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13 articles
Article
Edward Burne-Jones’s 1871 Italian sketchbook reconsidered
04/2020 | 1405 | 162
Pages: 306-315
related names
Author:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
Illustrations
Attributed works:
1. Botticelli at Turin: picture of Tobit, by Edward Burne-Jones. 1871. Pencil on paper, each page 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
10. Baths of Caracalla, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
11. Capitoline Museum: tomb of a girl, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
12. 68 New St Assisi, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
13. Bonfigli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
14. An angel playing a flageolet, by Edward Burne-Jones. 1878. Watercolour, gouache and gold paint on paper, 74.9 by 61.2 cm. (Sudley House, Liverpool; Bridgeman Images).
Attributed works:
15. Piero della Francesca in Arezzo, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
16. Olive, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
17. The beguiling of Merlin, by Edward Burne-Jones. 1873–74. Oil on canvas, 186 by 111 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
2. A dream between Monte Fiascone and Viterbo of the nine muses on Helicon, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
3. A dream of nine muses, by Edward Burne-Jones. Watercolour and body colour on canvas, 27 by 35.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. Road between Sestri and Spezzia, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
5. Gimignano, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
6. St Nicholas, by Edward Burne-Jones. c.1872. Oil on canvas, 141 by 56 cm. (Astley Cheetham Art Gallery, Tameside Metropolitan Borough Council; Bridgeman Images).
Attributed works:
7. Annunciation, by Edward Burne-Jones. 1876–79. Oil on canvas, 250 by 104.5 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
8. Orvieto, by Edward Burne Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
9. The Damned cast into Hell, after Luca Signorelli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Exhibition Review
Luca Signorelli. Perugia, Orvieto and Città di Castello
10/2012 | 1315 | 154
Pages: 731-732
related names
Reviewer:
Dabell, Frank (Dabell, Frank)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
72. Detail of The destruction of the world (the fulminati), by Luca Signorelli. c.1503. Fresco, 190 cm. at base. (Cappella Nova, Orvieto Cathedral).
Attributed works:
73. The Virgin and Child with Sts John the Baptist, Onuphrius, Lawrence (?) and Herculanus (?) and an angel, by Luca Signorelli. 1484. Panel, 226 by 193.5 cm. (Museo del Capitolo della Cattedrale, Perugia; exh. Galleria Nationale dell'Umbria, Perugia).
Attributed works:
74. The Virgin and Child with three angels, attributed to Luca Signorelli. c.1475. Panel. 88 by 58.2 cm. (Christ Church Picture Gallery, Oxford; exh. Galleria Nazionale dell'Umbria, Perugia).
Attributed works:
75. Head of a saint, by Luca Signorelli. c.1505. Black chalk with traces of red and white chalk on paper, pricked and squared for transfer, 22.4 by 15.6 cm. (Biblioteca Oliveriana, Pesaro; exh. Galleria Nazionale dell'Umbria, Perugia).
Book Review
The Façade Reliefs of Orvieto Cathedral
01/2011 | 1294 | 153
Pages: 46
related names
Reviewer:
Gardner, Julian (Gardner, Julian)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
The Façade Reliefs of Orvieto Cathedral | author: Moskowitz, Anita Fiderer
Exhibition Review
Arnolfo di Cambio. Perugia and Orvieto
12/2005 | 1233 | 147
Pages: 845-847
related names
Reviewer:
Gardner, Julian (Gardner, Julian)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Arnolfo di Cambio, una rinascita nell'Umbria medievale | institution: Chiesa di Sant'Agostino , institution: Galleria Nazionale dell'Umbria
Illustrations
Western art unattributed:
69. Griffon. 1274. Bronze, 164 by 85 by 48 cm. (Galleria Nazionale dell'Umbria, Perugia).
Western art unattributed:
70. Fountain basin. c.1280. Marble and mosaic, 50 by 66. cm. (maximum width). (Private collection, Spoleto; exh. Galleria Nazionale dell'Umbria, Perugia).
Western art unattributed:
71. Figural capital, by a follower of Giovanni Pisano. ?c.1310. Marble, 34 cm high. (On deposit at the Rocca Alboronz, Spoleto; exh. Galleria Nazionale dell'Umbria, Perugia).
Article
Domenico di Niccolò, Mattia di Nanni and the Development of Sienese Intarsia Techniques
06/1997 | 1131 | 139
Pages: 376+378-379+385+387-397
related names
Author:
Wilmering, Antoine (Wilmering, Antoine)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
10. M. Curius Dentatus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
11. Pompey, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
12. Mettus Curtius, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).
Attributed works:
13. Scipio Africanus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 61.6 by 43.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
23. Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).
Attributed works:
24. Detail of the Throne from the Justice Panel (Fig.23), Here Attributed to Mattia di Nanni. c.1430. Intarsiated Wood, 83 by 56 cm. (Whole Panel) (Victoria and Albert Museum, London).
Attributed works:
25. Detail of the Virgin's Throne in the Annunciation, by Simone Martini. 1333. Tempera on Panel, 184 by 210 cm. (Whole Panel) (Uffizi, Florence).
Attributed works:
27. Polyptych from S. Maria di Valdiponte, by Meo da Siena. Tempera on Panel, 233 by 242 cm. (Galleria Nazionale, Perugia).
Attributed works:
31. Detail of Fig.30 Showing the Head of the Virgin. [Coronation of the Virgin. Sienese, Second Half of the Fourteenth Century. Intarsiated Wood, 290 by 300 cm. (Orvieto Cathedral).]
Attributed works:
32. Detail of the Raising of the Dead from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò, c.1415-21. Intarsiated Wood (Palazzo Pubblico, Siena).
Attributed works:
33. Detail of Patrem Omnipotentem (Fig.17) from the Choir-Stalls in the Cappella de'Signori, Here Attributed to Mattia di Nanni, c.1421-28. Intarsiated Wood (Palazzo Pubblico, Siena).
Attributed works:
34. Detail of Fig.35 Showing Red-Coloured Blood Spurting from the Crucified Christ. [Crucifixus Etiam Pro Nobis, from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò. c.1415-21. Intarsiated Wood and Coloured Putty, 49.5 by 46.5 cm. (Palazzo Pubblico, Siena).]
Attributed works:
35. Crucifixus Etiam Pro Nobis, from the Choir-Stalls in the Cappella de'Signori, by Domenico di Niccolò. c.1415-21. Intarsiated Wood and Coloured Putty, 49.5 by 46.5 cm. (Palazzo Pubblico, Siena).
Attributed works:
36. Detail of Scipio Africanus (Fig.13), Here Attributed to Mattia di Nanni.
Attributed works:
37. Detail of Credo in unum deum (Fig.19) from the Choir-Stalls in the Cappella de'Signori, Here Attributed to Mattia di Nanni. c.1415-21. Intarsiated Wood. (Palazzo Pubblico, Siena).
Attributed works:
39. Detail of the Garment Bow of Justice (Fig.23), Here Attributed to Mattia di Nanni.
Attributed works:
40. Detail of Right Arm of M. Curius Dentatus (Fig.10), Here Attributed to Mattia di Nanni.
Attributed works:
41. Head of M. Curius Dentatus (Fig.10). [M. Curius Dentatus, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).]
Attributed works:
42. Head of Pompey (Fig.11). [Pompey, Here Attributed to Mattia di Nanni. Intarsiated Wood, 56 by 41.7 cm. (Musée des Beaux-Arts, Montréal).]
Attributed works:
43. Detail of Right Arm of Pompey (Fig.11), Here Attributed to Mattia di Nanni.
Attributed works:
44. Head of Justice (Fig.23) [ Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).]
Attributed works:
45. X-Radiograph of Justice Panel (Fig.23). [ Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).]
Attributed works:
46. Detail of 45 Showing Garment Bow. [ Justice, Here Attributed to Mattia di Nanni on a Design by Sassetta. Intarsiated Wood, 83 by 56 cm. (Victoria and Albert Museum, London).]
Attributed works:
7. Justice, by Domenico di Niccolò. Intarsiated Wood, 47 by 44 cm. (Palazzo Pubblico, Siena).
Western art unattributed:
26. St Peter, Detail from Choir-Stall Panel. Sienese, Second Half of the Fourteenth Century. Intarsiated Woods (Orvieto Cathedral).
Western art unattributed:
28. Detail of Fig.29 Showing the Head of St Andrew. [Base of Lectern with Figures of Saints. Sienese, c.1356. Intarsiated Wood (Orvieto Cathedral).]
Western art unattributed:
29. Base of Lectern with Figures of Saints. Sienese, c.1356. Intarsiated Wood (Orvieto Cathedral).
Western art unattributed:
30. Coronation of the Virgin. Sienese, Second Half of the Fourteenth Century. Intarsiated Wood, 290 by 300 cm. (Orvieto Cathedral).
Western art unattributed:
38. Detail of the Cassapanca (Fig.8), with the Three Panels Showing M. Curius Dentatus, Pompey and Mettus Curtius. [Cassapanca Incorporating Elements of the Fifteenth and Sixteenth Century. Intarsiated Wood (Musée des Beaux-Arts, Montréal).]
Short Notice
'Dolci per Gentile': New Documents for Gentile da Fabriano's 'Maestà' at Orvieto
08/1989 | 1037 | 131
Pages: 540-542
related names
Author:
Riccetti, Lucio (Riccetti, Lucio)
Subjects
dates:
places:
Illustrations
Attributed works:
29. Madonna and Child, by Gentile da Fabriano. 1425. Fresco. (Cathedral, Orvieto).
Short Notice
Revising the Renaissance: 'Il Gentile Disvelato'
08/1989 | 1037 | 131
Pages: 539+541
related names
Author:
Christiansen, Keith (Christiansen, Keith; Christiansen, K.)
Subjects
dates:
places:
Short Notice
Documents for the Servite Origin of Simone Martini's Orvieto Polyptych
08/1986 | 1001 | 128
Pages: 592-597
related names
Author:
Fredericksen, Burton B. (Fredericksen, Burton B.; Fredericksen, Burton)
Subjects
artists:
dates:
Illustrations
Attributed works:
35. Madonna and Child with Saints, by Simone Martini. Tempera on Panel (Isabella Stewart Gardner Museum, Boston)
Article
Luca Signorelli and the Drawings Connected with the Orvieto Frescoes
06/1961 | 699 | 103
Pages: 216-220
related names
Author:
Martindale, Andrew (Martindale, Andrew; Martindale, Andrew Henry Robert; Martindale, A. H. R.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
27. Nude Study, by Luca Signorelli. Black Chalk Heightened with White and Washed with Colour, 35.5 by 28 cm. (Kupferstichkabinett, Berlin.)
Attributed works:
28. Nude Study, by Luca Signorelli. Water-Colour Heightened with white, 35.5 by 25.5 cm. (Cabinet des Dessins, Louvre.)
Attributed works:
29. Detail from the Damned, by Luca Signorelli. Fresco. (Chapel of S. Brizio, Cathedral, Orvieto.)
Attributed works:
30. Roundel, by Luca Signorelli. Fresco. (Chapel of S. Brizio, Cathedral, Orvieto.)
Attributed works:
31. Nude Study, by Luca Signorelli. Black Chalk, 14 by 21 cm. (Cabinet des Dessins, Louvre.)
Attributed works:
32. Nude Studies in Resurrection, by Luca Signorelli. Fresco. (Chapel of S. Brizio, Cathedral, Orvieto.)
Attributed works:
33. Nude Study, by Luca Signorelli. Black Chalk Heightened with White, 29 by 20.1 cm. (British Museum.)
Book Review
Michele Sanmicheli
04/1961 | 697 | 103
Pages: 148+152
related names
Reviewer:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
Subjects
dates:
places:
Reviewed Items
subjects:
Michele Sanmicheli | author: Gazzola, Piero
Illustrations
Attributed works:
30. Façade of the Palazzo Bevilacqua, Verona, by Michele Sanmicheli.
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