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7 articles
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Advertisements May 1998 (front)
05/1998 | 1142 | 140
Pages: i-xx
Subjects
subjects:
Illustrations
Attributed works:
Bartolomeo Savona, by André Derain. 1906. 46 by 35.5 cm. (Barber Institute of Fine Arts, University of Birmingham)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Francisco Jose de Goya y Lucientes 1746-1828. A Huntsman and His Dog in a Landscape, 1815-20. Brush and Sepia Inks, No. 101 from Album F. 204 × 142 mm., ex-colls. Javier Goya, Beurnonville, Calando
Attributed works:
[Bassenge, Erdener Str. 5A, Berlin, Germany] Albrecht Dürer (1471-1528). The Rhinoceros. Woodcut. 1515. Meder 273 IV (From VIII). Auction Estimate DM 35,000
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] The Drunkenness of Silenus. A Terracotta by the Flemish Artist Pieter Xavery (Anvers 1647-1674), Height: 41 cm. Length: 41 cm. Depth: 21 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Federico Barocci 1535 - Urbino - 1612. Portrait of Gentleman. Oil on Canvas: 54.3 × 42.5 cm
Attributed works:
[Dorotheum, Dorotheergasse 17, A-1010 Vienna] Bernardus van Schendel or Schyndel (1649-1709): "Besuch der Sternsinger", Oil on Canvas, 48 × 63 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Egon Schiele (1890-1918). Standing Female Nude in a Fur Coat, 1914. Black Crayon on Paper, 44.2 × 28.6 cm
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern, Switzerland] Käthe Kollwitz. Der Tod in der Weberstube. Brush and Pen Drawing in Ink, with White Heightening and Pastel. 1895-1897. 25.5 × 22.1 cm. Timm No. 137. Signed and Dated in Pencil.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Anthony van Dyck Antwerp 1599-1641 Blackfriars Portrait of a Cavalier. Dated and Inscribed 'AET. s 37. 1634' Oil on Panel, 28½ by 21 3/4 Inches (73 by 55 cm.)
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germnay] Anselm Feuerbach (1829 Speyer - 1880 Venice). Portrait of a Lady Wearing a Pearl Necklace. Signed 'A. Feuerbach'. Oil on Canvas. 77 × 57,5 cm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Tilly Kettle (1735-1786), "Portrait of the Hon. Charles Stuart", Oil on Canvas, 219.5cm × 137cm. Estimate: 30,000-£50,000
Attributed works:
[Piano Nobile, 129 Portland Place, London, UK] Dame Ethel Walker (1861-1951). Decoration: Evening, 1936. Oil on Canvas. 74 × 50 Inches
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New york, New York] Max Beckmann Recto: "Harmony Players (Accordion Players)". Verso: "Two Accordionists"
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New york, New York] Max Beckmann, 18 April 1944. Black Pencil and Pen on Paper, 25 by 23 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A pair of Italian gilded copper and gilt-bronze mounted satinwood, amaranth and palisander commodes with verde antico marble tops, by Livinec, the mounts by Luigi Valadier, Roman, circa 1784 163cm. High, 101cm. Wide, 79cm. Deep A pair of Italian gilt-bronze mounted, alabaster del Circeo and white marble vases and candelabra, by Luigi Valadier, Roman, (1726-1785) circa 1775-80 44cm. High, 55cm. High with candelabra Another pair of Italian gilt-bronze mounted, white alabaster and white marble vases and candelabra, by Luigi Valadier, Roman, (1726-1785) circa 1775-80 44cm. High, 55cm. High with candelabra An Italian gilt-bronze, white and black marble and verde antico figure of Moses, Roman, attributed to the Righettis' workshop, early 19th century, 47.5cm. High
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] André Derain (1880-1954), Baigneuses. Watercolour and Pencil, 19.7 × 28 cm $7frac{7}{8}$ × 11 ins). Signed Lower Right. Executed Circa 1906.
Attributed works:
[Tate Gallery, Millbank, London, UK] Charles Collins, Lobster on a Delft Dish, 1738
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Edwin by Augustus John (Detail) Oil on Panel c.1911 National Museum and Gallery, Cardiff © Julius White
Attributed works:
[Wildenstein Institute, 57, rue La Boetie, 75008, Paris, France] Amedeo Modigliani. Photo: Archives Paul Guillaume.
Western art unattributed:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Napoleonica: The Library of Dr. Alfred Schaefer, Zürich. Bibliophilia: Masterbindings by the Studio Stemmle, Zürich-Ascona. and from the Wollisch Collection, Vienna. Rare Books on Hunting, Fishing, Riding, Firearms and Natural History
Western art unattributed:
[H. W. Keil Ltd, 129-131 The Promenade, Cheltenham, UK] An Excellent Mid 18th-Century Mahogany Gainsborough Armchair with Cabriole Legs and Paw Feet, and Having Good Carved Detail. Circa 1770. Height 3′2″ Width 2′4″ Depth 2′9″
Western art unattributed:
[University of California Press] Photograph of a sculpture from the book 'Looking At Lovemaking'. Author John R. Clarke.
Western art unattributed:
[Westland & Company, St. Michaels Church, Mark Street, London, UK] A Fine George 1st Carved Oak Palladian Room, with Raised and Fielded Panels and Dentil Cornice. the Chimney-Breast Wall with Fluted Corinthian Pilasters. Early 18th Century after Thomas Archer (1668-1743)
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Advertisements December 1997 (front)
12/1997 | 1137 | 139
Pages: i-xvi
Subjects
subjects:
Illustrations
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Angelo Pizzi (Milan 1775-1819). Buste de Napoleon ler vêtu à l'antique marbre blanc, H:64.5, L:55, P:22 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] François Boucher. Paris 1703-1770 Paris. La bergère au coeur. Black and Red Chalk, Heightened with White Chalk, with Blue and Red Postel and Touches of Grey Wash. 393 × 479 mm. (15 ½ × $18frac{7}{8}$ in.)
Attributed works:
[ Cover ] Mercury, by Giovanni Francesco Rustici. 1515. Bronze, 46.2 cm. High (Fitzwilliam Museum, Cambridge).
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Giovanni Francesco Rustici (Florence 1474 - 1554 Tours). A Rivergod. Terracotta. Size: 32cm × 31.5cm
Attributed works:
[ David & Constance Yates ] Charles Henri Joseph Cordier (1827 - 1905). Poésie. Polychrome Bust in Marble and Onyx, with Gilt Bronze Laurel Attachments. Height: 31 Inches (790 mm.). Width at Shoulders: 20¼ Inches (515 mm.). Signed under Right Shoulder: C Cordier
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Carel Fabritius (1622 - 1654). Elisha and the Shunammite Woman. Oil on Panel, 71,2 × 92,3 cm.
Attributed works:
[ Galleria Nella Longari, Via Bigli 15, Milan ] Virgin and Child. Attr. to Francesco e Tommaso Cazzaniga. Lombardy, Second Half of the 15th Century. Stone Group, Height 58 cm.
Attributed works:
[ Hall & Knight Ltd., 21 East 67th Street, New York / 15 Duke Street, St. James, London ] Martin Bernat (Active in Zaragoza between 1469 and 1497). St. Blaise Enthroned. Oil, Gold and Stucco on Panel, $53frac{3}{4}$ × $38frac{1}{8}$ Inches (136.5 × 97 cm)
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Rembrandt Harmensz van Rijn (1606-1669) Landscape with a Cottage and a Large Tree. Etching, Dated 1641. Bartsch, Holl. 226, Only State, 124 × 320 mm.
Attributed works:
[ The Wildenstein Institute, 57 rue La Boétie, Paris ] Photo: Archives Paul Guillaume.
Western art unattributed:
[ H. W. Keil Ltd., Tudor House Broadway, Worcestershire ] An Excellent 17th Century Carved Oak Four Poster Bed with a Fine Carved Panelled Tester. Having a Lovely Rich Colour and Good Proportions. c.1680. Length 6′ 11½″ Depth 5′ 3″ Height 6′ 10½″
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Advertisements September 1997 (front)
09/1997 | 1134 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Edvard Munch (Loeiten 1863 - 1944 Ekely near Oslo). Girl and Boy at a Chicken Run. Lithograph 1912. Schiefler 372, b. Signed and Marked "Tryk 4.". Printed on Heavy Greyish-Brown Laid Paper. Image Dimensions: 43.5 by 38 cm.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Nicolò di Pietro. (Venice, Documented between 1394 and 1427). "Christ AS Saviour". Tempera on Panel, 70 × 55.5 cm
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltiare, Paris ] Edward Luttrell, fl.c. 1680-1724. Three Male Heads. Pastel on Copper, 9.4 × 25.4 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, New York ] Eustache le Sueur 1616 - Paris - 1655. St. Paul Exorcising a Possessed Man Also Known as St. Paul Healing the Sick. Oil on Canvas: 175.1 × 131.7 cms
Attributed works:
[ Cover ] Costume of a mourner, Made by Marie Muelle in the Atelier of Paul Poiret after a Design by Henri Matisse. 1919. Felt and Velvet, 160 by 168 cm. (Musée d'art et d'histoire, Geneva)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] C. R. W. Nevenson 1889-1946. The Road to Ypres. Oil on Canvas. 51 × 92 cms.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Holbein, Hans, the Younger (1497-1543). Successor. Portrait of Henry VIII of England. Oil on Wood. 75 × 65 cm.
Attributed works:
[ Galerie Lingenauber, 110 rue vieille du Temple Marais, Paris / Schwerinstrasse 38 Dusseldorf ] Claude-Joseph Vernet (Avignon 1714 - 1789 Paris). Canvas 35 × 45 cm (13.8 by 17.7 in.)
Attributed works:
[ Galerie Lingenauber, 110 rue vieille du Temple Marais, Paris / Schwerinstrasse 38 Dusseldorf ] Jean Etienne Liotard. (1702 - Geneva - 1789). A Tea Set with a Sweet. Oil on Canvas 30 × 64 cm (11.8 by 25.2 in.) Signed Lower Right: J. E. Liotard
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger - Hof, Moosinning, Munich ] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona). Kneeling Angel. Black Chalk, Pen and Brown Ink, Brown Wash on an Old Mount. 172 × 108 mm.
Attributed works:
[ Hall & Knight Ltd., 21 East 67th Street / 15th Duke Street, St. James, London ] Giovan Francesco Maineri (c. 1460/70- after 1506). Christ Carrying the Cross. Oil on Panel, 12 × 8½ Inches (31 × 22 cm)
Attributed works:
[ Maison d' Art, Park Palace, 27 Avenue de la Costa, Monaco ] Bartolomeo Guidobono Savona 1654 - Turin 1709. The Virgin and Child Oil on Canvas, 64 × $37frac{3}{4}$ in. (162.6 × 95.9 cm.)
Attributed works:
[ Neumeister Barer Str. 37, Munich ] Abraham Govaerts (1589-1625) and Thomas Francken (1574-1625). The Virgin and Child in Wooded Landscape. Oil on Panel. 50 × 64 cm. Provenance: Monastery Nonnberg, Salzburg.
Attributed works:
[ Phillips, 101 New Bond Street, London ] Camille Pissarro, "Camille Pissarro par lui-même", (Delteil 90), Etching and Drypoint, Circa 1890, Second State, Signed and Numbered from the Edition of Twenty Eight.
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Abraham de Verwer (Circa 1585-1650) Flemish School. A Dutch States Yacht with Numerous Smalschips and Barges on a River Estuary beside a Village. Oil on Panel. $12frac{1}{8}$ × $14frac{1}{8}$ Inches (30.8 × 35.8 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Jan Brueghel The Younger (1601-1678) Flemish School. A River Landscape with Windmills and Ferry Boats. Oil on Copper. 19¼ × 26 Inches (49 × 66 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Pieter Brueghel The Younger (1564-1638) Flemish School. The Adoration of the Magi. Oil on Panel. 15½ × 22¼ Inches (39.2 × 56.8 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Pieter Snayers (1592-1667) Flemish School. The Conversion of St. Paul. Oil on Panel. 7½ × 9½ Inches (19 × 24.2 cms). Signed and Dated 1656.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Pierre-Nolasque Bergeret, Marius Meditating on the Ruins of Carthage, 1807. Oil on Canvas, 129.5 by 96.5 cm. Signed in Monogram and Dated: "P. N. B. AN 1807"
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Antoine-Louis Barye: Man on Horseback. Wax, ht. 19.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Charles Mellin: Triumph of Galatea. Oil on Canvas, 121 by 123.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Eugène Delacroix: Charles V and Odette de Champdivers. Oil on Canvas. 33.5 × 27.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Gherardo Starnina: Madonna of Humility, c.1410. Tempera on Panel, 93.5 × 60 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Godfried Schalcken: A Gentleman Offering a Lady a Ring in a Bedroom. Oil on Panel, 37.2 × 29.2 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Jean-Baptiste Carpeaux: La Danse. Terracotta, ht 52 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Jean-Etienne Liotard: A Tea Set. Signed. Oil on Canvas, 30 × 64 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Juan de Arellano: Irises, Tulips, Roses and Other Flowers in a Glass Vase. Signed. Oil on Canvas, 84 × 62.8 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Léon Mathieu Cochereau: Le peintre, le modèle et son chaperon. Oil on Canvas, 46 × 55 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Mario Nuzzi: Portrait of a Young Boy with Fruit and a Parrot. Oil on Canvas, 101 × 81 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Nicolas-Bernard Lépicier: Jeune homme à la pipe. Ink and Wash with Traces of Red Chalk, 28.2 by 20.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Paul-César Helleu: Atelier Edgar Degas. Black and Red Chalk with White Hightening, 26 by 37 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Pierre Mignard: Time Clipping Cupid's Wings. Signed and Dated, 'P. Mignard Pinxit 1694 / Aetatis 82. Oil on Canvas, 66 × 54 cm.
Attributed works:
[ Tate Gallery, Millbank, London (BP) ] Thomas Girtin, The White House at Chelsea, 1800
Attributed works:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Vienna ] Eugène Boudin "Rotterdam, le port de bourse". Oil on Canvas, 40 × 55 cm
Western art unattributed:
[ H. W. Keil Ltd, 129-131 The Promenade, Cheltenham Gloucester ] An Excellent Early 19th-Century Mahogany two Pillar Table with Turning Bases to Support Leaves. Of Fine Colour and Quality. Circa 1820. Length 8′4″ Width 4′2″ Height $2^{prime }3frac{3}{4}^{prime prime}$
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Advertisements April 1997 (front)
04/1997 | 1129 | 139
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (Venice 1696 - 1770 Madrid). Studies of the Head of a Man, Seen from below and in Profile to the Right. Red and White Chalk. 28.5 × 21 cm
Attributed works:
[ Cailleux, 136 Faubourg Saint-Honoré, Paris ] Jacques Rousseau (Paris, 1630 - London, 1693) Landscape with a River. Red Chalk. H.138mm; W.189mm. Signed on the Margin: Rousseau del.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire ] Head of a Dog. By Joseph Charles Marin (1759-1834). Terracotta, Signed Marin on the Collar. Height: 18 cm. Width: 15 cm. Depth: 20 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Giovanni Battista Tiepolo Venice 1696 - 1770 Madrid. Christ on the Cross. Black Chalk, with Touches of White Chalk, on Blue Paper. 467 × 322 mm. ($18frac{3}{8}$ × $12frac{3}{4}$ in.). One of Only Three Early Drawings by Tiepolo Which are Preparatory Studies for Prints.
Attributed works:
[ Cover ] Fête champêtre, by Jean-Antoine Watteau. c.1718-21. Panel, 48.4 by 64.5 cm. (Art Institute of Chicago)
Attributed works:
[ Emmanuel Moatti, 134 Rue du Faubourg Saint Honoré, Paris ] Pierre-Paul Prud'hon Cluny, 1758 - Paris, 1823. Study for 'The Dream of Happiness', Black Pencil, with White Highlights on Blue Paper 29.5 cm × 45.5 cm. Circa 1819
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Théodore Géricault (1791-1824) Scène Antique 1816. India Ink and Pencil Heightened with Gouache on Paper, 20 × 25.5 cm
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger - Hof, Moosinning (Munich) ] Johann Wolfgang Baumgartner (Kufstein 1709 - 1761 Augsburg). Saint Ignatius from Loyola Preaching. Pen and Black and Grey Ink, Point of Brush in Grey, Grey Wash, Heightened with White, on Blue Paper. 11¼ × $13frac{3}{4}$ Inches (284 × 348 mm)
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St. James, London ] Annibale Carracci (1560-1609) A Semi-Nude Boy Red Chalk Heightened with White on Buff Paper 277 × 192 mm. The Visitors of the Ashmolean Museum
Attributed works:
[ Hill Stone, Park Avenue, New York ] Jan Saenredam. 1565 - 1607. Allegory of the Triumph of the Netherlands over Spain. Engraving, 1600. Hollstein 120, the Rare First of Five States. Trimmed 3 to 4 mm at Right Otherwise in Fine Condition.
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2, Munich ] Giovanni Francesco Barbieri, Called il Guercino (Cento 1591 - 1666 Bologna). The Triumph of Galatea. Pen and Brown Ink, Brown Wash, Squared in Black Chalk; 205 × 261 mm.
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Patrick Derom Gallery, 1 Rue aux Laines, Brussels ] Xavier Mellery (1845-1921) La Renaissance italienne. Ink and Watercolour on Gold, 77 × 47 cm, Signed Lower Right,
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Lorenzo de Ferrari (Genoa 1680 - 1744). Angel Standing Holding a Decorative Object in the Shape of a Tassel. Black Chalk with White Highlights on Slightly Prepared Paper, 555 × 405 mm.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Annibale Carracci (1560-1609). Hercules Resting, 1595. Black Chalk Heightened with White, 34.4 × 52 cm. First Thought for the Fresco in the Camerino at Palazzo Farnese
Attributed works:
[ The International Fine Art Fair, New York ] Antonio Manno The Prophet Daniel. Pen and Ink with Grey Wash and White Heightening. Squared for Transfer 33.5 by 44.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Cristofano Roncalli. Called Pomarancio A study of Two Heads Black and Red Chalk on Blue Paper 22 by 34.6 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Dante Gabriel Rossetti Study of Mrs Morris for Pandora. Pen over Traces of Pencil 17.8 by 11.4 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Francesco Fanelli Diana Bronze 40.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals Portrait of a Woman Aged 36, 1637. 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals, Portrait of a Man Aged 37, 1637 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Giorgio de Chirico Portrait of Carlo Cirelli, Signed and Dated 1915 76 by 64 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Hendrick van Steenwijck the Younger, An Imaginary City Square Animated with Figures, Signed and Dated Lower Left 'Henn.V Steen/ 160[?8]'. Oil on Copper 25 × 36 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Constable Portrait of Ann or Jane Gubbins. Pencil 10.6 by 17 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Flaxman A Study of Two Women. Pen and Ink with Grey Wash.
Attributed works:
[ The International Fine Art Fair, New York ] John Singer Sargent Portrait of Sylvia Harrison. 147.2 by 83.8 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pierre Bonnard, Still Life with Faïence Plate 38 by 46.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pieter Brueghel the Younger (1564/5 - 1637/8). The Return from the Kermis. Signed. Panel: $22frac{7}{8}$ × 33¼ in / 58 × 84.5 cm
Attributed works:
[ The International Fine Art Fair, New York ] Renè Magritte L'Invention de la Vie, 1928 81 by 116 cm.
Attributed works:
[ The International Fine Art Fair, New York ] William Hogarth Portrait of Mrs Elizabeth Hoadly, Signed and Dated 1741 76 by 63.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Pierre Bonnard Nu à sa toilette. Red Chalk 34.5 by 21.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Alfonso Parigi Stage Design for 'Le Nozze degli Dei', 1637. Pen and Brown Ink with Grey Wash 27.6 × 39.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Charles-Joseph Natoire Young Man Kneeling. Black Chalk with White Heightening 25.5 by 20.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Claude Gellée Shepherds in a Landscape. Black Chalk, Pen and Brown and Grey Wash Heightened with White 24.4 by 40.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Eugène Delacroix Jewish Woman of Tangier. Watercolour over Graphite 22 by 14.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hans Bol: Landscape. Pen and Brown Ink with Wash 14.3 by 21.2 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hubert Robert The Cupola of St Peter's, Rome. Red Chalk over Traces of Black Chalk 41.4 by 53.4 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jacopo Zanguidi, Called Bertoia Jacob's Dream. Pen and Brown Ink with Wash Heightened with White on Blue Paper, Squared in Red Chalk 29.8 by 25.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jean-Baptiste Greuze La marchande de marrons. Pen and Black Ink with Grey and Bistre Wash 42 by 31.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] John 'Warwick' Smith Distant View of St Peter's and the Vatican, 1799. Watercolour 30.8 by 40.7 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Millet, Peasants Loading Barley into a Cart. 1854-58 31.1 by 47 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Simon Vouet Armand-Jean du Plessis, Cardinal de Richelieu. Black and Red Chalk, Heightened with White. 27.4 × 21.1 cm.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Martinus Ro̵rbye 1803 Drammen (Norway) - Copenhagen 1848. View of Copenhagen Seen from the Stairs of the Slotskirken. Signed and Dated M. Ro̵rbye 1826, Pen and Watercolour, 210 × 260 mm.
Attributed works:
[ Whitefied Fine Art, 180 New Bond Street, London ] Detail from Allegory of Water by Paolo Fiammingo. Antwerp, Circa 1540-1596.
Western art unattributed:
[ H. W. Keil Ltd, Tudor House Broadway, Worcestershire ] A Rare 17th-Century Jacobean Oak Moulded Fronted Spice Cabinet Fitted with Small Drawers inside. Of fine Rich Colour. Height 2′8¼″ Width 2′6″ Depth 11½″
Advertisements
Advertisements November 1996 (front)
11/1996 | 1124 | 138
Pages: i-xxiv
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red 21.2 × 33.8 cm
Attributed works:
[ Bassenge, Erdener Str. 5A, Berlin ] Albrecht Dürer (1471 - 1528, Nuremberg). Saint Eustace. Engraving. C. 1501, Bartsch 57, Meder 60 (b of k). Watermark High Crown (M. 20)
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Giuliano da Rimini (documented 1307-1323). An Altarpiece in three Sections with an extensive inscription on the reverse of the left panel: "Giott/...sono a lavorare/ed in quella chiesa di S./(che?) fu sopressa d..../1807/del/...Diotallevi". Tempera on gold ground panel, shaped tops. Picture surfaces: centre: 75 × $28frac{1}{8}$ in. (190.5 × 71.5 cm.). Left: $60frac{5}{8}times 26frac{3}{8}$ in. (154 × 67 cm.). Right: $61frac{1}{4}times 26frac{3}{8}$ (155.5 × 67 cm.)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Angelica Kauffman, R. A. Coire 1741 - Rome 1807, William Henry Lampton. Oil on Canvas: 86 × 55½ ins (218.5 × 141 cms). Signed and Dated at Lower Right: Angelica Kauffman/PinX: Romae, 1797
Attributed works:
[ Cover ] Portrait of the Actor Willem Bartolsz. Ruyters, by Rembrandt Hermansz. van Rijn. c. 1639. Pen and Brown Iron-Gall Ink, Heightened with White on Paper, Prepared with Yellowish-Brown Wash, 13.9 by 17.4 cm. (Rijksmuseum, Amsterdam)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Ubaldo Gandolfi (San Matteo 1728 - 1781 Ravenna). The Resurrection of Christ. Oil on Canvas, 77 × 52 cms. Modello for the Fresco of the Same Subject in the Church of San Luca, Bologna
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg, St. Honoré, Paris ] Gilles Lambert Godecharle (Bruxelles 1750 - 1835). Cupidon. Pierre de France. Height: 160 cm. Signed and Dated 1804
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Simon de Vlieger (1601 - 1653). A Dutch Flagship Exchaning Salutes and a Galjoot in a Heavy Sea, Signed on Floating Plank Lower, Oil on Panel 44,5 × 60 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Lorenzo Lotto, Sacra Conversazione - Virgin and Child, SS. Jerome, Peter, Care (?) and Francis Panel 81.5 by 108 cm (32 by 42½ in.), Signed on the Scroll: L. Lotus Fecit
Attributed works:
[ Hill-Stone, New York ] Hendrick Goltzius. Haarlem 1558 - 1617. The Circumcision (The Life of the Virgin). Engraving, in the Style of Dürer; 1594. Strauss 322, Hollstein 12: iii/v. A Berlin Duplicate (Before 1920), Lugt 1606 and Lugt 234.
Attributed works:
[ Neumeister, Barer Str. 37, Munich ] Artus Quellinus the Younger (Saint Trond 1625 - 1700 Antwerpen) Virgin and Child. Late 17th Century. Wood. H. 112 cm.
Attributed works:
[ Noortman, 40-41 Old Bond Street, London ] Jan van Goyen. Leiden 1596 - 1656 The Hague. 'A View of the Haarlemmermeer'. Panel 30.5 × 38.5 cm. Signed with Monogram and Dated 1647
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger, (1564-1637/8) "Le Retour de la Kermesse", Signed, Oil on Panel, 58cm × 84.5cm. Estimate: £700,000-£1,000,000 ($1,092,000-$1,560,000)
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] Circle of Andrea Mantegna (1431-1506): Bacchanal with a Wine Vat, Pen and black ink with brown wash, laid down on a contemporary sheet, 290 × 354 mm. An exceptional drawing which appears to be one of several preparatory studies for the engraving of the same title or related to such preparatory drawing. Originating from the Circle of Andrea Mantegna and apparently executed before the final form of the engraving, this drawing is particularly interesting as evidence of a hitherto unrecorded stage in the design process of the engraving Bacchanal with a Wine Vat.
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Thomas Wyck (Circa 1616-1677). A Maid Peeling Vegetables at a Kitchen Door. Signed. Panel: $14frac{3}{8}times 13$ in / 36.5 × 33 cm
Attributed works:
[ Richard L. Feigen, 49 East 68th Street, New York ] Frans Floris. Arithmetic, Oil on Canvas, 151.4 by 224.16 cm. Signed with Monogram and Dated, Lower Centre: "FF. IV. ET. FA / 1557.".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of San Martino a Mensola Active Florence End 14th Century. Saint Catherine, Saint George and Saint Jerome. Triptich, Tempera on Goldground, Shaped Tops. Center Panel 130,6×73,3 cm. Left Wing 124,5×56,5 cm. Right Wing 124,7×56 cm
Attributed works:
[ Tate Gallery, Millbank, London ( sponsor BP) ] Edgar Degas, Little Dancer Aged Fourteen, 1880-81
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Jusepe (Or Gioseppe) de Ribera, The Martyrdom of St. Laurence. Oil on Canvas, 204 × 154 cm ($80times 60frac{3}{4}$ Inches).
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm ($14times 17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Six Post Canopy Bed, Huanghuali Wood, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ H. W. Keil Ltd, Tudor House, Broadway, Worcestershire ] An Excellent Mid 18th-Century Mahogany Gainsborough Armchair with Cabriole Legs and Paw Feet, and Having Good Carved Detail. Circa 1770. Height 3′2″ Width 2′4″ Depth 2′9″
Western art unattributed:
[ William H. Stokes, The Cloisters, 6/8 Dollar Street, Cirencester, Gloucestershire ] Late Elizabethan carved oak cupboard on separate stand with two drawers above the central cupboard and one drawer below. The supports consist of two pairs of carved melon bulbs and the potboard is supported by a lower frieze with bi-cuspidal decoration and original toes beneath. West Country, circa 1600.
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09/1996 | 1122 | 138
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] August Lucas, (1803 - Darmstadt - 1863). Washerwoman at Well near Subiaco. Oil on Canvas 1846. Signed with the Monogram and Dated 58 by 47,5 cm
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Apollo and Diana Killing the Niobids. By Jacques-Louis David. Oil on Canvas. 46 by 55 cm. (Talabardon).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Commode. By Etienne Levasseur (Stamped). Japanese Lacquer, Green Marble top, with Ebony, Brass and Bronze Mounts. 82.5 by 127.5 by 52.5 cm. (Perrin).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Female Donor against a Landscape. Attributed to Adriaen Isenbrandt. Oil on Panel. 25.4 by 18.4 cm. (Brimo de Laroussilhe).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] La Commode Rouge. By Edouard Vuillard (Signature Stamp Lower Left). Oil on Canvas, c.1890. 34 by 26,5 cm, (Galerie Hopkins Thomas).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Punchinello with a Gnocchi Pot. By Giovanni Battista Tiepolo. Pen and Brown Ink with Wash. 13.5 by 19 cm. (Hazlitt, Gooden and Fox).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Rodogune Prevents Antiochus from Drinking the Poisoned Cup. By Anne-Louis Girodet de Roussy-Trioson. Oil on Canvas. 31.7 by 40.8 cm. (Didier Aaron).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] View of the Grand Canal, Venice. By Giuseppe Bernardino Bison. Oil on Parchment. 15 by 20 cm. (Piero Corsini).
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jean François de Troy Paris 1679 - 1752 Rome. Bathsheba at Her Bath. Oil on Canvas: 100 × 135 cm
Attributed works:
[ Cover ] Two Breton Women in a Field, by Emile Bernard. c.1886. Panel, 62 by 82 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
[ Galerie Berès, 25 quai Voltaire, Paris ] Edouard Vuillard The Inkwell c.1886. Oil on Canvas. Signed E. Vuillard l.r. 13 × 19,7 cm
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Workshop of Pierre Reymond (Around 1513 - After 1584). Serie of 10 Limoges Enemel Plaques with Representations of the Month. Limoges around 1550. 6,4 × 8,4 cm. Provenance: J. P. Morgan Collection.
Attributed works:
[ Paul Prouté S. A., 74 Rue de Seine, Paris ] Louis-Adolphe Hervier Paris 1818 - 1879. Village de la Sarthe. Oil on Canvas, 0,70 × 1,20 m. Signed Lower Left
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Matthias Stomer (Amersfoort, c.1600 - Sicily, after 1650). The Annunciation 1630s. Oil on Canvas, 43¼ × $58frac{1}{16}$ in. (104.8 × 145 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte -Anne, Paris ] Lancelot-Théodore Turpin de Crissé (1782-1859). Oil on Canvas. The Feast of Corpus Christi at Saint-Germain-l'Auxerrois. Signed with Monogram TT and Dated 10 Juin 1830 Lower Centre 97.7 cm × 130 cm
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James, London ] Bartolomeo Manfredi (Ostiano c. 1580 - Rome c. 1622) A Drinking and Musical Party. Oil on Canvas 130 × 190 cm (51 × 75 Inches)
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jacob Adrien Bacher (1608 - 1651). "Portrait of a Man". Oil on Canvas, Monogram on the Right - 105 × 90 cm
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood. Height: 85 in - 216 cm.
Western art unattributed:
[ Donati Arte Claassica, Via Nassa 3, Lugano ] Greek Marble Head, Probably of the Goddess Igea. Late 4th Century BC. Height: 25 cm.
Western art unattributed:
[ Galerie Francois Antonovich, Les Louvres des Antiquaires, 2 Place du Palais Royal, Paris ] Alexandre le Grand type de Brooklyn. Terre cuite d'époque ptolémaïque H.22 cm
Western art unattributed:
[ H. W. Keil Ltd, 129-131 The Promenade, Cheltenham, Gloucester ] A Most Attractive Early 18th Century Walnut Bureau Bookcase with Shaped Interior. With Unusual top. Of Small Dimensions and Having an Excellent Golden Colour. C.1710. Height 8′5″ Width 2′9″ Depth 1′10″
Western art unattributed:
[ Wakelin & Linfield, Billingshurst, West Sussex ] Copper Gilt Ewer in the Form of a Stag. Augsburg. c. 1630. Brass Candlestick of Leuchterman Form. Franco/Flemish. Late 16th Century.
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10/1985 | 991 | 127
Pages: i-lxii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
Detail from View of the South Front, Chiswick House, by Jacques Rigaud. Pen and Wash. (Chatsworth Settlement Trustees).
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Anders Zorn: Interior with Mrs Weguelin and Son, Signed 1889, Oil on Canvas, 130 × 88 cm.
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Daniel Vertangen. The Hague 1598-1684 Amsterdam. "Kitchen Interior". Oil on Canvas, 66 × 63.5 cms. Signed
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Art'antica Rovati 01-491 2327. Pair of Dresden Vases. c.1730. Vinci Antiques 01-499 1041. Rare George II Silver. Cake Basket by Edward Aldridge. London 1746
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Claudia Beck 01-409 2854. Frederick Walter Lee, RMS (fl. 1894-1938). 'Westminster Hall at Sunset'. Signed & Dated September 1897. Watercolour 15¾ × 26½ Inches.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, London & 4 Dundas Street, Edinburgh] An exhibition of furniture, stained glass and watercolours to be shown at out London gallery during November and at our Edinburgh gallery during December] E.A. Taylor 1874-1952 Artist and designer.
Attributed works:
[Browse & Danby, 19 Cork Street, London] P.W. Steer 1860-1942 Girl on a Sofa, 1891. Oil on Canvas 22½ × 24½ Inches
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Adriaen van Ostade. B. 32, Davidsohn und Godefroy IV (von X bzw. XII). Wm. Phoenix.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Sir Robert Smirke, RA. Windsor Castle, Berkshire. Signed and Dated 1824. Watercolour 10½ × 13¾ Inches
Attributed works:
[Colnaghi & Clarendon Gallery, 14 Old Bond Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Colnaghi USA Ltd, 26 East 80th Street, New York] Eustache le Sueur 1617-1665. Judas Remonstrating with Christ over Magdalen and the Pot of Alabaster. Canvas 154 × 132 cms.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Edouard Vuillard: "Vue d'un parc avec bonnes d'enfant" (1900). Pastel - Stamp of the Artist - 28.5 × 20.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Honoré Daumier: "l'Avocat". Bronze - Dark Brown Patination - Monogram - Foundry Valsuani - cire perdue - ex. nr. 28/30 - H25 L10.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] James Ensor: "BreakWater at Ostend". Canvas - Signed 1878 - 36.5 × 46.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Maurice Utrillo: "Le moulin de la Galette à Montmartre". Canvas - Signed - 46 × 54 cm
Attributed works:
[Edition PVA, Postfach 1950, Landau/Pflaz] Professor Dr. Werner Sumowski, University of Stuttgart, has attended to the art of Rembrandt, his pupils and his precursors for thirty years now. He enjoys an international reputation as a Rembrandt research worker of rank and as leading expert on the Rembrandt School. Besides books, his bibliography comprises numerous publications in specialized journals at home and abroad. Successive publication of the twelve volumes of his edition of drawings by the Rembrandt School began in 1979.
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] John Ruskin HRWS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Peter De Wint OWCS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Philip Wilson Steer OM
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Sir Alfred Munnings PPRA
Attributed works:
[Galerie Bruno Meissner, Bahnhofstrasse, Zurich] Jan Hackaert. (Amsterdam 1629-1699), "Avenue of Silver Birch beside a River". Öl/Lwd., 52 × 49 cm
Attributed works:
[Galerie d'Arenberg, rue aux laines 14-1000, Brussels] François Rude (1784-1855). Bust of David, s. and d. "Brux. 1826". Plaster, h.: 80,5 cm
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Van Loo Carle (1705-1765), "Saint-François"
Attributed works:
[Gallery Antiques Limited, 6 Peter Street, Winchester] An important Chippendale period carved giltwood mirror c.1760. A pair of fine George II giltwood oval mirrors illustrated in 'English Looking Glasses' by Geoffrey Wills, p.85. An important pair of Regency mahogany writing tables, probably by Gillows. Two fine Empire encriers. An unusual pair of satyr candlesticks, French c.1785. A pair of Charles X steel and ormolu candlesticks. A fine French mantel clock with porcelain flowers by 'Angevin a Paris'. A good pair of chestnut urns with their original decoration c.1790. One from a pair of fine and important Paktong fire grate fronts and fenders from Battle Abbey by Robert Adam c.1775. See P.11 & 12 of 'Paktong' by W. D. John & K. Coombes. A pair of marble pedestals c.1810 and two marble busts.
Attributed works:
[Gavina Ewart, 60 High Street, Worcestershire] A Fine Pair of Minton Porcelain Figures Set in Ormolu Candelabra Stands. Circa 1840. 33 cm High. A Rare Minton Figure of the Burlesque Sculptor c. 1835.
Attributed works:
[Gebr. Douwes Fine Art, Rokin 46, Amsterdam] Jules Héreau (1839-1879) "Monsieur La Fontaine." Panel: 45 × 35 cm. 17¾ × 13¾ Inches. Signed and Inscribed: "a mon ami La Fontaine, Barbizon, Sept 1859"
Attributed works:
[Hennell, 12 New Bond Street, London] Robert Hennell III 1837. 13″ Long overall (Loaded). Weight, 8 oz (Jugs only)
Attributed works:
[Howard Antiques, 8 Davies Street, Berkeley Square, London] An Exceptional 17th Century Chinese Black Lacquer Cabinet with the Original Fitted Interior, Supported on Its Contemporary English Silvered Carved Wood Stand, in the Manner of Daniel Marot, Centred with Stags. Circa 1690. Height 70″ Width 40″ Depth 21″
Attributed works:
[John Noott, Picton House Gallery, Highstreet, Worcestershire] William Shayer. A Halt by the Way. Oil on Panel. 18″ × 24″
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] On Canvas. Jacob Isaacksz. van Ruisdael, (c. 1628 - Haarlem - 1682). 31 × 38 ins.
Attributed works:
[Lawrence Fine Art, South Street, Crewkerne] Alfred Grenfell Haigh. Lt. Col. Sir Denis f. Boles, Bart., on His Hunter Sligo, Leading out His Favourite Hounds, on the Quantocks. Signed and Dated 1925, 48in. × 59½in.
Attributed works:
[Leslie Smith Gallery, Hertelaan 15, Wassenaar, Netherlands] Panel: 50 × 70 cm. Signed and Dated 1858. B. J. van Hove (1790-1880). Town View of Delft. Price: $36,000
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Der Traum 1 1984 Oil on Canvas 78¾ times 78¾ in./200 × 200 cm.
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Portrait of Sotiri. Dragoman of Mr. Colquhom
Attributed works:
[Oscar & Peter Johnson Ltd, Lowndes Lodge, Gallery 27, Lownes Street, London] Ballymacad - 1936. This Bronze by the American Sculptress, Pauline Boumphrey (1886-1959) Was Not Started Until the Horse, Belonging to Her Husband - Joe, Was at Least Sixteen Years Old.
Attributed works:
[Phaidon] Pompeo Batoni. Holbein. Chardin
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Ossip Zadkine (1890-1967), "Garden Statue," Bronze, Edition 6, 1943, 53.3 cm. × 134.6 cm. × 63.5 cm.
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Pablo Picasso (1881-1973), "La Ballerine," Pencil and Gouache on Paper, 32 cm. x 22 cm.
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Ford Madox Brown, "An English Fireside of 1854-55", Signed and Dated '55, Oil on Panel, 31 × 20 cm.
Attributed works:
[R. Polak Gallery, 85 Parkstraat, The Hague] H. W. Mesdag 1831-1915. 'Return of the Fishing Fleet'
Attributed works:
[Raffety Huber, 34 Kensington Church Street, London] A Fine English Musical Bracket Clock by S. & C. Joyce, London, the Movement Playing a Selection of Seven Scottish Tunes, with Original Wall Bracket, Circa 1820.
Attributed works:
[Richard Green, 44 Dover Street, London] Sir Francis Grant PRA (1803-1878). Lady Louisa and Lady Beatrix Legge with Their Pony. Signed and Inscribed. Canvas: 90 × 66 in/229 × 168 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Nicolaes Berchem, "Childhood of Jupiter on Mt. Ida," 1646. Oil on Panel, 72 by 95.5 cm
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] Made Circa 1659 This Historical Timepiece by Ahasuerus Fromanteel Was the First Fusee-Regulated Pendulum Movement and the First Architect Designed Ebony Case with Gilt Metal Mounts. Height 27 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Early George III Mahogany Bookcase, Formerly at Haddo House, Aberdeenshire, Attributed to William Vile the Royal Cabinetmaker. Circa 1760. Height 11 ft 6 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The George III Mahogany Hanging Cabinet Similar in Style to the Lanterns Made by William Vile in 1763 for the Hall at Buckingham (House) Palace Now in Kensington Palace.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Royal Family at the Academy. 1787. Pencil, Pen and Grey Ink and Watercolour by Johann Heinrich Ramberg (1763-1840) King George III and Queen Charlotte Accompanied by Members of the Royal Family at Somerset House. Formerly in the Collection of the Earls of Harewood.
Attributed works:
[S.J.Shrubsole, 43 Museum Street, London] 3 pairs of Wine Coasters from Our Current Selection of Fine Table Silver. Top: By William Bateman, London 1820 Middle: By Henry Chawner, London 1791 Bottom: By S. C. Youngs & Co., Sheffield 1817
Attributed works:
[Salons Independants des Antiquaires et de la Haute Joaillerie, Marseille] Jean Louis Bouzou Armchair. Louis XV, estampillé Meunier. With Its Original Upholstery. Jean Sarfati Pair of Busts in Classical Costume. Venice. Gilt and Silvered Wood. Seventeenth Century. Dario Boccara Detail from La Chasse à l'ours (Brussels) Studio of Cornelius Matteus. 3.55m by 3.77m c. 1575. Antiquaire du Paradou. Lion Resting. Marble. Venice. Thirteenth Century.
Attributed works:
[Sotheby's, 1334 York Avenue, New York] A Florentine Bronze Figure of Flora, Giambologna, Susini Workshops, c. 1600, Height 31.8 cm.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York, New Orleans Museum of Ar, Columbus Museum of Art] Francois Boucher. Leda and the Swan. Oil on Canvas, 23⅜ × 29¼ Inches. Signed: f Boucher. Exhibited: Paris, Salon, 1742, no. 21 bis.
Attributed works:
[T. Crowther & Son Ltd, 282 North End Road, Fulham] A Fine and Important Carved Pinewood Painted Chimney-Piece of Chippendale Period, Complete with Its Original Marble Slips. English Circa 1750.
Attributed works:
[The Belgrave Gallery, 22 Mason's Yard, Duke Street, London] Alfred Wolmark. A Painted Sign. Oil on Panel.
Attributed works:
[The Fine Art Society, 148 New Bond Street, London] Thomas Hartley Cromek 1809-1873. The Arch of Titus with the Colosseum, Rome. Watercolour 30″ × 21½″ (76.2 × 54.6)
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Francis Towne. Lake Maggiore at Evening. Size: 6⅛ × 8¼ Inches. Signed and Dated, 1781.
Attributed works:
[Trevor Trevor House, 110 High Street, Lewes] A Very Important Secretaire Bookcase in Mahogany of Beautiful Colour and Patination, Having Floral Marquetry. In the Manner of Hepplewhite in the French Taste. England. George III. Circa 1780 Height: 6′ 11″ 211cms. Width: 2′ 11″ 89cms. Depth: 1′ 8″ 51cms.
Attributed works:
[William Tillman, Crouch Lane, Borough Green, Kent] An Important Sheraton Style Oval Breakfast Table in Mahogany Inlaid with Rosewood and Satinwood. Length 74½″/189.2 cm. Width 49½″/125.7 cm. Height 28″/71 cm. This Table Will Seat Eight People.
Attributed works:
[Winifred Williams, 3 Bury Street, London] Capodimonte. Painted by Giovanni Caselli. Blue fleur de lys mark. Height 21 cm. Circa 1750
Non-western art unattributed:
[John Sparks, 128 Mount Street, London] A Pair of Chinese Porcelain Vases Copying a Delft Model and Decorated in 'famille verte' Enamels. Height: 11¾. K'ang Hsi (1662-1722)
Western art unattributed:
[A.V. & M.R. Santos 1 Campden Street London] Very Rare "Famille Rose". Teapot c. 1775 the Decoration is Intended to Commemorate the Electoral Struggles of 1768 and 1772 in the House of Commons, between John Wilkes, a Liberal MP, and William Murray, Lord Chief of Justice from 1766 Until 1778, and a Pillar of the Establishment. John Wilkes Was a Noted Champion of Personal Liberty and Supporter of the American Revolution Cause. Illustrated in Page 232 of "Oriental Export Market Porcelain" by G. Godden.
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, Harrow Road, London] English, c. 1780 Sight 49¼ × 39¼ ins, Width 6½ ins. Provenance: Ashridge; Welbeck Abbey
Western art unattributed:
[Aubrey Brocklehurst, 124 Cromwell Road, London] A Louis XV Ormolu-Mounted Kingwood Longcase Clock by an Anonymous French Maker. The 8-Day Movement Has Steel Dead-Beat Pallets, Hour and Halfhour Striking, and a Vitreous Enamel Dial. Height to Top of Case Excluding Father Time, 7′ 0″. Maximum Height 7′ 9½″, (240 cms).
Western art unattributed:
[Brockbank & Atkins, 17 Ryder Street, London] A High Quality Early 19th Century Longcase Regulator c1830. The 8 Day Substantial Movement with Dead Beat Escapement. Harrisons Maintaining Power, Jewelled Pallets and End Stops Throughout the Train The Mercury Compensated Pendulum Suspended from the Backboard of the Fine Tapering Mahogany Case.
Western art unattributed:
[C. John, 70 South Audley Street, London] An Extremely Rare and Exceptional English Soho Tapestry. Circa 1780. Size: 9′ 11″ (302 cm) Wide × 8′ 1″ (246 cm) High.
Western art unattributed:
[Gallery Lingard, Old Registry Office, 250 Kings Road, Chelsea] 19th Century Belgian School. Design for a Chamber of Commerce, Antwerp, c. 1880
Western art unattributed:
[H.W. Keil Limited, Tudor House, Worcestershire] 2 of an Excellent Set of 6 Late Seventeenth Century Oak Single Chairs of the Cromwellian Period Covered in Red Velvet. c. 1680. An Excellent Late Seventeenth Century William and Mary Walnut and Padouk One Drawer Table with Barley Sugar Twist Legs and Parquetry Top. c. 1690.
Western art unattributed:
[Howard Phillips, 11a Henrietta Place, London] A Rare Set of 'Colour Twists' c. 1760
Western art unattributed:
[John Murray in association with Britoil] The Glasgow Boys. The Glasgow School of painting 1875-1895. Roger Billcliffe
Western art unattributed:
[Paul Mitchell Limited, 99 New Bond Street, London] English Rococo c. 1745, Sight 49¼ × 39½ ins, Width 5½ ins
Western art unattributed:
[Priests, 60 North Street, Thame] A Fine Quality Sheraton Period Burr Yew Ladies Work Table. c. 1790.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] 16th Century Latticino Glass Goblet Supported on an English Silver Base of Circa 1595-1605. The Glass of Venetian Origin. Engraved with an Earl's Coronet, the Letter T under, within a Foliated Wreath. Height: 8¼ ins. Formerly in the Collection of John Girdwood.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] This William and Mary Red, Green and Black Lacquer Chair is Part of a Suite. Associated with the Furnishings at the Palaviccini Palace in Rome (See Hans Huth: Lacquer of the West Plate 84 pp 76). Circa 1700.
Western art unattributed:
[Samarcande, 13 rue des Saint-Pères, Paris] Head of a Young Woman. Terracotta. Magna Graecia, Taranto. Second Century BC. Height 12 cm
Western art unattributed:
[Stair & Company Ltd, 120 Mount Street, London] A Rare Secretaire Cabinet with an Extending Writing Surface. Fine 'verre églomisé' Panels to the Door and Well-Figured Mahogany Veneers to the Drawer Fronts. Fitted with Various Compartments. English. Circa 1745. Size: 33½″ Wide 22″ Deep 72″ High