79. Anatomy of the female body with flaps lifted to show the uterus, by Heinrich Vogtherr the Elder. 1544. Colour woodcut, 52 by 23.9 cm. (Boston Medical Library in the Francis A. Countway Library of Medicine; exh. Harvard Art Museums, Cambridge MA).
Attributed works:
80. Allegory of Sight, by Jan Saenredam after Hendrick Goltzius. c.1598–1600. Engraving, 24.8 by 18.7 cm. (Sarah Campbell Blaffer Foundation, Houston; exh. Harvard Art Museums, Cambridge MA).
Attributed works:
81. Cruciform sundial for all latitudes, by Georg Hartmann and an unknown artist. 1529. Woodcut, 44.1 by 17.6 cm. (Germanisches Nationalmuseum, Nuremberg; exh. Harvard Art Museums, Cambridge MA).
Attributed works:
82. Northern and southern celestial hemispheres, by Peter Apian and Michael Ostendorfer. 1540. Colour woodcut, 48 by 34 cm. (Houghton Library, Harvard College Library, Harvard University, Cambridge MA; exh. Harvard Art Museums, Cambridge MA).
61. Cricket/Kit construction, by Frank Stella. 1958. Mixed media assemblage, 94.6 by 76.2 by 8.9 cm. (Museum of Modern Art, New York; exh. Arthur M. Sackler Museum, Cambridge MA).
Attributed works:
62. Blue horizon, by Frank Stella. 1958. Enamel and oil on canvas, 185.4 by 185.4 cm. (David Winton Bell Gallery, Brown University, Providence; exh. Arthur M. Sackler Museum, Cambridge MA).
Attributed works:
63. Morro Castle, by Frank Stella. 1958. Enamel on canvas, 215 by 274 cm. (Kunstmuseum Basel; exh. Arthur M. Sackler Museum, Cambridge MA).
72. After the bath, woman drying herself, by Edgar Degas. c.1893-98. Crayon on tracing paper, 97.8 by 90.1 cm. (Fogg Art Museum, Cambridge MA; exh. Sackler Museum, Cambridge MA).
Attributed works:
73. Singer with a glove, by Edgar Degas. c.1878. Pastel on canvas, 52.9 by 41.1 cm. (Fogg Art Museum, Cambridge MA; exh. Sackler Museum, Cambridge MA).
Attributed works:
73. Six frieds at Dieppe, by Edgar Degas. c.1885. Pastel on paper, 114.4 by 71.1 cm. (Rhode Island School of Design, Providence).
Vastly More Than Brick & Mortar |
institution: Fogg Art Museum
Illustrations
Attributed works:
100. Ariana Wormeley Curtis, by Antonio Mancini. early 1880's. Pastel and foil, 58.4 by 44 cm. (Private collection; exh. Isabella Stewart Gardner Museum, Boston).
Attributed works:
102. In my gondola, by Anders Zorn. 1894. 67 by 48 cm. (Zornsamlingarna, Mora; exh. Isabella Stewart Gardner Museum, Boston).
Western art unattributed:
101. The Court, Isabella Stewart Gardner Museum, Boston, 2002. (Photograph: Thomas Lingner).
Western art unattributed:
99. First-floor corridor and courtyard, Fogg Art Museum, Cambridge MA. 1927. (Photograph: Sigurd Fischer; courtesy of Historic Photographs and Special Visual Collections, Fine Arts Library, harvard College Library).
Exhibition Review
Mondrian: The Transatlantic Paintings. Cambridge MA
60. Detail Showing Double Date of No. 9, by Piet Mondrian. 1939-42. 79.7 by 74 cm. (Phillips Collection, Washington; Exh. Busch-Reisinger Museum, Cambridge MA).
Attributed works:
61. Layering of Old Photograph of Unfinished State, Corrected for Perspectival Distortion, over Composition with Yellow, Blue and Red, by Piet Mondrian. 1939-42. 72.5 by 69 cm. (Tate Gallery, London; Exh. Busch-Reisinger Museum, Cambridge MA).
Attributed works:
62. Detail Showing Interface of Red and White Fields of No. 7, by Piet Mondrian. 1937-42. 80.5 by 62.2 cm. (Munson-Williams-Proctor Institute, Utica; Exh. Busch-Reisinger Museum, Cambridge MA).
65. Le paysan et le satyre, by Jean-Honoré Fragonard. Charcoal with Black and White Chalk on off-White Antique Laid Paper. 54.8 by 45.4 cm. (Jeffrey E. Horvitz Collection; Exh. Fogg Art Museum, Cambridge, Mass.).
Attributed works:
66. Le premier pas de l'enfance, by Jean-Honoré Fragonard. Black and White Chalk on Pale Green Antique Laid Paper, 17.1 by 22.4 cm. (Fogg Art Museum, Cambridge, Mass.).
Exhibition Review
Seventeenth Century Dutch Drawings. A Selection from the Maida and George Abrams Collection. New York and Cambridge, Mass
52. Seated Female Nude, by Hendrik Goltzius. Black Chalk, 38.9 by 28.9 cm. (Maida and George Abrams Collection; Exh. Fogg Art Museum, Harvard University).
Attributed works:
53. River Landscape, by Cornelis Vroom. Pen and Brown Ink, 18.1 by 24.2 cm. (Maida and George Abrams Collection; Exh. Fogg Art Museum, Harvard University).
Exhibition Review
Seventeenth-Century French Drawings. Cleveland, Cambridge and Ottawa
85. The Holy Trinity in the Tree of Life Adored by Franciscans, by Jacques Callot. Black Chalk on Blue-Grey Paper, 20.3 by 19.1 cm. (National Gallery of Art, Washington; Exh. Museum of Art, Cleveland).
Attributed works:
86. Christ Crucified as the Tree of Life with Monks and Nuns, by Laurent de La Hyre. Black Chalk and Touches of Pen and Brown Ink over Pencil. 31.1 by 46.4 cm. (Exh. Museum of Art, Cleveland).
Attributed works:
87. Toilet of Psyche, by Ambroise Dubois. Red Chalk, Pen and Red Ink, Brush and Red Wash, Heightened with White Chalk, 35.2 by 25.6 cm. (Pierpont Morgan Library, New York; Exh. Museum of Art, Cleveland).
Attributed works:
88. Creusa Fleeing Troy, by Simon Vouet. Black Chalk Heightened with White on Blue Paper, 27.6 by 20.3 cm. (National Gallery of Art, Washington; Exh. Museum of Art, Cleveland).
Attributed works:
89. Man Clinging to a Rock: Study for Moses and the Brazen Serpent, by Charles Le Brun. Red Chalk on Tan Paper, 44.4 by 28.6 cm. (Crocker Art Museum, Sacramento; Exh. Museum of Art, Cleveland).
81. Study for the Figure of Apollo, by Pietro Testa. 1642-44. Red Chalk on Cream Paper, 41.7 by 25.9 cm. (Nationalmuseum, Stockholm; Exh. Philadelphia Museum of Art).
Attributed works:
82. Alexander the Great Saved from the River Cydnus, by Pietro Testa. 96.5 by 137 cm. (Metropolitan Museum, New York; Exh. Philadelphia Museum of Art).
Attributed works:
83. Sinorix Carried from the Temple of Artemis, Here Attributed to Pietro Testa. 100 by 200 cm. (Piero Corsini Inc., New York).
Attributed works:
84. Study for Achilles Dragging the Body of Hector around the Walls of Troy, by Pietro Testa. Pen and Ink over Black and Red Chalk with Wash, 27.2 by 43.3 cm. (Louvre, Paris; Exh. Philadelphia Museum of Art).
Attributed works:
85. Study of the Head of Charon, by Pietro Testa. C.1645. Black Chalk, 25.4 by 19.4 cm. (Philadelphia Museum of Art).