1. Self-portrait with Dr Arrieta, by Francisco de Goya. 1820.
Oil on canvas, 114.6 by 76.5 cm. (Minneapolis Institute of Art;
Bridgeman Images).
Attributed works:
2. Detail of Fig.1, showing green and red brushstrokes in the
white bedsheet.
Attributed works:
3. Detail of Fig.1, showing the face of the man behind Goya’s
left shoulder.
Attributed works:
5. Detail of Fig.1, showing the friar or monk behind Arrieta’s right elbow.
Western art unattributed:
4. An allegory of Ferdinand VII’s constitutional oath. 1820. Handcoloured
engraving, 19.4 by 25 cm. (Ayuntamiento de Madrid;
Museo de Historia de Madrid).
Exhibition Review
Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A
Fragmented Illuminations:
Medieval and Renaissance
Manuscript Cuttings at the V&A
Victoria and Albert Museum,
London
8th September 2021–8th May 2022 |
:
Illustrations
Attributed works:
4. Initial ‘M’
showing St
Giustina, by
Girolamo da
Cremona, from
an antiphonary,
Padua. Before
1462. Water
based pigments,
gilding and ink on
parchment, 21 by
19 cm. (Victoria
and Albert
Museum, London;
MS 817-1894).
Attributed works:
5. Manuscript
cuttings from a
Sistine Chapel
missal, by
Vincent Raimond.
c.1523–34. Collage
and frame, 19th
century. Water
based pigments,
gilding and ink on
parchment, 51 by
37.5 cm. (Victoria
and Albert
Museum, London;
MS E.4577-1910).
Exhibition Review
Portraying Pregnancy: From Holbein to Social Media. Foundling Museum, London
Portraying Pregnancy: From
Holbein to Social Media
Foundling Museum, London
24th January–26th April |
:
Illustrations
Attributed works:
10. Unknown lady
in red, by Marcus
Gheeraerts
II. 1620. Oil on
panel, 114.3
by 90.2 cm.
(Tate, London;
exh. Foundling
Museum,
London).
Attributed works:
11. Plate I from
William Hunter’s
Anatomia uteri
umani gravidi
tabulis illustrata,
London 1774, by
F.S. Ravenet
after Jan van
Rymsdyk.
Engraving,
57 by 48 cm.
(National Library
of Medicine,
Bethesda MD;
exh. Foundling
Museum, London).
Attributed works:
12. Pregnant
self-portrait, by
Ghislaine Howard.
1984. Oil on
board, 86.5 by 61
cm. (Collection
of the artist;
exh. Foundling
Museum, London).
14. Portrait of a patient, by Erwin
Dominik Osen. 1915. Graphite and
watercolour on paper, 56.7 by 39.8 cm.
(Leopold Museum, Vienna).
Attributed works:
15. Portrait of a patient, by Erwin Dominik
Osen. 1915. Graphite and watercolour on paper,
48.3 by 32 cm. (Leopold Museum, Vienna).
Attributed works:
16. Erwin Dominik Osen, nude with crossed
arms, by Egon Schiele. 1910. Black chalk,
watercolour and gouache on paper, 44.7 by
31.5 cm. (Leopold Museum, Vienna; photograph
Manfred Thumberger).
1. Group I,
Primordial
Chaos, No. 16,
from The WU/
Rose Series, by
Hilma af Klint.
1906–07. Canvas,
53 by 37 cm.
(Hilma af Klint
Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Attributed works:
2. Group IV, The
Ten Largest, No.
7, Adulthood, by
Hilma af Klint.
1907. Tempera on
paper mounted
on canvas, 315 by
235 cm. (Hilma af
Klint Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Attributed works:
3. Group IX/SUW,
The Swan, No. 17,
from The SUW/
UW Series, by
Hilma af Klint.
1915. Canvas,
150.5 by 151 cm.
(Hilma af Klint
Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Attributed works:
4. Group IX/SUW,
The Swan, No. 1,
from The SUW/
UW Series, by
Hilma af Klint.
1915. Canvas,
150 by 150 cm.
(Hilma af Klint
Foundation,
Stockholm;
photograph
Albin Dahlström,
Moderna Museet,
Stockholm;
exh. Solomon
R. Guggenheim
Museum, New
York).
Book Review
Medieval Bodies: Life, Death and Art in the Middle Ages. By Jack Hartnell
2. Surgical instruments in use in an operation for an anal fistula. English, c.1475–1500. Pen and ink and tempera on vellum, 25.4 by 17.8 cm. (Glasgow University Library, MS Hunter 251 fol.43v; Bridgeman Images.)
Exhibition Review
Art AIDS America. Tacoma, Kennesaw, New York and Chicago
1. Portrait of Ange Bernard Imbert-Delonnes, by Pierre Chasselat. Dated L’an 8 (1799/1800). Black chalk heightened with white, 62.5 by 47.8 cm. (sheet size). (Wellcome Library, London).
Attributed works:
2. Portrait of Jacobus Blauw, by Jacques-Louis David. 1795. Canvas, 92 by 73 cm. (National Gallery, London).
Attributed works:
3. Portrait of Gaspar Meyer, by Jacques-Louis David. 1795. Canvas, 116 by 89 cm. (Musée du Louvre, Paris).
Attributed works:
4. Vue interieure d’un Sarcocele du poids de 28 livres [. . .], by François Godefroy after A. Lemonnier. Engraving, from A.B. Imbert-Delonnes: Nouvelles Considérations sur le Cautère Actuel, Avignon 1812, pl.[1].
Attributed works:
5. Portrait of Perier de Gurat after the operation, by François Godefroy after Joseph Boze. Engraving, from A.B. Imbert-Delonnes: Nouvelles Considérations sur le Cautère Actuel, Avignon 1812, pl.[3].
Attributed works:
6. Portrait of Perier de Gurat before the operation, by François Godefroy after Joseph Boze. Engraving, from A.B. Imbert-Delonnes: Nouvelles Considérations sur le Cautère Actuel, Avignon 1812, pl.[4].
Attributed works:
7. Portrait of Jean Allut, by Pierre Chasselat. 1790s. Watercolour on ivory, diameter 6 cm. (Galerie Jaegy-Theoleyre, Paris).
Attributed works:
8. Portrait of Ange Bernard Imbert-Delonnes, by François Godefroy after Pierre Chasselat. 1799/1800. Engraving, 13.5 by 8.6 cm. (Bibliothèque nationale de France, Paris).