79. Portrait of William Howard Taft, President of the United States of America, by Joaquín Sorolla y Bastida (Taft Museum of Art, Cincinnati; exh. Meadows Museum, Dallas)
Attributed works:
80. ¡Otra Margarita!, by Joaquín Sorolla y Bastida (Mildred Lane Kemper Art Museum, St Louis; exh. Meadows Museum, Dallas)
Attributed works:
81. Hotel Plaza, New York, by Joaquín Sorolla y Bastida (Hispanic Society of America, New York; exh. Meadows Museum, Dallas)
Attributed works:
82. Christopher Columbus leaving Palos, Spain, by Joaquín Sorolla y Bastida (Mariners' Museum, Newport News; exh. Meadows Museum, Dallas)
75. Hon. Mrs Henry Fane, by Thomas Gainsborough. c.1786. Canvas, 90.2 by 69.9 cm. (Krannert Art Museum and Kinkead Pavilion, University of Illinois, Urbana-Champaign; exh. Cincinnati Art Museum)
Attributed works:
76. Ann Ford, later Mrs Philip Thicknesse, by Thomas Gainsborough. 1759. Canvas, 197.2 by 134.9 cm. (Cincinnati Art Museum)
79. Untitled, by Robert Irwin. c.1960–61. Canvas, 164.8 by 164.1 cm. (Museum of Contemporary Art, San Diego)
Attributed works:
80. Untitled, by Robert Irwin. 1969. Acrylic lacquer on formed acrylic plastic, 134.6 by 7.6 cm. (Museum of Contemporary Art, San Diego)
Attributed works:
81. Light and space, by Robert Irwin. 2007. Fluorescent lights on one wall, overall dimensions 826 by 1,889 cm. (Collection of the artist; exh. Museum of Contemporary Art, San Diego)
Exhibition Review
Delaware's Pre-Raphaelites. Nottingham and San Antonio
45. Cupid's hunting fields, by Edward Burne-Jones. 1880. Oil and gold paint on gesso relief on mahogany panel, 99.7 by 76.5 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
Attributed works:
46. Water willow, by Dante Gabriel Rossetti. 1871. Oil on canvas glued onto wood panel, 33 by 26.7 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
Attributed works:
47. Lady Lilith, by Dante Gabriel Rossetti, 1866-68, altered 1872-73. 97.8 by 85.1 cm. (Delaware Art Museum, Wilmington; exh. Nottingham Castle Museum).
83. Bond, by Terry Winters. 2004. Lithographic trial proof printed in two colours on unbleached Arnold paper, 56.5 by 76.8 cm. (Collection of Joe and Laura Warriner, Oklahoma City; exh. Pratt Manhatten Gallery, New York).
Attributed works:
84. Computational architecture, by Terry Winters. 1995. Oil and alkyd resin on linen, 234.5 by 300.4 cm. (Collection of the artist; exh. Museum of Contemporary Art, San Diego).
Attributed works:
85. Donne, by Terry Winters. 1985. Charcoal and crayon and graphite on paper, 76 by 56 cm. (Exh. Matthew Marks Gallery, New York).
83. Galleria dell'Accademia I, Venice, by Thomas Struth. 1992. C-Print Laminated to Plexiglass, 190.2 by 233.1 cm. (Museum of Fine Arts, Boston; Exh. Museum of Modern Art, New York).
Attributed works:
84. Vue imaginaire de la grande galerie en ruines, by Hubert Robert. 1796. 114.5 by 146 cm. (Musée du Louvre, Paris; Exh. Museum of Modern Art, New York).
Attributed works:
85. The Los Angeles Country Museum on Fire, by Ed Ruscha. 1965-68. 135.9 by 339.1 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington; Exh. Museum of Modern Art, New York).
Attributed works:
86. Museum of Drawers, by Herbert Distel. 1970-77. Chest of Drawers Containing Miniature Works by Various Artists, 183 by 42 by 42 cm. Overall (Kunsthaus, Zürich; Exh. Museum of Modern Art, New York).
Exhibition Review
Master Drawings by Gericault. New York, San Diego and Houston
60. Black Standard Bearer, by Théodore Gericault. c. 1818. Black Chalk, Gouache and Grey Wash, 20.3 by 16.3 cm. (Museum of Art, Stanford University).
Attributed works:
61. Allegorical Subject, by Théodore Gericault. Pen and Brown Ink, 16.6 by 21.9 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
62. Liberation of the Prisoners of the Spanish Inquisition, by Théodore Gericault. Black and Red Chalk on Paper, 41.9 by 58.1 cm. (Private Collection, Paris).