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6 articles
Book Review
Il Mobile a Roma dal Rinascimento al Barocco
01/2023 | 1438 | 165
Pages: 95-96
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
places:
Reviewed Items
subjects:
Il Mobile a Roma dal Rinascimento al Barocco By Alvar González-Palacios. 507 pp. incl. 253 col. + 126 b. & w. ills. (Ugo Bozzi Editore, Rome, 2022), €33. ISBN 978–88–7003–067–9. | :
Illustrations
Attributed works:
4. Cabinet by Giacomo Herman. 1669–78, on an early 18th-century giltwood console table. Ebony veneer, mounted with lapis lazuli, jasper, gilt bronze and 14 gouache miniature paintings depicting views of Rome, and incorporating a clock by Giovanni Wenderlino Hessler and a virginal by Giovanni Battista Mambriani, dated 1676, 284 by 172 by 72.5 cm. (Private collection).
Article
A set of ebony and ivory inlaid furniture for the Duke of Urbino
06/2022 | 1431 | 164
Pages: 546-557
related names
Author:
Tavella, Mario (Tavella, Mario)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The studiolo shown in Fig.2 and the credenza shown in Fig.9 reunited. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
10. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi, c.1599, incorporated into a base made c.1656–67. Ebony inlaid with ivory, 25 by 35 cm. (Private collection).
Attributed works:
11. The studiolo shown in Fig.2 and the credenza shown in Fig.9. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
12. The credenza shown in Fig.9 opened.
Attributed works:
13. The credenza on the base, as it appeared at auction in Belgium in 1951. The base is in a private collection.
Attributed works:
14. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599, altered to include the grand ducal crown and incorporated into the top of the prie-dieu shown in Fig.8, c.1656–67. Ebony inlaid with ivory, 32 by 57 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
15. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, in a giltwood frame, 28.5 by 39 cm. (Private collection).
Attributed works:
2. Studiolo with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 67 by 73 by 45 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
3. The studiolo shown in Fig.2 opened. (Galleria Nazionale delle Marche, Urbino. Photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
4. Francesco Maria II della Rovere, Duke of Urbino, by Giorgio Picchi. c.1590. Oil on canvas, 130 by 97 cm. (Altomani & Sons, Pesaro).
Attributed works:
5. Top of the table shown in Fig.6. Ebony inlaid with ivory, 83 by 133 cm. (Private collection; © Sotheby’s).
Attributed works:
6. Table, attributed to Giorgio Tedesco and Giulio Lupi. c.1596–97. Ebony inlaid with ivory, 83 by 133 by 83 cm. (Private collection; © Sotheby’s).
Attributed works:
7. Detail of the hinged panel on the top of the studiolo shown in Fig.2. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
8. Prie-dieu. Florence, c.1656–67, incorporating panels attributed to Giorgio Tedesco and Giulio Lupi, c.1599. Ebony inlaid with ivory, 92 by 74 by 80 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
9. Credenza with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 74.5 by 72 by 46 cm. (Private collection, on loan to the Galleria Nazionale delle Marche, Urbino).
Book Review
The Gubbio Studiolo and Its Conservation. I. Federico da Montefeltro's Palace at Gubbio and Its Studiolo
10/2000 | 1171 | 142
Pages: 635-636
related names
Reviewer:
Thornton, Dora (Thornton, Dora)
Subjects
dates:
subjects:
Reviewed Items
works:
The Gubbio Studiolo and Its Conservation. I. Federico da Montefeltro\'s Palace at Gubbio and Its Studiolo | essay by: Kemp, Martin , author: Raggio, Olga , author: Wilmering, Antoine
works:
The Gubbio Studiolo and Its Conservation. II. Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo | author: Wilmering, Antoine
Article
Mattia di Nanni's Intarsia Bench for the Palazzo Pubblico, Siena
06/1997 | 1131 | 139
Pages: 372-386
related names
Author:
Christiansen, Keith (Christiansen, Keith; Christiansen, K.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
10. M. Curius Dentatus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
11. Pompey, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
12. Mettus Curtius, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
13. Scipio Africanus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 61.6 by 43.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Madonna of the Snow, by Sassetta. Tempera and Gold on Wood, 241 by 233 cm. (Donazione Contini-Buonacosi, Palazzo Pitti, Florence).
Attributed works:
15. Detail from The Martyrdom of Franciscans, by Ambrogio Lorenzetti. Fresco (S. Francesco, Siena).
Attributed works:
16. Et Ascendit in Celum, from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò. Intarsiated Wood, 49.5 by 46.5 cm. (Palazzo Pubblico, Siena).
Attributed works:
17. Patrem Omnipotentem, from the Choir-Stalls in the Cappella de' Signori, by Domenico di Niccolò or Mattia di Nanni. Intarsiated Wood, 49.5 by 46.5 cm. (Palazzo Pubblico, Siena).
Attributed works:
18. Noah, by Lorenzo Monaco (65.7 by 44.1 cm.). Tempera and Gold on Wood (The Metropolitan Museum of Art, New York).
Attributed works:
19. Credo in Unum Deum, from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò or Mattia di Nanni. Intarsiated Wood, 49.5 by 46.5 cm. (Palazzo Pubblico, Siena).
Attributed works:
2. Choir-Stalls in the Cappella de' Signori, by Domenico di Niccolò. 1415-28. Intarsiated Wood (Palazzo Pubblico, Siena).
Attributed works:
20. Justice, by Taddeo di Bartolo. Fresco (Antecappella, Palazzo Pubblico, Siena).
Attributed works:
21. Virgin Annunciate, by Sassetta. Tempera and Gold on Wood, 80 by 54.6 cm. (Yale University Art Museum, New Haven).
Attributed works:
23. Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Cicero, M. Cato Uticensis and Scipio Africanus, by Taddeo di Bartolo. Fresco (Antecappella, Palazzo Pubblico, Siena).
Attributed works:
4. Bench (Residenza) in the Sala di Balìa, by Barna di Turino. 1408. Wood, 212 by 133 cm. (Palazzo Pubblico, Siena).
Attributed works:
5. Door in the Cappella de' Signori, by Domenico di Niccolò. 1426-28. Intarsiated Wood (Palazzo Pubblico, Siena).
Attributed works:
6. The Virgin Commending the City of Siena to the Capitano del Popolo, by Domenico di Niccolò. Intarsiated Wood, 48 by 44.5 cm (Palazzo Pubblico, Siena).
Attributed works:
7. Justice, by Domenico di Niccolò. Intarsiated Wood, 47 by 44 cm. (Palazzo Pubblico, Siena).
Attributed works:
9. Bench with Roman Heroes, by Antonio Federighi. Marble (Loggia della Mercanzia, Siena).
Western art unattributed:
1. Seventeenth-Century Plan of the Main Floor of Palazzo Pubblico, Siena, Prior to the Reconfiguration of the Rooms (Biblioteca Apostolica, Vatican, Fondo Chigi).
Western art unattributed:
22. Justice, by an Unknown Fifteenth-Century Sienese Artist. Inlaid Marble. (Pavement, Siena Cathedral).
Western art unattributed:
8. Cassapanca Incorporating Elements of the Fifteenth and Sixteenth Century. Intarsiated Wood (Musée des Beaux-Arts, Montréal).
Article
Domenico di Niccolò, Mattia di Nanni and the Development of Sienese Intarsia Techniques
06/1997 | 1131 | 139
Pages: 376+378-379+385+387-397
related names
Author:
Wilmering, Antoine (Wilmering, Antoine)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
10. M. Curius Dentatus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
11. Pompey, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
12. Mettus Curtius, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
13. Scipio Africanus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 61.6 by 43.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
23. Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).
Attributed works:
24. Detail of the Throne from the Justice Panel (Fig.23), Here Attributed to Mattia di Nanni. c.1430. Intarsiated Wood, 83 by 56 cm. (Whole Panel) (Victoria and Albert Museum, London).
Attributed works:
25. Detail of the Virgin's Throne in the Annunciation, by Simone Martini. 1333. Tempera on Panel, 184 by 210 cm. (Whole Panel) (Uffizi, Florence).
Attributed works:
27. Polyptych from S. Maria di Valdiponte, by Meo da Siena. Tempera on Panel, 233 by 242 cm. (Galleria Nazionale, Perugia).
Attributed works:
31. Detail of Fig.30 Showing the Head of the Virgin. [Coronation of the Virgin. Sienese, Second Half of the Fourteenth Century. Intarsiated Wood, 290 by 300 cm. (Orvieto Cathedral).]
Attributed works:
32. Detail of the Raising of the Dead from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò, c.1415-21. Intarsiated Wood (Palazzo Pubblico, Siena).
Attributed works:
33. Detail of Patrem Omnipotentem (Fig.17) from the Choir-Stalls in the Cappella de'Signori, Here Attributed to Mattia di Nanni, c.1421-28. Intarsiated Wood (Palazzo Pubblico, Siena).
Attributed works:
34. Detail of Fig.35 Showing Red-Coloured Blood Spurting from the Crucified Christ. [Crucifixus Etiam Pro Nobis, from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò. c.1415-21. Intarsiated Wood and Coloured Putty, 49.5 by 46.5 cm. (Palazzo Pubblico, Siena).]
Attributed works:
35. Crucifixus Etiam Pro Nobis, from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò. c.1415-21. Intarsiated Wood and Coloured Putty, 49.5 by 46.5 cm. (Palazzo Pubblico, Siena).
Attributed works:
36. Detail of Scipio Africanus (Fig.13), Here Attributed to Mattia di Nanni.
Attributed works:
37. Detail of Credo in unum deum (Fig.19) from the Choir-Stalls in the Cappella de'Signori, Here Attributed to Mattia di Nanni. c.1415-21. Intarsiated Wood. (Palazzo Pubblico, Siena).
Attributed works:
39. Detail of the Garment Bow of Justice (Fig.23), Here Attributed to Mattia di Nanni.
Attributed works:
40. Detail of Right Arm of M. Curius Dentatus (Fig.10), Here Attributed to Mattia di Nanni.
Attributed works:
41. Head of M. Curius Dentatus (Fig.10). [M. Curius Dentatus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).]
Attributed works:
42. Head of Pompey (Fig.11). [Pompey, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).]
Attributed works:
43. Detail of Right Arm of Pompey (Fig.11), Here Attributed to Mattia di Nanni.
Attributed works:
44. Head of Justice (Fig.23) [ Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).]
Attributed works:
45. X-Radiograph of Justice Panel (Fig.23). [ Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).]
Attributed works:
46. Detail of 45 Showing Garment Bow. [ Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).]
Attributed works:
7. Justice, by Domenico di Niccolò. Intarsiated Wood, 47 by 44 cm. (Palazzo Pubblico, Siena).
Western art unattributed:
26. St Peter, Detail from Choir-Stall Panel. Sienese, Second Half of the Fourteenth Century. Intarsiated Woods (Orvieto Cathedral).
Western art unattributed:
28. Detail of Fig.29 Showing the Head of St Andrew. [Base of Lectern with Figures of Saints. Sienese, c.1356. Intarsiated Wood (Orvieto Cathedral).]
Western art unattributed:
29. Base of Lectern with Figures of Saints. Sienese, c.1356. Intarsiated Wood (Orvieto Cathedral).
Western art unattributed:
30. Coronation of the Virgin. Sienese, Second Half of the Fourteenth Century. Intarsiated Wood, 290 by 300 cm. (Orvieto Cathedral).
Western art unattributed:
38. Detail of the Cassapanca (Fig.8), with the Three Panels Showing M. Curius Dentatus, Pompey and Mettus Curtius. [Cassapanca Incorporating Elements of the Fifteenth and Sixteenth Century. Intarsiated Wood (Musée des Beaux-Arts, Montréal).]
Publication Received
La tarsia rinascimentale a Ferrara
05/1993 | 1082 | 135
Pages: 363
related names
Reviewer:
Thornton, Dora (Thornton, Dora)
Subjects
places:
subjects:
Reviewed Items
subjects:
La tarsia rinascimentale a Ferrara | author: Bagatin, Pier Luigi