114. Merzbild Einunddreissig (Merz picture thirty-one), by Kurt Schwitters. 1920. Assemblage of oil, paper, wood, metal, fabric and cotton balls on paper mounted on wood frame, 98 by 66 cm. (Sprengel Museum, Hannover; exh. Menil Collection, Houston).
Attributed works:
115. Untitled (Mz. 9 NDARD), by Kurt Schwitters. 1947. Collage of paper on paper mounted on marbleised cardboard, 15.4 by 11.1 cm. (Menil Collection, Houston).
Attributed works:
116. Full-scale reconstruction of Kurt Schwitters’s Hannover Merzbau, by Peter Bissegger. 1981–83. Built from photographs taken in 1933 of the original construction (c.1923–36; destroyed 1943), 393 by 580 by 460 cm. (Sprengel Museum, Hannover; exh. Menil Collection, Houston).
67. Cup merging with its saucer, by Bruce Nauman. 1965. Unglazed ceramic and graphite, 5.1 by 14 by 14 cm. (Fine Art Collection, University of California, Davis; exh. Berkeley Art Museum).
Attributed works:
68. The true artist helps the world by revealing mystic truths (window or wall sign), by Bruce Nauman. 1967. Neon and glass tubing, 149.9 by 139.7 by 5.1 cm. (The artist and Sperone Westwater, New York; exh. Berkeley Art Museum).
73. The twittering machine, by Paul Klee. 1922. Oil transfer and watercolour on paper, 41.3 by 30.5 cm. (Museum of Modern Art, New York; exh. Menil Collection, Houston).
Attributed works:
74. Monument under construction. 1929. Watercolour and ink on paper, 56.3 by 38.6 cm. (Collection of Michael and Judy Steinhardt, New York; exh. Menil Collection, Houston).
61. Cricket/Kit construction, by Frank Stella. 1958. Mixed media assemblage, 94.6 by 76.2 by 8.9 cm. (Museum of Modern Art, New York; exh. Arthur M. Sackler Museum, Cambridge MA).
Attributed works:
62. Blue horizon, by Frank Stella. 1958. Enamel and oil on canvas, 185.4 by 185.4 cm. (David Winton Bell Gallery, Brown University, Providence; exh. Arthur M. Sackler Museum, Cambridge MA).
Attributed works:
63. Morro Castle, by Frank Stella. 1958. Enamel on canvas, 215 by 274 cm. (Kunstmuseum Basel; exh. Arthur M. Sackler Museum, Cambridge MA).
94. Fonds VII/2, by Joseph Beuys. 1967/84. Felt, copper plates and metal ribbon, 196 by 455 by 643 cm. (overall). (Centre Georges Pompidou, Paris; exh. Tate Modern, London).
Attributed works:
95. Voglio vedere le mie montagne (I want to see my mountains), by Joseph Beuys. 1950/71. Mixed media, 420 by 580 by 782 cm. (overall). (Van Abbemuseum, Eindhoven; exh. Tate Modern, London).
Attributed works:
96. Wirtschaftswerte (Economic values), by Joseph beuys. 1980. Mixed media, 290 by 400 by 265 cm. (overall). (Stedelijk Museum voor Actuele Kunst, Ghent; exh. Tate Modern, London).
78. Study for Nighttime, enigma and nostalgia, by Arshile Gorky. c.1931-32. Graphite and india ink on paper, 29.2 by 49.5 cm. (Private collection; exh. Menil Collection, Houston).
Attributed works:
79. Summation, by Arshile Gorky. 1947. Graphite, charcoal and pastel on paper on board. 202.2 by 258.4 cm. (Museum of Modern Art, New York; exh. Menil Collection, Houston).
Attributed works:
80. Virginia landscape (untitled, study for pastoral series), by Arshile Gorky. 1943. Graphite, pastel and crayon on paper, 50.8 by 68.6 cm. (Private collection; exh. Menil Collection, Houston).
Attributed works:
81. The artist's mother, by Arshile Gorky. 1926 or 1936. Charcoal, 63 by 46 cm. (Art Institute of Chicago; exh. Menil Collection, Houston).