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326 articles
Short Notice
Observations about the abandoned portrait beneath Gainsborough’s ‘Blue boy’
03/2025 | 1464 | 167
Pages: 261–265
related names
Author:
O'Connell, Christina Milton (O'Connell, Christina Milton)
Subjects
Illustrations
Attributed works:
1. Digital X-radiograph of Fig.2, captured through all layers of the painting, including the wooden auxiliary support.
Attributed works:
2. Blue boy (after treatment), by Thomas Gainsborough. c.1770. Oil on canvas, 177.8 by 112.1 cm. (Huntington Library and Art Museum, San Marino).
Attributed works:
3. John Joshua Kirby, by Thomas Gainsborough. c.1754–56. Oil on canvas, 41.9 by 29.2 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Infra-red reflectography of Fig.2, showing the preliminary lines of the abandoned portrait, including the contours of the face, coat, and shoulders. A dark layer of paint was applied over the abandoned portrait, slightly obscuring the legibility of the details in IRR.
Attributed works:
5. Detail of Fig.1.
Attributed works:
6. Detail of Fig.1, showing additional details of the abandoned portrait’s face.
Attributed works:
7. Cross-section of Fig.2, taken at the top fold-over edge contains, from bottom to top: the off-white double ground layer; a paint layer from the abandoned portrait’s face; and the dark layer of paint that Gainsborough applied over the abandoned portrait followed by the thinly applied paint of the sky for the Blue boy composition.
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Advertisements (front)
10/2023 | 1447 | 165
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
Thomas Gainsborough R.A. ( 1717-1788) Going to Market, Early Morning, c. 1773 [Dickinson]   
Attributed works:
A lesser coucal on a frangipani branch, a folio from the Impey Album, signed Shaykh Zayn Al-Din (active 1777–82). 1777. Translucent pigments on English paper, 53.3 by 75.2 cm. [CHRISTIE’S, KING STREET, SW1Y/Asian Art London]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Attributed to SIR PETER PAUL RUBENS (1577 - 1640) Philosophers Studying the Motion of the Spheres at Midnight or, Ptolemaic Exercise in Planispheric Projection Circa 1625. Oil on panel 22.5 in. (H) x 30 in. (W) [Sloane Street Auctions]
Attributed works:
Ceramic cat, by David Hockney (b.1937). c.1956–57. 34.5 x 40 x 15.5 cm [Stacey's]
Attributed works:
Detail of a hanging scroll depicting the Utsusemi Chapter of The Tale of Genji. by Watanabe Hiroteru (1778–1838). Edo period (19th century). Ink, colour and gold pigment on silk, one of a pair, each unrolled including mounts, 248 by 68 cm. ANASTASIA VON SEIBOLD JAPANESE ART, CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Nicholas Hall]
Attributed works:
Helene Schjerfbeck, The Lace Shawl, Metropolitan Museum of Art [Amells Konsthandel]
Attributed works:
JOHN SINGER SARGENT RA (1856-1925) A Young Venetian Boy Lying on a Cushion Watercolour on buff paper. Signed and dedicated a mon ami Subercaseaux / John S. Sargent. at the upper centre and upper left. 246 x 330 mm. (9¾ x 13 in.) [sheet] Stephen Ongpin/Frieze Masters]
Attributed works:
Keith Vaughan, Assembly of Figures II (1965). Wash, gouache, pen and ink and wax crayon, 52.5 x 44.8 cm [Chiswick Auctions]
Attributed works:
Miniature from Vies de Romulus et de Caton d’Utique, by the Master of Philippa of Guelders, Jean Coene IV and an artist from the Pichore circle. 1508. Illuminated manuscript on vellum, 35 by 22 cm. [STÉPHANE CLAVREUIL RARE BOOKS LTD, LONDON/Frieze Masters]
Attributed works:
Mount Taibai covered in snow, by Tai Xiangzhou (b.1968). 2022. Ink on silk, 136.5 by 116 cm. [MO HAI LOU, CROMWELL PLACE SW7/Asian Art London]
Attributed works:
Portrait of a young girl in a white apron, by Anthony Van Dyck (1599–1641). c.1630. Oil on canvas, 99 by 83 cm. [PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Portrait of Pierre- Edouard Lefebvre de Béhaine, with Florence in the background, by Francois-Xavier Fabre (1766–1837). 1802. Oil on canvas, 96 cm by 74 cm. [GALERIE ERIC COATALEM, PARIS/Frieze Masters]
Attributed works:
Rao Jagat Singh of Kota in his garden, attributed to the Hada Master, India, Rajasthan, Kota. c.1660. Gouache and gold on paper, 27 by 17.7 cm. [SOTHEBY’S, NEW BOND STREET, W1A/Asian Art London]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes]
Attributed works:
Seaside, by Pierre Bonnard (1867–1947). Gouache, 25 by 32.5 cm. [WILDENSTEIN & CO, INC., NEW YORK/Frieze Masters]
Attributed works:
Still life with a herring, cheese and other comestibles on a table, by Jacob van Hulsdonck (1582–1647). Oil on panel, 46.5 by 69.9 cm. [JOHNNY VAN HAEFTEN, RICHMOND/Frieze Masters]
Attributed works:
Stringed figure (Curlew) (Version 1), by Barbara Hepworth (1903– 75). 1956. Brass and cotton string, 46 by 51 by 35 cm. [HAZLITT HOLLAND HIBBERT, LONDON/Frieze Masters]
Attributed works:
The sisters, by Charles Maurin (1856–1914). 1896. Black chalk and pastel on paper, 52.4 by 44.4 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Théodore GERICAULT (Rouen 1791-Paris 1824) and a collaborator Ving-et-une croupes de chevaux à l'écurie (Twenty-one stabled horse's rumps) Oil on canvas 74 x 92 cm (29,13 x 36,22 in) Provenance: Old collection Frédéric de Meuron (1786-1864) [Briscadieu Bordeaux]
Attributed works:
Untitled, by Ghulam Rasool Santosh (1929–97). 1969. Oil on canvas, 170.7 by 203.2 cm. [DAG, NEW DELHI, MUMBAI AND NEW YORK/Frieze Masters]
Attributed works:
Venice: The Grand Canal with a View of the Church of San Stae, by Michele Marieschi (1710–43). 1730s. Oil on canvas, 83.4 by 114 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS AND NEW YORK/Frieze Masters]
Attributed works:
Westminster Bridge from the north with the Lord Mayor’s Procession, by Canaletto (1697–1768). 1750. Oil on canvas, 47 by 77 cm. [CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Non-western art unattributed:
A blue and white ‘sage’ bottle vase with imperial poem. Yongzheng fourcharacter mark and period, 1723–35. Porcelain, height 19.5 cm. [LITTLETON & HENNESSY, 1 PRINCE’S ARCADE, DUKE STREET ST JAMES’S, SW1Y/Asian Art London]
Non-western art unattributed:
A large hardstone embellished ‘Elephant and tribute bearers’ double-sided tablescreen, Mid-Qing Dynasty. [BONHAMS KNIGHTSBRIDGE, MONTPELLIER STREET, SW7/Asian Art London]
Non-western art unattributed:
Anthropic system II, by Emilie Pugh (b.1988). 2021. 6 layers of burnt kozuke paper 150 by 120 by 20 cm. [MICHAEL GOEDHUIS, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Four keris daggers. 19th century, Bali and Lombok. Steel, wood, gilt metals and precious/ semi-precious stones, length each 50–60 cm. [RUNJEET SINGH, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Glazed slipdecorated ‘cat and butterfl y’ stoneware pillow. Northern Song- Jin dynasty, 12th–13th century, Cizhou, probably Guantai kilns, Hebei province. 18.4 by 31 cm. ESKENAZI, 10 CLIFFORD STREET, W1S/Asian Art London]
Non-western art unattributed:
Nanosaurus. Late Jurassic, c.150 million years old. Fossilised bone, 182 by 25 by 62 cm. [DAVID AARON, LONDON/Frieze Masters]
Western art unattributed:
A chessboard. Andalusia, possibly Granada, Nasrid Spain, 14th–15th century. Ebony, ivory and stained wood inlaid. 41.5 by 41.5 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4, Asian Art London]
Western art unattributed:
AMERICAN SCHOOL PORTRAI T OF TWO GIRLS c. 1825–30 Oil on canvas 24 x 20 in. (61 x 50.8 cm) [Philip Mould]
Western art unattributed:
Master of the Corsi Crucifix Florence, first quarter of the XIV century Recently acquired by Galleria dell’Accademia di Firenze Florence, Italy [Moretti]
Western art unattributed:
The Baird Casket [Sam Fogg]
Exhibition Review
Gainsborough’s House
03/2023 | 1440 | 165
Pages: 322-325
related names
Reviewer:
Shawe-Taylor, Desmond (Shawe-Taylor, Desmond)
Subjects
dates:
Reviewed Items
subjects:
Gainsborough’s House Sudbury, Suffolk From 21st November 2022 | :
Illustrations
Attributed works:
19. Gainsborough’s House, Sudbury, Suffolk (Hufton +Crow).
Attributed works:
20. View of the new building designed by ZMMA at Gainsborough’s House, Sudbury, Suffolk, looking south along Weavers Lane (Hufton+Crow).
Attributed works:
21. Installation view of Painting Flanders: Flemish Art 1880–1914 at Gainsborough’s House, Sudbury, Suffolk, 2023 (Hufton+Crow).
Attributed works:
22. The Early Gainsborough Gallery at Gainsborough’s House, Sudbury, Suffolk (Hufton+Crow).
Article
Gainsborough in London
05/2022 | 1430 | 164
Pages: 478-485
related names
Author:
Robinson, Duncan (Robinson, Duncan)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Mall in St James’s Park, by Thomas Gainsborough. c.1783. Oil on canvas, 120.6 by 147 cm. (Frick Collection, New York).
Attributed works:
2. Mrs George Drummond, attributed in the book under review to Thomas Gainsborough and Gainsborough Dupont and dated c.1784. Oil on canvas, 230.1 by 152 cm. (Montreal Museum of Fine Arts).
Attributed works:
3. Mrs Grace Dalrymple Elliott, by Thomas Gainsborough. 1777–78. Oil on canvas, 234.3 by 153.7 (Metropolitan Museum of Art, New York).
Attributed works:
4. Samuel Linley, by Thomas Gainsborough. 1777–78. Oil on canvas, 75.9 by 63.5 cm. (Dulwich Picture Gallery).
Attributed works:
5. Karl Friedrich Abel, by Thomas Gainsborough. c.1765. Oil on canvas, 125 by 100 cm. (National Portrait Gallery, London).
Attributed works:
6. Diana and Actaeon, by Thomas Gainsborough. c.1785–88. Oil on canvas, 158.1 by 188 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2022).
Attributed works:
7. The watering place, by Thomas Gainsborough. Before 1777. Oil on canvas, 147.3 by 180.3 cm. (National Gallery, London).
Attributed works:
8. The Marsham children, by Thomas Gainsborough. 1787. Oil on canvas, 242.9 by 181.9 cm. (Gemäldegalerie der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz; photograph Jörg P. Anders).
Book Review
Cataloguing Thomas Gainsborough
04/2020 | 1405 | 162
Pages: 321-327
related names
Reviewer:
Robinson, Duncan (Robinson, Duncan)
Subjects
art literature:
Illustrations
Attributed works:
1. Portrait of a boy (fragment), by Thomas Gainsborough. c.1744. Oil on canvas, 133.3 by 72.4 cm. (Gainsborough’s House, Sudbury).
Attributed works:
2. Cottage girl with dog and pitcher, by Thomas Gainsborough. 1785. Oil on canvas, 174 by 124.5 cm. (National Gallery of Art, Dublin).
Attributed works:
3. Henry, Duke of Cumberland with Anne, Duchess of Cumberland, and Lady Elizabeth Luttrell, by Thomas Gainsborough. 1783–85. Oil on canvas, 163.5 by 124.5 cm. (The Royal Collection;   HM Queen Elizabeth II, 2020).
Attributed works:
4. Penelope, Viscountess Ligonier, by Thomas Gainsborough. 1770. Oil on canvas, 240 by 156.8 cm. (The Huntington Library, Art Museum, and Botanical Gardens, San Marino).
Attributed works:
5. Mrs Richard Brinsley Sheridan, by Thomas Gainsborough. 1783–87. Oil on canvas, 219.7 by 153.7 cm. (National Gallery of Art, Washington).
Attributed works:
6. Two shepherd boys with dogs fighting, by Thomas Gainsborough. 1783. Oil on canvas, 222.5 by 155.1 cm. (Kenwood House, London).
Exhibition Review
The Origins of British Landscape Bishop Trevor Gallery, Bishop Auckland
09/2019 | 1398 | 161
Pages: 762-765
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
patrons:
Illustrations
Attributed works:
14. Landscape with a millpond, by George Lambert. 1744. Oil on canvas, 63.5 by 77.5 cm. (Private collection; exh. Bishop Trevor Gallery, Bishop Auckland).
Attributed works:
15. Bell Lloyd of Bodfach at a stag hunt, by George Stubbs. 1771. Oil on canvas, 102 by 127 cm. (Private collection; exh. Bishop Trevor Gallery, Bishop Auckland).
Attributed works:
16. Coastal landscape with sailing boats, girls buying fish, fishermen with a rowing boat, and a shepherd and sheep on a cliff, by Thomas Gainsborough. 1781. Oil on canvas, 102 by 127 cm. (Private collection; exh. Bishop Trevor Gallery, Bishop Auckland).
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Advertisements (front)
03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
Exhibition Review
Gainsborough’s Family Album. National Portrait Gallery, London; Early Gainsborough: ‘From the Obscurity of a Country Town’. Gainsborough’s House, Sudbury
02/2019 | 1391 | 161
Pages: 146-148
related names
Reviewer:
Shawe-Taylor, Desmond (Shawe-Taylor, Desmond)
Subjects
dates:
media:
Illustrations
Attributed works:
10. Mary and Margaret Gainsborough, by Thomas Gainsborough. c.1763–64. Canvas, 127.3 by 101.7 cm. (Worcester Art Museum; exh. National Portrait Gallery, London).
Attributed works:
8. Margaret Gainsborough, by Thomas Gainsborough. c.1777. Canvas, 76.6 by 63.8 cm. (Samuel Courtauld Trust; exh. National Portrait Gallery, London).
Attributed works:
9. Gainsborough Dupont, by Thomas Gainsborough. 1773. Canvas, 51.6 by 38.8 cm. (Waddesdon Manor, Buckinghamshire; exh. National Portrait Gallery, London).
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
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