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8 articles
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Advertisements June 2008 (Front)
06/2008 | 1263 | 150
Pages: i-xx
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Claude Lorrain (1600-1682). Rural dance. Verso: Study of a man's legs. Black chalk, red chalk, brown and grey wash, 16.4 by 22.2 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London, exhibiting at Master Drawings London, July 5th-11th] Paul Bril (1554-1626). October, Stag Hunting. Signed. Pen and brown ink with wash heightened with white over black chalk, 198 x 332 mm.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Richard Dadd (1817-1886) Crazy Jane. Watercolour, 36 by 25.6 cm.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] A photograph of Richard Dadd painting Contradiction; Oberon and Titania, at Bethlem Hospital, c.1856. Bethlem Art and History Collections Trust.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Crazy Jane. Watercolour, 14⅛ x 10 in. (36 x 25.6 cm.). Bethlem Art and History Collections Trust.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Jerusalem from the House of Herod. Watercolour, 6½ x 10 in. (16.5 x 26 cm.). Private collection.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Sir Thomas Phillips in Eastern Dress. Watercolour heightened with white, 9½ x 6½ in. (24.1 x 16.5 cm.). Bethlem Art and History Collections Trust.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Sketch to Illustrate the Passions: Insignificance or Self Contempt. Watercolour, 14 x 9⅞ in. (35.6 x 25.3 cm.). Bethlem Art and History Collections Trust.
Attributed works:
[Bonhams Fine English Furniture and Works of Art, New Bond Street, Wednesday 16 July] An important set of twelve George III Scottish carved mahogany Open Armchairs, attributed to William Hamilton of Edinburgh. Estimate £150,000-250,000.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue Marignon, 11 quai Voltaire, Paris] Laurent de La Hyre (1606-Paris-1656). La Madeleine Pénitente. Oil on canvas (relined), 102 by 95 cm.
Attributed works:
[Christie's Old Master & British Pictures, auction London 8 & 9 July 2008] Francis Cotes RA (London 1726-1770). The Young Cricketer: Portrait of Lewis Cage. Signed, inscribed and dated '1768'. Oil on canvas, 67¼ x 44 in. (170.7 x 111.7 cm.). Estimate £700,000-1,000,000.
Attributed works:
[Colnaghi, Katrin Bellinger, 15 Old Bond Street, London, exhibiting at Master Drawings in London 2008] Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne). A Man seen en face, pulling a Curtain, a young Woman posing on the right, and two Studies of Hands holding a Bow and a Fingerboard, respectively. Red and white chalk on buff paper, 229 x 355 mm.
Attributed works:
[Conchita Romero, Salustiano Olózaga, 5, Madrid] Vicente Vitoria (Denia, 1650-Rome, 1709). Mary Magdalene. Signed and dated 'Vicente Canonig Vitoria fct 1690'. Oil on canvas, 50 x 65 cm.
Attributed works:
[Daniel Katz, 13 Old Bond Street, London, at London Sculpture Week 2008] Jean-Baptiste Giraud (1752-1830) Achilles wounded. Plaster, 55 by 39 cm.
Attributed works:
[Daniella Luxembourg, 13 Old Bond Street, London, at London Sculpture Week 2008] Oskar Schlemmer (1888-1943) Ornamental plastic. Conceived in 1919, cast before 1926. Plaster, 48 by 21 by 9 cm.
Attributed works:
[David Koetser, Zürich, at The Grosvenor House Art & Antiques Fair 2008] Jan Davidsz. de Heem (1606-1683/4). A still-life with oranges, dates, figs, a sprig of laurel in a wanli bowl, with a peeled lemon, a knife, bread and a façon de venise of white wine on a draped table. Oil on canvas, 37 by 47.4 cm.
Attributed works:
[Didier Aaron, 15 Clifford Street, London, at Master Drawings London, 5 July-11 July 2008] Jean-François de Troy (1679-1752). Study of a draped female figure. Red chalk heightened with white on blue paper, 47.3 by 35.5 cm.
Attributed works:
[Emanuel von Baeyer, exhibiting at Rafael Valls, 6 Ryder Street, London, at Master Drawings London, 5 July-11 July 2008] Thomas Kerrich (1748-1828). Self-portrait in four different expressions. Pencil, size of sheet, 32.5 by 19.8 cm.
Attributed works:
[Flavia Ormond Fine Arts, London, at The Grosvenor House Art & Antiques Fair 2008] Alexandre Benois (1870-1960) Set for the ballet Giselle. Watercolour, ink and ink wash, 49 by 63 cm.
Attributed works:
[Flavia Ormond Fine Arts, London, at The Grosvenor House Art & Antiques Fair, 2008] David Bomberg (1890-1957). Bomb store. 1942. Oil on paper, 28 by 38 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Master of the Liverpool Madonna (active in Rome and Umbria between 1490 and 1500). Virgin and Child with St. Catherine of Alexandria, St. John the Baptist and an angel with a crown. Circa 1490-1495. Tempera on panel, gold ground, 54.5 x 39 cm. (21½ x 15⅜ in.)
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Giuseppe Antonio Pianca (Agnona di Borgosesia/Vercelli 1703-après 1757). The Pinch of Snuff. Oil on canvas, 103 x 82 cm. (40 9/16 x 32 5/16 in.)
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, St James's, London] Barbara Hepworth (1903-1975). Sculpture for Waterloo Bridge. Portland Stone, width: 16¾ inches (42.5 cm.)
Attributed works:
[Hazlitt Holland-Hibbert, London, at The Grosvenor House Art & Antiques Fair, 2008] Barbara Hepworth (1903-1975). Pierced form (santorin) opus 33. Marble on original wooden base. Height: 43 cm.
Attributed works:
[Jean-Luc Baroni Ltd., 7/8 Mason's Yard, Duke Street, St James's, London, at Master Drawings London 2008] Auguste Rodin (Paris 1840-1917 Meudon). A Nude Woman Standing in the Sea, Holding her Hair in her Right Hand. Annotated Corail at upper right by the artist. Monogrammed A R in lead pencil, at upper left. Lead pencil and watercolour, 492 x 322 mm. (19 5/16 x 12 11/16 inc.)
Attributed works:
[Katrin Bellinger, 15 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Claude Gillot (1673-1772). Four commedia dell'arte figures: three gentlemen and pierrot. Pen and black ink, grey and red wash, 11.7 by 19 cm.
Attributed works:
[Lowell Libson, 3 Clifford Street, London, at Master Drawings London, 5 July-11 July 2008] Francis Towne (1740-1816). A ruin on the road going to Ponte Lamentana in the neighbourhood of Rome. Signed and dated 1786. Watercolour, 32 x 47 cm.
Attributed works:
[Moretti Fine Art, London, Paris & New York, at The Grosvenor House Art & Antiques Fair 2008] Giovanni di Marco, called Giovanni dal Ponte (1385-1437). Madonna and Child enthroned between Saints Lawrence and Anastasia. Panel, 90.5 x 51 cm.
Attributed works:
[Museo Thyssen-Bornemisza, Madrid, Arikha, 10 June-7 September 2008] Avigdor Arikha. Pears, 18th September 1974. Private collection, New York.
Attributed works:
[Patricia Wengraf Ltd., PO box 31067, London] Attributed to Johann Ignaz Bendl (Vienna before 1682-1730). St John the Baptist preaching to the multitude. Ivory relief, dimensions: 13.6 by 27.5 by 2.0 cm.
Attributed works:
[Piacenti Art Gallery, 8 Duke Street, St James's, London] Daniele Crespi (Busto Arsizio 1597/98-Milano 1630). The Sacrifice of Isaac. Oil on panel, 45.5 by 35.5 cm.
Attributed works:
[Richard Green, London, at The Grosvenor House Art & Antiques Fair 2008] Pierre-Auguste Renoir (1841-1919). Chapeau au ruban rouge. Signed. Canvas, 33 by 25.4 cm.
Attributed works:
[Robin Katz, 13 Old Bond Street, London, at London Sculpture Week 2008] Conrad Shawcross. Loop system - major third 5:4, 4 part counterpoint. 2006. Mixed media, 225 by 300 by 250 cm.
Attributed works:
[Sam Fogg Ltd, 15D Clifford Street, London, at London Sculpture Week 2008] Attributed to Erasmus Grasser (1450-1518). A holy knight. Germany, 1470-1515. Limewood, 121 by 23 cm.
Attributed works:
[Sims Reed, London, at The Grosvenor House Art & Antiques Fair, 2008] Pablo Picasso (1881-1973). Portrait of Jacqueline. Signed in pencil and inscribed: Epreuve d'artiste. Linoleum cut printed in colours, 75 by 81.8 cm.
Attributed works:
[Sotheby's European Sculpture and Works of Art, auction in London, 9 July 2008] Niccolò dell'Arca. A 15th-century Italian terracotta relief of the Virgin. Estimate £200,000-300,000.
Attributed works:
[Stephen Ongpin Fine Art, London, at Master Drawings London, 5 July-11 July 2008] Giovanni Domenico Tiepolo (1727-1804) God the father in glory. Signed: 'Domo. Tiepolo' in brown ink at the lower right. Pen and brown ink and brown wash, backed. 28.7 by 20 cm.
Attributed works:
[Stephen Ongpin Fine Art, Riverwide House, 6 Mason's Yard, Duke Street, St James's, London] Edouard Manet (1832-1883). An Illustrated Letter to Albert Hecht, with a Still Life of Plums and Cherries. Watercolour, with a letter written in pen and brown ink, 245 x 156 mm. (9⅝ x 6⅛ in.)
Attributed works:
[Stoppenback & Delestre, 25 Cork Street, London, at Master Drawings London, 5 July-11 July 2008] Hippolyte Petitjean (1834-1929). Au bord de la rivière. Signed lower right: Hipp. Petitjean. Watercolour, 36.5 by 26.7 cm.
Attributed works:
[Theobald Jennings Ltd., 37 Albemarle Street, London, at Master Drawings London, 5 July-11 July 2008] George Grosz. Sitting female nude. 1945. Charcoal and wash, 62 by 47.3 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 22 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Hans Bol (1534-1593). Landscape with a town in the distance, in a border of flowers and animals. Signed and dated: HBol /1584. Pen and brown ink and wash over traces of black chalk, the outlines incised, 144 by 211 cm.
Attributed works:
[Tomasso Brothers, Bardon Hall, Weetwood Lane, Leeds] Giovanni Battista Foggini (1652-1725). 'Il Pasquino'. 50 cms high.
Attributed works:
[Trinity Fine Art, 29 Bruton Street, London, at London Sculpture Week 2008] Andrea della Robbia (1435-1525). Maiolica relief pane from the outer frame of a tabernacle, c. 1500, 48 by 37 cm.
Attributed works:
[W/S Fine Art Ltd., 27 Dover Street, London, at Master Drawings London, 5 July-11 July 2008] William Alexander (1767-1816) A scene in an historical play exhibited on the Chinese stage. Watercolour over traces of pencil, 23.9 by 35.5.cm.
Attributed works:
[Whitfield Fine Art at Partridge Fine Art, 144-146 New Bond Street, London]Titian (c.1490-1576). Saint Sebastian (detail). Oil on canvas, 190 x 95.5 cm. Painted c.1530-35. Signed lower left: TICIANUS.
Attributed works:
[Wildenstein, 19 East 64th Street, New York] François Hubert Drouais. Portrait of the Artist's Father, Hubert Drouais, c.1760. Oil on canvas, 130 x 97 cm.
Attributed works:
[Woolley & Wallis, Salisbury, 18th and 19th Century Oil Paintings, Watercolours, Prints and Miniatures, auction, 16th July 2008] Frans Breuhaus de Groot (Dutch 1796-1875). Extensive winter landscape with numerous figures on a frozen lake by a pavilion. Signed and dated 1837. Oil on canvas, 55 x 76 cm. (21½ x 30 in.). Estimate: £8000-12000.
Attributed works:
[Woolley & Wallis, Salisbury, 18th and 19th Century Oil Paintings, Watercolours, Prints and Miniatures, auction, 16th July 2008] John Smart (1742-1811). Portrait of a gentleman wearing a brown coat. Signed with initials and dated 1768. Oval, in an ebonized frame, 37 x 33 mm. (1½ x 1¼ in.). Estimate: £1000-1500.
Attributed works:
[Woolley & Wallis, Salisbury, 20th Century and Contemporary Art, auction, 16th July 2008] Louis Le Brocquy (Irish b. 1916). Man Turning. Signed. Oil on canvas, 61 x 51 cm. (24 x 20 in.). Estimate: £20000-30000.
Attributed works:
[Woolley & Wallis, Salisbury, 20th Century and Contemporary Art, auction, 16th July 2008] Salvador Dalì (Spanish 1904-1989). Hommage à Terpsichore (La Dance). Numbered 114/350 on Certificate of Authenticity. Bronze sculpture in two parts published in 1984 after the design on 1977, 44 x 70.5 cm. (17¼ x 27¾ in.). Estimate: £5000-8000.
Non-western art unattributed:
[Gregg Baker Asian Art, London, at The Grosvenor House Art & Antiques Fair 2008] A six-fold paper screen painted in ink and colour on a gold ground with numerous cranes. Japan, Meiji period, 19th century. 169 by 375 cm.
Non-western art unattributed:
[Rossi & Rossi Ltd., 16 Clifford Street, London, at London Sculpture Week 2008] Buddha Shakyamuni. Central Tibet, c.14th century. Bronze, height: 48 cm.
Western art unattributed:
[Apter-Fredericks, London, at The Grosvenor House Art & Antiques Fair, 2008] A George II carved walnut armchair. English, c.1735.
Western art unattributed:
[B.B. Steinitz, Paris, at The Grosvenor House Art & Antiques Fair, 2008] A pair of cassolettes with musical mermaid figures. White marble, chased, patinated and gilded bronze. Height: 45 cm, width: 27.5 cm., depth: 21.5 cm.
Western art unattributed:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] Important Gueridon with Winged Lion Décor. France, circa 1815-1820. Chased, patinated and gilded bronze, top of precious marbles, H. 85 cm. (33½ in.), Diam. 91 cm. (35¼ in.)
Western art unattributed:
[Christie's, 8 King Street, London, auction, Simon Sainsbury: The Creation of an English Arcadia, 18 June 2008] English School, circa 1590-1600. Triple portrait of three girls, three-quarter-length, in green silk dresses with lace embroidery, holding yellow and white feathered fans. Oil on canvas, 51¾ x 50⅞ in. (131.5 x 129.2 cm.), in a Sunderland frame. £150,000-250,000.
Western art unattributed:
[Richard Philip, 7 Ravenscourt Square, London] Adoration of the Magi (detail). East Anglian School, c.1460. Oil and tempera on course linen, 1.93 x 1.6 m.
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Advertisements March 1988 (Front)
03/1988 | 1020 | 130
Pages: i-xliv
Subjects
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Illustrations
Attributed works:
Degas, by R. B. Kitaj. 1987. Pastel and Charcoal on Paper, 77.5 by 57.2 cm. (Marlborough Fine Art).
Attributed works:
[A. Lemaire 43, rue de Verneuil, Paris] A. Pajou (1730-1809). 'Bellone' Marble Statue. H. 78cm. Circa 1765
Attributed works:
[Agnew, 43 Old Bond Street, London] Dante Gabriel Rossetti (1828-1882). Mrs William Morris. Brown Ink; 6½×8 in.
Attributed works:
[Berggruen & Cie, 70 rue de l'universite, Paris] Alfred Courmes. The Sister of the Artist 1921. Oil on Canvas. 92 × 72 cm
Attributed works:
[Box no 388, Burlington Magazine, 6 Bloomsbury Square, London] Theodore Gericault. Oil on Paper/Canvas. 49.5 × 34.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Degas. Pastel over Monotype 10⅛ times 13⅞ Inches
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert. Oil on Canvas 18½ × 15 Inches
Attributed works:
[Bukowski, Wahrendorffsgatan 8, Stockholm] August Strindberg, 1849-1912. Oil on Canvas. 100×70 cm.
Attributed works:
[Celia Philo and Company, 8 New Bond Street, London] André Lanskoy. Still Life with Flowers, Fruits, Bread and Cheese. Painted c. 1932-1934 - Signed. From the Collection of Sir John Moores. 20 × 24 Inches
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris] Dimitri Gregoriovitch Levitzky (Kiev 1735-St Petersbourg 1822). Portrait of Grégoire Nikolaewitch Teploff (1711-1779). Oil on Canvas, 90 cm × 72 cm, Signed and Dated 1771.
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Pompeo Marchesi (Saltrio 1783 89 Milan 1858). Portrait of Henri Beyle. Called Stendhal (1783-1842). Terracotta. h. 55 cm.
Attributed works:
[Christian Deydier, 96 Mount Street, London] Earthenware Horse. Tang Dynasty, 7th Century AD. H: 36.5cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Louis de Boulogne 1654-Paris-1733. Rinaldo and Armida. Canvas: 92 × 125 cms. Signed and Dated: Louis de Boullongne pinxit 1704
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] Arent Arentsz, van der Cabel (1585-Amsterdam-1635). Signed. Panel, 18.5 × 15.7 cm
Attributed works:
[Edition Petit-Palais Geneve, 2 Terrasse Saint Victor, Geneva] Nicolas Tarkhoff. La Maternite. 100 × 81 cm. Oil on Canvas.
Attributed works:
[Fredeick Cummings Fine Art, 146 West 57th Street, New York] Nicholas-François Chifflart (1825-1901). Bust Length Self Portrait. Black Chalk and Stump Heightened with White Chalk on Beige Laid Paper. 24¼ × 18½Inches; (61.6 × 47cm) Inscribed at the Lower Left in Black Chalk with the Monogram of the Artist and Date: FC(Intertwined)/ 1855 Watermark: Shield with a Caduceus and the Letters F. B.
Attributed works:
[Galerie Camoin, 9 Quai Voltaire, Paris] Louis Hersent (1777-1860). Portrait of the Architect François Hippolyte Destailleur in His Study. Oil on Canvas. 103 × 84 cms. Monogrammed Lower Left and Dated 1833.
Attributed works:
[Galerie Jan de Maere, Casino Knokke, Belgium] Abraham Willaerts. Signed 1646
Attributed works:
[Galerie Jan de Maere, Casino Knokke, Belgium] The Master of the Prodigal Son
Attributed works:
[Galerie Jan Krugier, 3 place du Grand-Mézel, Geneva] Edgar Degas, Danseuse debout, les mains croisées derrière le dos, 1874, 45 × 29.7 cm 17¾ × 11½ Inches), Charcoal with White Heightening.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] la Néréide Thetis. Statuette en terre cuite par Henri-Michel-Antoine Chapu (1833-1891). Exécutée en 1860 pour l'Hôtel particulier de Monsieur Paul Sédille, architecte. Hauteur: 75 cm.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges 1827-1881. Proposed New Law Courts-Strand View. 14 × 9½ Inches (36 × 24 cms)
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 24, Hamburg] Simon de Vlieger (1601-1653). "Marine". Oil on Panel, Signed (44,5:60 cm)
Attributed works:
[Ivo Bouwman, Lange Vijverberg, The Hague] Jean Deville (Born 1872). 'Parc de Luxembourg'. Oil on Canvas: 98 × 71.5 cm. Signed and Dated Lower Left 1900
Attributed works:
[Jane Roberts & Max Rutherston, 180 New Bond Street, London] Sir William Rothenstein. Portrait of Mrs Leslie Stephen. Pencil and White Chalk. 12 by 7½ Inches
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York] Forest View. Circa 1860-70. Brown Ink over Conte Crayon. 3¾ x 5⅞ Inches (9.5 × 14.9 cm).
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Jan Victors 1620 Amsterdam - The Indies 1676. The Fruit Seller. On Panel - Signed. 15 x 20¾ in
Attributed works:
[Lawrence Fine Art of Crewkerne, South Street, Crewkerene] A Fine Queen Anne Silver Gilt Ewer, 1707 by David Willaume I
Attributed works:
[Lefevre, 30 Bruton Street, London] Edgar Degas. Portrait of a Woman Resting Her Head on Her Hand. Bronze, Signed and Numbered 62/Q. Height: 4¾ (12 cm)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] R. B. Kitaj Moses (After Bassano). Pastel on Paper 22½ × 30⅝ in./57.2 × 77.8 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London] Eva Gonzalès, 1849-1883. "L'Espagnole". Pastel on Canvas: 45 × 37 cm
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph Mallord William Turner R. A. "The Grand Canal with Santa Maria della Salute," Watercolour with Bodycolour and Scraping out over Traces of Pencil, 21.8cm × 31.8cm. Estimate on Request. Collection: Thomas Griffith; By Descent to the Present Owner.
Attributed works:
[Phillips, Blenstock House, Blenstock Street, London] Henri Matisse, "Nu aux bras levés."
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean LeClerc, 'The Raising of Lazarus'. Oil on Canvas, 33 13/16 by 50½ Inches (85.9 by 128.3 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Eugène Delacroix, An Arab Guard, Stamped with Initials, Pencil and Watercolour, Heightened with Gouache, 11¼ by 7 in.
Attributed works:
[Spencer A. Samuel, 39 East 72nd Street, New York] Nicolas Lancret (1690-1743). Reclining Figure. Red Chalk and Graphite, 6½ × 8¼ Inches
Attributed works:
[Stephen Mazoh & Co., Inc., 13 East 76th Street, New York] Edgar Degas. Mlle. Bécat aux Ambassadeurs (Detail). Oil on Tile. 8 × 8 Inches (20.3 × 20.3 cm.)
Attributed works:
[The Leger Galleries, 13 Old Bond Street, London] John Robert Cozens. Villa Negroni
Attributed works:
[The Leicestershire Museum and Art Gallery, New Walk, Leicester] Metsu. Man and Woman at Wine
Attributed works:
[Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London] Edgar Degas, Le Tub, c. 1886. Bronze, 18½ × 16½ in/47 × 42 cm. Stamped on Base: 26/B, Cire Perdue A. A. Hebrard
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Edgar Degas 1834-1917. Nu debout se lavant. Monotype in Black/Grey c.1885.14⅛ × 10½″
Western art unattributed:
[Wartski, 14 Grafton Street, London] A Musical Necessaire. An early nineteenth-century Viennese gold mounted standing musical nécessaire set with panels of lapis lazuli, the lid of which opens to reveal a comb, scissors, tweezers, spoon and pencil. When the triggers at the side are pressed, the doors spring open to reveal two seventeenth-century painted enamel plaques of Old Testament scenes. The inside of the organ contains graduated gold pipes and a red enamel clock in an openwork gold panel. The thumb push at the front of the nécessaire releases the silver and gold 'keyboard' to reveal a compartment for the key. The nécessaire is surmounted by an openwork gold panel in the Renaissance taste which is decorated with enamel and set with rubies, pearls and a diamond. Height: 5 5/16 inches
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Advertisements July 1987 (front)
07/1987 | 1012 | 129
Pages: i-xl
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Chalice. Rock Crystal. Height: 20cm. Contemporary. Architectural Capriccio, by Simon Challe (1719-1765). Ink and Wash on Paper, 144 by 59cm. Signed with Initials Lower Left. Table de Salon, estampillée: Pierre II Mignon. 66.6 by 98 by 48cm. Vue des Champs-Elysées, by Victor-Gabriel Gilbert. Oil on Canvas, 27 by 35cm. Signed Lower Right. Art Déco Bracelet, Set with Diamonds, Rubies, Onyx and Sapphires, in the Egyptian Renaissance Style.
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Venus and Pan, by Balthasar Beschey (1708-1776). Oil on Canvas, 56 by 43cm; Signed and Dated 1736. Still Life with Flowers, by Jacob Marrel (1614-1681). Oil on Canvas. 52 by 39cm. Signed Lower Right: "J. Marrel fecit". Le Coquelin. "Mille Fleurs" Tapestry on Blue Background from the Val de Loire. c. 1500, 135 by 105cm. Commode, estampillée: R Lacroix/Roger Vandercruse. 89 by 139 by 54cm.
Attributed works:
[ Antony Embden, 15 Quai Voltaire, Paris ] A Very Important Ivory Group of Mary and the Christ Child (Notre Dame de La Victoire), Both Figures with Glass Eyes. The Serpent Carved in Wood. Height 35 cm. By Simon Troger (Signed)
Attributed works:
[ Athenaeum, Avenue Princesse Alice 5, Monte Carlo ] Satyr and Peasant. "Mathäus Stomer" 1600/sicile 1650. Oil on Canvas 48 by 57 cm
Attributed works:
[ Bernheimer, 32 St. George Street, London / Lenbachplatz 3, Munich ] A Commode, Italy, End 18th Century in the Manner of the Maggiolini Workshop. Height 92.5 cm, Width 131cm, Depth 60cm
Attributed works:
[ Breede, Alter Schmuck, Residenzstrasse 11, Munich ] Art-Deco Pendant with Sapphires, Rubies, Citrines, Amethysts and Diamonds Set in Platinum. Signed: Boucheron, Paris
Attributed works:
[ Brian Breet, 3b Burlington Gardens, London ] A Rare 'Trafalgar' Vinaigrette by Matthew Linwood, Birmingham, 1805.
Attributed works:
[ Brod Gallery, 24 St. James's Street, London ] Louis Leopold Boilly. La Bassée 1761-1845 Paris. L'Escamoteur sur les boulevards. Signed and Dated Boilly 1806. Oil on Panel: 24 × 33 cm (9½ × 13 ins)
Attributed works:
[ Browse & Darby, 19 Cork Street, London ] Augustus John. Girl in a Wide Brimmed Hat. Pencil 14½ × 10½ Inches
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] John Piper. The Red House, Painswick
Attributed works:
[ cover ] Detail from Stratford Mill, by John Constable. 1820. National Gallery, London.
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Abraham van Beyeren. Signed. 103 × 100 cm. (1620 The Hague 1690)
Attributed works:
[ Delomosne and Son Ltd., 4 Campden Hill Road, Kensington High Street, London ] An Irish Decanter with Simple Engraving and Initialled IMR. The Mould-Blown Base Includes the Factory Name: Waterloo Co. Cork. c. 1815.
Attributed works:
[ Galerie Chevalier, 157 East 64th Street, New York ] "Abraham and Sara" - A XVIth Century Flemish Tapestry, Probably from Tournai - 11 ft 1 (H) × 10 ft 5 (W).
Attributed works:
[ Galerie Daniel Malingue, 26 Avenue Matignon, Paris ] Two Characters with Bouquets of Flowers, by Marc Chagall. Gouache, 75,5 by 50cm. Signed and Dated 1967. Galerie Daniel Malingue, 26 Avenue Matignon, 75008 Paris.
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux décoratifs. 270 × 166 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux sujet décoratif
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Gallery Lingard, 50 Pall Mall, London ] Sir James Pennethorne. Architect. 1801-1871. A Sketch of an Idea for the Restoration of the Roman Forum, 1825. Ink & Wash. Signed: J Pennethorne & Dated 1825, Rome. Inscribed: Sketch of an Idea for the Restoration of the Roman Forum. 10½ × 20 Inches (27 × 51 cms)
Attributed works:
[ Ivo Bouwman, Lange Vijverberg 20, The Hague ] J. H. Weissenbruch (1824-1903). River Landscape with Mill and Cows. Oil on Canvas: 60 × 79 cm. (Signed Lower Right)
Attributed works:
[ Jean - Max Tassel, 15 Quai Voltaire, Paris ] Jan Davidsz de Heem (1606-1684). Fruit Still Life. Oil on Panel. Coats of Antwerp. Panel Maker Frans de Bout. 14 × $20frac{3}{4}$ in. - 35,8 × 52,3 cm. Signed on the Top Right-Hand Corner. Dated 1648/1649 According to Professor Berström Comparing to the 50's Glasgow Museum.
Attributed works:
[ Jocelyn Feilding Fine Art Ltd, The Alan Jacobs Gallery, 8 Duke Street, St. James's, London ] Alexander Keirincx. A Stag Hunt. Oil on Panel. 18¼ by 25¼ in.
Attributed works:
[ John Jesse Irina Laski, 160 Kensington Church Street, London ] An Aesthetic Movement Porcelain Teapot, the Base is Inscribed 'The Fearful Consequences Through the Laws of Natural Selection and Evolution, of Living up to One's Teapot'. The Design Was Registered in 1881 and Made by the Worcester Royal Porcelain Works 1882.
Attributed works:
[ Julian Hartnoll, 14 Mason's Yard, Duke Sreet, St. James's, London ] Albert Moore 1841-1893, Head of a Young Woman in Profile 1890-3. Black and White Chalk on Yellow Paper, Laid, 17 × $13frac{3}{4}$ Inches, Image 13 × 12½ Inches
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Mordecai Ardon. Golan 1986 Oil on Canvas $31frac{3}{4}$ × 39¼ in/81 × 100 cm.
Attributed works:
[ Maurice Asprey Ltd., 41 Duke Street, St. James's, London ] A Small Cream Jug with Flat Chasing and Coat-of-Arms, by Aymé Videau 1738. Height: 4″ to Top of Handle.
Attributed works:
[ Owen Edgar, 9 West Halkin Street, Belgravia, London ] Hendrik van Minderhout (Rotterdam 1632-Antwerp 1696). "Extensive Italianate River Landscape". Oil on Canvas. Signed and Dated 1653. 60 × 81 ins; 157.5 × 205.7 cms.
Attributed works:
[ Peter Oude Kunst, Spoorlaan 438, Tilburg ] Engraved Pewter Plate by Johannes van Swinderen. Amsterdam. 1727.
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] StreetGustave Courbet, "A Chateau by a River," signed and Dated '56, Oil on Canvas, 59 cm. x 73 cm. Estimate: £30,000 - £50,000.
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Battista Moroni. Albino. c. 1520-Bergamo, 1578. Portrait of Prospero Alessandri. Oil on Canvas, 53.7 × 47 cm. ($21frac{1}{8}$ × 18½ Inches)
Attributed works:
[ Richard Green, 44 Dover Street, London ] Jacob Marrel (1614-1681). A Flower Piece of Thirty-Nine Sorts (Eleven Tulips) in a Baroque Vase with a Kingfisher, a Lizard on a Balustrade, and with Three Libellulas and a Fly. Signed and Dated 1639. Panel: 33 × 26½ in/84 × 67.5 cm
Attributed works:
[ Richard L. Feigen & Company, 113 East 79th Street, New York ] Thomas Gainsborough, "Hilly Wooded Landscape with Country Cart," Circa 1745-46 Oil on Canvas, 23.5 by 31.1 cm.
Attributed works:
[ Steppes Hill Farm Antiques, The Hill farm Stockbury, NR. Sittingbourne, Kent ] A Fine Early Worcester Inverted Pear Shaped Teapot and Cover with Faceted Spout, Printed in Black by Robert Hancock with L'amour, c.1756/1758.
Attributed works:
[ Wartski, 14 Grafton Street, London ] Four Cigarette Cases by Carl Fabergé. A pale blue enamelled silver cigarette case set with rose diamonds. Length: 3¼ inches/7.8 cm. A shaped two-coloured gold cigarette case entirely decorated with engraved lozenges each set centrally with a chased gold flower head. The thumbpiece set with a cabochon sapphire. From the collection of the late Edward James. Length: 3½ inches/8.5 cm. A shaped and reeded red and green gold cigarette case. Length: 3 inches/7½ cm. A gold mounted lilac enamel silver cigarette case, the centre applied with an oval moss agate panel surrounded by rose diamonds set in platinum. This case was purchased from Fabergé in London on January 13th 1914 by Sir Everard Hambro. Length: 3½ inches/8.5 cm. All four cases are fully signed.
Attributed works:
[ William Drummond, 8 St. James's Chambers, Ryder Street, St. James's, London ] Scène d'Algerie, by Pierre-Antoine Labouchère (1807-1873). One of a Set of 4. Watercolours. 7″ by $10frac{1}{8}^{prime prime}$. Signed, Inscribed and Dated 1846.
Non-western art unattributed:
[ Emile Deletaille Antiquaire, 12 rue Watteau, Brussels ] Seated Figure in Volcanic Stone A. D. 300-500. Atlantic Watershed Zone. Costa Rica
Non-western art unattributed:
[ Michael Goedhuis Colnaghi Oriental, 14 Old Bond Street, London ] Large Bronze Tripod Censer with Heaven Soaring Handles. China, Qianlong Period. ht: 18 ins.
Non-western art unattributed:
[ Vander Ven & Vander Ven, Peperstraat 6, Hertogenbosch, Holland ] A Chinese Figure of a Porcelain Hound. China 18th Century. Chien-Lung Period (1736-1796)
Western art unattributed:
[ Annabel Jones, 52 Beauchamp Place, Knightsbridge, London ] A Rare Pair of Old Sheffield Plate. Wine Coolers Both in the Form of the Warwick Vase. Circa 1820 1830. Height 10 Inches. (Refer to F. Bradbury, pages 377 381 'The Warwick Vase').
Western art unattributed:
[ Brian Haughton Antiques, 3b Burlington Gardens, Old Bond Street, London ] Pair of Chelsea Figures of a Sportsman and Companion Wearing Richly Gilt, Puce, Green and Yellow-Scale Clothes, She with a Bowl of Fruit and a Dog, He with a Gun, a Flask and a Dog. Gold Anchor Mark c.1768 10½ ins High
Western art unattributed:
[ De Havilland (antiques) ltd, 48 Sloane Street, London ] George II Mahogany Partners Desk Decorated with Vitruvian Scrolls on Hairy Lion's Paw Feet. Circa: 1750 Width: 60½″; Depth: 42″
Western art unattributed:
[ Klaber and Klaber, 2a Bedford Gardens, Kensington Church Street, London ] A Rare Derby Plate Circa 1758
Western art unattributed:
[ O'Shea Gallery, 89 Lower Sloane Street, London ] Duke of Newcastle
Western art unattributed:
[ Pelham Galleries, 163 & 165 Fulham Road, London ] An Outstanding Regency Period Mahogany Writing Table, the Frieze Carved with Greek Key. Ornament Concealing Drawers on Both Sides and Slides in the Ends. Height 31½in (77cm) Width 60in (152cm); With Slides Drawn 94in (238in) Depth 37½in (95 cm)
Western art unattributed:
[ Van Kranendonk Duffels, Rue Paul Lauters 10, Brussels ] A Blue Enamel Brooch. Diamonds & Pearls
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09/1986 | 1002 | 128
Pages: i-xl
Subjects
advertisements:
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Illustrations
Attributed works:
Detail from Gloucester Gate, Regents Park, Autumn, Winter, Spring, by Adrian Berg. 1977-79.
Attributed works:
[Arno Winterberg, Blumenstr. 15, Heidelberg] Hendrik Meijer, Landscape with Shepherds and Fischermen. One of Two Pendants. Watercolour 1771. Signed and Dated. Ca. 10 × 13 in. Collection C. Ploss van Amstel, Amsterdam.
Attributed works:
[Berko Fine Paintings, 2 Place du Palais Royal, Paris] Charles Hermans (1839-1924). Al'aube. Toile: 152 × 172 cm
Attributed works:
[Bernard Baruch Steinitz Antiquaire, 4 rue Drouot, Paris] Ensemble of Four Statues Representing the River Gods of Itȧly. From Left to Right: The Piave, the Po, the Tiber, and the Arno. By Lambert-Sigisbert Adam, 'Adam l'Aîné' (1700-1759). Painted Wood, Simulating Marble. c. 1730. Heights Vary from 32″ to 35″.
Attributed works:
[Bernheimer Fine Arts Ltd, 32 St. George Street, London] A Small, Highly Important Louis XVI secrétaire à abattant, Mahogany Veneered on Oak, the Upper Section with Japanese Lacquer Panels, Decorated with Geese and Flowers in Landscapes, Flanked by Ormolu Columns, the Leather-Lined Flap Enclosing an Interior with Two Short Drawers Below One Large and Two Small Compartments, the Frieze with Gilt Trellis Design, on Pentagonal Tapering Legs with Curved Stretchers, 'brocatelle violette' Marble Top. Stamped M. Carlin (Maître in 1766).
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Eugène Delacroix. Charenton-Saint-Maurice 1798 - Paris 1863. Christ Healing the Blind Men of Jericho Canvas: 47 × 38.5 cms.
Attributed works:
[Dario Boccara S.A., 185 Faubourg Saint-Honoré, Paris] La Chancellerie. Manufacture Royale des Gobelins vers 1721. H. 2,35m L. 1,90m
Attributed works:
[Donohoe, 1-7 Davies Mews, London] Silver Ewer by Jean-Pierre Charpenat, Paris 1784. Armorial of Manceau of Poitou; Swan finial; Poinçons on Body, Cover & Base; 1132 grams.
Attributed works:
[Ebberöds, Malmo, Sweden] A Long-Case Clock, Holland, Signed "C Bakken Groningen", (Carol Willem), H270cms.
Attributed works:
[Galerie Pardo, 160 bd Haussmann, Paris] Gerard Douffet 1594-1660. Incredulity of Saint Thomas. On Canvas 67 × 50.5 cm
Attributed works:
[Jean Lupu, 43 rue du Faubourg Saint-Honoré, Paris] A Fine Louis XV Ormolu-Mounted Black Lacquer Commode. Mid. 18th Century-Stamped C. WOLFF Master in 1755. Height: 35,5 in - Width: 51 in - Depth: 23,5 in
Attributed works:
[Jean Max Cassel, 17 Quai Voltaire, Paris] Willem van de Velde the Younger. Leiden 1633 - 1707 Greenwich. An English Ship Close-Hauled in a Strong Breeze. Signed on the Reverse of the Original Canvas. Oil on Canvas - 27 × 44 cm. / 10½ × 17¼ in.
Attributed works:
[Kimbell Art Museum, Fort Worth] Giuseppe Maria Crespi, Italian, 1665-1747, The Lute Player, ca. 1700, Oil on Canvas, Museum of Fine Arts, Boston
Attributed works:
[La Galerie des Laques 74 rue de Cherche-Midi Paris] Pair of Orientalising Busts, by Leopold Bracony. c. 1892. Bronze and Carrara Marble on Dark Red Marble Bases, Height 56 cm.
Attributed works:
[La Galerie des Laques, 74 rue de Cherche-Midi, Paris] Bust of a Moor, by Pietro Calvi, 2nd Half of Nineteenth Century, Bronze and White Marble on Blue Marble Base, Height 70cm.
Attributed works:
[Laurentius Orangerie Duivenvoorde, 2252 Voorschoten, Holland] Rembrandt van Rijn, 1606-1669. The Adoration of the Shepherds, with the Lamp
Attributed works:
[Marlborough Fine Art Ltd, 6 Albermarle Street, London] Jacques Lipchitz (1891-1973) Arlequin à la Clarinette. Bronze Cast 2/7 Ht. 28 ⅛ in. /71.5cm.
Attributed works:
[Morton Morris & Company] Giovanni Domenico Tiepolo (1727-1804). A Gondolier with Two Noble Patrons. Pen and Brown Ink and Wash: 292 × 414mm
Attributed works:
[Nuova Alfa Editoriale, Bologna] Prisco Bagni. Guercino a Cento. Le Decorazioni di Casa Pannini. Introduzione di Denis Mahon
Attributed works:
[Nuova Alfa Editoriale, Bologna] Prisco Bagni. Guercino a Piacenza. Gli affreschi nella cupola. della Cattedrale. Introduzione di Denis Mahon
Attributed works:
[Nuova Alfa Editoriale, Bologna] Prisco Bagni. Guercino e il Suo Falsario. I Disegni di Paesaggio. Introduzione di Denis Mahon
Attributed works:
[Palais des Beaux-Arts, rue Royale, Brussels] Garrido, E
Attributed works:
[Palais des Beaux-Arts, rue Royale, Brussels] Willaert, I (Signed)
Attributed works:
[Phillips, 7 Blenheim Street, London] Benjamin Marshall: A Lady's Favourite Bay Hunter with a Pug and a Terrier in a Landscape, a Folly beyond, Signed and Dated 1799, Oil on Canvas, $28frac{3}{4}prime prime times 35 ¾ (73 cm × 91 cm).
Attributed works:
[R. Polak Gallery, Parkstraat, The Hague] Isaac Israëls 1865-1934. Seamstresses at Paquin Paris ± 1905. Pastel 31 × 39cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Marten de Vos, "The Creation of Eve," Circa 1570. Oil on Panel, 104 by 105 cm.
Attributed works:
[The Weiss Gallery, 1b Albermarle Street, London] A Follower of Hans Holbein. Mary Wotton, Marchioness of Dorset. Oil on Panel 30.75 × 25.75 Inches. Inscribed with Lord Lumley's Cartellino. Painted Circa 1532/5.
Attributed works:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Console Table. Estampillé Weisweiler, c. 1778. Decorated with a Wedgwood Blue and White Plaque Based on a Design by Lady Templetown. Veneered in Amboyna Wood with Gilt Bronze Mounts. Width, 108.5 cm; Depth, 35.5 cm. Daniel Duault, Louvre des Antiquaires, Paris.
Attributed works:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Hussars in Battle, by Jean Duplessi-Bertaux. Signed and Dated 1808. Oil on Canvas. 70 by 68 cm. Galerie Joseph Hahn, 36 rue de Berri Paris.
Attributed works:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] J. & M. Wolber
Attributed works:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Landscape with Figures, by Adam Pankratz Ferg. (Linz 1651-Vienna 1729). Abraded Signature: 'Pankratz Ferg Wein'. Copper. 43 by 58.8 cm. Galerie J.O. Leegenhoek 23 quai Voltaire, Paris.
Attributed works:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Louis Lagrenée (1725-1805). Les Grâces lutineés par les Amours. Preparatory Drawing for His Salon Painting of 1779 Galerie de la Scala, 68 rue La Boëtie Paris.
Attributed works:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Pendule Régulateur. Dial Signed Vaillant à Paris. Empire. 46 by 25 by 20 cm. J. & A. Semail 19 rue du Cherche-Midi, Paris.
Non-western art unattributed:
[Palais des Beaux-Arts rue Royale, Brussels] Garniture de cheminée
Western art unattributed:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris] One of the Nine Large Historiated Initials from a Rare Illuminated Psalter. France, Noyon c. 1200
Western art unattributed:
[Galerie Chevalier, 15 quai Voltaire, Paris] "Abraham and Sara" - A XVIth Century Flemish Tapestry, Probably from Tournai - 11 ft 1 (H) × 10 ft 5 (W).
Western art unattributed:
[K. Henninger-Tavcar Kunsthandel, Pforzheim, Hachelalle] Oben Links: Louis XVI. Gold-Email-Tabatiere mit Szenen nach Greuze. Meister: Denis-Rémy Boutry; Pächter: Henry Clavel, 1783-1789; Paris 1785. Graviert: "Ouizille et Drais à Paris". 7,8 cm lang. Ex. Coll. R. u. A. Gilbert. Abb. Seite 102, Nr. 53. Oben Mitte: Goldmontiertes Achat-Flacon, England ca. 1800. Oben rechts: Seltenes Tischsiegel mit der Achat-Büste einer Frau auf einem goldumrandeten Lapis-Lazuli-Sockel, England Anfang 19. Jahrhundert. Unten links: Korallen-Tischsiegel, goldmontiert, England um 1820. Unten Mitte: Gold-Nadeletui, Fisch, England um 1810. Originales Etui. Unten rechts: Goldmontiertes Karneol-Siegel, England um 1830.
Western art unattributed:
[K. Henninger-Tavcar Kunsthandel, Pforzheim, Hachelalle] Oben v. l. n. r.: Lens, Bernhard jun., 1682-1740 London, monogrammiert: B. L., datiert: 1727. Velinpapier, originaler Goldrahmen. Cooper, Samuel, London 1609-1672. Portrait der Countess of Southampton, monogrammiert "S. C.", ca. 1650, Velinpapier. Ex. Coll. Salwin. Arlaud, Benjamin, Genf 1670-1731 London. Darstellung des Admirals Sir George Deloval. Mitte v. l. n. r.: Lens, Peter Paul, 1714-1750, signiert und datiert: P. Lens 1740. Dixon, Nicholas, 1660-1708, Velinpapier, um 1690. Unten v. l. n. r.: Arlaud, Jacques Antoine, 1668-1746 Genf. Velinpapier, um 1700. Olliver (Ollivier), Peter, 1594-1647 London. Velinpapier, um 1680. Ex. Coll. James Sotheby, ausgestellt: Burlington Fine Art Club.
Western art unattributed:
[Marc Revillon d'Apreval, 23 Quai Voltaire, Paris] A Little Mahogany guéridon, Crossbanded with Gilt Bronze Strips, and 4 Drawers - One of Which is an écritoire. Louis XVI.
Western art unattributed:
[Palais des Beaux-Arts, rue Royale, Brussels] Tapestry, Beauvais, Eighteenth Century
Western art unattributed:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Acupuncture Doll. Yung-Cheng Period, c. 1729. Bronze, Patinated Black. Height 26 cm. Jacques Barrère, 36 rue Mazarine Paris.
Western art unattributed:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Desk Chair. Louis XV. Polished and Carved Walnut with 2 Vide-Poches within the Armrests. 91 by 73 by 60 cm. Galerie Camoin 9 quai Voltaire, Paris.
Western art unattributed:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] La Femme en bleu. Signed and Dated with a Dedication; 'à Suzanne, Forain 1916'. Oil on Canvas. 61 by 46.5 cm. Galerie Brame & Lorenceau, 68 Bvd Malesherbes Paris.
Western art unattributed:
[XIIIème Biennale Internationale des Antiquaires, Grand Palais, Paris] Military Casket. In Wrought Iron with Its Original Decor of Persons, Animals and Flowers. On the Lid, Mars and Vulcan Are Depicted in Conversation. The Four-Bolt Lock is Covered with a Plaque Decorated with an Exotic Scene in a Multicoloured Landscape. Holland, Late XVIIth Century. Length 38 cms - Width 25,5 cms - Height 24,8 cms. Lise Gral, 9 rue de Beaune, Paris.
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07/1986 | 1000 | 128
Pages: pages i-xl
Subjects
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Illustrations
Attributed works:
[Agnew, 43 Old Bond Street, London] Jean-Simon Berthelémy (1743-1811). Jupiter et Callisto. Canvas: 44 × 50½ins
Attributed works:
[Alex Reid & Lefevre Ltd, 30 Bruton Street, London] Gustave Courbet. Paysanne endormie - 1853. Oil on Canvas, Signed. 26¼in × 22½in (67.5cm × 57cm)
Attributed works:
[Anthony Dallas & Sons Ltd, 17 Clifford Street, London] George Lambert (1700-1765). View of the Castle and Cathedral, Durham 27¼ × 42½in
Attributed works:
[Artemis Group c/o David Carritt Ltd, 15 Duke Street, London] Francesco Guardi The Piazzetta, Looking Towards San Giorgio Maggiore c.1775-80, Oil on Panel, 25.5 × 43.5cm
Attributed works:
[Black-Nadeau Ltd, PO Box 2AQ, London] Queen Marie-Therese of France. Bronze Bust; Circa 1700. Ht.: 36.5cm. After Francois Girardon (1628-1715). Collection: E. T. Stotesbury, Philadelphia.
Attributed works:
[Bourne Fine Art, 14 Masons Yard, Duke Street, London] James Ward ra 'The Obstinate Donkey'. Signed and Dated 1811. Oil on Canvas. 36 × 45 ins. Exhibited at the Royal Academy 1811.
Attributed works:
[Browse & Darby, 19 Cork Street, London] Degas Femme se coiffant, 1894 Pastel 19 × 19 Inches
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Henri Matisse. Autoportrait de l'artiste Gravant. Drypoint (1900). Duthuit 1 IV.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris] Portrait de marbre d'Alphonse de Lamartine par. Pierre-Jean David d'Angers signé et daté 1830
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Albrecht Dürer (1471-1528). Melencolia. Engraving, 1514
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Annibale Carracci (Bologna 1560 — Rome 1609). Adoration of the Shepherds. Pen and Brown Ink and Brown Wash. 246 × 279mm.
Attributed works:
[Didier Aaron Inc, 32 East 67th Street, New York] William Etty (1787-1849) Study of a Draped Nude. Oil on Board: 30.5 × 37.5 in.
Attributed works:
[Editions Graphiques, 3 Clifford Street, London] Louis Chalon. La Femme Orchidée, Gilt Bronze.
Attributed works:
[Galerie Prado, 160 bd Haussmann, Paris] Salvator Rosa 1615-1673. Saint Athanase. Canvas 137 × 96 cm
Attributed works:
[Harari & Johns Ltd, 12 Duke Street, London] A Landscape with Venus and Adonis. Oil on Panel. 54.8 × 41.6cms. 21 9/16 times 16 ⅜ ins.
Attributed works:
[Heim, 59 Jermyn Street, London] Jean-Pierre-Antoine Tassaert (Antwerp 1727-Berlin 1788). Louis XV as the Pythian Apollo. Marble, H. 105 cm.
Attributed works:
[Julius Böhler, Pacellistrasse 8/II, Munich] An Apotheosis of Count Stadion; With a Self Portrait of the Artist, by Johann Heinrich Tischbein the Elder (Haina 1722 — Kassel 1789). On Canvas; 97 by 78 cm. Painted in 1751/52 after the Return of the Artist from Piazzetta's Studio in Venice.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albermarle Street, London] Two Girls with Pigeon 1955-64 Oil on Canvas 35½ × 25 ⅝ ins. /90 × 65cm Oskar Kokoschka 1886-1980
Attributed works:
[Matthiesen, 7-8 Mason's Yard, Duke Street, London] Luis Melendez. Still-Life with Oranges, Wooden Boxes, a Jug and Nuts. 1716 Naples-Madrid 1780. Recently Acquired by The National Gallery, London Canvas 64 × 84 cms
Attributed works:
[Paolo Brisigotti, 44 Duke Street, London] Abraham Brueghel (1631-1697) Naples, Circa 1680. 52in × 72in — 132cm × 183.5cm
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Florent Willems, "The Morning Lesson", Signed and Dated '58, Oil on Panel, 74.7 cm. x 60.5 cm.
Attributed works:
[Richard Green, 44 Dover Street, London] A View of Dolo on the Brenta—Seen from the East Looking along the Brenta, with Part of the Villa Zanon-Bon to the Left, and the Church of San Rocco on the Right. Giovanni Antonio Canal, Called Canaletto (1697-1768). A Pair. Canvas: 12 × 17½ in/30.5 × 44.5 cm
Attributed works:
[Richard Green, 44 Dover Street, London] A View of Mestre—In the Centre the Canale delle Barche
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Johann Heinrich Fuseli, R. A., "Odysseus Addressing the Shadow of Ajax in Tartarus," Circa 1800-1805. Oil on Canvas, 90.2 by 69.8cm.
Attributed works:
[Somerville & Simpson Ltd, 11 Saville Road, London] Alexander Jean Baptiste Hesse, 1806-1897. Portrait of a Mother and Daughter. Signed and Dated 1828. Oil on Canvas 39 × 31 ins (Exclusive of Frame)
Attributed works:
[Spencer A. Samuels, 11 East 57th Street, New York] George Romney (1734-1802). A Sketchbook of 340 Pen and Ink and Pencil Drawings on 84 Leaves. In Long Octavo Binding: 6×8 Inches
Attributed works:
[The Mayor Gallery, 22A Cork Street, London] Roy Lichtenstein. Collage. 1986. 29 ¾ × 19½″
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Hendrik van Steenwyck the Elder. Steenwyck (Holland) 1550 — Frankfurt-am-Main 1603 The Interior of Antwerp Cathedral in 1573 with Figures Attending a Baptism. Gouache on Vellum, 32 × 47 cm. (12½ × 18 ¾ in.)
Western art unattributed:
[Asprey Plc, 165-169 New Bond Street, London] A Fine and Rare George III Mahogany Plate Warmer in the Chippendale Manner, the Top Opening with a Double Flap Supported on Concealed Lopers and with Further Lopers at the Back to Support a Tray, with a Fluted Frieze with Turned Paterae above the Finely Veneered Body with Shaped Panels Centred on Well-Carved Leafy Paterae, the Front with a Cupboard Door Concealing a Tin Lined Plate, Warmer Originally Heated by a Charcoal Burner in a Concealed Drawer in the Plinth. English Circa 1765.
Western art unattributed:
[Dario Boccara S.A., 184 Faubourg, Paris] La Cueillette des Pommes [Gathering of apples] Atelier du Val de Loire, XVI ème siecle. H. 2,95m L. 4,05m
Western art unattributed:
[Marc Revullon d'Apreval 23, Quai Voltaire, Paris] A Pair of Fire-Dogs. Gilt Bronze. Régence. Height: 30cm.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] [The Middleham Jewel] An Exceptionally Fine and Rare Gold and Sapphire Reliquary Pendant, Late 15th Century, 6.6 cm. High to Be Sold in London in the Sale of European Works of Art on Thursday 11th December, 1986. Estimate on Request.
Western art unattributed:
[W.G.T. Burne (Antique Glass) Ltd, 11 Elystan Street, London] A George III Six Light Adam Style Chandelier. Irish Circa 1790. Height 5 ft. Width 3 ft.
Western art unattributed:
[Wartski, 14 Grafton Street, London] A Pretty Snuff-Box from Dresden. Carved and Engraved Rock Crystal Snuff Box of Rectangular form with Chamfered Corners. The Hatched Gold Mount with an Elaborate Floral Rococo Thumb Piece. The Hinged Lid Encrusted with Flowers in Diamonds, Rubies, Emeralds, a Tourmaline and Opal and a Butterfly in Diamonds, Rubies and an Emerald. 2 5/16 times 1 ¾ times 1 ⅛ Inches. Dresden c.1760.
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07/1985 | 988 | 127
Pages: i-xxxvi
Subjects
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artists:
artists:
artists:
artists:
artists:
Illustrations
Attributed works:
The Incredulity of Thomas, by Dirk Barendsz. Oil on Paper. (British Museum; Exh. Colnaghi London).
Attributed works:
[6th International Biennial Fair & Exhibition of Antique dealers, jewellers & art galleries, Monte Carlo] Le Gascon Puni, by Nicolas Vleughels (1668-1737). On Metal, Monogrammed and Dated Lower Right - N. V. 1728. 36 by 29 cm. Patrick G Perrin. Pietà. Stone Sculpture. Auvergne, Thirteenth Century. L'Antiquaire du Paradou. Saint Tropez, la ville et les pins, by Paul Signac 1902. Oil on Canvas. 65.4 by 81.5 cm. Galerie Daniel Malingue. Feuille de Choux with Monkeys. Manufactures de Grammont. c.1540. 275 by 215 cm Dario Boccara. Stool, Gilt and Carved Wood, Stamped Jacob Desmalter. First Empire, 62 by 90.5 by 44 cm Provenance: Chateau de Saint-Cloud. Maurice Segoura. Occasional Table. Russian, Nineteenth Century. Attributed to A M Operkouchin, 80.5 cm High by 72.5 cm Diameter. Provenance: Grand Duc Nicholas-Nicholaïevitch. Tzigany. The Caravan by Jules van Biesbroeck (1873-1965). Panel, 98 by 122 cm. Signed Lower Right. Berko. Mantel Clock, White Marble and Chased Gilt Bronze, Louis XVI (1754-1793), 44 by 35 by 12 cm Provenance: Collection de Monsieur C... Galerie Perrin. Diamond and Emerald Tiara. Approximately 500 Carats. Probable Provenance: The French Imperial Crown Jewels. Alexandre Reza
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Antonio Canaletto. Warwick Castle, The South Front. Canvas: 28½ × 47½ ins
Attributed works:
[Anthony Dallas & Sons Ltd, 17 Clifford Street, London] James Norie the Elder (1684-1757). A Romantic Coastal Landscape. 10½ × 12½ in. (26.8 by 32 cm)
Attributed works:
[Athenaeum, 5 Avenue Princesse Alice, Monte Carlo] Guiseppe Sanmartino. Napoli 1723-1793. Bronze: H cm 76.
Attributed works:
[Berko fine paintings, Kustlaan 163, Belgium] Thomas Jones Barker (Bath 1815-Haverstock Hill 1882; English School). Departure of the Regiment. Canvas. Signed, 41 × 22in (102 × 55cm)
Attributed works:
[Bernard Baruch Steinitz, 4 rue Drouot, Paris] A Mechanical Automaton Silver Teapot in the Shape of a Camel, Bearing a Rider with Two Drums, One for Tea and the Other for Milk. By Omarsée & Sons, Baroda. Second Half of the Nineteenth Century. Height 53 cm, Length 44 cm, Weight 5,000 gr. A Similar Piece was Recorded at the Hotel Lambert in the Rothschild/Baron Rédé Collections.
Attributed works:
[Bernheimer, Lenbachplatz 3, Munich] Commode, by Roger Vandercruse, Called Lacroix. Stamped R. V. L. C. Louis XV/XVI Transition Period, c.1770-75. Rosewood Veneer on Oak with Very Fine Floral Marquetry with Three Drawers in the Frieze and Two Deep Drawers below.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Gaetano Gandolfi - S. Matteo Della Decima. 1734 - Bologna 1802. Cain and Abel. Black Chalk, with Touches of White and Red Chalk, on Brown Paper. 497 × 360 mm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Giovanni Battista Tiepolo. Venice 1696 - Madrid 1770. A Magician Pointing Out a Burning Head to Two Youths. Etching. De Vesme 16, Rizzi 7, Proof State, First State of Three, before the Plate Was Reduced in Size. (226 × 186 mm.)
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Didier Aaron Ltd, 21 Ryder Street, London] Portrait of Olympia and Marie Mancini. Attributed to Pierre Mignard (1612-1695). Oil on Canvas. 1.38 m × 1.66 m. (54¼″ × 65½″)
Attributed works:
[E.F.J. Stender, 5271 Ab sint Michielsgestel, Holland] Antide Janvier (1751-1835). Mahogany Month Long Case Clock with Striking Work and Year Calendar. The Dial is Signed: Coteau. (1770-1812)
Attributed works:
[Fischer Fine Art Limited, 30 King Street, London] Window, Leaded Glass, 1904, 40 × 27¼ ins
Attributed works:
[Galerie Sanct Lucas, Josefsplatz 5, Vienna] Theodor Rombouts. A Musical Party. Canvas, 130: 162 cm
Attributed works:
[Hill-Stone Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a boat beside a canal. Etching and drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A brilliant impression with much burr. From the collections of J. D. Böhm(Lugt 271, 272, and 1442), Samuel, Graf von Festetits(Lugt 926) and Friedrich Kalle(Lugt 1021).
Attributed works:
[Ivo Bouwman, Lange Vijverberg, The Hague] Odilon Redon (Bordeaux 1840 - Paris 1916). Flowerstill-Life. Oil on Canvas, 33.4 × 33.5 cm. Signed Lower Left
Attributed works:
[J.H. Bourdon-Smith Ltd, 24 Masons Yard, London] A Fine Wirework Basket. A Good Wirework Table Basket with a Woven Rope Edge and Twisted Rope Handle. It Was Made in London 1780 by John Wakelin and William Taylor. It Measures 10.75 Inches (27.3 cm) across and Weighs 40 Ounces (1244 gm).
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Gerrit Berckheyde (1638 - Haarlem - 1698). A View of the Kloveniersburgwal, Amsterdam, with the Waag in the Background and the Trippenhuis to the Right. Signed and Dated 1685. On Canvas - 21 × 25 Inches (53 × 63 cms)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Henry Moore. Figure in a Shelter, 1984, Bronze, Height 72 in/183 cm, Edition of 6.
Attributed works:
[Pelham Galleries, 163 & 165 Fulham Road, London] A magnificent late eighteenth century Roman Tapestry Picture of "Cleopatra" after Carlo Maratta in its original carved giltwood and simulated marble frame which bears the arms of Pope Pius VI. The Tapestry was woven in the workshops of San Michele a Ripa which were founded by Pope Clement XI at the beginning of the eighteenth century. It is in perfect unfaded condition. Height-5′7″ Width-3′1½″
Attributed works:
[Phillips, 7 Blenheim Street, London] Emile Claus, the Embankment, Hungerford Bridge. Oil on Canvas, Signed and Dated '16, 78cm. × 65cm.
Attributed works:
[Richard L. Feigen & Company, 620 N. Michigan Avenue, Chicago] Giovanni Cariani, "Portrait of Dominicho Radise," Oil on Canvas, 100.4 by 75 cm.
Attributed works:
[Sotheby's, 102 Rokin, Amsterdam] Sir Pieter Paul Rubens, Landsknechts Fighting Around a Table; Figures at a Table in an Inn, a Pair, Both Pen and Brown Ink and Wash. Each c. 13.3 by 17.4 cm. Provenance: P. J. Mariette; Comte Moritz von Fries.
Attributed works:
[Steppes Hill Farm Antiques, The Hill Farm, Stockbury] A Very Rare First Period Worcester Inverted Pear Shape Milk Jug and Cover on Claret Ground, Painted in the Ciselé Gilt Enriched Reserve with an Exotic Bird on Fruit and Foliage, in the Atelier of James Giles of London. c.1768.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Aimé Jules Dalou (1838-1902). "Portrait of Mademoiselle Vuillier" Also Called "Candeur" Bronze. Height: 37.3 cm ($14frac{11}{16}$ in). Cire Perdue: A. A. Hebrard. Stand No 31
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] A Large Chased Sideboard Dish Monogrammed in the Centre 'E. E'. Made in London in 1868 by George Fox. J. H. Bourdon-Smith, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode by Jean Desforges, maître ébéniste in Paris, 1739. Japanese Black and Gold Lacquer Panels Framed by Elaborate Bronze Doré Mounts Which Continue Down Legs to Form Intricate Sabots. Didier Aaron, Paris and USA.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Mid-Eighteenth Century Hurdy-Gurdy by Nicholas Lambert of Paris. Circa 1750. Pelham Galleries, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Louis XVI Ormulu-Mounted Rose Granite des Vosges urns, Mounted with Gilt Bronze Putti, Frieze and Laurel Swags. The Model is Attributed to Thomas Duplessis after a Design by Juste Francois Boucher (1736-1781). Bernard Steinitz. Paris and London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Terrace on the Roof with View on Liège, by Evariste Carpentier, Kuurne 1845, Belgium School. Berko, Belgium.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Venus at the Forge of Vulcan by Gaetano Gandolfi. Oil. Trafalgar Galleries, London.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] William Hogarth 9½ × 12 15/16 Inches. Hudibras Vanquished by Trulla. Pen and Ink and Grey Washes.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Gerrit Van Honthorst (Utrecht 1590-1656). A Musical Party. Oil on Canvas 51¾ Inches × 71½ Inches (131 × 182 cms)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Michele Desubleo (Mauberge Circa 1601- Parma 1676). Jacob's Dream. Oil on Canvas 60 × 83 Inches (153 × 210 cms)
Attributed works:
[William Drummond, 11 Bury Street, London] William Hoare of Bath R. A. 1706-1792. A Sleeping Nymph. Pastel Oval 18¼ × 26 Inches. 45.6 × 66 cms. Painted Circa 1760
Non-western art unattributed:
[Vanderven & Vanderven, Peperstraat 6, 's-Hertogenbosch] A Pair of 18th Century Chinese Large Famille Rose Mandarin Jars and Covers. Chien Lung Period, 1736-1795
Western art unattributed:
[Anthony Woodburn, High Street, Leigh] George Graham. An Important Walnut Longcase Clock from the George I Period. Both Movement and Case are Numbered
Western art unattributed:
[de Havilland (antiques) Ltd, 48 Sloane Street, London] George III Ebony Musical Regulator Spring Clock, Six Dials, Centre Second Hand, ½ Second Dead Beat Escapement, with Chinoiserie Decoration, Signed Simpson, London. Height 28 Inches (71 cms.)
Western art unattributed:
[Galerie Perrin, 3 quai Voltaire, Paris] Outstanding 'Chinoiserie' Clock. Chased, Gilt Bronze. Mark: 'Saint Germain' Struck on the Base. On a Convoluted Base, Adorned with Rocaille Decoration, Foliage and a Pierced Balustrade, Two Half-Kneeling Chinese Figures Support the Clock. The Dial is Signed Vandercruse a Paris. Height 55 cm. Width 53 cm.
Western art unattributed:
[Graham and Oxley Antiques Ltd, 101 Kensington Church Street, London] A Fine Pair of 1st Period Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Mint Condition.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] 17th Century Japanese Blue-White Dish with the Monogram of the Dutch East India Company. Van der Ven & Van der Ven, The Netherlands.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Clock in verre opaline of Deep Lavender Blue with Ormulu Mounts in Original State. French, Circa 1825. Delomosne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Delftware Plate Decorated with a Portrait of George III, Circa 1761. Jonathan Horne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Early 18th Century George I Walnut Bureau - Circa 1725. Hotspur, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode. Gallerie Perrin, Paris.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Graham & Oxley, London.
Western art unattributed:
[Wartski, 14 Grafton Street, London] An Articulated Diamond Aigrette Mounted in Gold and Set in Silver. English c.1780. (This Jewel is Shown Actual Size)
Advertisements
Advertisements March 1983 (Front)
03/1983 | 960 | 125
Pages: i-xxii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Browse & Darby, 19 Cork Street, London, UK] E. Isabey. Princess Mathilde, 1855. 21 by 14 ins.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Franz Horny. Portrait of an Italian Girl Sitting in a Chair. Pencil. 241: 207mm.
Attributed works:
[Cannes International Antique Dealer's Fair, Cannes, France] Box of Duelling Pistols and Accessories, Signed Joseph Contriner, Early 19th Century. Charles Marchal
Attributed works:
[Cannes International Antique Dealer's Fair, Cannes, France] Commode, Stamped Dautriche (Jacques Van Oostenryk). Master 1765. Jean Lupu
Attributed works:
[Cannes International Antique Dealer's Fair, Cannes, France] Soup Tureen, by Jean-Charles Cahier (Paris 1809-1819) Curiosités
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Pieter Nason c.1612-1691, Anthony, 1st Earl of Shaftesbury. 31½ × 25¼ ins. Signed and Dated 'P. Nasn. f.1663' (P and N Combined) Collection: by Family Descent at St Giles's House, Shaftesbury. Literature: C. H. Collins Baker, Lely and the Stuart Portrait Painters, 1912, vol.I.p.1-2, repr; Vol.II.p.156.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] Leyden School, C. 1520. The Road to Calvary. Panel, 37½ × 30 in. (95 × 77 cm.)
Attributed works:
[Galerie Michael Neumann, Danische Str. 30/32 2300 Kiel] Max Beckmann 'Frauenbad' von 1922. Radierung. 43.5 × 28.7 cm. Signiert, rechts unten
Attributed works:
[Hoogsteder-Naumann, Ltd., 4 East 74th Street, New York, New York] Artus Wolffort (1581-1641). Samson Captured by the Philistines. Canvas, 177 × 230 cm (69 3/4 × 90½ in.)
Attributed works:
[JPL Fine Arts, 24 Davies Street, London, UK] Maurice Denis (1870-1943). Les Ramasseurs de Goemons c.1888. Oil on Canvas. 33 × 41cm (13 × 16ins.)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Victor Pasmore, Unidentified Object, Blue Symphony, 1982, Paint on Panel, 48 × 51½ in/122 × 131 cm.
Attributed works:
[Museo de Bellas Artes, Seville, Spain] Detail from Santa Justa and Santa Rufina, by Bartolomé Esteban Murillo. (Museo de Bellas Artes, Seville; Exh. Royal Academy).
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] Théodule Ribot 1823-1891. Nature Morte. Canvas, 38 × 46 cm. Signed
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] Richard Parkes Bonington, "Study of a Half-Suit of Armour, 16th Century," Summer, 1825. Oil on Canvas, 23.8 by 19.7 cm
Attributed works:
[Royal Academy of Arts, London] 'The Madonna and Child with the Infant St. John' by Michelangelo. Bequeathed to the Royal Academy in 1827.
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] "Marché à Pontoise" by Pissarro. Distemper Painting. H. 24 3/8 ins. - W. 18 1/8 ins. Executed Circa 1882.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jacob Isaacsz. van Ruisdael, A Hilly Landscape with a Cornfield, Signed: jvR in Monogram, 65.5 by 78.5 cm.
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York] Jean Louis Forain, The Family. Charcoal. Signed. 10½ × 17 5/8 Inches (26.7 × 44.8 cm)
Attributed works:
[Wheelock, Whitney & Company, 123 East 62nd Street, New York, New York] Henri Lehmann (1814-1882), Le triomphe de l'Amour 1862. Oil and Gold Leaf on Puvet. 51.8 × 72.8 cm
Western art unattributed:
[Bernard Baruch Steinitz Antiquaire, 4 rue Drouot, Paris, France] Detail of a pair of console tables, French Consulate period, of exceptional quality, in chased and gilded bronze. They are extremely rare; no other pieces of this type are known. A central column, in the form of a lictor's fasces flanked by flags and trophies of war, rests on a mahogany base. The pair is believed to have been specially ordered by the Emperor Napoleon I and offered as a wedding present to General Le Marois, who after the Italian campaign had the honour of bringing the captured enemy flags back to Paris. Publicité Gerard - Photo Studio Lourmel
Western art unattributed:
[Cannes International Antique Dealer's Fair, Cannes, France] Virgin and Child, German, Late 15th Century, Wood. Bresset
Advertisements
Advertisements November 1982 (Front)
11/1982 | 956 | 124
Pages: i-xxvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Agnew, 43 Old Bond Street, London ] Philip Baptising the Eunuch. Inscribed and Dated 1677. Pen and Brown Wash. 205 × 292 mm
Attributed works:
[ Artemis Fine Arts Limited, 6 Mason's Yard, St James's, London ] Domenico Tiepolo-The Grocer's Shop, Pen and Ink and Grey-Brown Wash over Black Chalk, Signed and Dated 1791, 296 × 222 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Jacob de Gheyn II. The Landscape with the Farm-House. Etching. (About 1603 or Later). Hollstein 293.
Attributed works:
[ Chaucer Fine Arts, 45 Pimlico Road, London ] Vincenzo Camuccini (Rome 1771-1844). The Magnanimity of the Roman Women. The Return of Atilius Regulus to Carthage. Oil on Paper Laid on Canvas, a Pair, 25.5 × 43.9 cm. Each
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Salvator Rosa. A Philosopher. Naples 1615-Florence 1673. Oil on Canvas, 136 × 99 cms
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Jacob Esselens. Signed. Canvas, 45 × 65 cms
Attributed works:
[ French & Company, 17 East 65th Street, New York ] Il Bacchiacca. Woman with a Cat. Panel, 20¾ × 17 in.
Attributed works:
[ Front cover ] Detail from Portrait of Pépin, by Simon Vouet. Black Chalk, White Crayon, with Red, Yellow and Brown Pastel. (Private Collection).
Attributed works:
[ Harari & Johns Ltd, 173 New Bond Street, London ] Anton Rafael Mengs. Self Portrait of The Artist. Painted Circa 1773. Oil on Canvas, 97 × 74cm
Attributed works:
[ Heim, 59 Jermyn Street, St James's Street, London ] Madonna Adoring the Christ Child by Simon Vouet (Paris 1590-1649). Oil on Canvas: 118 × 132 cm. Bibl: Richard E. Spear, Storia dell'arte, no. 14, 1972 pp. 150-1, fig. 3
Attributed works:
[ Kate de Rothschild ] Willem van de Velde the Elder 1611-1693. Figures Riding in a Wagon on the Beach. Pen and Brown Ink and Graphite. 103 × 112mm.
Attributed works:
[ Kate Ganz Ltd, 54 Holland Park Avenue, London ] Annibale Carracci Susanna and the Elders c. 1590; i/iv
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Lyonel Feininger Drobsdorf, 1927, Oil on Canvas, 100.4 × 125.7 cm
Attributed works:
[ Martyn Gregory Gallery, 34 Bury Street, St James's Street, London ] Lymington Quay. Signed & Dated 1826. 11 × 15 cms
Attributed works:
[ Matthiesen, 7-8 Masons's Yard Duke Street, London ] Luca Giordano (1632-1705). Phineas and His Companions Turned to Stone at the Wedding Feast of Perseus and Andromeda. Canvas: 113 × 144 ins.
Attributed works:
[ Maurice Segoura, 58 East 79th Street, New York ] Jean-Honoré Fragonard "Les Deux Jumeaux." Oil on Canvas: 37 × 47 cm.
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] Attributed to Pietro da Cortona (Cortona 1596-1669 Rome). Study of a Dioscouros (For the Ceiling of Sala di Marte, Palazzo Pitti, 1644-1646). Red Chalk; 5 × $6frac{3}{4}$"; Verso: Two Male Studies, Black Chalk
Attributed works:
[ Noortman & Brod, Maastricht Galleries, Vrijthof 49, Maastricht ] David Teniers the Younger. 1610-Antwerp-1690. Landscape with Castle and Shepherds with Flock. Panel, 21.5 × 28.5 cm. Signed with Monogram
Attributed works:
[ Pardo, 160 Boulevard Haussmann, Paris ] Eustache Le Sueur. "Alexandre et son médecin". Canvas 123 cm × 67.5 cm
Attributed works:
[ Phillips, 7 Blenheim Street New Bond Street, London ] Jean François Demay. "The Village Fête." Canvas 23 cms × 31.5 cms. Signed & Dated.
Attributed works:
[ Rafael Valls Gallery, 34 Bury Street, London ] Pierre Puget, 1620-1694. A Pair of Mediterranean Port Scenes: Shipping Approaching Harbour; Tradesmen Unloading a Goods Boat in Harbour. Oil on Copper Framed 7¼ by 9 Inches (18.5 by 23 cms)
Attributed works:
[ Richard J. Collins, 605 Madison Avenue, New York ] Pierre Mignard (1612-1695). The Apotheosis of Psyche. Brush and Brown Ink with White Bodycolour over Graphite, ca. 1666. 35½ × 27¼ Inches (90 × 69 cm.)
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Nicholaes Moyaert, "Christ and the Woman Taken in Adultery." Oil on Panel, 100 by 143 cm
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Francisco Jose de Goya y Lucientes, Los Caprichos (D. 38-117; H. 36-115), the Set of 80 Plates, Etchings and Aquatints, Fine Impressions, One of a Small Number of 'Presentation' Copies Specially Bound for the Artist in Contemporary Spanish Mottled Calf Gilt.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Rembrandt Harmensz. van Rijn, Landscape with Cottage and a Haybarn (B. Holl. 225; H. 177; BB 41-A), Etching with Drypoint, 1641, Rich Impression, with Burr, 129 by 320 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Lambert Sustris, An Allegory of the Pursuit of Fortune, 146 by 228 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Flutiste Assise et Dormeuse, VI (Geiser 469), Monotype, 1933, 150 by 186mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Portrait of Fernande Olivier (Not in Bloch or Geiser), Drypoint, 1906, Printed with Burr and Plate Tone, One of Only Four Impressions Known, 162 by 118mm.
Attributed works:
[ Thomas Le Claire, Adickestrasse 40, Hamburg ] Julius Schnorr von Carolsfeld (1794-1872): 'Studies of Arms', Preparatoring Drawing for 'The Baptism of Rudiger' in the Hall of Ariost in the Villa Massimo, Rome, Pencil and Black Chalk with Traces of Red Chalk, 307 × 490 mm; With the Estate Stamp.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James's, London ] Bernardo Cavallino (Naples 1616-Circa 1656). St. Peter & St. Paul (A Pair) Signed. Canvas 127 × 94cm. Octagonal
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Bellotto. The Capitol with Santa Maria d'Aracoeli, Rome
Attributed works:
[Ian Birksted Gallery, 37 Great Russell Street, London] William Henderson
Attributed works:
[Kimbell Art Museum, Fort Worth] Jusepe de Ribera, 1591-1652, The Club-Footed Boy (Le Pied-Bot), 1642, Oil on Canvas. Musée du Louvre, Paris.
Western art unattributed:
[ Bernard Baruch Steinitz, 4 Rue Drouot, Paris ] Detail of a pair of console tables, French Consulate period, of exceptional quality, in chased and gilded bronze. They are extremely rare; no other pieces of this type are known. A central column, in the form of a lictor's fasces flanked by flags and trophies of war, rests on a mahogany base. The pair is believed to have been specially ordered by the Emperor Napoleon I and offered as a wedding present to General Le Marois, who after the Italian campaign had the honour of bringing the captured enemy flags back to Paris. Publicité Gerard - Photo Studio Lourmel