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06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
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12/2021 | 1425 | 163
Pages: IFC- viii
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
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09/2009 | 1278 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Adam Williams Fine Arts - New York. Head of a philosopher with a red hat, by Giandomenico Tiepolo. Oil on canvas, 60.6 by 50.9 cm]
Attributed works:
[Agnew's, London. Figure and maize, by Graham Sutherland (1903-80). Signed and dated "48" and inscribed 'Figure and Maize' (on the canvas overlap'. Oil on canvas, 40.6 by 50.8 cm.]
Attributed works:
[Anthony Hepworth FIne Art. Bath. Exercises, by Christopher Wood (1901-30). 1925. Oil on canvas, 40.6 by 50.4 cm.]
Attributed works:
[Beaux Arts, London. Everyworld, by John Hoyland. 2009. Acrylic on cotton duck, 152.5 by 140 cm.]
Attributed works:
[Belgrave Gallery, London and St. Ives. The round table, by Roger Fry. 1920. Oil on canvas, 76 by 69 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Louis-Ernest Barrias, French (1841-1905). A bronze entitled 'La Nature se devoilant devant la Science']
Attributed works:
[Carlo Orsi - Milan. Bacchus, by Dirck van Baburen (c.1595-1624). Oil on canvas, 91.5 by 69 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Luca Longhi. 1502 - Ravenna - 1580. The Crucifixion. Bodycolour on vellum, 28.4 x 21 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Alessandro Allori (1535-1607), Young noblewoman with lute, oil on wood, 73 x 54.5 cm]
Attributed works:
[Frascione Gallery - Milan. Allegory of Mother Earth, by Cristofano Robetta (1462-1535). Engraving.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo Vignali. Pratovecchio (Arezzo), 1592 - Florence, 1664. Portrait of a man with gloves. Oil on canvas, 72 x 57 (28 3/8 x 22 7/16 in)]
Attributed works:
[Gimpel Fils, London. Barrier No.2, by Robert Adams. 1962. Bronzed Steel. Height: 176.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. Girl in Bed, 1965. 28 x 36 1/4 inches; 71 x 92 cm. Signed, titled, and dated on the Stretcher.]
Attributed works:
[Jonathan Clark Fine Art. 18 Park Walk. London. View Through a Wood 1934 (detail) oil on canvas 20x26 cm]
Attributed works:
[Jonathan Clark, London. Wild Flowers-Spring, by Winifred Nicholson (1893-1981). c.1928. Oil on canvas, 51.5 by 61 cm.]
Attributed works:
[Lucy Johnson, London, Burford & Snape. Umber, by Ben Nicholson, (1894-1982). Signed, titled, dated 68, & numbered 'ph896' on the reverse. Pencil, oil wash and printed paper collage on artist's board, 35.8 by 41 cm.]
Attributed works:
[Michael Parkin, London. The gatherer, by Claughton Pellow (1890-1966). c. 1926. Watercolour, 39 by 42 cm.]
Attributed works:
[MoMA, New York. Claude Monet, Agapanthus (detail), 1914-26. Oil on canvas.]
Attributed works:
[Moretti - London, Florence and New York. David with the head of Goliath, by Francesco Curradi (1570-1661). Oil on canvas, 97 by 77 cm.]
Attributed works:
[Moretti. Piazza degli Ottaviani, 17/r. Firenze. 43-44 New Bond Street. London. 24 East 80th Street. New York. Francesco Botticini. Florence, 1446-1497. Madonna and Child Enthroned with Saint James Major and Saint John the Evangelist. Panel, 139.5x143 cm]
Attributed works:
[Noble Gallery - Truggi. St. Francis in meditation, by Francisco Zurbaran (1598-1664).]
Attributed works:
[Osborne Samuel, London. Maquette for seated torso, by Henry Moore. 1954. Bronze, edition of 9. Height: 34.3 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Palazzo Brivio Sforza, Via Olmetto 17. Milan Manfredi, Saint Jerome, 131 x 98 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Palazzo Brivio Sforza, Via Olmetto 17. Milan Pignoni, Bathsheba at the bath, 127 x 185.4 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Palazzo Brivio Sforza, Via Olmetto 17. Milan. Patch, View of the Arno with the Ponte alle Grazie, 85 x 170.5 cm]
Attributed works:
[Robilant+Voena - London and Milan. Bathsheba at her bath, by Simone Pignoni (1611-1698). Oil on canvas, 127 by 185.4 cm]
Attributed works:
[Steinitz, Paris. A pair of busts of young Moors, attributed to Melchior Barthel (1625-72). Italian, seventeenth century. Marble. Height: 54.4 cm.]
Attributed works:
[The Fine Art Partnership, Brighton. Window, Howard Hodgkin (b.1932). 1996. Signed and numbered from an edition of 50. Aquatint with hand-colouring and carborundum, 23 by 28 cm.]
Attributed works:
[Tomasso Brothers FIne Art, Leeds. The Medici Lion, by Pietro Simoni da Barga (documented 1571-89). Bronze, verdigris patina all'antica. Height: 19.7 cm. Length: 33.4 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Pietro Simoni da Barga (documented 1571-89). The Medici Lion.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Pierre-étienne Monnot (1657-1733). Model for the Tomb of Pope Innocent XI Odescalchi (1676-1689). Gilt terracotta and painted wood. 198 x 118 x 40 cm (the model), overall height with base 287 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Gerardus de Zutphania, De reformatione virum anime. Basle 1492. - Bound with two other incunables.]
Attributed works:
[Whitfield Fine Art, London. Portrait of a lady, by Augustus John (1878-1961). Oil on board, 31.7 by 24.2 cm.]
Western art unattributed:
[Antiques Alberto Castro - Alessandra di Castro - Rome. One of a pair of tables carved in wood and gilded. Height: 106 cm. Width: 179 cm. Depth: 89.5 cm.]
Western art unattributed:
[Longari Galleria - Milan. Head of an apostle. Parisian sculptor, c. 1220. Limestone.]
Western art unattributed:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Detail of the Pietra Dura top of a Russian Empire Gueridon, 17th century.]
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06/2007 | 1251 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Architectural capriccio, by Giovanni Migliara (1785-1837). Signed 'Gio. Migliara' and with inscription 'ingresso d'un Palazzo Comunale, Novembre 1829 (par Migliara peinture Milanais)' on the mount. Pencil, watercolour.]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Dante Gabriel Rossetti (1828-1882) The Annunciation. Pencil, watercolour and gum arabic heightened with bodycolour and scratching out, 14 1/2 x 9 1/2 in]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Rural dance (recto), study of a man's legs (verso), by Claude Gallée, called Claude Lorrain (600-1682). Black chalk, red chalk, brown and grey wash, 16.4 by 22.2 cm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Théo van Rysselberghe. 1862 Gent (Belgium) - Saint-Claire (France) 1926. Vue de La Roche sur Guyon 1898. Watercolour over pencil on wove paper; 175 x 250 mm. Annotated, dated, dedicated and signed with monogram in red pencil at lower left: en souvenir de La Roche-Guyon - juin 1898 | à mon amie M. Closset.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Attributed to Caius Gabriel Cibber (1630-1700): An important late 17th century English sculptured stone figural group of Dementia, modelled as a distraught mother and child, circa 1680, 104cm high (41in high).]
Attributed works:
[C.G. Boerner, at Trinity Fine Art. 26 Bruton Street, W.1. Two elegant ladies in the studio or The cigarette, by Jacques Villon (1875-1963). Signed and dated. Watercolour, 42 by 38 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Jacques Gamelin (1738 - Carcassonne - 1803). Mort d'un heros antique (Death of an ancient hero). Oil on paper, laid on cardboard (tondo), 20.5 x 22.5 cm. Diameter of central tondo: 16cm. Inscription on verso: 'Gamelin, Jacques born 3rd october 1738, died 1803 / study for the death of Abradate / Musée Montpellier'.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A carved oval marble portrait profile relief of Louis XV. By Louis-Claude Vassé (1717-1772), circa 1761.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino (Bologna 1581 - 1461 Naples). The Pietà. Dated 'M.DCIII' (lower left), the reverse with inscription 'NANN[?]'. Oil on copper. 20 5/8 x 15 3/8 in. (52.4 x 39.1 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Jean-Honoré Fragonard (Grasse 1732-1806 Paris). L'Ile d'amour [La Fete à Rambuillet] Black chalk, pastel, watercolour and bodycolour. 10 1/2 x 14 in. (267 x 356 mm)]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Julius Schnorr von Carolsfeld. Leipzig 1794 - 1872 Dresden. Portrait of a Woman. Pen and brown ink, brown wash, 227 x 198 mm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Luis de Paret y Alcazar (1746-1799). Smugglers on shore in an imaginary coastal view. Graphite, ink and coloured wash on paper, 302x400 mm. Signed, dated and inscribed: A Dn Jseph Pais por su amigo Paret - ano de 1785 and N P O, in the artist's original mount.]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Sur le coq, by Marc Chagall (1887-1985). Signed. Watercolour, ink and gouache on paper, 24.6 by 19 cm]
Attributed works:
[Day & Faber. 173 New Bond Street. London. Sweet chestnut (Castanea Sativa), by Jean-Victor Bertin (1767-1842). Executed c.1820. Signed and inscribed in brown in 'Etude de Chataigne / Bertin fecit'. Black chalk, 55.8 by 48.3 cm]
Attributed works:
[E & R Cyzer. London. Les acrobates, by Marc Chagall. Circa 1981. Signed lower right, 'Chagall'; signed on the reverse, 'Marc Chagall'. Oil on canvas, 116 by 81 cm]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Augustus John. Tenby 1878 - Fordingbridge, Hampshire 1961. Lady Ottoline Morrell. c. 1908-10. Pencil and watercolour. 20x14 inches.]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Set for the Ballet Giselle, by Alexandre Benois (1870-1960) Watercolour, ink and ink wash, 49 by 63 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Mattia Preti. Taverna, 1613 - La Valette, 1699. David and Goliath. Oil on canvas, 75 x 48.5 cm (29 1/2 x 19 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jules (1788-1874), Gustave (1790-1867) and Alphonse (1791-1870) du Buisseret, by Heinrich Christoph Kolbe (1771-1836). Oil on canvas, 108 by 130.5 cm. Signed and dated: 'Kolbe f./1820']
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Matthaus Merian d.J. (Basel 1621-1687 Frankfurt). Selfportrait of the artist. Oil on canvas, 111x94.7 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ben Nicholson. 1894-1982. 1945 (still life). Oil and pencil on canvas. 14 x 23 1/2 inches; 35.6 x 61 cm. Signed and dated verso.]
Attributed works:
[Hotspur. London. A George I walnut chair back settee in the manner of Giles Grendey. c.1725]
Attributed works:
[Johnny van Haeften. London. A still life of a Wanli Kraak porcelain bowl of citrus fruit and pomegranates on a wooden table, surrounded by more of the same fruit, and a knife with a chequered handle next to it, by Jacob van Hulsdonck (1582-1647). Oil on panel, 41.5 by 56 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Four Commedia dell'Arte figures: three gentlemen and Pierrot, by Claude Gillot (1673-1772). Pen and black ink, grey and red wash, 11.7 by 19 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. The Nativity, by François Boucher (1703-1770). Red chalk, pen and brown ink, brown wash, 33.2 by 25 cm]
Attributed works:
[Keshishian, London and New York. America, a tapestry from the series The four continents, designed by Lodewijk van Schoor. Flemish, late 17th century. 235 by 424cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Miss Elliot as 'Circe', by Daniel Gardner (1750-1805). Pastel and bodycolour, 35 by 25.4 cm]
Attributed works:
[MacConnal-Mason. London. The football match, by L.S. Lowry (1887-1976). Signed and dated 1934. Oil on canvas, 40.6 by 66 cm]
Attributed works:
[Mallett, 141 New Bond St., London. Common red poppy from a collection of botanical watercolours by Emily Stackhouse (1811-1870). Watercolour on paper, 27 by 21 cm]
Attributed works:
[Mallett. London and New York. A gentleman in red riding a dappled grey horse, ond its companion piece, a lady in green habit riding side-saddle on a bay cob, by J.B. Colmart. The former signed: J B Colmart, and dated 1775]
Attributed works:
[Marks. London. A Fabergé silver-gilt mounted cut glass claret jug. Signed 'Carl Fabergé'. Moscow, c. 1895. 84 zolotniks. Height: 21.5cm]
Attributed works:
[Moretti, Florence, London, New York. Santo Vescovo, by Paolo Veneziano, Venezia (documented from 1333 to 1358). Tempera on panel, 18.4 by 13.4 cm]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. Giovanni di Paolo. Siena, c. 1400-1482. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints. Panel, 37.5 x 26.7 cm]
Attributed works:
[Osborne Samuel. London. Phemius and Telemachus, by Henry Moore (1898-1986). 1944. Pencil, wax crayon, watercolour and pen and ink, 20.3 by 15.3 cm]
Attributed works:
[Rob Smeets. Via Camperio 9. Milano. Domenico di Bartolomeo Ubaldini, called Puligo. 1492-Florence-1527. The Virgin and Child with the infant ST. John. Oil on panel - 73x51 cm]
Attributed works:
[Rossi & Rossi. London. Crowned Vairocana. Brass, with silver and copper inlay. North-western India, Swat Valley. 7th-8th century. Height: 19.2 cm]
Attributed works:
[Sam Fogg Ltd. London. Thierry of Alsace, Count of Flanders, receiving the Relic of the Holy Blood from the Patriarch of Jerusalem (detail). A standard or processional staff. Bruges, c.1480-1500. Polychromed wood, height: 62.5 cm]
Attributed works:
[Sam Fogg, Ltd. 15d Clifford Street, London. Hans Thoman (fl. 1510 - 1525). God the Father. South Germany. Memmingen. 1520-1525.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Amleto Cataldi (Italian, 1882-1930). Medusa. White marble, on octagonal varnished wood plinth with carved inset rosettes. Marble: 195 cm. 77 in. Base: 70 by 70 by 70 cm. 27 1/2 by 27 1/2 by 27 1/2 in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-Etienne Liotard (Geneva 1702-1789). Portrait of the philosopher and naturalist Charles Bonnet. Black and red chalk over white chalk in the section of the wig. 246 by 195mm]
Attributed works:
[Stephen Ongpin Fine Art. At 22 Bury Street, St. James’s, S.W.1. Design for a monument or frontispiece, with a male and female figure flanking a cartouche, three putti holding a garland above, by Ubaldo Gandolfi (1728-1781). Pen and brown ink and brown wash, over and extensive underdrawing in red chalk, 23.6 by 20.5 cm]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Bords de Seine au Pont du Carrousel, by Henri-Joseph Harpignies (1819-1916). Signed and dated lower left 'H Harpignies 88'. Inscribed lower right 'Paris'. Watercolour, 54 by 37 cm]
Attributed works:
[Theobald Jennings. 37 Albermarle Street. W.1. Der Strand von Fehmam, by Ernst Ludwig Kirchner. 1912. Signed lower right in pencil. Pencil and watercolour.]
Attributed works:
[Thomas Katz Fine Art. London. Relief sculpture for Appicella, by Edoardo Paolozzi (1924-05). 1981. Wood and resin. 125-7 by 156.2 cm]
Attributed works:
[Thomas Williams Fine Art. 22 Old Bond Street, W.1. Head of a boy (recto), a male caricature in profile to the right, and part of a head (verso). Florentine school. c. 1520. Black and white chalk (recto), black and red chalk (verso), 11.5 by 8.6 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger Antwerp 1546 - Prague 1611. Satyrs Family. Dimensions 87 x 69 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Rest on the flight to Egypt, by Michelle Corneille (1642-1708). Black chalk, pen and brown ink, blue-grey was heightened with white on brown paper, 37.8 by 27.5 cm]
Attributed works:
[W/S Fine Art / Andrew Wyld. 160 New Bond Street, London W1S 2UE. On the road to Tunbridge, by Paul Sandby R.A. (1730-1890). Inscribed by the artist 'on the Road to Tunbridge'. Watercolour over pencil with pen and ink, 21.7 by 27.4 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Daniel Nikolaus Chodowiecki. Angel with two putti. Red and colour chalk, laid paper, 1788. Signed, dated. about 38 x 25,5 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Edward Jakob von Steinle. Maria Magdalena anoiting the feet of Jesus. Pencil, white hightening, wove paper, 1832. Dated ,,Rom 8tbr. 1832''. 33 x 31,7 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Friedrich Nerly. Venice, Torre dell'Orologio. Watercolour, wove paper, 1838. Signed, dated. 69.3 x 47.5 cm]
Non-western art unattributed:
[Harris Lindsay. London. A Chinese tripod table in the English manner. Hua-li wood inlaid with engraved brass and mother-of-pearl. Canton, c.1745. Height: 71cm. Diameter: 58.5cm]
Non-western art unattributed:
[Robert Kleiner & Co Ltd. London. A group of glass snuff bottles made for the Chinese court. c. 1720-1800. Height: 3.5 - 5.8 cm]
Western art unattributed:
[Daniel Katz. London. Male nude (Adam). Florentine, circle of Michelangelo. Mid-16th century. Bronze statuette, on integral naturalistic base set on a Venetian bronze inkwell; secured by a later bronze fitment marked in red underneath inkwell with 20th-century inventory number: 217. 18.5 cm. Overall height: 25 cm]
Western art unattributed:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Northern Italy, probably Mantua, circa 1540-1560. Portrait of a man known as Marius. Bronze bust, after the Antique. Height: 47cm.]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Catalonian, Sedes Sapientiae, c.1200, polychromed wood, height: 87 cm (detail)]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Head of a man with laurel wreath. 15th century. Stone. Height: 20.3 cm]
Western art unattributed:
[Rupert Wace. London. Marble figure of Asclepius. Roman. Circa 2nd century AD. Height: 68.6cm]
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04/2007 | 1249 | 149
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Advanced Graphics, London. 'Onward and upwards', by Ray Richardson. 2007. Screenprint with woodlock, 92.5 by 92.5 cm. Edition of 75.]
Attributed works:
[Andrew Edmunds. London. Gin Lane, by William Hogarth (1697-1764). 1751. 38 by 32.1 cm. Paulson 186, second state of four. Gin Lane highlights the vices of the lower classes following an alarming increase in street crime in London around the middle of the eighteenth century. Gin was relatively new import and one that achieved a more rapid and intense level of intoxication than any other readily available means, shown here to result in poverty, misery, vice, even madness and death.]
Attributed works:
[Catherine Hodgkinson. London. Views of hotel well III, by David Hockney. Signed, dated and numbered in pencil. Edition of 80. Colour lithograph on TGL handmade paper, 123.2 by 97.8 cm]
Attributed works:
[Caylus. Lagasca, 28. Madrid. Francisco de Goya Y Lucientes (Fuendetodos, 1746 - Bordeaux, 1828). "La letra con sangre entra" A school scene (detail). Oil on canvas, 19.7 by 38.7 cm. Painted circa 1777-85]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Joshua Reynolds, P.R.A. (Devon 1723-1792 London). Portrait of Philip Gell (1723-1795), full-length in a mauve suite, holding a gun, with a dog at his feet, in a wooded landscape. Oil on canvas. 94 x 58 in. (238.7x147.3cm)]
Attributed works:
[Christopher Mendez. London. Self-portrait, smiling, by Wenzel Hollar. 1636. Etching, 74 by 55 cm]
Attributed works:
[Coll & Cortes Fine Art Dealer. C/Justiniano 3. Madrid. Jusepe de Ribera, called Lo Spagnoletto (Jativa, Valencia 1591 - Naples, 1652). Philosopher. Oil on canvas, 129.8 x 101.8 cm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Francisco de Goya de Lucientes (Fuendetodos, 1764 - Bordeaux, 1828). Portrait of the artist's wife, Josefa Bayeu. Inscribed: ANO 1805. Chalk and graphite on paper, 111 x 81 mm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Benedetto da Maiano (1442-1497), Pietro Mellini. Terracotta bust, approx. 1474.]
Attributed works:
[Eagle Gallery. London. Harvest 2007, by Tom Hammick. Etching, 50 by 65 cm. Edition of 25]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardo Cavallino. Naples, 1616-ca. 1656. The Death of Saint Joseph. Oil on canvas, 46,5 x 36 cm (18 5/16 x 14 3/16)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Augustus John. 1878-1961. Portrait of Ida in a feathered hat, circa 1904. Red chalk. 13 1/4 x 9 3/4 inches; 33.5 x 24 cm. Signed.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Rossello di Jacopo Franchi (1376-1457). Enthroned Madonna. Signed. Oil on wood, 131 x 91 cm.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst. Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolper and Other Criteria]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. Parto Iberia or El Coloso. Salvador Dalì, 1904-1989. Signed and dated: "Dalì 1956". Tempera and acrylic on canvas, 242.5 x 328 cm.]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. San Antonio Abad. Francisco de Zurbaran. Oil on canvas, 110x204 cm]
Attributed works:
[Paul Stolper. London. Sceptic, by Damien Hirst. 2006. Silkscreen print, 150 by 99 cm. Edition of 55]
Attributed works:
[Tajan. 37 rue des Mathurins. Paris. Hendrick Ter Brugghen (Deventer, 1588 - Utrecht, 1629). The denial of St. Peter. Canvas. 113.4 in x74.8 in. ]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. A rediscovered Italian Equestrian Group of Carlo Emanuele I, Duke of Savoy (1562-1630) by Antonio Susini (FL 1580-1624)]
Attributed works:
[Uppsala Auktions. Eddagatan 10. Uppsala. Sweden. Pietro Orioli (Siena, 1458-1496). Madonna and CHild with Saints John the Baptist and Paul. Tempera and gold on wood, 73 x 50 cm]
Attributed works:
[Victoria and Albert Museum. Tripod perfume burner, designed by James 'Athenian' Stuart (c.1760)]
Western art unattributed:
[KPM. 1 Stokes Place, St. Stephen's Green. Dublin. Rossborough House, Blessington, Co. Wicklow.]
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06/2006 | 1239 | 148
Pages: i-xxvi
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Augustus John, O.M., R.A. (1878-1961). Dorelia Standing. Signed. Pencil, 17 1/2 x 12 in (455x304 mm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Study of a Hill Fairy, by Sir Edward Coley Burne-Jones, BT., A.R.A., R.W.S. (1833-1898). Pencil, 210 by 133 mm. Signed with initials and dated 'EB-J/1885' (lower right)]
Attributed works:
[Apter Fredericks. London. A superb Chippendale period chair back settee. English, circa 1760. Length: 95 cm. Depth: 71 cm. Height: 93.5 cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Joseph Wright of Derby (British, 1734-1797), The Dead Soldier, 1789, oil on canvas. 49 3/4 x 64 inches (126.4 x 162 cm)]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustration: A highly important mid 17th century Augsburg ebony, pietra dura and silver gilt mounted Kabinettschrank of broken outline and graduated architectural design by Elias Boscher, the pietra dura panels depicting birds and flowers attributed to the Florentine Grand Ducal Workshop.]
Attributed works:
[C. John. 70 South Audley Street, Mayfair, London. An exceptional Brussels 'Pergola' Tapestry with vases of flowers. Circa 1620. 11'1" (338com) high. 11'0" (335 cm) wide. Weavers mark on right hand border.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Ludovico Carracci (Bologna 1555-1619). Salmacis and Hermaphroditus. Oil on canvas, unlined 45 x 59 3/4 in. (114.3 x 151.8 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Paolo Farinati (Verona 1524-1606). Ecce Homo. Black chalk, brush and brown wash, heightened with white, on light brown paper, on a late 18th Century English mount. 12x17 in. (312 x 432 mm)]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Mornington Crescent, by Frank Auerbach (b. 1931). 1971. Signed and dated verso. Crayon and pencil on paper, 298 by 273 mm]
Attributed works:
[Daniel Katz, Ltd. A cat, by Henri Gaudier-Brzeska (1891-1915). Moulded earthenware with ceramic glaze. Length: 11.8 cm]
Attributed works:
[David Jones Fine Art, at Oakham Galleries. 40 Duke street, St. James’s. London. Christ on the road to Calvary, by Caspar Freisinger (c. 1550/55-1599). Pen and grey-brown ink, with brown and light reddish brown wash, 127 by 182 mm]
Attributed works:
[Flavia Ormond Fine Arts. At Deborah Gage (Works of art) Ltd. 38 Old Bond Street. London. Wooded mountain ridge, by Gherardo Cibo (1512-1600). Pen and brown ink and wash with white heightening and touches of pink wash on blue paper, 209 by 286 mm. Inscribed above trees towards top left 'ld.14'.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576-1602. The Return of the Prodigal Son. Oil on canvas, 74,5 x 56,5 cm (29 3/16 x 22 in)]
Attributed works:
[Galerie Neuse. Contrescarpe 14. D-28203. Bremen/Germany. The Last Judgement. Signed and dated: D.I.F. FRANKEN FECIT/INVENTOR Ao 1606. Oil on copper. 26.5 by 20,5 in (7.2 by 52 cm)]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. An exceptional cabinet veneered in ivory and exotic woods, inset with pietra dura plaques. Augsburg, by Melchior Baumgartner, circa 1650 (the furniture). Florence, Galleria dei Lavori, circa 1625 (the pietra dura plaques). H. 87 x 108.5 cm (closed) or 195.5 cm (open) x D. 60.5 cm. H. 34 1/2 x L. 42 3/4 in. (closed) or 77 in. (open) x D. 23 3/4 in.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Tattooed lady, by Peter Blake (b. 1932). Signed and dated. Pen and ink and watercolour with collage. 94.6 by 52.4 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. La Rue Cousin, Dieppe, circa 1907. Oil on canvas. 24 x 19 3/4 inches; 60 x 50 cm. Signed]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. A still life of fruit with grapes, figs, medlars, blackberries, a peach, two oranges, a pomegranate, a lemon, chestnuts and oysters placed on a draped blue cloth within a stone niche, by Jan Davidsz. De Heem (1606-1684). With traces of a signature. On canvas, 62.5 by 74 cm]
Attributed works:
[Linley. London. St. Moritz Chair.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The cutter 'Grace', by Charles Gore (1729-1807). Pencil, pen and ink, 228 by 322 mm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Domenico di Francesco, called Domenico di Michelino. Florence, c. 1417 - 1491. Madonna and Child. Panel, 96x63 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Caspar Gras (1585-1674: Active in Austria). Roaring Lion, Pouncing. Bronze statuette. Overall Height 21.6 cm; Length 23.7 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A still life of dead game with a hare, a cock pheasant and a partridge, a hunting bag, a net and a flintlock rifle, by Melchior D'Hondecoeter (1636-1696). Dutch school. Signed and dated. Oil on canvas, 95 by 84 cm.]
Attributed works:
[Robert Bowman Gallery. London. Two forms (Gemini), by Barbara Hepworth (1903-75). Signed Barbara Hepworth and dated 1970, numbered 9. Quartz glass on a carved wood base. Height: 47 cm. Width: 43 cm.]
Attributed works:
[Salamander Fine Arts. 37 Bury Street, St. James’s. London. Head of a young girl, by Pietro di Cristoforo Vannucci, il Perugino. Pen and brown ink, brown wash, heightened with white over stylus outlines. The outline of another face in stylus below. On pink prepared paper. Irregular, 174 by 115 mm]
Attributed works:
[The Sladmore Gallery. London. Walking puma, by Rembrandt Bugatti. Modelled circa 1911. Marble, Height: 92 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bird on reeds on a circular base, by Nicola Lazzari, 2005. Bronze, 12 by 11.2 cm (diameter of base)]
Attributed works:
[W/S Fine Art Ltd. 160 New Bond Street. London. Venus and CUpid, by Richard Cosway, R.A. (1742-1821). Pen and ink over traces of pencil, 102 by 162 mm. The Annual Exhibition 7 June- 7 July]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. John Robert Cozens (1752-1797). The eight hundred year old Cypress in the Garden of the Franciscan Monastery at Salerno, 1782. Watercolour over traces of pencil. 17 7/8 X 12 inches (45.5 X 30.5 cm)]
Non-western art unattributed:
[C. John. 70 South Audley Street, Mayfair, London. A silk embroidery on linen from Portuguese Goa. Circa 1720. 298 by 253 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. Near Eastern stone altar. Syrian. From south of Hauran region. Chalcolithic, early 4th millenium BC.]
Western art unattributed:
[Finch & Co. London. A rare Russian mineral tower. Late 19th century. 31 cm high.]
Western art unattributed:
[Finch & Co. Suite 744, 2 Old Brompton Road, London. A fine English Romanesque carved limestone corbel head. Lincoln circa 1170-1190. Size: 37 cm high x 24 cm wide x 18 cm deep.]
Western art unattributed:
[Rossi & Rossi. A Mongolian gilt bronze Shadakshari Avalokiteshvara from the atelier of Zanabazar (1635-1723). Height: 40 cm.]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Marble Pulpit. Italy, Rome or Campania. c. 1200. Height: 1370 mm]
Western art unattributed:
[Sam Fogg, Ltd. Altarpiece with scenes of the Passion. Nottingham, England, 1440-50. Alabaster, 226 by 75 by 7 cm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Workshop of Gianlorenzo Bernini (1598-1680). Rome, last quarter 17th century. The Blessed Ludovica Albertoni. Bronze. 19 by 44.8 by 17.6 cm.]
Western art unattributed:
[Westland. St. Michael’s Churc. Leonard Street. London. EC2A 4ER. A very large and imposing carved limewood and pine palladian chimneypiece after James "Athenian" Stuart. Unique in the manner of the griffins standing on all fours. Scottish, circa 1760.]
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04/2006 | 1237 | 148
Pages: i-xii
Subjects
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Illustrations
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean-Jacques Lagrenee, (le Jeune) (1739-Paris-1821). Adoration of the Magi. Oil on panel, 68x48 cm]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Jacques-Louis David (Paris 1745-1825 Brussels). Portrait of Jean-Pierre Delahaye. Signed and dated. 'L.David/1815' (lower left). 62 x 49cm. (23 3/4 x 19 1/8 in.)]
Attributed works:
[Compton Verney. Warwickshire CV35 9 HZ. Vincent van Gogh. A Wheatfield, with Cypresses (detail).]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Ricchi. Lucca, 1606 - Udine, 1675. Saint Peter Delivered from prison by the Angel. Oil on canvas, 216 x 160 cm (85 x 63 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Augustus John. 1878-1961. Portmadoc, circa 1910. Oil on panel. 13 1/2 x 15 inches; 34,4 x 38,2 cm. Signed.]
Attributed works:
[Museo Thyssen-Bornemisz. Fra Angelico. The Virgin of Humility,]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. William Blake. The Day of Judgement, Pen and black ink and watercolor. 10 9/16 x 8 3/4 in. 270x222cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Walter Richard Sickert 1860-1942. L'Hotel Royal, Dieppe circa 1894. Drawing in pencil, charcoal, gouache and grey wash on blue paper, signed and inscribed To Suzette Lemaire W. Sickert, Lower left. 18 7/8 x 24 1/4 inches (48 x 61.5 cm)]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Bernhard Hoetger. Female Nude. Pencil and Watercolour 1905. Signed, dated and marked "Paris". 38,9 x 37 cm.]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Friedrich Overbeck. Entombement od Christ. Brush-and-Indian ink with white gouache and wash in bistre 1814. Signed and dated. 28,3 x 29,9 cm]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Paul Signac. La Bouée (Saint-Tropez: Le Port). Colour lithograph 1894. Copy 38/60. Signed. 40,3 x 32,7 cm. Ref: Kornfeld-Wick 9, III]
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Advertisements April 2005 (Front)
04/2005 | 1225 | 147
Pages: i-xii
Subjects
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subjects:
Illustrations
Attributed works:
[Advanced Graphics, London. The London Original Print Fair. Royal Academy, Burlington Gardens, 20th-24th Arpil 2005. Glad, by Ray Richardson. 2004. Screenprint with woodblock. Edition of 95. Image size 305 x 305 mm.]
Attributed works:
[Alfonsi Dipinti Antichi, Vicenza. The International FIne Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Still life with flowers (one of pair), by Jan Frans Eliaerts (1761-1848). 1838. Oil on canvas, 530 x 450 mm.]
Attributed works:
[Anna Maria Wager, Munich. The Milan International fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Portrait of ELiza Bonaparte, sister of Napoleon, Princess of Piombino and Grand Duchess of Tuscany (miniature), by Carl Joseph Alois Agricola (1779-1852). Painted on ivory with oak leaf ornaments and small corals, 54 x 44 mm.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The London original print fair. Albrecht Durer 1471-1528. St. Sebastian, bound to a column. Engraving. c. 1498-9.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. St. Sebastian, bound to a column, by Albrecht Durer (1471-1528). c. 1498-99. Engraving.]
Attributed works:
[De Jonckheere, Paris. The Milan International fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. The payment of the tithe, by Pieter Brueghel the Younger (1564-1638). 1816. Oil on panel, 650 x 890 mm.]
Attributed works:
[Di Robilant – Voena. 38 Dover Street, London W1S 4LN. The Milan International Fine Art & Antiques show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Landscape with ruins, by Giovanni Migliara (1785-1837). c. 1810. Oil on canvas, 470 x 890 mm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Gregorio De Ferrari. Porto Maurizio, 1647 - Genoa 1726. Rinaldo Abducted by Armida. Oil on canvas, 141 x 167 cm. (55 1/2 x 65 3/8 in.)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JOHN MARTIN (1789-1854). The End of the World. Watercolour, 61 x 89 cm (24 x 35 in).]
Attributed works:
[Markus Nass, Berlin. The London Original Print Fair. Royal Academy, Burlington Gardens, 20th-24th April 2005. The Saxony Prince on a boar hunt, by Lucas Cranach the Elder, c. 1507. Woodcut.]
Attributed works:
[Marlborough Graphic, London. Fold, by Riley, 2004. Colour Silkscreen. Edition of 250 plus 20 artist's proofs.]
Attributed works:
[Rebecca Hossack Gallery, London. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. Awai Yithyil (detail), by Dennis Nona, 2004. Hand-coloured linocut. Edition of 45.]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. ABRAHAM BLOEMAERT (Dordrecht 1564 - Utrecht 1651). Lot and his daughters. Oil on canvas, 65 x 91 inches (167 x 233 cm). Signed and dted lower right: 'A. Bloemart 1624'.]
Attributed works:
[Sims Reed Gallery, London. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. Couple et Flutistes au Board d'un Lac, by Pablo Picasso (1881-1973). 1959. Linoleum cut printed in colours. Signed in pencil, 620 x 750 mm.]
Attributed works:
[The Fine Art Society, Ltd. 148 Mew Bond Street, London, W.1. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. Gwendolen, by Augustus John. c. 1902. Etching, 140 x 95 mm]
Western art unattributed:
[Bruno Cooper, Norwich. The Milan International Fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Marble head of the Roman tribune Caius Ennius Restio. 1st century B.C. Height: 240 mm.]
Western art unattributed:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Glass goblet with the Sforza coat of arms. Murano, late fifteenth century. Total height: 28.2cm. Height of the glass: 14 cm. Diameter of the glass: 12.3 cm.]
Western art unattributed:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. The Milan International Fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Madonna with Child enthroned with two angels, by Giovanna Mazone (documented from 1453-1510). Oil on panel, 800 x 570 mm.]
Western art unattributed:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. SAN MICHELE ARCANGELO. Central-northern Italy. 1st half 12th century. Wooden sculpture with extensive traces of polychromy. Height:77 cm. Authenticated and dated with C14 SMI-ASA.]
Western art unattributed:
[Zendrini, Turin, Rome and Montecarlo. Necklace of sapphires of the French crown. Sapphire from Nitot jeweller, 1811; re-set by Bapst, 1819; acquired at auction in 1887 by Lady Sasson.]
Exhibition Review
Gwen John and Augustus John. London and Cardiff
11/2004 | 1220 | 146
Pages: 771-773
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Augustus John | institution: Hazlitt Holland-Hibbert
subjects:
Gwen John | institution: Browse & Darby
subjects:
Gwen John and Augustus John | institution: National Museum of Wales , institution: Tate Britain
Illustrations
Attributed works:
72. W.B Yeats, by Augustus John. 1907. 50.8 by 45.7 cm. (Tate, London).
Attributed works:
73. Dorelia and three children at Martigues, by Augustus John. 1910. Panel, 23.5 by 32.9 cm. (Fitzwilliam Museum, Cambridge; exh. Tate Britain, London).
Attributed works:
74. Chloe Boughton-Leigh, by Gwen John. 1910. 60.3 by 38.1 cm. (Leeds City Art Gallery; exh. Tate Britain, London).
Attributed works:
75. Eve Kirk, by Augustus John. c.1928. 91.5 by 60 cm. (Rochdale Art Gallery; exh. Tate Britain, London).
Attributed works:
76. Girl with a blue scarf, by Gwen John. c.1923-24. 41.1 by 33 cm. (Museum of Modern Art, New York; exh. Tate Britain, London).
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