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98 articles
Exhibition Review
Gardening Bohemia: Bloomsbury Women Outdoors Vanessa Bell: A Pioneer of Modern Art
08/2024 | 1457 | 166
Pages: 856–9
related names
Reviewer:
Holliday, Matthew (Holliday, Matthew)
Subjects
dates:
subjects:
subjects:
Reviewed Items
subjects:
Gardening Bohemia: Bloomsbury Women Outdoors Garden Museum, London 15th May–29th September | :
subjects:
Vanessa Bell: A Pioneer of Modern Art Courtauld Gallery, London 25th May–6th October | :
Illustrations
Attributed works:
11. Garden at Monk’s House, Sussex, by Vanessa Bell. Oil on canvas, 39.5 by 51 cm. (Bradford District Museums & Galleries; exh. Garden Museum, London).
Attributed works:
12. Man tending to a flower with a wheelbarrow at his feet, by Vanessa Bell. Paint on paper, 28 by 25.4 cm. (Charleston, Sussex; exh. Garden Museum, London).
Attributed works:
13. A Conversation, by Vanessa Bell. 1913–16. Oil on canvas, 86.6 by 81 cm. (Courtauld Gallery, London)
Exhibition Review
Trädgården: Konst och natur under sex sekler
08/2023 | 1445 | 165
Pages: 903–905
related names
Reviewer:
Longstaffe-Gowan, Todd (Longstaffe-Gowan, Todd; Gowan, Todd Longstaffe-)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Trädgården: Konst och natur under sex sekler Nationalmuseum, Stockholm 23rd February 2023–7th January 2024 | :
Illustrations
Attributed works:
16. Plan of the Grand Trianon and its pleasure garden, by André le Nôtre. 1694. Pen and ink with wash and watercolour on paper, 96.5 by 66 cm. (Nationalmuseum, Stockholm).
Attributed works:
17. Installation view of Trädgården: Konst och natur under sex sekler at the Nationalmuseum, Stockholm, 2023, showing ceramic sculptures by Emma Helle and The feast of Venus, by Peter Paul Rubens.
Western art unattributed:
18. Installation view of Trädgården: Konst och natur under sex sekler at the Nationalmuseum, Stockholm, 2023, showing lead sculptures made for Louis XIV’s labyrinth at Versailles.
Exhibition Review
Sargent and Spain
05/2023 | 1442 | 165
Pages: 551-554
related names
Reviewer:
Dini, Jane (Dini, Jane)
Subjects
dates:
Reviewed Items
subjects:
Sargent and Spain Fine Arts Museums of San Francisco, Legion of Honor 11th February–14th May | :
Illustrations
Attributed works:
10. La Carmencita, by John Singer Sargent. 1890. Oil on canvas, 229 by 140 cm. (Musée d’Orsay, Paris; exh. Legion of Honor, San Francisco).
Attributed works:
11. Spanish Roma dwelling, by John Singer Sargent. 1912. Oil on canvas, 71.4 by 91.4 cm. (Addison Gallery of American Art, Philips Academy, Andover MA; Bridgeman Images; exh. Legion of Honor, San Francisco).
Attributed works:
12. Majorcan fisherman, by John Singer Sargent. 1908. Oil on canvas, 69.9 by 54.6 cm. (Private collection; exh. Legion of Honor, San Francisco).
Book Review
Stourhead: Henry Hoare’s Paradise Revisited
04/2023 | 1441 | 165
Pages: 484-485
related names
Reviewer:
Robinson, John Martin (Robinson, John Martin; Robertson, John Martin)
Subjects
Reviewed Items
subjects:
Stourhead: Henry Hoare’s Paradise Revisited By Dudley Dodd, with photography by Marianne Majerus. 320 pp. incl. 200 col. ills. (Head of Zeus, London, 2021), £40. ISBN 978–1–78854–362–0. | :
Article
A newly identified portrait by Sir Nathaniel Bacon
07/2022 | 1432 | 164
Pages: 641-649
related names
Author:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Illustrations
Attributed works:
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7 cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys, here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2 by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky, Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon. c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving, 35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne, London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned 1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
Article
Maria Ponti Pasolini’s photographic archive and architectural conservation in Rome
12/2021 | 1425 | 163
Pages: 1130-1139
related names
Author:
Pasquini, Dario (Pasquini, Dario)
Subjects
Illustrations
Attributed works:
10. Villa, via Flaminia, Rome, by Franz Knebel. 1831. Pen with brown ink, brown watercolour and traces of pencil on paper, 19.5 by 13.9 cm. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
13. Two women in the via dei Rutuli, Ardea, by Charles Buls. 1911–12(?). Gelatin silver print, 9 by 9 cm. (Private collection).
Attributed works:
3. Felled mulberry trees, Rome, by Giovanni Gargiolli. 1909–10(?). Gelatin silver print, 23 by 16.5 cm. (Private collection).
Attributed works:
4. A formal garden at the Villa del Seminario Romano (now the Villa Taverna), Rome, by Giuseppe Rossi, called ‘Fina’. c.1911–13. Gelatin silver print, 16.5 by 12.5 cm. (Private collection).
Attributed works:
5. Loggia at the Villa del Seminario Romano (now the Villa Taverna), Rome, by Giuseppe Rossi, called ‘Fina’. c.1911–13. Gelatin silver print, 16.5 by 22 cm. (Private collection).
Attributed works:
7. The garden front of the Villa Amici, via Salaria, Rome, by Giuseppe Rossi, called ‘Fina’. 1910s(?). Gelatin silver print, 22.5 by 16.5 cm. (Private collection).
Attributed works:
8. The street façade of the Villa Amici, via Salaria, Rome, by Giuseppe Rossi, called ‘Fina’. 1910s (?). Gelatin silver print, 22 by 17 cm. (Private collection).
Attributed works:
9. The street façade of the Villa Amici, via Salaria, Rome. November 2021. (Photograph Francesco Marano).
Western art unattributed:
1. Gateway to the Villa Massimo, now known as Villa Ricotti, on via Nomentana, Rome. c.1902. Gelatin silver print, 19 by 27.5 cm. (Private collection).
Western art unattributed:
11. Villa, via Flaminia, Rome. 1908. Gelatin silver print, 16.5 by 12.5 cm. (Private collection).
Western art unattributed:
12. A gateway framing a pine, by Charles Buls. 1911–12(?). Gelatin silver print, 9 by 9 cm. (Private collection).
Western art unattributed:
2. Detail of a group photograph in the cloister of S. Maria degli Angeli, Rome, showing Countess Maria Ponti Pasolini in the centre and the collector Baron Giovanni Barracco on the right. 1910s(?). Gelatin silver print, 22 by 16.5 cm. (Private collection).
Western art unattributed:
6. Elevation and plan of the Villa Amici, Rome. 1810. Pen, ink and wash on paper, 64.5 by 43.5 cm. (State Archive of Rome, Disegni e Mappe, cart.96 n.895).
Article
Raphael’s Villa Madama: a document of 1519
01/2021 | 1414 | 163
Pages: 22-27
related names
Author:
Davies, Paul (Davies, Paul)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The unfinished circular courtyard of Villa Madama, Rome, by Raphael. Designed 1518. (Photograph © Raffaello Bencini; Bridgeman Images).
Attributed works:
2. Plan of Villa Madama, Rome, showing the reconstructed final scheme, including the gardens: A – Road leading to the Vatican; B – New land purchased in 1519; C – Facade towards Vatican; and D – Terrace in front of the stables. Drawn by the author, after D.R. Coffin: ‘The plans of Villa Madama’, Art Bulletin 49 (1967).
Attributed works:
3. Project for the south east part of the Villa Madama incorporating the newly purchased land, by Antonio da Sangallo the Younger. 1519. Pen-and-ink over incised lines on paper, 56.3 by 43.2 cm. (Galleria degli Uffizi, Florence, GDSA 179A).
Attributed works:
4. Detail of a large project for the Villa Madama, Rome, showing the south-east corner of the villa and the area designated for the new gardens, by Antonio da Sangallo the Younger. 1519. Pen-and-ink on paper, max. 60.1 by 125.8 cm. (Galleria degli Uffizi, Florence, GDSA 314A).
Attributed works:
5. Elevation and section of the Villa Madama, Rome, with survey details of the land designated for the garden, by Antonio da Sangallo the Younger. 1519. Pen-and-ink over incised lines on paper, max. 38.5 by 59.4 cm. (Galleria degli Uffizi, Florence, GDSA 1518A).
Attributed works:
6. Project for a terraced garden at Villa Madama, Rome, by Raphael. 1519. Pen and ink over incised lines on paper, 53.1 by 39.5 cm. (Galleria degli Uffizi, Florence, GDSA 1356A).
Book Review
Fancy in Eighteenth-Century European Visual Culture
11/2020 | 1412 | 162
Pages: 1004-1006
related names
Reviewer:
Jackall, Yuriko (Jackall, Yuriko)
Subjects
art literature:
Reviewed Items
subjects:
Fancy in Eighteenth-Century European Visual Culture Edited by Melissa Percival and Muriel Adrien. 325 pp. incl. 69 col. + b. & w. ills. (Voltaire Foundation with Liverpool University Press, Liverpool, 2020), £65. ISBN 978–1–789–62003–0. | :
Illustrations
Attributed works:
6. A Venetian courtesan, by John Faber II after Philippe Mercier. Engraving, 32.7 by 22.7 cm. (British Museum, London).
Exhibition Review
Derek Jarman: My Garden’s Boundaries are the Horizon
10/2020 | 1411 | 162
Pages: 895-897
related names
Reviewer:
Longstaffe-Gowan, Todd (Longstaffe-Gowan, Todd; Gowan, Todd Longstaffe-)
Subjects
artists:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Derek Jarman: My Garden’s Boundaries are the Horizon Garden Museum, London 4th July–13th December | :
Illustrations
Attributed works:
20. Prospect Cottage, Dungeness, 1990–94. (Photograph Howard Sooley; exh. Garden Museum, London).
Attributed works:
21. Derek Jarman gardening at Prospect Cottage, c.1990–94. (Photograph Howard Sooley).
Attributed works:
22. Installation view of Derek Jarman: My Garden’s Boundaries are the Horizon at the Garden Museum, London, 2020. (Photograph Graham Lacdao).
Short Notice
Ornament from China: sources for a garden folly design by Jean-Jacques Lequeu
03/2020 | 1404 | 162
Pages: 216-219
related names
Author:
Choi, Kee Il Jr (Choi, Kee Il Jr)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Details of the ‘jeu de bague chinois’ at Monceau, by Jean-Jacques Lequeu. c.1780. Ink on paper, 44.8 by 34.9 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Design for a ring stand for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Ink, wash and watercolour on paper, 21.9 by 18.2 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Design for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Pencil on paper, 20.4 by 12.4 cm. (Bibliothèque nationale de France, Paris).
Non-western art unattributed:
4. Design for a ceramic sculpture of the Daoist immortal Lü Dongbin. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.8; private collection; photograph by Richard P. Goodbody).
Non-western art unattributed:
5. Design for a ceramic sculpture of a Daoist immortal. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From in Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.12; private collection; photograph Richard P. Goodbody).
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