 34.6 by
23.5 cm. (Metropolitan Museum of Art,
New York; Art Resource; Scala, Florence).
Attributed works:
3. Vesta Victoria, from the ‘Actors and
Actresses’ series issued by Kinney Brothers
to promote Sweet Caporal Cigarettes.
c.1890. Albumen print, 6.4 by 3.7 cm.
(Metropolitan Museum of Art, New York).
Time, Media, and Visuality in Post-
Revolutionary France
Edited by Iris Moon and Richard Taws. 280 pp.
incl. 32 col. + 61 b. & w. ills. (Bloomsbury, London,
2021), £85. ISBN 978–1–5013–4839–6. |
:
23. 'Kate O'Grady, You're a lady', by Walter Sickert. Drawing repr. in The Idler (March 1895).
Attributed works:
24. Gatti's Hungerford Palace of Varieties: second turn of Miss Katie Lawrence, by Walter Sickert. c.1903. 83 by 97 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
25. X-radiograph of Fig. 24, rotated 90 degrees clockwise.
Attributed works:
26. St Jacques, façade, by Walter Sickert. c.1899-1900. 55.9 by 48.2 cm. (Whitworth Art Gallery, Manchester).
Attributed works:
27. St Jacques, Dieppe, by Walter Sickert. Pencil, pen and ink, 23 by 18 cm. (Christie's, London, 14th May 1992).
Attributed works:
28. Gatti's Hungerford Palace of Varieties: second turn of Miss Katie Lawrence, by Walter Sickert. c.1903. 38 by 45.8 cm. (Yale University Art Gallery, New Haven).
Attributed works:
29. Detail of lower-left edge of 24, showing black grid lines.
Attributed works:
31. Detail of spot-lit curtain in Fig. 24, showing underpainting colours of violet and green.
Attributed works:
32. Photograph of Fig. 24, under ultraviolet light.
Short Notice
Some newly discovered sketches by Walter Sickert of Gatti's Hungerford Palace of Varieties
33. Thirteen music-hall studies made at Gatti's, London, by Walter Sickert. 1887. Pencil on paper (with ink inscriptions) on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery).
Attributed works:
34. Detail (top left) of a music-hall study made at Gatti's, London, by Walter Sickert. 1887. Pencil on paper (with ink inscriptions) on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery). Inscribed by Sickert 'Gattis. May 20.87'.
Attributed works:
35. Detail of a music-hall study made at Gatti's, London, by Walter Sickert. 1887. Pencil on paper (with ink inscriptions) on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery). Showing study of Katie Lawrence, Gatti's (23rd May 1887), and inscribed by Sickert 'not wearing the same dress'.
Attributed works:
37. Fifteen music-hall studies made at Gatti’s, London, by Walter Sickert. 1888. Pencil on paper on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery).
Attributed works:
38. Eight studies of the audience, Gatti’s, London, by Walter Sickert. 1888. Pencil on paper on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery).
Western art unattributed:
36. Katie Lawrence. Sheet-music cover, Francis Day & Hunter, London, c.1890. (By permission of the British Library, London; H.3981.jj (16)).
Article
Georges de La Tour's 'Old Man' and 'Old Woman' in San Francisco
16. Old Man, by Georges de La Tour. 91.1 by 60.3 cm. (Palace of the Legion of Honor, San Francisco).
Attributed works:
17. Old Woman, by Georges de La Tour. 91.4 by 60.6 cm. (Palace of the Legion of Honor, San Francisco).
Attributed works:
18. Le Matois et la tripière, Design Attributed to Isaac Briot, Published by Jaspar Isac. Engraving, 20.3 by 16 cm. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Attributed works:
20. Michau, Boniface, Alison et Philipin, Designed by Grégoire Huret, Published by Mariette. Engraving, 17.3 by 37.7 cm. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Attributed works:
21. Plaisanterie d'un pédant et d'une harangère, Designed by Charles Le Brun, Engraved by Jean Humbelot. 20 by 33.5 cm. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Attributed works:
22. Dialogue de dame Alison et de Lubin son mari dans le cabaret, Published by Jean Ganière. Engraving, 29.5 by 39.6 cm. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Attributed works:
23. L'Invention des femmes qui font ôter la méchanceté de la tête de leurs maris, Published by Jacques Lagniet. Engraving, 29.5 by 40.5 cm. (Cabinet des Estampes, Bibliothèque Nationale, Paris).
Western art unattributed:
19. La Dentiste. French, Late Sixteenth Century. Woodcut, 34.5 by 24.5 cm. (Cabinet des Estampes, Bibliothèque Nationale, Paris).