Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St. James, London ] Rembrandt Harmensz van Rijn 1606-1669. Portrait of Jan Lutma, Goldsmith. Etching and Drypoint, Size: 198 × 149 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin - Grünewald ] Nicolò della Casa (Active in Rome, ca. 1543-47). Baccio Bandinelli in His Studio. Engraving. 1548. Le Blanc (Salamanca) 1.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Albrecht Dürer. The Cannon. Etching on Iron. 1518. 220 × 325 mm Sheet Size. Bartsch 99. Meder 96 with Rust Marks a (Of g).
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Fra Galgario, Portrait of a man with oriental costume.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup by Floch. Brittany Early 16th Century. Diameter 21,5 cm - Weight 223g
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Yuri Ivanchenko. A Still Life with a Self Portrait, Butterflies and Mechanical Objects. Signed and Dated 1993, 569 × 422 mm
Attributed works:
[ Cover ] Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / Didier Aaron & Cie, 118 Faubourg St. Honoré, Paris / Didier Aaron, Ltd., 21 Ryder Street, London ] François Perrier French: 1594 - 1649. Hercules and Omphale. Oil on Canvas: 98 × 135 cm. Executed ca. 1645-47
Attributed works:
[ Fischer Galleries, Haldenstrasse 19, Lucerne ] Giandomenico Tiepolo (Venice 1727-1804). Ecce Homo. Pen and Brown Ink over Pencil Sketch; 461×363 mm (Drawing); Signed Domo Tiepolo f.
Attributed works:
[ Flavia Ormond Fine Arts Ltd., 24 Brechin Place, London ] Giovanni Battista Pittoni. Venice 1687 - 1767. San Francesco di Paola. Red and Black Chalk. 225 × 187mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Albrecht Dürer, Underweysung der Messung. Nuremberg 1525. Supplement: Underricht zu befestigung der Stett... Nuremberg 1527.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Ferdinand Hodler. Lake Geneva from Chexbres; Sunday Morning. Oil on Canvas. 1895-1899. 101: 130 cm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Ferdinand Georg Waldmüller. Canvas, 66,3 × 52,8 cms. Brünn 1793 - Vienna 1865. Signed and Dated 1833
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Francis Hayman (1708 Exeter - 1776 London). A Scene from 'The Tempest'. Oil on Canvas Mounted on Cardboard. 49.8 × 88.5 cm
Attributed works:
[ Jack Kilgore & Co, 154 East 71st Street, New York ] Pieter Lastman (1583-1633). The Crucifixion. Signed with Monogram "PL". Oil on Shaped Panel, 43 by 25 3/8 Inches (109 by 64.3 cm)
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667). Landscape with Trees. Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ M. Roy Fisher, 170 Mercer St., New York City ] Francesco Zuccarelli. Pitigliano (Tuscany) 1702-1788 Florence. Landscape with Milkmaid and a Troop of Animals. Oil on Canvas: 32 × 51½ Inches, 81 × 131 cm.
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Giulio Cesare Procaccini (Bologna 1574-Milan 1625). Mythological Scene. Red Chalk; 166 × 316 mm., 6½ × $12frac{3}{8}$ in.
Attributed works:
[ Paul Prouté, 74 rue de Seine, Paris ] Jean-Baptiste Oudry (Paris 1680 + Beauvais 1755). The Fish and the Cormorant, Illustration to the Fable 192 by Jean de la Fontaine. Brush Drawing in China Ink, with Ink Washes and White Gouache Heightening, on Blue Paper with a Cobalt Blue Border, 310 × 266mm, Signed and Dated at Lower Right.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Cristofano Roncalli, Called il Pomerancio, The Death of Ananias and Saphira, 1599-1603, Oil on Canvas, en grisaille 49 by 33½ Inches (124.5 by 85 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866). Pen, Watercolour Heightened with Gouache. The Family Inn at Vaugirard, 1862 - Signed and Dated Lower Left 18,5 cm × 25,5 cm
Attributed works:
[ Thomas Gibson Fine Arts Ltd, 44 Old Bond Street, London ] Federico Barocci c. 1535-1612. The Circumcision of Christ, c. 1585-1590. Oil on Canvas 32 × 25 Inches/81 × 64 cm
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre Puget. 1620 Marseille 1694. Ships at Anchor near a Broken Obelisk. Pen and Black Ink on Vellum. Signed in the Lower Left Corner: P. Puget a Tollon. 252 × 352 mm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton street, London ] A Gilt Bronze Group of Saint Martin Dividing his Cloak with the Beggar, by Jan-Baptist van Helderberghe, circa 1700, Signed with Initials, 32.8 cm. High.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated.
Attributed works:
[ W. M. Brady & Co., Inc., 3 East 76th Street, New York ] Jacques-François-Joseph Saly, Valenciennes 1717-1776 Paris. Portrait of a Man in Profile, Red Chalk, 13¼ × $12frac{5}{8}$ Inches (337 × 320 cm.)
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - Han Dynasty (200 - 210 A. D.). Horse Terracotta. Height 52cm
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours for Use by Rome. Paris, Kerver, 1 December 1502. 96 pp. With 18 Full-Page Engravings on Vellum.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Last Third of the 15th c. Illuminated Latin Manuscript on Vellum, 10 Full-Page Miniatures and Numerous Initials.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Mid-15th c. Illuminated Latin Manuscript on Vellum, 12 Full-Page Miniatures and Numerous Initials.
