1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7
cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens.
c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich;
Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys,
here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2
by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky,
Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon.
c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving,
35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne,
London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned
1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
Exhibition Review
Portraying Pregnancy: From Holbein to Social Media. Foundling Museum, London
Portraying Pregnancy: From
Holbein to Social Media
Foundling Museum, London
24th January–26th April |
:
Illustrations
Attributed works:
10. Unknown lady
in red, by Marcus
Gheeraerts
II. 1620. Oil on
panel, 114.3
by 90.2 cm.
(Tate, London;
exh. Foundling
Museum,
London).
Attributed works:
11. Plate I from
William Hunter’s
Anatomia uteri
umani gravidi
tabulis illustrata,
London 1774, by
F.S. Ravenet
after Jan van
Rymsdyk.
Engraving,
57 by 48 cm.
(National Library
of Medicine,
Bethesda MD;
exh. Foundling
Museum, London).
Attributed works:
12. Pregnant
self-portrait, by
Ghislaine Howard.
1984. Oil on
board, 86.5 by 61
cm. (Collection
of the artist;
exh. Foundling
Museum, London).