Attributed works:
[Adam Williams Fine Arts, Ltd. 50 East 78th Street. New York. Giovanni Antonio Canal, il Canaletto. 1697 - Venice - 1768. View of Rome: The Piazza del Campidoglio and the Cordonata. One of the important pictures commissioned by the Neave family in the 18th century. Oil on canvas, 34 1/2 x 54 1/2 inches (87.5 x 138cm)]
Attributed works:
[Adam Williams Fine Arts, Ltd. 50 East 78th Street. New York. Roman Charity, by Bartolomé Esteban Murillo (1617-1682). Oil on canvas, 31.3 by 40.8 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrate: John William Waterhouse R.A. (British 1849-1917). Ophelia (detail)]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. 136 Faubourg Saint-Honoré, Paris. A wild male Teal by Johann Jakob Walther (c. 1600-1677). Black chalk, body colour, touches of gum arabic in the eye, 25.7 x 40.4 cm. Inscribed 'Anas Feras Vulgo' and 'Ein Kernel']
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. 136 Faubourg Saint-Honoré, Paris. Sir Thomas Lawrence (1769-1830). Portrait of Sir William Lock of Norbury Park and his daughter, Amelia. Charcoal on canvas, 92x66.5 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Portraits of a Girl and an Old Woman, bust length, by Adolf Friedrich van Menzel (1815-1905). Signed and dated 'A.M./86.' Graphite, 133 by 199 mm. Old Master and 19th Century Drawings, 22 June 2004.]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Sebastiano Luciani, called Sebastione del Piombo (Venice circa, 1485 - Rome 1547). Christ carrying the Cross, bust-length looking down to the left with inscription 'scuola di Raffaelo', black and white chalk on grey blue paper 6x 4 in. (168 x 119 mm)]
Attributed works:
[Christopher Wood. 20 Georgian House. 10 Bury Street. London. Frederick Sandys (1829-1904). Portrait of the artist, Dion Clayton Calthrop, aged 8. Signed, inscribed and dated May 1886. Coloured chalks on greenish-brown paper, 70x80 cm.]
Attributed works:
[David & Constance Yates. Lenox Hill Station. New York 10021. Albert Carrier-Belleuse (Anizy 1824 - 1887 Sèvres) Diana Victorious. Terracotta on original green porphyry base. Height: 42 1/2 inches (108 cm). Signed A. Carrier-Belleuse on top of terrace.]
Attributed works:
[David & Constance Yates. Lenox Hill Station. New York 10021. Charles Martel, by Jean-François-Theodore Gechter (1796-1844). 38.1 by 37.5 by 18.4 cm Signed 'Grechter' on base. Exhibition: Recent acquisitions. European sculpture, drawings and oil sketches, January 17-27. Hours by appointment.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Sir Henry Raeburn, R.A. (1756-1823). The Allen Brothers, c. 1790. Oil on canvas. 60 x 45 1/2 inches (152.4 x 115.6 cm)]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. A Frascatan Lady giving Alms by François-Joseph Navez. Oil on canvas signed and dated 1821]
Attributed works:
[Flavia Ormond Fine Arts. London. Saint Nicolas of Bari Triumphs over Evil, by Gottfried Bernhard Goz (1708-1775). Pen and brown ink, grey wash, heightened with white, over black chalk. Signed lower left: GB Goz inv. 21.4 by 15.2 cm. Exhibition: Master Drawings at Adelson Galleries, 19th Jan to 6th Feb.]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. François Boucher. Paris 1703-1770 Paris. The Nativity c. 1761/2. Pen and brown ink, brown wash heightened with white, on pink-prepared paper. 11 1/2 x 14 1/2 inches. Exhibition catalogue entry No. 10.]
Attributed works:
[French & Co., 17 East 65th Street, New York. John Martin. 1789-1854. Pandemonium. Signed and dated 'J. Martin./1841.' Oil on canvas, 48 1/2 x 72 5/8 inches (123.2 x 184.4 cm). In the artist's original frame.]
Attributed works:
[French & Co., 210 East 57th Street, New York. Primavera Sulle Alpi, by Giovanni Segantini (1858-1899). Canvas, 116 by 227 cm]
Attributed works:
[Haboldt & Co. 22 East 80th Street. New York. 70 rue du Faubourg Saint-Honore. Paris. Jean Tassel (Langres 1608-1667 Langres). The Denial of Saint Peter. Oil on canvas, 20 1/8 x 25 1/4 in. (51x64 cm)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Jan Wyck (circa 1645-1700). A Race Meeting on Newmarket Heath. Pen and brown ink and brown and grey wash, 24x42 cm(9 1/2 x 6 1/2 in). Signed, or bears signature, in brown ink, lower left: Wyck, and numberings in brown ink, verso, 14 (deleted) and 23.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Perino del Vaga. Florence 1501-1547. A RIver God. Drawing in pen and brown ink with brown wash, heightened with white. Apparently an early study for a stucco lunette in the Giganti, Palazzo Doria, Genoa. 125x178 mm. (5x7 inches.)]
Attributed works:
[Jack Kilgore & co. 154 East 71st Street. New York. Hendrick Goltzius. Muhlbracht 1558 - 1617 Haarlem. Adam. Oil on panel, 20 1/4 by 15 inches (51.4 by 38.2 cm). Monogrammed and dated 'HG 16** (?)']
Attributed works:
[Jack Kilgore & co. 154 East 71st Street. New York. Still life of Game with a Hare, Partridges and Hunting Gear, by Jan Weenix (1642-1719). Oil on canvas, 111.8 by 94.6 cm. Signed and dated: 'J. Weenix F. 1703'. Exhibition: Oil Master Paintings. January 19th to February 13th]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Michelangelo Buonarroti (1475-1564). Study of a Mouring Woman. Pen and brown ink, heightened with white lead bodycolour: 260 x 165mm]
Attributed works:
[Kate Ganz, USA, Ltd. 25 East 73rd Street, New York, NY 10021. A. Mancini, Double Self Portrait, after Rembrandt. Oil on paper, 43 by 53.4 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. John Linnell. 1792-1882. The Isle of Wright from Lymington Quay. Oil on panel. 11 1/4 x 15 3/4 inches (28.6 x 40 cm). Signed and dated 1825.]
Attributed works:
[Marcello Aldega/Margot Gordon. The 70th Art Gallery. 130 East 70th Street. New York. Antonio Mancini. Albano Laziale 1852 - 1930 Rome. Charcoal, touches of pink chalk, on grey-pink paper. 15 3/4 x 14 9/16 inches (400x370 mm)]
Attributed works:
[Marcello Aldega/Margot Gordon. The 70th Art Gallery. 130 East 70th Street. New York. Ganymede, by Francesco Maria Mazzola, called Il Parmigianino (1503-1540). Red chalk, 7.8 by 9.5 cm. Exhibition: Disegni Italiani, 1493-1930 at the 70th Art Gallery Ltd. January 17-24]
Attributed works:
[Mark Murray. 39 East 72nd Street. New York. Carl Ferdinand Sohn. German, 1805-1867. Portrait of a young Woman. Inscribed on the old lining attached to the reverse: Carl Sohn/ Professor at the Academie/ Dusseldorf/ Study for Disappointed Love/ pinx 1836. Oil on canvas, 16 x 12 3/4 inches. (32x40.6cm)]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk, CT. Sir Lawrence Alma-Tadema (1836-1912). View from Villa Ebers across the Stranberger See to the Alps. Oil sketch on canvas mounted to mahogany panel for the R.A. winter exhibition of 1913. 223x352 mm. signed by Anna A-T. extensively published. This study was preparatory for The Kiss of 1891, Close of a Joyful Day of 1894, and most importantly, a Coign of Vantage of 1894.]
Attributed works:
[Mia N. Weiner. Norfolk, CT. Alexander and the Body of Darius, by Lorenzo Tiepolo (1736-1776). Verso: same subject. Black chalk under-drawing, pen and brown ink, brush and wash, 39 by 28 cm]
Attributed works:
[Nevill Keating Tollemache. 5 Pickering Place, St. James’s Street. London. Dante Gabliel Rossetti. Works on paper.]
Attributed works:
[Otto Naumann, Ltd. New York. Crucifixion with Saints, by Sir Peter Paul Rubens (1577-1640). Oil on panel, 20.3 by 15.3 cm. Exhibition: Kunst-und Wunderkammer: Dutch and Flemish Paintings displayed in the 17thth-Century style. On view through January 30, 2004.]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. Girolamo Siciolante da Sermoneta (Sermoneta 1521 - 1575 Rome). The Annunciation. Oil on panel, 77 x 50 inches /195.6 x 127 cm)]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. The Penitent Magdalene, by Domenikos Theotokopoulos, called El Greco (1541-1614). Oil on canvas, 86.4 x 67.3 cm]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Adam by Giuseppe Cesari, called Il Cavaliere d'Arpino (1568-1640( Red chalk, 25 by 18.5 cm. Old Master Drawings, 21st January, 2004.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Nicolas Poussin. Villers près Andelys 1594 - 1665 Rome. Un dessinateur dans un paysage. Inscribed lower left, N. Poussin fe. Pen and brown ink, 5x7 1/4 inches (125x185 mm)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Un homme assis à mandoline, 1853, by Françcois Bonvin (1817-1887). Signed and dated, lower left, 'f. Bonvin 1853'. Charcoal, 30.8 x 23.6 cm. Exhibition: French Drawings, 1600-1900. January 20 - February 12, 2004.]
Western art unattributed:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The Virgin Annunciate, North Italian School (16th century). Black chalk, heightened with white, on blue paper. A study of the head of a youth on the verso, drawn in black chalk with areas of pink chalk and touches of white chalk, 27,8 x 20.2 cm. Exhibition: Old Drawings and Selected Paintings at Adam Williams Fine Art Ltd., New York, January 15th to January 31st, 2004]
