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17 articles
Exhibition Review
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur
02/2024 | 1451 | 166
Pages: 178–182
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
styles:
Reviewed Items
subjects:
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Kunstgewerbemuseum, Berlin 12th October 2023–11th February 2024 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur Roentgen-Museum Neuwied 13th August–12th November 2023 | :
Illustrations
Attributed works:
1. Roll-top desk, by José Canops. Madrid, c.1770–73. Mahogany, veneered with marquetry in various woods, mounts of gilded bronze, 120.3 by 168 by 98.5 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
2. Curtain by the royal embroidery workshop, Madrid, designed by Mattia Gasparini. c.1763–91. Silk, embroidered in coloured silks and silver thread, 482 by 248 cm. (Patrimonio Nacional, Palacio Real, Madrid; exh. Kunstgewerbemuseum, Berlin).
Attributed works:
4. Lean-to desk, by Johann Georg Barthel. Neuwied. c.1764–71. Softwood and oak, veneered with marquetry in various woods, mounts of gilded bronze, 110 by 107 by 53 cm. (Private collection; exh. Roentgen- Museum, Neuwied).
Western art unattributed:
3. Commode, by the royal cabinetmaking workshop, Madrid. c.1770– 75. Walnut and other woods, veneered with marquetry in various woods, mounts of gilded bronze, marbleveneered top, 92.5 by 132 by 63 cm. (Museo Nacional de Artes Decorativas, Madrid; exh. Kunstgewerbemuseum, Berlin).
Article
The industry and ingenuity of William Ince and John Mayhew
09/2023 | 1446 | 165
Pages: 996-1001
related names
Author:
Wood, Lucy (Wood, Lucy)
Subjects
Illustrations
Attributed works:
1. Bed, by Ince and Mayhew. 1768. Mahogany and other woods, with original blue silk ‘flowered tabby’ in the ‘Large Antique Headboard’, tester and cornice, height 356 cm. (The Burghley House Collection, Stamford).
Attributed works:
2. Commode, by Ince and Mayhew, designed by Robert Adam. 1775. Veneered in harewood, tulipwood, satinwood and other woods, with painted decoration and ormolu mounts, 93 by 137 by 53.5 cm. (The Derby Collection).
Attributed works:
3. Commode (one of a pair and ensuite with a pair of corner cupboards), by Ince and Mayhew. 1767. Reworked seventeenth-century marquetry with ormolu mounts, 98 by 10 by 72 cm. (The Burghley House Collection, Stamford).
Attributed works:
4. Commode, by Ince and Mayhew. 1765. Veneered in yew, holly and marquetry, with ebonised mouldings and ormolu mounts, 82 by 136 by 58 cm. (Private collection; Christie’s Images; Bridgeman Images).
Attributed works:
5. Detail of a commode (one of a pair) by Ince and Mayhew, showing a shaded and engraved husk festoon in ‘yellow wood’ inlaid on a mahogany ground, passing over and under a frieze moulding and a chequered line border. 1767. (The Burghley House Collection, Stamford).
Attributed works:
6. Boulle cabinet, on a table stand by Ince and Mayhew. Cabinet early eighteenth century, attributed to André-Charles Boulle; stand c.1780. Cabinet veneered in tortoiseshell and horn, inlaid with brass, with ormolu mounts; stand giltwood; overall height 209 cm., height of stand 94 cm. (The Buccleuch Collections, Boughton, Northamptonshire; by kind permission of the Duke of Buccleuch and Queensberry, KT).
Attributed works:
7. Two armchairs decorated with profiles of George III and Queen Charlotte, probably part of an original set of ten, supplied by Ince and Mayhew to Warren Hastings. c.1790. Painted wood, approx. 93 by 53.5 by 60 cm. (The Harrowby Collection).
Book Review
Les ébénistes de la Couronne sous le règne de Louis XIV
08/2022 | 1433 | 164
Pages: 818-819
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
Reviewed Items
subjects:
règne de Louis XIV By Calin Demetrescu. 448 pp. incl. over 400 col. ills. (La Bibliothèque des Arts, Lausanne, 2021), €59. ISBN 978–2–88453–227–3. | :
Illustrations
Attributed works:
3. Table, by André-Charles Boulle. c.1670–75. Marquetry of various woods on an ebony ground and of metals and tortoiseshell, giltbronze mounts, height 72 cm. (J. Paul Getty Museum, Los Angeles).
Article
A set of ebony and ivory inlaid furniture for the Duke of Urbino
06/2022 | 1431 | 164
Pages: 546-557
related names
Author:
Tavella, Mario (Tavella, Mario)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The studiolo shown in Fig.2 and the credenza shown in Fig.9 reunited. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
10. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi, c.1599, incorporated into a base made c.1656–67. Ebony inlaid with ivory, 25 by 35 cm. (Private collection).
Attributed works:
11. The studiolo shown in Fig.2 and the credenza shown in Fig.9. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
12. The credenza shown in Fig.9 opened.
Attributed works:
13. The credenza on the base, as it appeared at auction in Belgium in 1951. The base is in a private collection.
Attributed works:
14. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599, altered to include the grand ducal crown and incorporated into the top of the prie-dieu shown in Fig.8, c.1656–67. Ebony inlaid with ivory, 32 by 57 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
15. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, in a giltwood frame, 28.5 by 39 cm. (Private collection).
Attributed works:
2. Studiolo with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 67 by 73 by 45 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
3. The studiolo shown in Fig.2 opened. (Galleria Nazionale delle Marche, Urbino. Photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
4. Francesco Maria II della Rovere, Duke of Urbino, by Giorgio Picchi. c.1590. Oil on canvas, 130 by 97 cm. (Altomani & Sons, Pesaro).
Attributed works:
5. Top of the table shown in Fig.6. Ebony inlaid with ivory, 83 by 133 cm. (Private collection; © Sotheby’s).
Attributed works:
6. Table, attributed to Giorgio Tedesco and Giulio Lupi. c.1596–97. Ebony inlaid with ivory, 83 by 133 by 83 cm. (Private collection; © Sotheby’s).
Attributed works:
7. Detail of the hinged panel on the top of the studiolo shown in Fig.2. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
8. Prie-dieu. Florence, c.1656–67, incorporating panels attributed to Giorgio Tedesco and Giulio Lupi, c.1599. Ebony inlaid with ivory, 92 by 74 by 80 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
9. Credenza with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 74.5 by 72 by 46 cm. (Private collection, on loan to the Galleria Nazionale delle Marche, Urbino).
Exhibition Review
Thomas Chippendale studies 1968–2018: reflections on his 300th anniversary
09/2018 | 1386 | 160
Pages: 734-739
related names
Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
Article
Furniture design in sixteenth-century France: Master Rb's designs for cabinets
10/2016 | 1363 | 158
Pages: 784-792
related names
Author:
Fuhring, Peter (Fuhring, Peter)
Subjects
dates:
Illustrations
Attributed works:
11. Front of a cabinet in elevation, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
12. Detail of Fig.11 showing the monogram and date
Attributed works:
13. Two crestings for a cabinet, elevation, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
14. Front of a cabinet, elevation, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
15. Two crestings for cabinets, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
16. Front of a cabinet in elevation, right half, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
17. Front of a cabinet in elevation, right half, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
18. Front of a cabinet in elevation, right half, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
19. Front of a cabinet in elevation, right half, by Master Rb. (State Hermitage Museum, St Petersburg)
Attributed works:
20. Two entablatures in profile, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
21. Two entablatures in profile, by Master Rb. 1572 (State Hermitage Museum, St Petersburg)
Attributed works:
23. Seat, by Jacques Androuet du Cerceau. c.1550 (Robin Halwas, London)
Attributed works:
24. Cabinet, by Jacques Androuet du Cerceau. Paris, c.1565 (Bibliothèque de l'Institut National d'Histoire de l'Art, collections Jacques Doucet, Paris)
Attributed works:
26. Ex-libris of Alfred II Beurdeley, by Henri Poterlet. 1888 (State Hermitage Museum, St Petersburg)
Western art unattributed:
22. Canopy bed, by an unidentified printmaker. 1535 (Bibliothèque de l'Institut National d'Histoire de l'Art, collections Jacques Doucet, Paris)
Western art unattributed:
25. Cabinet showing its construction, by an unidentified draughtsman. c.1580-90 (Ecole Nationale Supérieure des Beaux-Arts, Paris, inv.O.1754, Rec.41, fol.19r)
Book Review
Giuseppe Maggiolini, Catalogo ragionato dei disegni, G. Beretti and A.González-Palacios Friedrich Gottlob Hoffmann, M. Sulzbacher, P. Atzig, S. Schneider and K. Hommel
11/2015 | 1352 | 157
Pages: 790-791
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
Illustrations
Attributed works:
68. Plate XXXIII from Friedrich Gottlob Hoffmann: Neues Verzeichnis und Muster-Charte des Meubles-Magazin, Leipsig 1795, showing an open bureau said to contain twenty-nine drawers supporting bronze vases embellished with glass; part of its base is drawn out to reveal a spittoon
Article
Christopher Fuhrlogh, an Anglo-Swedish Cabinet-Maker
11/1969 | 800 | 111
Pages: 648-653+655
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Detail of Gilt Bronze Corner Mount of the Secretaire Reproduced in Fig. 9. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
2. Commode Veneered and Enriched with Marquetry of Various Woods, Attributed to Pierre Langlois, the Gilt Bronze Mounts by the Same Master as Those of the Secretaire Reproduced in Fig. 9. (Fitzwilliam Museum, Cambridge.)
Attributed works:
3. Secretaire Reproduced in Fig. 9. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
4. Dropfront Secretaire, by Georg Haupt of Stockholm. Signed and Dated 1780. (Nordiska Museum, Stockholm.)
Attributed works:
5. Commode, by Georg Haupt. c. 1780. (Nordiska Museum, Stockholm.)
Attributed works:
6. Rear View of Drawer of Secretaire Reproduced in Fig. 9, Showing Rough Dovetails. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
7. Back View of the Secretaire Reproduced in Fig. 9, Showing Rough Construction of Back. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
8. Side View of Secretaire Reproduced in Fig. 9, Showing Mounts and Marquetry Obelisk. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
9. Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)
Article
French Eighteenth-Century Furniture in Holland
01/1940 | 442 | 76
Pages: 8+12-14+16-18+20-21
related names
Author:
Lunsingh Scheurleer, Th. H. (Lunsingh Scheurleer, Th. H.; Scheurleer, Th. H. Lunsingh; Scheurleer, Th.H. Lunsingh; Scheurleer, H. Lunsingh)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
Plate I. B-Commode. By P. Denizot. About 1770. Decorated with Marquetry and Ormolu Mounts. Height, 91 cm. (Madame C. von Pannwitz, Haarlem). French Eighteenth-Century Furniture in Holland
Attributed works:
Plate I. D-Commode. Signed I. Dubois. Middle of the Eighteenth Century. Decorated with Black and Gold Lacquer and Ormolu Mounts. Height, 87 cm. (Madame C. von Pannwitz, Haarlem). French Eighteenth-Century Furniture in Holland
Attributed works:
Plate II. A-Bergere, One of a Pair. Signed L. Delanois. About 1760. Painted Height, 82 cm. (Mr. A. L. Gordon, the Hague). French Eighteenth-Century Furniture in Holland
Attributed works:
Plate II. B-Bergere. Signed A. P. Dupain. about 1770. Height, 96 cm. (Rijksmuseum, Amsterdam). French Eighteenth-Century Furniture in Holland
Attributed works:
Plate III. A-Dressing-Table. Signed A. Nicolas. Second Half of the Eighteenth Century. Decorated with Marquetry of Rosewood and Ormolu Mounts. Length, 100 cm. (M. A. H. W. van Blijenburgh, the Hague) B-Armchairs. About 1780-90. Carved and Gilt. Height, 100 cm. (Madame C. von Pannwitz, Haarlem); C-Long-Case Clock. Signed B. Lieutaud. About 1770. Mahogany, Decorated with Ormolu Mounts. Height, 230 cm. (H. M. Queen Wilhelmina of the Netherlands, Royal Palace, Soestdijk). French Eighteenth-Century Furniture in Holland
Western art unattributed:
Plate I. A-Commode. about 1700-1725. Decorated with Marquetry of Tortoiseshell, Copper and Tin, and with Gilt Bronze Mounts. Height, 85 cm. (Museum Plantin Moretus, Antwerp). French Eighteenth-Century Furniture in Holland
Western art unattributed:
Plate I. C-Commode. about 1745. Decorated with Marquetry and Ormolu Mounts. Height, 88 cm. (Madame C. von Pannwitz, Haarlem). French Eighteenth-Century Furniture in Holland
Western art unattributed:
Plate II. C-Ottomane. About 1780. Height, 98 cm. (Mr. A. L. Gordon, the Hague). French Eighteenth-Century Furniture in Holland
Article
Cabinets Made for Horace Walpole and Thomas Brand
03/1939 | 432 | 74
Pages: 128-129+131
related names
Author:
Edwards, Ralph (Edwards, Ralph; E., R.; Edwards, R.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
A-Kingwood Cabinet with Ivory Decoration. 1743. Height 152.4 cm. (Victoria and Albert Museum). Cabinets Made for Horace Walpole and Thomas Brand
Attributed works:
B-Rosewood Cabinet with Ivory Decoration. About 1750 (Mr. Francis Harper). Cabinets Made for Horace Walpole and Thomas Brand
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