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26 articles
Book Review
Thomas Eakins and the Cultures of Modernity
01/2010 | 1282 | 152
Pages: 46-47
related names
Reviewer:
Fairbrother, Trevor (Fairbrother, Trevor)
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Reviewed Items
subjects:
Thomas Eakins and the Cultures of Modernity | author: Braddock, Alan C.
Illustrations
Attributed works:
55. The dancing lesson, by Thomas Eakins. 1878. Watercolour, 45.9 by 57.3 cm. (Metropolitan Museum of Art, New York).
Book Review
The Revenge of Thomas Eakins
07/2008 | 1264 | 150
Pages: 479
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Reviewer:
Griffin, Randall C. (Griffin, Randall C.)
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Reviewed Items
subjects:
The Revenge of Thomas Eakins | author: Kirkpatrick, Sidney D.
Illustrations
Attributed works:
55. John Biglin in a single skull, by Thomas Eakins. 1873–74. Canvas, 61.7 by 40.6 cm. (Yale University Art Gallery, New Haven).
Short Notice
Knowledge and authority in Thomas Eakins’s ‘The Agnew clinic’
07/2006 | 1240 | 148
Pages: 482-485
related names
Author:
Athens, Elizabeth (Athens, Elizabeth)
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Illustrations
Attributed works:
45. The Agnew clinic, by Thomas Eakins. 1889. Canvas, 214.3 by 300 cm. (University of Pennsylvania, Philadelphia).
Attributed works:
46. Detail of Fig.45, showing students at top left.
Attributed works:
47. Detail of Fig.45, showing Dr Milliken and Thomas Eakins.
Attributed works:
48. The Agnew clinic, detail of frame.
Attributed works:
49. Detail of Fig.45, showing the student audience.
Attributed works:
50. Agnew clinic, interior, medical faculty, by George Chambers. 1886. Black and white photograph, 16 by 21 cm. (University Archives, University of Pennsylvania, Philadelphia).
Attributed works:
51. Drawing 7 (Constructing space in perspective), by Thomas Eakins. c.1884–87. Pen and ink over graphite on buff wove paper, 42.6 by 56.7 cm. (Pennsylvania Academy of the Fine Arts, Philadelphia).
Attributed works:
52. Anatomical casts, by Thomas Eakins. 1880 (cast 1930). Bronze, Right shoulder, arm and hand, 69.8 cm. long; Back of male torso, 76.8 cm. long; Right thigh, leg and foot, 99.1 cm. long. (Philadelphia Museum of Art).
Attributed works:
53. Dr D. Hayes Agnew, by Bernard Uhle. 1889. Canvas, 130.8 by 95.2 cm. (University of Pennsylvania, Philadelphia).
Attributed works:
54. The Gross clinic, by Thomas Eakins. 1875. Canvas, 243.8 by 198 cm. (Jefferson Medical College, Thomas Jefferson University, Philadelphia).
Attributed works:
55. Thomas Eakins with Dr Frederick Milliken, in the Chestnut Street studio, attributed to Susan Macdowell Eakins. 1889. Dry-plate negative, 4 by 5 cm. (Pennsylvania Academy of Fine Arts, Philadelphia).
Exhibition Review
Thomas Eakins: Philadelphia, Paris and New York
03/2002 | 1188 | 144
Pages: 191-193
related names
Reviewer:
Fairbrother, Trevor (Fairbrother, Trevor)
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Illustrations
Attributed works:
78. Self-Portrait, by Thomas Eakins. 1902. 76.2 by 63.5 cm. (National Academy of Design, New York; Exh. Musée d'Orsay, Paris).
Attributed works:
79. Photograph of Thomas Eakins Carrying a Nude Woman at the Pennsylvania Academy of the Fine Arts, 1883-85. Digital Inkjet Print from Original Gelatin Dry-Plate Negative, 10.2 by 12.7 cm. (Pennsylvania Academy of the Fine Arts, Philadelphia; Exh. Musée d'Orsay, Paris).
Attributed works:
80. A May Morning in the Park (The Fairman Rogers Four-in-Hand), by Thomas Eakins. 1879-80. 60.3 by 91.4 cm. (Philadelphia Museum of Art; Exh. Musée d'Orsay, Paris).
Attributed works:
81. Salutat, by Thomas Eakins. 1898. 127.1 by 101.6 cm. (Addison Gallery of American Art, Phillips Academy, Andover, MA; Exh. Musée d'Orsay, Paris).
Book Review
Man Made: Thomas Eakins and the Construction of Gilded Age Manhood
05/2001 | 1178 | 143
Pages: 300-301
related names
Reviewer:
Fairbrother, Trevor (Fairbrother, Trevor)
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artists:
Reviewed Items
artists:
Man Made: Thomas Eakins and the Construction of Gilded Age Manhood | author: Berger, Martin A.
Book Review
Thomas Eakins Rediscovered
06/1998 | 1143 | 140
Pages: 398-399
related names
Reviewer:
Simpson, Marc (Simpson, Marc)
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Reviewed Items
artists:
Thomas Eakins Rediscovered | author: Foster, Kathleen A.
Publication Received
Eakins and the Photograph. Works by Thomas Eakins and His Circle in the Collection of the Pennsylvania Academy of the Fine Arts
02/1997 | 1127 | 139
Pages: 129
related names
Reviewer:
Stallabrass, Julian (Stallabrass, Julian; S., J.)
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Reviewed Items
artists:
Eakins and the Photograph. Works by Thomas Eakins and His Circle in the Collection of the Pennsylvania Academy of the Fine Arts | author: Danly, Susan , author: Eakins, Thomas , author: Liebold, Cheryl
Advertisements
Advertisements September 1996 (front)
09/1996 | 1122 | 138
Pages: i-xx
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subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] August Lucas, (1803 - Darmstadt - 1863). Washerwoman at Well near Subiaco. Oil on Canvas 1846. Signed with the Monogram and Dated 58 by 47,5 cm
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Apollo and Diana Killing the Niobids. By Jacques-Louis David. Oil on Canvas. 46 by 55 cm. (Talabardon).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Commode. By Etienne Levasseur (Stamped). Japanese Lacquer, Green Marble top, with Ebony, Brass and Bronze Mounts. 82.5 by 127.5 by 52.5 cm. (Perrin).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Female Donor against a Landscape. Attributed to Adriaen Isenbrandt. Oil on Panel. 25.4 by 18.4 cm. (Brimo de Laroussilhe).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] La Commode Rouge. By Edouard Vuillard (Signature Stamp Lower Left). Oil on Canvas, c.1890. 34 by 26,5 cm, (Galerie Hopkins Thomas).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Punchinello with a Gnocchi Pot. By Giovanni Battista Tiepolo. Pen and Brown Ink with Wash. 13.5 by 19 cm. (Hazlitt, Gooden and Fox).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Rodogune Prevents Antiochus from Drinking the Poisoned Cup. By Anne-Louis Girodet de Roussy-Trioson. Oil on Canvas. 31.7 by 40.8 cm. (Didier Aaron).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] View of the Grand Canal, Venice. By Giuseppe Bernardino Bison. Oil on Parchment. 15 by 20 cm. (Piero Corsini).
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jean François de Troy Paris 1679 - 1752 Rome. Bathsheba at Her Bath. Oil on Canvas: 100 × 135 cm
Attributed works:
[ Cover ] Two Breton Women in a Field, by Emile Bernard. c.1886. Panel, 62 by 82 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
[ Galerie Berès, 25 quai Voltaire, Paris ] Edouard Vuillard The Inkwell c.1886. Oil on Canvas. Signed E. Vuillard l.r. 13 × 19,7 cm
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Workshop of Pierre Reymond (Around 1513 - After 1584). Serie of 10 Limoges Enemel Plaques with Representations of the Month. Limoges around 1550. 6,4 × 8,4 cm. Provenance: J. P. Morgan Collection.
Attributed works:
[ Paul Prouté S. A., 74 Rue de Seine, Paris ] Louis-Adolphe Hervier Paris 1818 - 1879. Village de la Sarthe. Oil on Canvas, 0,70 × 1,20 m. Signed Lower Left
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Matthias Stomer (Amersfoort, c.1600 - Sicily, after 1650). The Annunciation 1630s. Oil on Canvas, 43¼ × $58frac{1}{16}$ in. (104.8 × 145 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte -Anne, Paris ] Lancelot-Théodore Turpin de Crissé (1782-1859). Oil on Canvas. The Feast of Corpus Christi at Saint-Germain-l'Auxerrois. Signed with Monogram TT and Dated 10 Juin 1830 Lower Centre 97.7 cm × 130 cm
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James, London ] Bartolomeo Manfredi (Ostiano c. 1580 - Rome c. 1622) A Drinking and Musical Party. Oil on Canvas 130 × 190 cm (51 × 75 Inches)
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jacob Adrien Bacher (1608 - 1651). "Portrait of a Man". Oil on Canvas, Monogram on the Right - 105 × 90 cm
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood. Height: 85 in - 216 cm.
Western art unattributed:
[ Donati Arte Claassica, Via Nassa 3, Lugano ] Greek Marble Head, Probably of the Goddess Igea. Late 4th Century BC. Height: 25 cm.
Western art unattributed:
[ Galerie Francois Antonovich, Les Louvres des Antiquaires, 2 Place du Palais Royal, Paris ] Alexandre le Grand type de Brooklyn. Terre cuite d'époque ptolémaïque H.22 cm
Western art unattributed:
[ H. W. Keil Ltd, 129-131 The Promenade, Cheltenham, Gloucester ] A Most Attractive Early 18th Century Walnut Bureau Bookcase with Shaped Interior. With Unusual top. Of Small Dimensions and Having an Excellent Golden Colour. C.1710. Height 8′5″ Width 2′9″ Depth 1′10″
Western art unattributed:
[ Wakelin & Linfield, Billingshurst, West Sussex ] Copper Gilt Ewer in the Form of a Stag. Augsburg. c. 1630. Brass Candlestick of Leuchterman Form. Franco/Flemish. Late 16th Century.
Exhibition Review
Thomas Eakins. London
01/1994 | 1090 | 136
Pages: 43-44
related names
Reviewer:
Wilton, Andrew (Wilton, Andrew)
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Illustrations
Attributed works:
37. Susan MacDowell Eakins, by Thomas Eakins. c. 1900. 51 by 40.8 cm. (Hirshhorn Museum and Sculpture Garden, Washington; Exh. National Portrait Gallery, London).
Attributed works:
38. Edith Mahon, by Thomas Eakins. 1904. 50.8 by 40.7 cm. (Smith College Museum of Art, Northampton, MA; Exh. National Portrait Gallery, London).
Attributed works:
39. The Thinker: Portrait of Louis N. Kenton, by Thomas Eakins. 1900. 208.3 by 106.7 cm. (Metropolitan Museum of Art, New York; Exh. National Portrait Gallery, London).
Attributed works:
40. John Biglin in a Single Scull, by Thomas Eakins. 1874. 61.9 by 40.6 cm. (Yale University Art Gallery; Exh. National Portrait Gallery, London).
Book Review
Realism, Writing, Disfiguration, on Thomas Eakins and Stephen Crane
12/1987 | 1017 | 129
Pages: 813
related names
Reviewer:
Rosenberg, Eric M. (Rosenberg, Eric M.; Rosenberg, Eric)
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Reviewed Items
subjects:
Realism, Writing, Disfiguration, on Thomas Eakins and Stephen Crane | author: Fried, Michael
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