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Advertisements May 1992 (front)
05/1992 | 1070 | 134
Pages: i-xxxii
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).
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Advertisements April 1992 (front)
04/1992 | 1069 | 134
Pages: i-xxviii
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[ L 'Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] The Nativity, Oil on Panel 17.8 by 17.8 cms by Benvenuto Tisi, il Garofalo (Ferrara c1481-1559).
Attributed works:
[Butterfied & Butterfield, 220 San Bruno Ave., San Francisco/ 7601 Sunset Blvd. Los Angeles] Jacob Marrel (Dutch, 1614-1681) Floral Still Life with Lizard and Insects in a Niche, Signed and Dated 1635, Oil on Panel, 24½ × 18 Inches (62.2 × 45.72 cm). Joachim Wtewael (Dutch, 1566-1638) Jacob and Esau, Oil on Canvas, $60frac{3}{4}$ × 80 Inches (154.3 × 203.2 cm). Leon-François Comerre (French, 1815-1916) Cassandre Tuee par Clytemmnestre. Oil on Canvas, 52 × $78frac{3}{4}$ Inches (132.1 × 200 cm), Signed and Dated. Sir Henry Landseer, R. A. (British, 1802-1873) Odds and Ends-Trophy for a Hall. Oil on Canvas, $54frac{3}{4}$ × 43 Inches (139.1 × 109.2 cm)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Rembrandt. The Agony in the Garden. Etching and Drypoint. (1657). Bartsch 75, Scidlitz and White-Boon Only State. Hind 293.
Attributed works:
[Cover] Detail of Christ's Head from the Christ and St Thomas Group by Verrocchio from Orsanmichele, Florence, during Cleaning. Bronze.
Attributed works:
[Galerie Alain Berger, 3 rue de L' Universite, Paris] Pier-Maria Bagnadore (Or Bagnatore), Orzi c.1550-1619. Christ Surrounded by Angels Holding the Instruments of the Passion. Pen with White Heightening, 29.7 by 26 cms.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Master IB with the Bird. Leda and the Swan. Engraving. 1503. Bartsch XIII, 46; Hind V, 257, 9 II.
Attributed works:
[Galleria Salamon, Via San Daniano 2, Milan] Antonio Canal Called Il Canaletto (Venice 1697-1768). Grand Canal: From Sta Maria della Carità to the Bacino di S. Marco. Oil on Canvas: cm. 46 × 63.5
Attributed works:
[H. W. Fichter, Arndstrasse 49, Frankfurt/ Main] Eugen Bracht (1842 Morges-Darmstadt 1921). Out of the Sinai Desert. Oil on Canvas Signed, Dated and Stamped Lower Right
Attributed works:
[Karl & Faber, Amiraplatz 3, Munich] Robert Michel, (Germany, 1897-1983), Giant Fish, Mixed Media on Paper, c.1920, 59 × 68 cm, Signed.
Attributed works:
[Kate Ganz Ltd, 54 South Street, London/ 66 East 83rd Street, New York] G. B. Tiepolo, Study for a Figure Seen From Below, Pen, Brown Ink and Wash, 27.3 × 18.7 cms., c.1760.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Pieter Lastman, Balaam and the Ass, 1622. Oil on Panel, $15frac{7}{8} text{by} 22frac{7}{8}$ Inches (40.3 by 60.6 cm.). Signed and Dated, Lower Left: "P. Lastman Fecit 1622"
Attributed works:
[Sotheby's, 34-35 New Bond Street, New York] Corneille de Lyon (1510-1574), Portrait of King James V of Scotland (1512-1542), Oil on Panel, in a Tabernacle Frame from Northern Italy, Probably Part Mid Sixteenth Century, 17 by 14.5 cm. From the Sale of British Paintings 1500-1850, London, 8th April. Estimate: £30,000 - 40,000.
Attributed works:
[Spink & Son LTD, 5,6 &7 King Street St James, London] John Russell 1745-1806. Study of the Head of a Clergyman
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Pietro Antonio Novelli. Venice 1729-1804. Allegory of Time. Pen, Brown Ink with Grey and Brown Wash 412 × 275 mm.
Attributed works:
[Trinity Fine Art LTD, 29 Bruton Street, London] Valerio Castello, Moses Striking the Rock, Oil on Canvas, 50 × 41 cms, the Bozzetto for the Painting in the Musée du Louvre.
Attributed works:
[Villa Grisebach auctions, Fasanenstrasse 25, Berlin] Fernand Khnopff. Portrait of a Woman. Around 1910 Drawing in Black and Blue Chalk over Pencil on Thin Cardboard. 22.3 × 11 cm. Signed in Pencil on Lower Right: Fernand Khnopff. Estimate: DM 20,000 - 30,000
Attributed works:
[Voena, Via dei Mille 36, Turin] Massimo Stanzione Orta di Atella/CE 1585 ca. - Naples 1658 ca. The Mystic Marriage of Saint Catherine. Oil on Canvas, 124 × 150 cm.
Western art unattributed:
[Antony Embden, 15 Quai Voltaire, Paris] A Bronze Lion and Lioness. Florentine c. 1600 Height: Approx. 12 cm. Length: 15 cm. On Their Original Wood Plinths.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Merignan and 11 quai Voltaire, Paris] Small Travelling-Case with Secret Compartments, Covered Red Morocco Leather Decorated with Gilt Stamping. The Medici Arms Appear on the Interior of the Lid. Italian. Sixteenth Century.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Miniatore Toscano" Initial "M": "Due Santi" XIII cent. Tempera on Vellum 100 × 125 mm.
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Advertisements January 1991 (front)
01/1991 | 1054 | 133
Pages: i - xxiv
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Antony Embden,Quai Voltaire, Paris] A very rare Maiolica ewer, painted with the arms of Ferdinando Ruiz de Castro, 6th Count of Lemos, Spain and order of Calatrava. Urbino workshop of Antonio Patanazzi about 1575-80. For a flask from the same service see: The Waddesdon Bequest 1898: 64 ill. page 136, No 208, Ceramic Art of the Italian Renaissance. Timothy Wilson. For a salt cellar from this service see: No254 Herzog Anton Ulrich Museum, Braunschweig. Johanna Lessmann.
Attributed works:
[Artemis Group, David Garritt Limited, 15 Duke Street St James, London] Ferdinand Georg Waldmüller (1793-1865) Portrait of Crescentia, Countess Zichy 1828, Oil on Canvas $37frac{3}{4}$ × 30 in.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13 Dusseldorf/ 61 East 77th Street, New York] Rembrandt Harmensz. van Rijn. The Blindness of Tobit: The Larger Plate. Etching and drypoint. 1651. Bartsch 42. Hind 252. White-Boon 42 I (of II). The impression mentioned by White-Boon, printed with strong surface tone, wiped clean on head and beard. From the collections of the Earl of Aylesford, J. H. Hawkins, the Duke of Buccleuch.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] François Boucher (1703-1770) A Farmyard. Black Chalk Heightened by Places with Grey & Brown Wash. H. 327 mm; W. 469 mm. Engraved in Reverse by Papillon de La Ferté in Divers Paysages
Attributed works:
[Charles Plante Fine Art, exh. at The World of Drawings and Watercolours Fair, London] Domenico Maria Canuti (1620-1684). 'Hercules Received into Olympus'
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Pierre-Etienne Monnot (1657-1733). Terracotta. Height Excluding Base: 28 cm
Attributed works:
[Claude Kuhn, Schneidergasse 2, Basel] Basel 1520, Immediate Circle of Urs Graf (c.1485-1527/28). "The Mourning Madonna". Pen and Black Ink, Dated "1520", 17.5 × 10.4 cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Antoine Coypel 1661 - Paris - 1722. The Baptism of Christ. Oil on Canvas: 136.3 × 97.6 cms
Attributed works:
[David Koetser Gallery, Talstrasse 37, Zurich] Pieter Neefs, the Elder (1578 - Antwerp -1659). Panel, 33 × 47cm. Signed and Dated: 1638
Attributed works:
[Front cover] Head of St Peter, Detail from the Chairing of St Peter, by Masaccio, Fig. 16 below Fresco. (Brancacci Chapel, S. Maria del Carmine, Florence).
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint-Germain, Paris] Berruer P. F. (1733-1797), Le poète Néricault-Destouches. Terre cuite originale 1778/1779
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Cyril A. Farey (1888-1954), The Record Office, London, 1942. Watercolour 18½ × 14 Inches
Attributed works:
[Haboldt & Co., 137 Rue du Faubourg Saint - Honore, Paris/ 42 East 76th Street, New York] Hans Bol (1534-1593). An Idealized View of Antwerp, 1591. Tempera, 81 × 235 mm
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels] Johann Wilhelm Baur Strassbourg 15??-1640 Vienna. Bodycolour on Vellum 137 × 184 mm. Hannibal's Army Crossing the Alps
Attributed works:
[Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich/ Harari & Johns 12 Duke Street, London] Giovanni Battista Franco (Venice c.1510-1561 Venice), 'Mucius Scaevola'. Pen and Brown Ink; 27,7 × 35 cm.
Attributed works:
[Patrick Perrin, 98 Faubourg Saint-Honore, Paris] Jean Henry d'Arles (1732-1784). French School. Deux Paniers. Red Chalk. H. 28.5 cm; W. 34.5 cm. Signed: 'Henry f. 1760'.
Attributed works:
[Phillips, 101 New Bond Street, London] Micheli Marieschi, "The Grand Canal, Venice, at the Mouth of the Rio Ca'Foscari with the Palazzo Foscari and the Palazzo Balbi," $24frac{3}{8}$ ins × $38frac{3}{4}$ Ins (62cm × 98.4cm), on Canvas. Sold 1990 for £115,000.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Denys Calvaert, Tobias and the Angel, Oil on Copper, Circa 1560, 23.6 by 18.3 cm.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Guillaume-Guillon Lethière. Sainte Anne (Guadaloupe) 1760-1832 Paris. Metellus Spared by Octavian. Signed, Lower Right, Lethière. Pen and Brown and Grey Inks, with Grey Washes, over Traces of Graphite. $18frac{1}{16}$ × $24frac{11}{16}$ Inches (460 × 602mm)
Attributed works:
[World of Drawings and Watercolours, London] Ellen G. Hill (fl. 1864-93) An Artist's Early Day in Paris. Courtesy The Maas Gallery
Non-western art unattributed:
[Emile Deletaille Antiquaire, Rue Watteau, Brussels] Mayan Ceremonial Flint. Central Maya Lowland 600 to 900 A. D. H. 14.2 cm. L.32.2 cm. Depth 2 cm.
Western art unattributed:
[36th Antiques Fair of Belgium, Brussels] "The Madonna from Liège," Skulpturensaminlung. Staatliche Museen zu Berlin
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Annon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[Wartski, 14 Grafton Street, London]The repoussé Silver Mounts Decorated with Moths Drawn to the Flame of a Candle. The Ivory Handle is Carved to Simulate the Wax of the Guttering Light. Decorated with Cabochon Chrysoprases on the Reverse. Copenhagen, c.1900
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Advertisements July 1987 (front)
07/1987 | 1012 | 129
Pages: i-xl
Subjects
advertisements:
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advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Chalice. Rock Crystal. Height: 20cm. Contemporary. Architectural Capriccio, by Simon Challe (1719-1765). Ink and Wash on Paper, 144 by 59cm. Signed with Initials Lower Left. Table de Salon, estampillée: Pierre II Mignon. 66.6 by 98 by 48cm. Vue des Champs-Elysées, by Victor-Gabriel Gilbert. Oil on Canvas, 27 by 35cm. Signed Lower Right. Art Déco Bracelet, Set with Diamonds, Rubies, Onyx and Sapphires, in the Egyptian Renaissance Style.
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Venus and Pan, by Balthasar Beschey (1708-1776). Oil on Canvas, 56 by 43cm; Signed and Dated 1736. Still Life with Flowers, by Jacob Marrel (1614-1681). Oil on Canvas. 52 by 39cm. Signed Lower Right: "J. Marrel fecit". Le Coquelin. "Mille Fleurs" Tapestry on Blue Background from the Val de Loire. c. 1500, 135 by 105cm. Commode, estampillée: R Lacroix/Roger Vandercruse. 89 by 139 by 54cm.
Attributed works:
[ Antony Embden, 15 Quai Voltaire, Paris ] A Very Important Ivory Group of Mary and the Christ Child (Notre Dame de La Victoire), Both Figures with Glass Eyes. The Serpent Carved in Wood. Height 35 cm. By Simon Troger (Signed)
Attributed works:
[ Athenaeum, Avenue Princesse Alice 5, Monte Carlo ] Satyr and Peasant. "Mathäus Stomer" 1600/sicile 1650. Oil on Canvas 48 by 57 cm
Attributed works:
[ Bernheimer, 32 St. George Street, London / Lenbachplatz 3, Munich ] A Commode, Italy, End 18th Century in the Manner of the Maggiolini Workshop. Height 92.5 cm, Width 131cm, Depth 60cm
Attributed works:
[ Breede, Alter Schmuck, Residenzstrasse 11, Munich ] Art-Deco Pendant with Sapphires, Rubies, Citrines, Amethysts and Diamonds Set in Platinum. Signed: Boucheron, Paris
Attributed works:
[ Brian Breet, 3b Burlington Gardens, London ] A Rare 'Trafalgar' Vinaigrette by Matthew Linwood, Birmingham, 1805.
Attributed works:
[ Brod Gallery, 24 St. James's Street, London ] Louis Leopold Boilly. La Bassée 1761-1845 Paris. L'Escamoteur sur les boulevards. Signed and Dated Boilly 1806. Oil on Panel: 24 × 33 cm (9½ × 13 ins)
Attributed works:
[ Browse & Darby, 19 Cork Street, London ] Augustus John. Girl in a Wide Brimmed Hat. Pencil 14½ × 10½ Inches
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] John Piper. The Red House, Painswick
Attributed works:
[ cover ] Detail from Stratford Mill, by John Constable. 1820. National Gallery, London.
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Abraham van Beyeren. Signed. 103 × 100 cm. (1620 The Hague 1690)
Attributed works:
[ Delomosne and Son Ltd., 4 Campden Hill Road, Kensington High Street, London ] An Irish Decanter with Simple Engraving and Initialled IMR. The Mould-Blown Base Includes the Factory Name: Waterloo Co. Cork. c. 1815.
Attributed works:
[ Galerie Chevalier, 157 East 64th Street, New York ] "Abraham and Sara" - A XVIth Century Flemish Tapestry, Probably from Tournai - 11 ft 1 (H) × 10 ft 5 (W).
Attributed works:
[ Galerie Daniel Malingue, 26 Avenue Matignon, Paris ] Two Characters with Bouquets of Flowers, by Marc Chagall. Gouache, 75,5 by 50cm. Signed and Dated 1967. Galerie Daniel Malingue, 26 Avenue Matignon, 75008 Paris.
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux décoratifs. 270 × 166 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux sujet décoratif
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Gallery Lingard, 50 Pall Mall, London ] Sir James Pennethorne. Architect. 1801-1871. A Sketch of an Idea for the Restoration of the Roman Forum, 1825. Ink & Wash. Signed: J Pennethorne & Dated 1825, Rome. Inscribed: Sketch of an Idea for the Restoration of the Roman Forum. 10½ × 20 Inches (27 × 51 cms)
Attributed works:
[ Ivo Bouwman, Lange Vijverberg 20, The Hague ] J. H. Weissenbruch (1824-1903). River Landscape with Mill and Cows. Oil on Canvas: 60 × 79 cm. (Signed Lower Right)
Attributed works:
[ Jean - Max Tassel, 15 Quai Voltaire, Paris ] Jan Davidsz de Heem (1606-1684). Fruit Still Life. Oil on Panel. Coats of Antwerp. Panel Maker Frans de Bout. 14 × $20frac{3}{4}$ in. - 35,8 × 52,3 cm. Signed on the Top Right-Hand Corner. Dated 1648/1649 According to Professor Berström Comparing to the 50's Glasgow Museum.
Attributed works:
[ Jocelyn Feilding Fine Art Ltd, The Alan Jacobs Gallery, 8 Duke Street, St. James's, London ] Alexander Keirincx. A Stag Hunt. Oil on Panel. 18¼ by 25¼ in.
Attributed works:
[ John Jesse Irina Laski, 160 Kensington Church Street, London ] An Aesthetic Movement Porcelain Teapot, the Base is Inscribed 'The Fearful Consequences Through the Laws of Natural Selection and Evolution, of Living up to One's Teapot'. The Design Was Registered in 1881 and Made by the Worcester Royal Porcelain Works 1882.
Attributed works:
[ Julian Hartnoll, 14 Mason's Yard, Duke Sreet, St. James's, London ] Albert Moore 1841-1893, Head of a Young Woman in Profile 1890-3. Black and White Chalk on Yellow Paper, Laid, 17 × $13frac{3}{4}$ Inches, Image 13 × 12½ Inches
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Mordecai Ardon. Golan 1986 Oil on Canvas $31frac{3}{4}$ × 39¼ in/81 × 100 cm.
Attributed works:
[ Maurice Asprey Ltd., 41 Duke Street, St. James's, London ] A Small Cream Jug with Flat Chasing and Coat-of-Arms, by Aymé Videau 1738. Height: 4″ to Top of Handle.
Attributed works:
[ Owen Edgar, 9 West Halkin Street, Belgravia, London ] Hendrik van Minderhout (Rotterdam 1632-Antwerp 1696). "Extensive Italianate River Landscape". Oil on Canvas. Signed and Dated 1653. 60 × 81 ins; 157.5 × 205.7 cms.
Attributed works:
[ Peter Oude Kunst, Spoorlaan 438, Tilburg ] Engraved Pewter Plate by Johannes van Swinderen. Amsterdam. 1727.
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] StreetGustave Courbet, "A Chateau by a River," signed and Dated '56, Oil on Canvas, 59 cm. x 73 cm. Estimate: £30,000 - £50,000.
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Battista Moroni. Albino. c. 1520-Bergamo, 1578. Portrait of Prospero Alessandri. Oil on Canvas, 53.7 × 47 cm. ($21frac{1}{8}$ × 18½ Inches)
Attributed works:
[ Richard Green, 44 Dover Street, London ] Jacob Marrel (1614-1681). A Flower Piece of Thirty-Nine Sorts (Eleven Tulips) in a Baroque Vase with a Kingfisher, a Lizard on a Balustrade, and with Three Libellulas and a Fly. Signed and Dated 1639. Panel: 33 × 26½ in/84 × 67.5 cm
Attributed works:
[ Richard L. Feigen & Company, 113 East 79th Street, New York ] Thomas Gainsborough, "Hilly Wooded Landscape with Country Cart," Circa 1745-46 Oil on Canvas, 23.5 by 31.1 cm.
Attributed works:
[ Steppes Hill Farm Antiques, The Hill farm Stockbury, NR. Sittingbourne, Kent ] A Fine Early Worcester Inverted Pear Shaped Teapot and Cover with Faceted Spout, Printed in Black by Robert Hancock with L'amour, c.1756/1758.
Attributed works:
[ Wartski, 14 Grafton Street, London ] Four Cigarette Cases by Carl Fabergé. A pale blue enamelled silver cigarette case set with rose diamonds. Length: 3¼ inches/7.8 cm. A shaped two-coloured gold cigarette case entirely decorated with engraved lozenges each set centrally with a chased gold flower head. The thumbpiece set with a cabochon sapphire. From the collection of the late Edward James. Length: 3½ inches/8.5 cm. A shaped and reeded red and green gold cigarette case. Length: 3 inches/7½ cm. A gold mounted lilac enamel silver cigarette case, the centre applied with an oval moss agate panel surrounded by rose diamonds set in platinum. This case was purchased from Fabergé in London on January 13th 1914 by Sir Everard Hambro. Length: 3½ inches/8.5 cm. All four cases are fully signed.
Attributed works:
[ William Drummond, 8 St. James's Chambers, Ryder Street, St. James's, London ] Scène d'Algerie, by Pierre-Antoine Labouchère (1807-1873). One of a Set of 4. Watercolours. 7″ by $10frac{1}{8}^{prime prime}$. Signed, Inscribed and Dated 1846.
Non-western art unattributed:
[ Emile Deletaille Antiquaire, 12 rue Watteau, Brussels ] Seated Figure in Volcanic Stone A. D. 300-500. Atlantic Watershed Zone. Costa Rica
Non-western art unattributed:
[ Michael Goedhuis Colnaghi Oriental, 14 Old Bond Street, London ] Large Bronze Tripod Censer with Heaven Soaring Handles. China, Qianlong Period. ht: 18 ins.
Non-western art unattributed:
[ Vander Ven & Vander Ven, Peperstraat 6, Hertogenbosch, Holland ] A Chinese Figure of a Porcelain Hound. China 18th Century. Chien-Lung Period (1736-1796)
Western art unattributed:
[ Annabel Jones, 52 Beauchamp Place, Knightsbridge, London ] A Rare Pair of Old Sheffield Plate. Wine Coolers Both in the Form of the Warwick Vase. Circa 1820 1830. Height 10 Inches. (Refer to F. Bradbury, pages 377 381 'The Warwick Vase').
Western art unattributed:
[ Brian Haughton Antiques, 3b Burlington Gardens, Old Bond Street, London ] Pair of Chelsea Figures of a Sportsman and Companion Wearing Richly Gilt, Puce, Green and Yellow-Scale Clothes, She with a Bowl of Fruit and a Dog, He with a Gun, a Flask and a Dog. Gold Anchor Mark c.1768 10½ ins High
Western art unattributed:
[ De Havilland (antiques) ltd, 48 Sloane Street, London ] George II Mahogany Partners Desk Decorated with Vitruvian Scrolls on Hairy Lion's Paw Feet. Circa: 1750 Width: 60½″; Depth: 42″
Western art unattributed:
[ Klaber and Klaber, 2a Bedford Gardens, Kensington Church Street, London ] A Rare Derby Plate Circa 1758
Western art unattributed:
[ O'Shea Gallery, 89 Lower Sloane Street, London ] Duke of Newcastle
Western art unattributed:
[ Pelham Galleries, 163 & 165 Fulham Road, London ] An Outstanding Regency Period Mahogany Writing Table, the Frieze Carved with Greek Key. Ornament Concealing Drawers on Both Sides and Slides in the Ends. Height 31½in (77cm) Width 60in (152cm); With Slides Drawn 94in (238in) Depth 37½in (95 cm)
Western art unattributed:
[ Van Kranendonk Duffels, Rue Paul Lauters 10, Brussels ] A Blue Enamel Brooch. Diamonds & Pearls
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Advertisements January 1982 (Front)
01/1982 | 946 | 124
Pages: i-xliv
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group] Jean-Antoine Watteau 1684-1721. Heureux Age! Age d'or. Oil on Panel, 19.3 × 22.8 cm. Acquired by the Kimbell Art Museum, Fort Worth, Texas
Attributed works:
[ Athenaeum, Avenue de Grande bretagne 1/5, Les Floralies, Monte Carlo ] Alphonso Lombardi (Ferrara 1487 - Bologna 1537) Terracotta: 173 × 70 cm.
Attributed works:
[ Berko, Kustlaan 163, Knokke-le Zoute / 2 Place du Palais Royal, Paris ] A. Heyligers: Batavia 1828. "Dame au Vase fleuri", Panel, 30 × 24 cm Signed and Dated 1872 Lower Right.
Attributed works:
[ Black-Nadeau Ltd, 6-8 Old Bond Street, London ] Laurent Delvaux. Flemish, 1696-1778. Terracotta Model Executed in Rome Circa 1730 after Bernini's David and Preparatory to the Marble for the Duke of Bedford. On Original Oak Base, Carved by the Sculptor. Total Height 63.5 cm.
Attributed works:
[ Brand Inglis Ltd, 9 Halkin Arcade, Motcomb Street, London ] A Charles II Silver Tankard. Maker's Mark: RF between Pellets London, 1660. Height: 7 ins. Weight: 33 ozs 17 dwts
Attributed works:
[ Browse & Darby, 19 Cork Street, London ] W. R. Sickert. The Green Hat, 1906. Oil on Canvas 24 × 20 ins.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Caspar David Friedrich. Selfportrait. Woodcut, Carved by His Brother Christian. (About 1803). Sumowski p. 138. Börsch-Supan/Jähnig 74. On Whatman-Paper.
Attributed works:
[ Chaucer Fine Arts Inc., 45 Pimlico Road, London ] Carlo Albacini (Rome d. 1807). Bust of Alexander the Great. Height 55.7 cm.
Attributed works:
[ Chaucer Fine Arts Inc., 45 Pimlico Road, London ] Nicolas-Andre Monsiau (Paris 1755-1837). Zeuxis Choosing His Models from the Most Beautiful Girls of Croton. Brown Ink, Brown and Grey Wash, Heightened with White, 400 × 504 mm.
Attributed works:
[ Christopher Gibbs, 118 New Bond Street, London ] A superb early 18th century German pierglass, the original plate enclosed by a frame of mirrorglass elaborately engraved with strapwork and masks, battle scenes and trophies, by Hans Wolfgang Schmidt of Nuremburg, surmounted by an elaborate cartouche engraved with the arms of Merode and Orange Nassau, within a collar of the Golden Fleece. 11′ × 5′1″ (335 × 155 cm)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Bernardo Cavallino 1616-1656. St John the Evangelist 50½ × 40 ins. (128 × 101.5 cms.)
Attributed works:
[ cover page ] Detail from Skeletons in an Interior with a Stove, by James Ensor. (Kimbell Art Museum, Fort Worth).
Attributed works:
[ David M. Koetser Gallery, Talstrasse, Zurich ] Matthias Stomer. "St. Onuphrius" 128 × 175 cm
Attributed works:
[ Douwes Fine Art, 38 Duke Street, St James's, London ] Adriaen van Eemont (1627-Dordrecht-1662). Wayside Inn in Italian Landscape. Oil on Canvas: 57 × 70 ins 129 × 178 cm
Attributed works:
[ Galerie de La Scala, 68 rue La Boetie, Paris ] Lagrenee Louis-Jean-François, the Elder "Venus and Love" (1725-1805)
Attributed works:
[ Gallery P. de Boer, Herengracht 512, Amsterdam ] Simone Kick. Panel, 122 × 122 cm.
Attributed works:
[ Garrard, 112 Regent Street, London ] A Gold and Enamel, Swiss Box, Length 2¾ Inches, Date circa 1780. Enamel Miniatures, on Gold, of Miss Harriet Eliza Garrard and Sebastian Garrard by John Simpson 1851/2. Holbeinesque Enamel and Gold Suite Set with Emeralds, Diamonds, Rose Diamonds and Pearls, Date Circa 1850. Holbeinesque Enamel and Gold Pendant Set with Diamonds, Rubies and Opals Date Circa 1870. A Gold and Enamel Swiss Box, Length 3 Inches, Date Circa 1825. A Gold and Enamel Box by Bautte & Moynier, Geneva. Length $3frac{1}{8}$ Inches, Date Circa 1810. A Verge Automaton Quarter Repeating Pocket Watch in 18ct Gold and Enamel by Menard de Mons. Diameter 2¼ Inches, Date Circa 1820.
Attributed works:
[ Heim, 59 Jermyn Street, St James's, London ] Still-Life with Game in a Landscape by Jean-Baptiste Oudry (Paris 1686-Beauvais 1755) Oil on Canvas: 213.5 × 161.5 cm
Attributed works:
[ J.P.L. Fine Arts, 24 Davies Street, London ] Camille Pissarro (1830-1903). La Cueillette des Pommes, Eragny. c. 1888. Watercolour and Gouache 47 × 59 cm. Signed. PV.1423
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St James's, London ] Adriaen Hanneman (c.1601 - The Hague - 1671). On Panel. 109 × 36.5 cm. Portrait of a Lady. Signed and Dated 1625, and Inscribed with the Age of the Sitter "21"
Attributed works:
[ Julius Böhler, Pacellistrasse 8/11, Munich ] The Madonna in Clouds Revered by Four Saints. By Corrado Giaquinto. Molfetta-Bari 1703-Naples 1765). Canvas, 48 × 23.5 cm.
Attributed works:
[ Leger Galleries Ltd., 13 Old Bond Street, London ] The Blair Conversation Piece, Painted at Cawnpore, India, 1786. Oil Painting on Canvas. Size: 38 × 54 Inches
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Henry Moore. Reclining Figure '80 No. 1, 1980, Bronze, Length with Base 94 cm., Edition of Nine.
Attributed works:
[ Matthiesen, Mason's Yard Duke Street, St James's, London ] Pietro Berrettini da Cortona. Cortona 1596 - Rome 1669. Landscape with a Lake and Distant Town Canvas 62.3 × 77.7 cms
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] Lattanzio Gambara (Brescia, Ca. 1530-1573/4) Allegory of Justice, Study for the Ceiling of the Palazzo LaLatta, Parma; Verso: An Ornamental Object. Black Chalk, Pen and Brown Ink and Wash with White Gouache Highlights on Blue Paper: 12 × 7⅞″.
Attributed works:
[ Noortman Ltd, 8 Bury Street, St James's, London ] Jacob Jordaens 1593-1678. The Road to Calvary. Canvas, 239 × 174.5 cm
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Januarius Zick, 'St. Jerome,' Oil on Canvas, 47.9 by 34.1 cm.
Attributed works:
[ Ronald A. Lee, 1-9 Bruton Place, London ] This magnificent firearm is entirely covered in inlaid horn and profusely decorated with engraved ivory scenes. Last quarter of the 16th century. The engraved and gilded lockplate bearing the guildmark of Strasbourg with maker's mark E. G. with bird below; This mark referring to Elias Gessler (New Stockel 7471). Most of the scenes are taken directly from engravings by Virgil Solis. The lemon-shaped ivory butt is secured by a silver gilt butt cap and is finely engraved with 8 various figures, including Bacchus, Mars, Apollo, Minerva and Ceres; the group is surmounted by the Arms of Italia, Francia, Germania and Hispania. The reverse side of the lockplate depicts the myth of Pyramus and Thisbe; the underside includes the bagpiper taken from a 1514 engraving by Albrecht Dürer; these panels are supported by other small panels of interest; the gilded barrel bearing the engraved figure of St. George and the Dragon with decorated and engraved strapwork; the gilded lockplate includes a rabbit and a squirrel. The mechanism is of the typical wheel-lock design of the period. Length of gun: 81 cms (35 inches).
Attributed works:
[ Sabin Galleries, Campden Lodge, 82 Campden Hill Road, Kensington, London ] John Opie R. A. Signed and Dated 1788 Verso. Lady Ann Fox. Canvas 30 × 25 Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Francesco Guardi, A Capriccio View of the Lagoon, 47.5 by 53.5 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Giovanni Francesco Barbieri, Called Il Guercino, The Penitent Magdalen, 232 by 179 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Jan Wynants, A Dune Landscape with Travellers on a Well-Worn Path, Signed, Oil on Canvas, 30.5 by 36.5 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] John Frederick Herring Snr., Birmingham: A Bay Racehorse with P. Conolly Up Wearing Pink Silks and Cap, His Owner Mr. Beardsworth to the Left, Signed, Oil on Canvas, 34 by 46 cm.
Attributed works:
[ Wartski, 14 Grafton Street, London ] Diamonds, English c.1750. Gold Mounted Agate, English c. 1740, Carved Carnelian by Faberge.
Attributed works:
[ William Drummond, Covent Garden Gallery Ltd, 20 Russell Street, London ] Michael 'Angelo' Rooker 1743-1801 Watercolour 14¾ by 20⅞ ins. Signed and Dated. Westminster Hall, the North Front, Palace Yard
Non-western art unattributed:
[ Entwistle, Seventy South Audley Street, London ] This serene and dignified royal portrait from Benin in Nigeria is one of the finest of a handful of bronze heads cast in the fifteenth century as memorials to deceased kings or obas. Terracotta heads of the same subject are equally rare. Exceptionally this sixteenth century example shares the expressive qualities of its bronze predecessor.
Non-western art unattributed:
[ John Sparks, 128 Mount Street, London ] A Pair of Chinese Porcelain Figures of Hawks on Rock-Work Bases, Richly Decorated in 'Famille Rose' Enamels. Ch'ien Lung Period 1736-1795 A. D. 20½″ High
Non-western art unattributed:
[ Rabi Gallery, 94 Mount Street, London ] Rare 19c. Bidjar
Non-western art unattributed:
[ Spink & Son Ltd, King Street, St James's, London ] A Terracotta Head. Gupta, Kausambi, 5th Century. Height: 8 Inches.
Western art unattributed:
[ Antony Embden, 15 Quai Voltaire, Paris ] A Fine 16th Century Red Wax Model of a Bearded Man. (Possibly Neptune) Dated 1547 & Monogrammed MB - Roma Height: 23 cm
Western art unattributed:
[ Antony Embden, 15 Quai Voltaire, Paris ] An Exceptional 16th Century Small French Walnut "armoire à deux corps". Painted in Sepia Monochrome & Gilding. (Formerly Chateau Ancy-le-Franc) Height. 160 cm - Depth - 048 cm - Width - 126 cm.
Western art unattributed:
[ Apollo Gallery, Bundenweg 7, Frankfurt ] Tetrarch, Roman, c.295-305, Marble. Height 35 cm. Sold to J Paul Getty Museum
Western art unattributed:
[ Mallett, 2 Davies Street, Berkeley Square, London ] A Rare Portrait Head of Alexander the Great in Huranic Basalt. Círca 330 B. C. Height: 11 Inches (28 cms.)