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41 articles
Exhibition Review
Modern sculpture. Yorkshire
08/2017 | 1373 | 159
Pages: 658-659
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related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Cragg, Tony / Armitage, Kenneth
dates:
2010-2019
museums and institutions:
Stanley and Audrey Burton Gallery, University of Leeds, Leeds, Great Britain / Yorkshire Sculpture Park, West Bretton, Wakefield, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain
places:
West Bretton / Wakefield / Nottingham / Leeds / England
subjects:
Reviews / Exhibitions / British sculpture
subjects:
Sculpture / Modern Art
subjects:
Open air exhibitions
Illustrations
Attributed works:
66. People in the wind, by Kenneth Armitage. 1950 (Victoria Art Gallery, Bath; exh. Stanley & Audrey Burton Gallery, University of Leeds)
Attributed works:
67. Points of view, by Tony Cragg. 2013 (Courtesy the artist; exh. Yorkshire Sculpture Park)
Attributed works:
68. Installation view of Kaleidoscope: Colour and Sequence in 1960s British Art at the Longside Gallery, Yorkshire Sculpture Park, showing Thebes (1966; Arts Council Collection), by William Tucker (foreground) and Quinquereme (1966; Arts Council Collection), by Tim Scott (upper right)
Exhibition Review
Victor Pasmore. Nottingham and Chichester
06/2017 | 1371 | 159
Pages: 497-498
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Reviewer:
Smith, Rachel (Smith, Rachel)
Subjects
artists:
Pasmore, Victor
dates:
2010-2019
museums and institutions:
Pallant House Gallery, Chichester, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain
places:
Nottingham / England / Cambridge
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
56. Triangular motif in pink and yellow, by Victor Pasmore. 1949 (Ferens Art Gallery, Hull; exh. Pallant House Gallery, Chichester)
Attributed works:
57. Spiral motif in green, violet, blue and gold: the coast of the inland sea, by Victor Pasmore. 1950 (Tate, London; exh. Pallant House Gallery, Chichester)
Exhibition Review
Winifred Nicholson. Middlesbrough, Nottingham and Falmouth
05/2017 | 1370 | 159
Pages: 417-418
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Reviewer:
Collins, Judith (Collins, Judith)
Subjects
artists:
Nicholson, Winifred
dates:
2010-2019
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Middlesbrough Institute of Modern Art, Middlesbrough, Great Britain
museums and institutions:
Falmouth Art Gallery, Falmouth, Great Britain
places:
Nottingham / Middlesbrough / Falmouth / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
65. Polyanthus and cineraria, by Winifred Nicholson. 1923 (Private collection; exh. Djanogly Gallery, Nottingham)
Attributed works:
66. Outward and Inward, by Winifred Nicholson. 1936 (Private collection; exh. Djanogly Gallery, Nottingham)
Exhibition Review
Black artists in 1980s Britain. Nottingham
04/2017 | 1369 | 159
Pages: 333-334
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related names
Reviewer:
Hylton, Richard (Hylton, Richard)
Subjects
artists:
Himid, Lubaina / Black Audio Film Collective / Ceddo Film and Video Workshop / Burman, Chila Kumari / Odonkor, Mowbray / Boyce, Sonia / Chambers, Eddie / Jantjes, Gavin / Ryan, Veronica / Rodney, Donald / Johnson, Claudette / Pollard, Ingrid / Piper, Keith, b. 1960 / Araeen, Rasheed
dates:
2010-2019
museums and institutions:
Nottingham Contemporary, Nottingham, Great Britain
places:
Nottingham / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
68. A Fashionable Marriage, by Lubaina Himid. 1986 (Courtesy of Matthew Birchall and Tao Lashley-Burnley; exh. Nottingham Contemporary)
Attributed works:
69. Destruction of the National Front, by Eddie Chambers. 1979-80 (Tate, London; exh. Nottingham Contemporary)
Attributed works:
70. Lay back, keep quiet and think of what made Britain so great, by Sonia Boyce. 1986 (Arts Council Collection, London; exh. Nottingham Contemporary)
Exhibition Review
Elisabeth Frink
03/2016 | 1356 | 158
Pages: 219-220
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related names
Reviewer:
Collins, Judith (Collins, Judith)
Subjects
artists:
Frink, Elisabeth
dates:
2010-2019
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain
places:
Nottingham / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
70. Installation view of Elisabeth Frink: the Presence of Sculpture, Djanogly Gallery, Nottingham, 2015-16
Attributed works:
71. Installation view showing the mock-up of Elisabeth Frink's Woolland studio, recreated in Elisabeth Frink: the Presence of Sculpture, Djanogly Gallery, Nottingham, 2015-16
Attributed works:
72. Walking Madonna, in situ at Salisbury Cathedral, by Elisabeth Frink. 1981 (Elisabeth Frink Estate)
Exhibition Review
David Jones
02/2016 | 1355 | 158
Pages: 146-148
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related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Jones, David, 1895-1974
dates:
2010-2019
museums and institutions:
Pallant House Gallery, Chichester, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain / Ditchling Museum of Art + Craft, Ditchling, E. Sussex, Great Britain
places:
Chichester / Ditchling / Nottingham / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
79. Elephant, by David Jones. 1928 (National Museum of Wales, Cardiff; exh. Ditchling Museum of Art + Craft)
Attributed works:
80. The artist's worktable, by David Jones. 1929 (Private collection; exh. Pallant House Gallery, Chichester)
Attributed works:
81. Flora in calix light, by David Jones. 1950 (Kettle's Yard, University of Cambridge; exh. Pallant House Gallery, Chichester)
Exhibition Review
Edward Burra. Chichester and Nottingham
07/2012 | 1312 | 154
Pages: 510-511
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related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
Burra, Edward
dates:
2010-2019
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Pallant House Gallery, Chichester, Great Britain
places:
Nottingham / Chichester / England
print:
Burra, Edward
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Edward Burra | institution: Djanogly Art Gallery , institution: Pallant House Gallery
Illustrations
Attributed works:
46. Soldiers’ backs, by Edward Burra. 1942–43. Watercolour on paper, 110.5 by 114.3 cm. (Towner, Eastbourne; exh. Djanogly Art Gallery, Nottingham).
Attributed works:
47. Harlem theatre, by Edward Burra. 1933. Watercolour on paper, 56.5 by 56 cm. (Private collection, courtesy of Mayor Gallery, London; exh. Djanogly Art Gallery, Nottingham).
Attributed works:
48. Marriage à la mode, by Edward Burra. 1928–29. Watercolour on paper, 62.2 by 50.8 cm. (Lefevre Fine Art, London; exh. Djanogly Art Gallery, Nottingham).
Exhibition Review
British Art Show 7. Nottingham, London, Glasgow and Plymouth
02/2011 | 1295 | 153
Pages: 121-122
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related names
Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
dates:
2010-2019 / 2000-2009
dates:
2010-2019
museums and institutions:
Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Tramway, Glasgow, Great Britain / Peninsula Arts, Plymouth, Great Britain / Plymouth Arts Centre, Plymouth, Great Britain / Plymouth City Museum and Art Gallery, Plymouth, Great Britain / Slaughterhouse, Royal William Yard, Plymouth, Great Britain / Hayward Gallery, London, Great Britain
museums and institutions:
Nottingham Contemporary, Nottingham, Great Britain
places:
Glasgow / London / Nottingham / Plymouth / Scotland / England
print:
Contemporary art
print:
British art
subjects:
Reviews / Exhibitions / British painting / British sculpture / Art / British / Video / Film (cinema) / Films (motion pictures) / Videos
Reviewed Items
subjects:
British Art Show 7 | institution: Hayward Gallery , institution: Nottingham Contemporary , institution: Plymouth City Museum and Art Gallery , institution: Slaughterhouse, Royal William Yard , institution: Tramway
Illustrations
Attributed works:
45. Bernadette, by Duncan Campbell. 2008. Film still. (Copyright of the artist; courtesy of Hotel Gallery, London; exh. Hayward Gallery, London).
Attributed works:
46. Twenty rolls of tape, by Cullinan Richards. 2010. Mixed media, dimensions variable. (Court­esy of the artist; exh. Hayward Gallery, London).
Attributed works:
47. User group disco, by Elizabeth Price. 2009. Film still. (Courtesy of the artist and MOT International; exh. Hayward Gallery, London).
Exhibition Review
Star City. Nottingham
04/2010 | 1285 | 152
Pages: 265-267
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related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
2010-2019
museums and institutions:
Nottingham Contemporary, Nottingham, Great Britain
places:
Nottingham / England
print:
Soviet art
subjects:
Reviews / Exhibitions / Cold War / Communism / Russian / Art / Soviet / Eastern European
Reviewed Items
subjects:
Star City. The Future under Communism | institution: Nottingham Contemporary
Illustrations
Attributed works:
67. Creative forces of Socialism are endless!, by Valentina Petrovich Viktorov. 1959. Poster. (Courtesy of ‘Ne Boltai’ Collection; exh. Nottingham Contemporary).
Attributed works:
68. Elsewhere, by Micol Assaël. 2008. PVC, copper, water, ice, sparks and an audio system, 447 by 480 by 280 cm. (Foksal Gallery Foundation; exh. Nottingham Contemporary).
Attributed works:
69. Detail of Associations, k, by Stano Filko. 1968–69. Thirty-one offset prints on paper, dimensions variable. (Courtesy of the artist; exh. Nottingham Contemporary).
Exhibition Review
David Hockney. Nottingham
02/2010 | 1283 | 152
Pages: 117-118
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related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Hockney, David
dates:
2000-2009 / 2010-2019
museums and institutions:
Nottingham Contemporary, Nottingham, Great Britain
places:
Nottingham / England
print:
Hockney, David
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
David Hockney 1960–1968: A Marriage of Styles | institution: Nottingham Contemporary
Illustrations
Attributed works:
48. We 2 boys together clinging, by David Hockney. 1961. Panel, 121.9 by 152.4 cm. (Arts Council Collection, London; exh. Nottingham Contemporary).
Attributed works:
49. The first marriage (A marriage of styles I), by David Hockney. 1962. Canvas, 189.2 by 220.8 cm. (Tate, London; exh. Nottingham Contemporary).
Attributed works:
50. A Rake’s Progress, 3. The start of the spending spree and the door opening for a blonde, by David Hockney. 1961–63. Etching and aquatint on paper, 30 by 40 cm. (British Council; exh. Nottingham Contemporary).
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