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42 articles
Exhibition Review
Angelica Kauffman
06/2024 | 1455 | 166
Pages: 620–623
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
dates:
Reviewed Items
subjects:
Angelica Kauffman Royal Academy of Arts, London 1st March–30th June | :
Illustrations
Attributed works:
1. Self-portrait with bust of Minerva, by Angelica Kauffman. c.1780–81. Oil on canvas, 93 by 76.5 cm. (Grisons Museum of Fine Arts; exh. Royal Academy of Arts, London).
Attributed works:
2. Michael Novosielski, by Angelica Kauffman. 1791. Oil on canvas, 128 by 101.6 cm. (National Galleries of Scotland, Edinburgh; exh. Royal Academy of Arts, London).
Attributed works:
3. Domenica Morghen and Maddalena Volpato as muses of Tragedy and Comedy, by Angelica Kauffman. 1791. Oil on canvas, 124.5 by 159.2 cm. (National Museum in Warsaw; exh. Royal Academy of Arts, London)
Exhibition Review
Ingenious Women: Women Artists and their Companions
05/2024 | 1454 | 166
Pages: 501–504
related names
Reviewer:
Stemp, Richard (Stemp, Richard)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Ingenious Women: Women Artists and their Companions Kunstmuseum Basel 2nd March–30th June | :
Illustrations
Attributed works:
6. Temptation of St Anthony, by Roelant Savery. c.1610. Oil on panel, 17.5 by 26.7 cm. (Private collection; exh. Mauritshuis, The Hague).
Attributed works:
8. Christ among the doctors, attributed to Michaelina and Charles Wautier. c.1650. Oil on panel, 166.5 by 259.5 cm. (Private collection; exh. Kunstmuseum Basel).
Attributed works:
9. Clio, the Muse of history, by Angelica Kauffman. c.1770– 75. (Kunstsammlungen und Museen Augsburg; exh. Kunstmuseum Basel).
Book Review
The Hub of the World: Art in Eighteenth-Century Rome
05/2024 | 1454 | 166
Pages: 515–518
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
art literature:
art literature:
dates:
places:
Reviewed Items
subjects:
The Hub of the World: Art in Eighteenth-Century Rome Edited by Alan P. Wintermute, with contributions by Edgar Peters Bowron, Alvar González-Palacios, J. Patrice Marandel and Melissa Beck Lemke. 360 pp. incl. numerous col. + b. & w. ills. (Nicholas Hall, New York, 2023), $65. ISBN 978–1–7326492–5–5. | :
Illustrations
Attributed works:
10. Study for St Louis Gonzago, by Pompeo Batoni. 1744. Red and white chalk on paper, 19.3 by 7.1 cm. (Private collection).
Attributed works:
11. Two English gentlemen before the Arch of Constantine, by Anton von Maron. 1767. Oil on canvas, 137 by 100.5 cm. (Private collection)
Attributed works:
9. Caricature of Pompeo Batoni, by Giuseppe Cades. c.1780. Pen and ink on paper, 11.3 by 8.3 cm. (Philadelphia Museum of Art).
Book Review
Women Artists in the Reign of Catherine the Great
02/2024 | 1451 | 166
Pages: 216
related names
Reviewer:
Phillips, Catherine (Phillips, Catherine)
Subjects
Reviewed Items
subjects:
Women Artists in the Reign of Catherine the Great By Rosalind P. Blakesley. 152 pp. incl. 62 col. ills. (Lund Humphries, London, 2023), £45. ISBN 978–1–84822–545–9. | :
Supplement
Recent acquisitions (2016–22) of European works of art at the Detroit Institute of Arts
06/2023 | 1443 | 165
Pages: 677-692
Subjects
subjects:
Illustrations
Attributed works:
10. Large circular dish with Diana and Callisto, Nevers Manufactories. c.1660. Faience (tin-glazed earthenware), diameter: 50.8 cm. Bequest of Sidney R. Knafel, T2022.237.2.
Attributed works:
11. Infant St John the Baptist in the wilderness, by Bartolomé Esteban Murillo. Between 1665 and 1670. Oil on canvas, 85 by 72 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2021.270.
Attributed works:
12. Madonna and Child with Sts Ignatius of Loyola, Francis Xavier, Cosmas and Damian, by Andrea Sacchi. 1629. Oil on canvas, 60.5 by 40.3 cm. Gift of the European Paintings Council, 2017.10.
Attributed works:
13. St Peter weeping with keys, by Guercino (Giovanni Francesco Barbieri). c.1630–40. Pen and brown (iron gall) ink on laid paper, 24.6 by 19.3 cm. Gift of an anonymous donor, in memory of Edward B. Caulkins Jr, 2016.126.
Attributed works:
14. Study for the Chair of St Peter (Cathedra Petri), workshop of Gian Lorenzo Bernini. c.1657–58. Pen and brown ink and wash with white highlights on laid paper, 50.8 by 33.7 cm. Museum purchase, Ralph H. Booth Bequest Fund, 2018.21.
Attributed works:
15. Garniture of three vases, manufactured by the De Paauw (‘The Peacock’) Manufactory, Delft, under the direction of Petronella van Dijssel. c.1690. Tin-glazed (enamelled) earthenware, 40 by 37.5 cm. Gift of Richard and Joanne Brodie, 2019.160.1–.3.
Attributed works:
16. The archangel Michael defeating Satan, by Acisclo Antonio Palomino de Castro y Velasco. Between 1692 and 1705. Oil on canvas, 208.8 by 146.5 cm. Gift of Colnaghi in honour of Salvador Salort-Pons, 2016.58.
Attributed works:
17. Reading the fate of the Christ Child, by Josefa De Ayala. 1667. Oil on copper, 23 by 29 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2020.15.
Attributed works:
18. Large platter with Bacchanal scene in the centre with putti and a satyr pushing a wheelbarrow on an ocre niellé ground, manufactured by the Rouen Factories. c.1725. Faience (tin-glazed earthenware), diameter 40 cm. Bequest of Sidney R. Knafel, T2022.237.13.
Attributed works:
19. Madonna and Child, by Giuseppe Maria Mazza. 1685. Hand-modelled terracotta relief in a gilt wood frame, 41.9 by 37.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan Darr, 2021.28.
Attributed works:
2. St Michael vanquishing the Devil, attributed to the workshop of the Harburg Master. c.1480. Limewood with original gilding and polychromy, 165 by 66 by 40 cm. Museum purchase, Robert H. Tannahill Foundation Fund, with funds from the Visiting Committee for European Sculpture and Decorative Arts, 2020.1.
Attributed works:
20. The sanctuary-basilica of Nuestra Señora del Lledó in Castellón de la Plana, by Juan Conchillos Falco. 1699. Pen and ink and brush and sepia wash, 21.6 by 29.2 cm. Museum purchase, Hill Memorial Fund, 2020.17.
Attributed works:
21. Virgin of solitude, by Luisa Roldán (called La Roldana). 1705. Terracotta, paint, glass and wood, 38.1 by 26 cm. Museum purchase, Funds from the Joseph M. DeGrimme Memorial Fund and Robert H. Tannahill Foundation Fund, 2018.33.
Attributed works:
22. Venus ordering armour for Aeneas at Vulcan’s forge, by Gaetano Gandolfi. c.1775. Oil on canvas, 64.5 by 47.5 by 4.4 cm. Gift of the Elizabeth, Allan & Warren Shelden Fund, 2017.46.
Attributed works:
23. Penitent Magdalene, by Caterina de Julianis. 1717. Polychrome wax, painted paper, glass, tempera on paper and other materials, 26.9 by 27 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2019.44.
Attributed works:
24. The Doria commode, designed and painted by Lorenzo de Ferrari. c.1737. Carved and gilded walnut with tempera and oil painted decoration and original carved Spanish red broccatello marble top, 91 by 136 by 53 cm. Museum purchase, Jill Ford Murray Fund, Robert H. Tannahill Foundation Fund, and funds from The Visiting Committee for European Sculpture and Decorative Arts in honour of Joanne Brodie, VCESDA Chair 2012–18, 2018.32.
Attributed works:
25. St Benedict of Palermo, attributed to Juan Pascual de Mena. Between 1770 and 1780. Coniferous wood, oil, gold, glass and fibre cord, 175 by 100 by 50 cm. Museum purchase, Jill Ford Murray Fund, 2017.21.
Attributed works:
26. Virgin and Child, by Luis Salvador Carmona. c.1750. Polychrome coniferous wood and glass, 130.8 by 63.5 by 48.3 cm. Museum purchase, Robert H. Tannahill Foundation Fund and Ernest and Rosemarie Kanzler Foundation Fund, 2016.31.
Attributed works:
27. Small sword with koft-gari hilt. Possibly France, c.1770. Hilt: steel with gold inlay; blade: etched and blued steel, 100.3 by 10.8 by 8.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.274.
Attributed works:
28. Soup plate from the Catherine the Great Service (assiette à potage), manufactured by the Sèvres Porcelain Manufactory and gilded by Henry-François Vincent. 1778. Soft-paste porcelain, bleu celeste ground with enamel decoration and gilding, 3.8 by 26.7 cm. Museum purchase, with funds from the Bernard J. Reilly Fund and the Joseph M. de Grimme Memorial Fund, 2017.58.
Attributed works:
29. Carved relief of Marchesa Vittoria Santini Torrigiani, attributed to Giuseppe Maria Bonzanigo. c.1796. Boxwood, fruitwood and ebony, 18.6 by 13.7 by .5 cm. Gift of Richard A. and Joanne Brodie, 2021.251.
Attributed works:
3. Dish with the allegory of Love depicting Giulia and Ottinello, by Francesco Xanto Avelli da Rovigo, possibly in the workshop of Nicola da Urbino. c.1525–27. Tin glazed (enamelled) earthenware, diameter 26.5 cm. Gift of Richard A. and Joanne Brodie, 2021.415.
Attributed works:
30. and 31. Mrs Mary May and her daughters Maria Emilia, Louisa and Sophia Margaret and Mr Joseph May and his sons Thomas Charles, Joseph and John, by Angelica Kauffmann. 1780. Oil on canvas, each 144.4 by 176.5 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2022.266.1-2.
Attributed works:
32. Los Caprichos, by Francisco Goya. 1796–98, first edition published 1799. Bound set of eighty etchings with aquatint and engraving on laid paper, in original Spanish mottled calfskin-covered pasteboard binding, 31.2 by 21.0 by 2.8 cm. Museum purchase, Ernest and Rosemarie Kanzler Foundation Fund, 2021.268.
Attributed works:
33. Satan, the fallen angel, by Jean-Jacques Feuchère. Modelled 1833, cast 1835. Bronze with a dark brown patina, height 34.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund and the Visiting Committee for European Sculpture and Decorative Arts, 2018.17.
Attributed works:
34. Bust of Giuseppe Bossi, by Antonio Canova. 1816. Plaster, 94 by 45.7 by 38.1 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2017.19.
Attributed works:
35. Portrait bust of the duchesse de Berry, by Félicie de Fauveau. 1840. Marble with partial gilding and polychromy, height 60 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.273.
Attributed works:
36. Coffret à bijoux with the triumph of Amphitrite, by Frédéric-Jules Rudolphi. c.1850. Oxidised and parcel-gilt silver, enamel, coloured glass and pearls, 21.3 by 19.7 by 15.2 cm. Gift of Richard and Joanne Brodie, 2021.296.
Attributed works:
4. Descent from the Cross, by the Master of the Embroidered Foliage. c.1500. Oil on oak panel (cradled), 97.6 by 80.3 cm. Gift of Mr and Mrs Raymond Cracchiolo, 2019.18.
Attributed works:
6. Dish featuring Cupid holding a globe, made by Lyon Manufactories and decorated by Gironimo Tomasi. c.1582–1600. Faience (tin-glazed earthenware), diameter 32.7 cm. Bequest of Sidney R. Knafel, T2022.237.9.
Attributed works:
7. Parade shield for the guard of Archbishop Wolf-Dietrich von Raitenau. Venice, c.1595. Wood, tooled leather, metal leaf, polychromy and varnish, diameter 62.2 cm. Museum purchase, Jill Ford Murray Fund, 2022.5.
Attributed works:
8. Ecce Homo, by Luis de Morales. c.1560–70. Oil on wood panel, 54.6 by 46.4 cm. Museum purchase, Jill Ford Murray Fund and the Robert H. Tannahill Foundation Fund, 2019.41.
Western art unattributed:
1. Crucifixion with the three Marys and others. England, 1440–80. Alabaster with original polychromy and gilding, 53.3 by 25.4 by 5.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan P. Darr, 2021.112.
Western art unattributed:
5. Reliquary bust of a virgin-martyr, likely a companion of St Ursula. Possibly Castile, c.1530. Softwood with gilding and polychromy, 47 by 43.5 by 19 cm. Gift of Richard A. and Joanne Brodie, 2022.115.
Western art unattributed:
9. David and Goliath. German, c.1600. Polychrome wax, 30 by 21.5 cm. Museum purchase, European Sculpture and Decorative Arts Deaccession Fund, 2020.5.
Article
A newly identified portrait by Sir Nathaniel Bacon
07/2022 | 1432 | 164
Pages: 641-649
related names
Author:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Illustrations
Attributed works:
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7 cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys, here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2 by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky, Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon. c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving, 35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne, London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned 1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
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Advertisements (front)
06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
Article
Christian VII of Denmark’s lost British portraits
02/2022 | 1427 | 164
Pages: 155-163
related names
Author:
Ayres, Sara (Ayres, Sara)
Subjects
dates:
Illustrations
Attributed works:
1. Christian VII in coronation robes, holding the crown and sceptre, by Alexander Roslin. 1772. Oil on canvas, 129 by 93 cm. (The Museum of National History, Frederiksborg Castle, Hillerød).
Attributed works:
2. Augusta, Duchess of Brunswick, with her son, by Angelica Kauffmann. 1767. Oil on canvas, 272.1 by 180.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
3. Christian VII, King of Denmark, by Nathaniel Dance Holland. 1768. Oil on canvas, 76.6 by 63 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
4. Christian VII, King of Denmark, by Richard Houston, after Angelica Kauffmann. c.1768–75. Mezzotint, 39.9 by 28.9 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Queen Caroline Matilda, by James Watson, after Francis Cotes. c.1766–71. Mezzotint, 37.6 by 27.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
6. Christian VII, King of Denmark, after Angelica Kauffmann. 1768. Oil on canvas, 23.5 by 19 cm. (The Museum of National History, Frederiksborg Castle, Hillerød).
Attributed works:
7. Christian VII, King of Denmark, here attributed to Edward Francis Cunningham (Calze). 1768. Pastel on paper, 62.5 by 51.4 cm. (Rosenborg Slot, Copenhagen).
Attributed works:
8. Christian VII, King of Denmark, formerly attributed to Angelica Kauffmann. 1768. Oil on canvas, 91 by 71 cm. (Private collection, Darmstadt).
Attributed works:
9. Christian VII, King of Denmark, formerly attributed to Angelica Kauffmann. 1768. Oil on canvas, 91 by 72 cm. (Private collection, Copenhagen).
Exhibition Review
Mad About Angelica Kauffman
09/2020 | 1410 | 162
Pages: 804-807
related names
Reviewer:
Savelsberg, Wolfgang (Savelsberg, Wolfgang )
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Mad About Angelica Kauffman Kunstpalast, Düsseldorf 30th January–20th September | :
Illustrations
Attributed works:
16. Self-portrait with stylus, by Angelica Kauffman. c.1768. Oil on canvas, 60.8 by 43.4 cm. (Private collection; exh. Kunstpalast, Düsseldorf; © AKRP; photograph Justin Piperger).
Attributed works:
17. The sisters Frances, Sophia and Susan Coutts, by Angelica Kauffman. 1790– 91. Oil on canvas, 237.4 by 183.3 cm. (Private collection; exh. Kunstpalast, Düsseldorf; © AKRP; photograph Justin Piperger).
Attributed works:
18. Euphrosyne, wounded by Cupid complaining to Venus, by Angelica Kauffman. 1782–83. Oil over graphite on canvas, 40.5 by 34.5 cm. (The Barrett Collection, Dallas; exh. Kunstpalast, Düsseldorf).
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
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