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60 articles
Article
A set of ebony and ivory inlaid furniture for the Duke of Urbino
06/2022 | 1431 | 164
Pages: 546-557
related names
Author:
Tavella, Mario (Tavella, Mario)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The studiolo shown in Fig.2 and the credenza shown in Fig.9 reunited. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
10. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi, c.1599, incorporated into a base made c.1656–67. Ebony inlaid with ivory, 25 by 35 cm. (Private collection).
Attributed works:
11. The studiolo shown in Fig.2 and the credenza shown in Fig.9. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
12. The credenza shown in Fig.9 opened.
Attributed works:
13. The credenza on the base, as it appeared at auction in Belgium in 1951. The base is in a private collection.
Attributed works:
14. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599, altered to include the grand ducal crown and incorporated into the top of the prie-dieu shown in Fig.8, c.1656–67. Ebony inlaid with ivory, 32 by 57 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
15. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, in a giltwood frame, 28.5 by 39 cm. (Private collection).
Attributed works:
2. Studiolo with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 67 by 73 by 45 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
3. The studiolo shown in Fig.2 opened. (Galleria Nazionale delle Marche, Urbino. Photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
4. Francesco Maria II della Rovere, Duke of Urbino, by Giorgio Picchi. c.1590. Oil on canvas, 130 by 97 cm. (Altomani & Sons, Pesaro).
Attributed works:
5. Top of the table shown in Fig.6. Ebony inlaid with ivory, 83 by 133 cm. (Private collection; © Sotheby’s).
Attributed works:
6. Table, attributed to Giorgio Tedesco and Giulio Lupi. c.1596–97. Ebony inlaid with ivory, 83 by 133 by 83 cm. (Private collection; © Sotheby’s).
Attributed works:
7. Detail of the hinged panel on the top of the studiolo shown in Fig.2. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
8. Prie-dieu. Florence, c.1656–67, incorporating panels attributed to Giorgio Tedesco and Giulio Lupi, c.1599. Ebony inlaid with ivory, 92 by 74 by 80 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
9. Credenza with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 74.5 by 72 by 46 cm. (Private collection, on loan to the Galleria Nazionale delle Marche, Urbino).
Exhibition Review
Stories of Painted Pages: Manuscripts and Illuminations Recovered by the Florentine Cultural Heritage Protection Unit
10/2020 | 1411 | 162
Pages: 881-883
related names
Reviewer:
Herman, Nicholas (Herman, Nicholas)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Stories of Painted Pages: Manuscripts and Illuminations Recovered by the Florentine Cultural Heritage Protection Unit Palazzo Pitti, Florence 24th June–4th October | :
Illustrations
Attributed works:
6. Initial L with St Lucy, by Master of the Dominican Effigies, detail from an antiphonal from the Church of Sts Ippolito and Biagio, Castelfiorentino. c.1340. Ink, tempera and gold on parchment, 27 by 13.5 cm. (Museo di Santa Verdiana, Castelfiorentino; exh. Palazzo Pitti, Florence).
Western art unattributed:
4. Initial E and the Prophet Isaiah, from an antiphonal from the abbey of Montemorcino, Perguia. c.1500– 10. Tempera on parchment, 61.4 by 43.5 cm. (Abbazia di Monte Olivetto Maggiore, Asciano; fol.1r; exh. Palazzo Pitti, Florence).
Western art unattributed:
5. Page with a missing initial E, from a gradual made at S. Lucchese, Poggibonsi. c.1485– 90. Ink and tempera on parchment, 16 by 20 cm. (Colle di Val d’Elsa, Museo San Pietro; fol.95r; exh. Palazzo Pitti, Florence).
Exhibition Review
‘The Immensity of the Universe’ in the Art of Giovanna Garzoni
09/2020 | 1410 | 162
Pages: 799-802
related names
Reviewer:
Greenfield, Ingrid Anna (Greenfield, Ingrid Anna )
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
‘The Immensity of the Universe’ in the Art of Giovanna Garzoni Palazzo Pitti, Florence 28th May–28th June 2020 | :
Illustrations
Attributed works:
10. Self-portrait as Apollo, by Giovanna Garzoni. c.1618– 20. Tempera on parchment, 42 by 33 cm. (Palazzo del Quirinale, Rome; exh. Palazzo Pitti, Florence).
Attributed works:
11. Porcelain vase with tulips and a pear, by Giovanna Garzoni. c.1648– 53. Tempera on parchment, 66.7 by. 49.8 cm. (Gallerie degli Uffizi, Florence; exh. Palazzo Pitti, Florence).
Attributed works:
12. Plate with plum, jasmine and walnuts, by Giovanna Garzoni. c.1655– 62. Tempera on parchment, 23.5 by 38.5 cm. (Gallerie degli Uffizi, Florence; exh. Palazzo Pitti, Florence).
Exhibition Review
Forged in Fire: Bronze Sculpture in Florence under the Last Medici Palazzo Pitti, Florence
12/2019 | 1401 | 161
Pages: 1044-1047
related names
Author:
Avery, Charles (Avery, Charles)
Subjects
dates:
media:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
14. Louis XIII of France on horseback, by Pietro Tacca. c.1615–18. Bronze, height 68 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Pitti, Florence).
Attributed works:
16. Study for a decorative component for the poop of a galley, by Massimiliano Soldani-Benzi. c.1695. Black chalk, pen and brown ink on paper, 25.8 by 43.2 cm. (Gabinetto dei Disegni e delle Stampe, Uffizi, Florence, inv. no.124361, verso; exh. Palazzo Pitti, Florence).
Attributed works:
Opposite 15. Sacrifice of Isaac, by Giuseppe Piamontini. 1722. Bronze, height 65 cm. (Etro Collection, Milan; exh. Palazzo Pitti, Florence).
Article
Correggio’s reclining ‘Magdalen’ rediscovered
07/2019 | 1396 | 161
Pages: 556-561
related names
Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. St Mary Magdalen, here attributed to Correggio. c.1519. Panel, 22.5 by 28 cm. (Private collection).
Attributed works:
2. St Mary Magdalen, here identified as a painting after Correggio. Before 1609. Copper, 29 by 39.5 cm. (Formerly Gemäldegalerie, Dresden).
Attributed works:
3. Infra-red reflectogram of Fig.1.
Attributed works:
4. St Mary Magdalen, by Cristofano Allori after Correggio. c.1600. Copper, 29.6 by 43 cm. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
5. Detail of Fig.1, showing a seascape and a monastic building.
Attributed works:
6. St Mary Magdalen, by Raffaello Morghen (1758–1833), after Correggio. Engraving, 15.6 by 20.4 cm. (British Museum, London).
Attributed works:
7. St Mary Magdalen, by Correggio. c.1518–19. Canvas, 38.1 by 30.5 cm. (National Gallery, London).
Article
An ‘Adoration of the shepherds’ by Taddeo Zuccari at Palazzo Pitti, Florence
03/2016 | 1356 | 158
Pages: 178-181
related names
Author:
Chiarini, Marco (Chiarini, Marco)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
10. Adoration of the shepherds, by Taddeo Zuccari. c.1550 (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
11. Adoration of the shepherds, by Taddeo Zuccari. c.1553 (The Devonshire Collections, Chatsworth)
Attributed works:
12. Detail of the Study for the Cappella Mattei by Taddeo Zuccari. c.1553 (British Museum, London)
Attributed works:
13. Adoration of the shepherds, by Taddeo Zuccari. c.1553 (Istituto Nazionale per la Grafica, Rome)
Attributed works:
7. Fig.9 before restoration
Attributed works:
8. Infra-red reflectography of Fig.9
Attributed works:
9. Adoration of the shepherds, after restoration, here attributed to Taddeo Zuccari. c.1553? (Palazzo Pitti, Florence, depository)
Exhibition Review
Carlo Dolci
10/2015 | 1351 | 157
Pages: 729-730
related names
Reviewer:
Langmuir, Erika (Langmuir, Erika; Langmuir, Erika H.)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
62. Salome with the head of St John the Baptist, by Carlo Dolci. c.1670 (Royal Collection; exh. Palazzo Pitti, Florence)
Attributed works:
63. Agony in the garden, by Carlo Dolci. c.1645 (Musei di Strada Nuova, Palazzo Rosso, Genoa; exh. Palazzo Pitti, Florence)
Attributed works:
64. Portrait of Stefano della Bella, by Carlo Dolci. 1631 (Galleria Palatina, Palazzo Pitti, Florence)
Attributed works:
65. Self-portrait, by Carlo Dolci. In or before 1674 (Gabinetto Disegni e Stampe degli Uffizi, Florence; exh. Palazzo Pitti, Florence)
Exhibition Review
Lapis lazuli
09/2015 | 1350 | 157
Pages: 657-658
related names
Reviewer:
Searight, Sarah (Searight, Sarah)
Subjects
dates:
places:
Illustrations
Attributed works:
74. Table with a view of the port of Livorno, by the Florentine grand-ducal workshops (Cristofano Gaffuri) after a model by Jacopo Ligozzi. 1601-04 (Galleria degli Uffizi, Florence; exh. Palazzo Pitti, Museo degli Argenti, Florence)
Attributed works:
76. Christ blessing, by Lorenzo Monaco. 1407-09 (Galleria dell'Accademia, Florence; exh. Palazzo Pitti, Museo degli Argenti, Florence)
Attributed works:
77. Flask, by the Florentine grand-ducal workshops (Caroni?) and Jacques Bylivelt after a design by Bernardo Buontalenti. 1583-84 (Palazzo Pitti, Museo degli Argenti, Florence)
Western art unattributed:
75. Gaming board for chess or backgammon. Venetian, 1575-1600 (Victoria and Albert Museum, London; exh. Palazzo Pitti, Museo degli Argenti, Florence)
Book Review
La Renaissance et le Rêve, Bosch, Veronese, Greco . . ., A. Cecchi, Y. Hersant and C. Rabbi Bernard, eds.
10/2014 | 1339 | 156
Pages: 678-679
related names
Reviewer:
Mortimer, Elizabeth (Mortimer, Elizabeth)
Subjects
dates:
Illustrations
Attributed works:
46. Allegory of Chastity (Maiden's dream), by Lorenzo Lotto (National Gallery of Art, Washington)
Exhibition Review
Jacopo Ligozzi. Florence
08/2014 | 1337 | 156
Pages: 554-556
related names
Reviewer:
Langmuir, Erika (Langmuir, Erika; Langmuir, Erika H.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
61. Red valerian (Centranthus ruber L.) and hive beetle (Clerus apianus L.), by Jacopo Ligozzi (Gabinetto Disegni e Stampe degli Uffizi, Florence; exh. Galleria Palatina, Palazzo Pitti, Florence)
Attributed works:
62. Agony in the garden, by Jacopo Ligozzi (Galleria Palatina, Palazzo Pitti, Florence)
Attributed works:
63. Respice finem, by Jacopo Ligozzi (National Gallery of Canada, Ottawa; exh. Galleria Palatina, Palazzo Pitti, Florence)
Attributed works:
64. St Jerome sustained by an angel, by Jacopo Ligozzi (Church of St John the Evangelist, Florence; exh. Galleria Palatina, Palazzo Pitti, Florence)
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