By using this website you agree to our Cookie policy

Search

Search result for "Black"

10 of 111 articles
Exhibition Review
Barbara Walker: Being Here
04/2025 | 1465 | 167
Pages: 398-401
related names
Reviewer:
Stemp, Richard (Stemp, Richard)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Barbara Walker: Being Here Arnolfini, Bristol 8th March–25th May | :
Illustrations
Attributed works:
15. Pride from the series Private face, by Barbara Walker. 2002. Oil on canvas, 212.7 by 124.5 cm. (© Barbara Walker; DACS, London; exh. Arnolfini, Bristol).
Attributed works:
16. Installation view of Barbara Walker: Being Here at the Whitworth Art Gallery, University of Manchester, 2024–25, showing Burden of proof, by Barbara Walker. 2024. Charcoal wall drawing. (Courtesy Whitworth Art Gallery, University of Manchester; photograph Michael Pollard).
Attributed works:
17. Parade III from the series Shock and awe, by Barbara Walker. 2017. Graphite on embossed paper, 51 by 61 cm. (© Barbara Walker; DACS, London; exh. Arnolfini, Bristol).
Book Review
Black Atlantic: Power, People, Resistance
05/2024 | 1454 | 166
Pages: 523–525
related names
Reviewer:
East, Saffron (East, Saffron)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Black Atlantic: Power, People, Resistance Edited by Victoria Avery and Jake Subryan Richards. 192 pp. incl. numerous col. ills. (Philip Wilson Publishers, London, 2023), £20. ISBN 978–1–7813–0123–4. | :
Illustrations
Attributed works:
18. Portrait of a man in a red suit. c.1740–80. Oil on canvas, 61.8 by 51.5 cm. (Royal Albert Memorial Museum & Art Gallery, Exeter City Council).
Attributed works:
19. Go west young man, by Keith Piper. 1987. 14 monochrome photomontages, gelatin silver print on paper mounted on board. (© Keith Piper; courtesy the artist and Tate).
Attributed works:
20. Marking the moment 3, by Barbara Walker. 2022. Graphite on paper overlaid with mylar. (© Barbara Walker; courtesy the artist and Cristea Roberts Gallery, London, and Chris Keenan).
Exhibition Review
Entangled Pasts, 1768–Now: Art, Colonialism and Change
04/2024 | 1453 | 166
Pages: 411–414
related names
Reviewer:
Sykes, Rebecca (Sykes, Rebecca)
Subjects
dates:
Reviewed Items
subjects:
Entangled Pasts, 1768–Now: Art, Colonialism and Change Royal Academy of Arts, London 3rd February–28th April 2024 | :
Illustrations
Attributed works:
23. George, Prince of Wales, later King George IV (1762– 1830), by Joshua Reynolds. c.1787. Oil on canvas, 234 by 147 cm. (Collection of the Duke of Norfolk, Arundel Castle; exh. Royal Academy of Arts, London).
Attributed works:
24. Whale falls, by Ellen Gallagher. 2017. Oil, acrylic, ink and paper on canvas, 188 by 202 cm. (Courtesy the artist and Hauser and Wirth; Ekard Collection; exh. Royal Academy of Arts, London).
Attributed works:
25. Naming the money, by Lubaina Himid. 2004. Mixed-media installation with sound, dimensions variable. (Courtesy the artist and Hollybush Gardens, London; International Slavery Museum, National Museums Liverpool; photograph Stuart Whipps; exh. Royal Academy of Arts, London).
Article
Below the surface of Braque's 'Pitcher, candlestick and black fish'
09/2023 | 1446 | 165
Pages: 968-75
related names
Author:
Dijkema, Desirae (Dijkema, Desirae)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Pitcher, candlestick, and black fish (Vase et poisson noir) (after treatment), by Georges Braque. 1943. Oil on canvas, 64.6 by 48.6 cm. (© Artists Rights Society, NY and DACS, London; Menil Collection, Houston).
Attributed works:
10. L’homme au foulard, by Georges Braque. 1929. Oil on canvas, 46 by 38 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959, III).
Attributed works:
11. Reflected infra-red image of the reverse of Fig.1, after lining removal; the image has been flipped so that the composition is seen as it would be when viewed from the front.
Attributed works:
12. Digital estimation of the third underlying composition of Fig.1.
Attributed works:
13. Detail of Fig.1, showing the lower-right corner.
Attributed works:
14. Detail of Fig.1, showing the lower-right corner and imaged under magnification.
Attributed works:
2. Detail of Fig.1, showing the lower-right quadrant.
Attributed works:
3. Reflected infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
4. Transmitted infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
5. Detail of Fig.4, showing the eyes.
Attributed works:
6. Woman at an easel (green screen), by Georges Braque. 1936. Oil on canvas, 92 by 73 cm. (© Artists Rights Society, NY and DACS, London; Art Institute of Chicago).
Attributed works:
7. Digital estimation of the composition immediately underlying Fig.1. (Menil Collection, Houston).
Attributed works:
8. Woman with a mandolin, by Georges Braque. 1937. Oil on canvas, 130.2 by 97.2 cm. (© Artists Rights Society, NY and DACS, London; Museum of Modern Art, New York).
Attributed works:
9. Femme, by Georges Braque. 1936. Oil on canvas, 65 by 54 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959).
Book Review
Balthazar: A Black African King in Medieval and Renaissance Art
09/2023 | 1446 | 165
Pages: 1035-36
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
Reviewed Items
subjects:
Balthazar: A Black African King in Medieval and Renaissance Art Edited by Kristen Collins and Bryan C. Keene. 152 pp. incl. 121 col. ills. (J. Paul Getty Museum, Los Angeles, 2023), £35. ISBN 978–1–60606–785–7. | :
Exhibition Review
Souls Grown Deep Like the Rivers: Black Artists from the American South
06/2023 | 1443 | 165
Pages: 657-659
related names
Reviewer:
Rhodes, Colin (Rhodes, Colin)
Subjects
dates:
Reviewed Items
subjects:
Souls Grown Deep Like the Rivers: Black Artists from the American South Royal Academy of Arts, London 17th March–18th June | :
Illustrations
Attributed works:
23. LeBe, by Sam Doyle. Late 1970s. Paint on tin, 95.2 by 67.9 cm. (Estate of Sam Doyle; Souls Grown Deep Foundation, Atlanta; photograph Stephen Pitkin; exh. Royal Academy of Arts, London).
Attributed works:
24. Oklahoma, by Ronald Lockett. 1995. Found sheet metal, tin, wire, paint and nails on wood, 114.3 by 117.5 by 7.6 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
Attributed works:
25. Medallion, by Loretta Pettway Bennett. 2005. Cotton and twill, 215.9 by 154.9 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
Book Review
Josef Albers: Late Modernism, and Pedagogic Form
06/2023 | 1443 | 165
Pages: 670-671
related names
Reviewer:
Darwent, Charles (Darwent, Charles)
Subjects
Reviewed Items
subjects:
Josef Albers: Late Modernism, and Pedagogic Form By Jeffrey Saletnik. 320 pp. incl. 53 col. + 87 b. & w. ills. (University of Chicago Press, 2022), £32. ISBN 978–0–226–69917–2. | :
Illustrations
Attributed works:
6. Structural constellation: transformation of a scheme no. 23, by Josef Albers. 1951. Machine-engraved plastic laminate, 43.2 by 57.2 cm. (Josef and Anni Albers Foundation and Artists Rights Society (ARS), New York).
Exhibition Review
Howardena Pindell: A New Language
05/2023 | 1442 | 165
Pages: 559-562
related names
Reviewer:
Regan, Padraig (Regan, Padraig)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Howardena Pindell: A New Language Spike Island, Bristol 18th February–21st May | :
Illustrations
Attributed works:
19. Parabia test #3, by Howardena Pindell. 1974. Ink on paper collage, 23.5 by 57.8 cm. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Attributed works:
20. Installation view of Howardena Pindell: A New Language at Spike Island, Bristol, 2023, showing Free, white and 21. 1980. U-matic, duration 12 minutes 15 seconds. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; photograph Dan Weill).
Attributed works:
21. Still from Rope/fire/water, by Howardena Pindell. Video, duration 16 minutes. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Exhibition Review
Glyn Philpot: Flesh and Spirit
08/2022 | 1433 | 164
Pages: 805-809
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
artists:
Reviewed Items
subjects:
Glyn Philpot: Flesh and Spirit Pallant House Gallery, Chichester 14th May–23rd October | :
Illustrations
Attributed works:
20. The little dancer, by Glyn Philpot. 1923. Oil on canvas, 143 by 115 cm. (Private collection; © Maas Gallery, London; exh. Pallant House Gallery, Chichester; Bridgeman Images).
Attributed works:
21. Resurgam, by Glyn Philpot. 1929. Oil on canvas, 86 by 89 cm. (Private collection; © Christie’s Images; exh. Pallant House Gallery, Chichester; Bridgeman Images).
Attributed works:
22. Tom Whiskey (M. Julien Zaïre), by Glyn Philpot. 1931. Oil on canvas, 47 by 39.5 cm. (Private collection; courtesy Richard Osborn Fine Art; exh. Pallant House Gallery, Chichester).
Exhibition Review
Kara Walker: A Black Hole Is Everything a Star Longs to Be
01/2022 | 1426 | 164
Pages: 56-59
related names
Reviewer:
Daunt, Catherine (Daunt, Catherine)
Subjects
artists:
dates:
Reviewed Items
subjects:
Kara Walker: A Black Hole Is Everything a Star Longs to Be Schirn Kunsthalle, Frankfurt 15th October 2021–16th January 2022 | :
Illustrations
Attributed works:
2. Barack Obama tormented St Anthony putting up with the whole ‘birther’ conspiracy, by Kara Walker. 2019. Pastel, conté crayon and charcoal on treated paper, 221.9 by 182.9 cm. (Private collection; exh. Schirn Kunsthalle, Franfurt).
Attributed works:
3. Prize from the series The gross clinician presents, by Kara Walker. 2018. Graphite, sumi ink, gofun and gouache, 76 by 57 cm. (Kunstmuseum, Basel; exh. Schirn Kunsthalle, Franfurt).
Attributed works:
Yesterdayness in America today, by Kara Walker. 2020. Graphite and watercolour on paper, 221.9 by 365.8 cm. (Private collection; exh. Schirn Kunsthalle, Franfurt).