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245 articles
Article
The art of Qing imperial afterlife: the ‘Pictures of ancient playthings’ (Guwantu 古玩圖) revisited
06/2024 | 1455 | 166
Pages: 597–611
related names
Author:
Brosch, Ricarda (Brosch, Ricarda)
Subjects
dates:
Illustrations
Attributed works:
5. Portrait of the Qianlong Emperor in court dress, by Giuseppe Castiglione. 1736. Ink and colour on silk, 242.2 by 176 cm. (Palace Museum, Beijing).
Non-western art unattributed:
1. Detail of one section of Pictures of ancient playthings. Chinese. 1728. Ink and colour on paper, mounted on silk. (British Museum, London).
Non-western art unattributed:
10. Sheet nos.1–9 of the V&A scroll of Pictures of ancient playthings, viewed from right to left.
Non-western art unattributed:
11. Sheet nos.11–16 of the V&A scroll of Pictures of ancient playthings.
Non-western art unattributed:
12. Detail of the BM scroll of Pictures of ancient playthings, showing a Ru-bowl.
Non-western art unattributed:
13. Ru-bowl. Chinese, Northern Song Dynasty. 1086–1125. Glazed stoneware and copper, height 7.1 cm. (British Museum, London).
Non-western art unattributed:
14. Detail of the BM scroll of Pictures of ancient playthings, showing a jade ewer.
Non-western art unattributed:
15. Ewer. Chinese, Yuan period. (1271–1368). Jade, height 17 cm. (Ralph Wanger Collection of Chinese Jades, Chicago).
Non-western art unattributed:
16. Detail of the first section of the BM scroll.
Non-western art unattributed:
17. Part one of the V&A scroll of Pictures of ancient playthings showing how each antiquity sheet corresponds with a display cabinet.
Non-western art unattributed:
18. Part two of the V&A scroll of Pictures of ancient playthings showing how each antiquity sheet corresponds with a display cabinet.
Non-western art unattributed:
19. Detail of Fig.21, showing the decoration of the cabinet.
Non-western art unattributed:
2. Title slip of the BM scroll. Chinese. 1728. Ink and colour on paper, mounted on silk. (British Museum, London).
Non-western art unattributed:
20. Detail of Fig.9, showing the middle part of the second cabinet from the top right with the same form as Fig.21.
Non-western art unattributed:
21. Cabinet. Chinese, Qing Dynasty. 19th century?. Wood with black and gold lacquer, 98 by 95.5 by 17.2 cm. (Private collection).
Non-western art unattributed:
22. Antiquity wall in the Hall of Mental Cultivation, Forbidden City. (From From Yangxindian, p.106).
Non-western art unattributed:
23. The Tai Mausoleum. Chinese, Qing Dynasty. 18th century. Ink and colour on silk, 216 by 162 cm. (First Historical Archives, Beijing).
Non-western art unattributed:
24. The Hall of Eminent Favours at the Tai Mausoleum, Western Qing Tombs, Yi county. (photograph the author).
Non-western art unattributed:
25. Interior of the Hall of Eminent Favours at the Tai Mausoleum. Photograph, early 20th century. (From Liu Dunzhen: ‘Yixian Qing Xiling’, Zhongguo yingzao xueshe huikan (March 1935), pp.68–109, Appendix).
Non-western art unattributed:
26. Groundplan of the Hall of Eminent Favours at the Tai Mausoleum, tomb of the Yongzheng Emperor. (From Si-ling, p.97).
Non-western art unattributed:
3. Title slip of the V&A scroll. Chinese. 1729. Ink and colour on paper, mounted on silk. (Victoria & Albert Museum, London).
Non-western art unattributed:
4. Portrait of the Yongzheng Emperor in court dress. Chinese, Qing Dynasty. 1723–35. Ink and colour on silk, 277 by 143 cm. (Palace Museum, Beijing).
Non-western art unattributed:
6. Detail of the first section of Pictures of ancient playthings. Chinese. 1729. Ink and colour on paper, mounted on silk. (Victoria & Albert Museum, London).
Non-western art unattributed:
7. Detail of the first section of the V&A scroll, showing the placement of the first and second sheets.
Non-western art unattributed:
8. Sheet no.10 of the V&A scroll of Pictures of ancient playthings.
Non-western art unattributed:
9. Sheet no.17 of the V&A scroll of Pictures of ancient playthings.
Non-western art unattributed:
The Pictures of ancient playthings (Guwantu 古玩圖). Chinese. 1729. Ink and colour on silk, total length 26.48 m. (Victoria & Albert Museum, London; obj. no.E.59-1911).
Western art unattributed:
27. The 16th Bengal Lancers, with J.S. Rivett-Carnac (top row, second from the left). Photograph, 1900. (New York Public Library Digital Collections).
Book Review
Textile in Architecture: From the Middle Ages to Modernism
06/2024 | 1455 | 166
Pages: 662–663
related names
Reviewer:
Bergdoll, Barry (Bergdoll, Barry)
Subjects
Reviewed Items
subjects:
Textile in Architecture: From the Middle Ages to Modernism Edited by Didem Ekici, Patricia Blessing and Basile Baudez. 240 pp. incl. 89 b. & w. ills. (Routledge, London and New York, 2023), £135. ISBN 978–1–032–25044–1. | :
Illustrations
Non-western art unattributed:
11. Interior of the Qubba al-Barudiyyin, Marrakesh. 1126. (Photograph Abbey Stockstill).
Exhibition Review
Sonia Delaunay: Living Art
06/2024 | 1455 | 166
Pages: 639–641
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
Reviewed Items
subjects:
Sonia Delaunay: Living Art. Edited by Waleria Dorogova and Laura Microulis. 540 pp. incl. numerous col. ills. (Bard Graduate Center, New York, 2024), $75. ISBN 978–0–30027–576–6. | :
subjects:
Sonia Delaunay: Living Art Bard Graduate Center, New York 23rd February–7th July | :
Illustrations
Attributed works:
21. Detail of La prose du Transsibérien et de la Petite Jehanne de France, by Sonia Delaunay and Blaise Cendrars. 1913. Gouache pochoir, type and lithography on paper and handpainted parchment wrapper. (© Pracusa; Spencer Collection, New York Public Library; exh. Bard Graduate Center, New York).
Attributed works:
22. Cloche and scarf, by Sonia Delaunay. 1924–24. Felted wool (cloche) and felted appliqué on silk (scarf), 62.9 by 129.5 cm (scarf). (© Pracusa; private collection; exh. Bard Graduate Center, New York).
Attributed works:
23. Rythmes couleurs ou panneau F 1898, by Sonia Delaunay. 1975. Wool tapestry, 260 by 343 cm. (© Pracusa; Mobilier national, Paris; exh. Bard Graduate Center, New York).
Article
The decoration of the ballroom wing at Buckingham Palace, 1850–56
04/2024 | 1453 | 166
Pages: 368–379
related names
Author:
Rumley, Peter T.J. (Rumley, Peter T.J.)
Subjects
dates:
Illustrations
Attributed works:
1. Detail of Fig.10, showing the archivolt and throne dais in the ballroom, Buckingham Palace.
Attributed works:
10. The Ballroom, Buckingham Palace, 17th June 1856, by Louis Haghe. 1856. Pencil, watercolour and bodycolour on paper, 31.7 by 47.7 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
11. Part of the frieze in the Promenade Gallery (now West Gallery), Buckingham Palace, London, by Nicola Consoni. 1852. Oil on canvas. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
12 and 13. Paintings by Nicola Consoni in the Promenade Gallery, Buckingham Palace, London, by Robert Howlett. 1856. Albumen prints, 10.2 by 5.6 cm and 10.5 by 5.5 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
15. Urn of flowers, by Charles Moxon. Oil on canvas. (Promenade Gallery, now West Gallery, Buckingham Palace, London; photograph the author).
Attributed works:
16. The Promenade Gallery, Buckingham Palace, by Hills and Saunders. 1873. Albumen print, 16 by 20.5 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
17. The children’s fancy ball at Buckingham Palace, 7th April 1859, by Eugenio Agneni. 1859. Pencil and watercolour on paper, 31 by 45 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
18. The ballroom at Buckingham Palace, London, arranged for a banquet. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
19. The Approach Gallery, Buckingham Palace, by Hills and Saunders. 1873. Albumen print, 14.7 by 20.5 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
2. Detail of a plan of the south-west wing of Buckingham Palace, London, showing the Ball and Concert Room, Ball Supper Room, Promenade Gallery and Approach Gallery, by James Pennethorne. 1852. (National Archives, London, work 34/371).
Attributed works:
4. Design for the new ballroom at Buckingham Palace, London, by James Pennethorne. 1852. Pen and ink on paper. (Royal Library, Windsor Castle; © His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
5. Elevations of the front and side of the organ in the ballroom, Buckingham Palace, London, by James Pennethorne. c.1852. Pen and ink with watercolour, over pencil, 43.8 by 61.1 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
6. Organ in the ballroom, Buckingham Palace, London, designed by Henry Cephas Lincoln. 1818–55. Painted and gilded maplewood and gilt metal. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
7. Charles Moxon, by William Quiller Orchardson. 1875. Oil on canvas, 116.8 by 83.8 cm. (Tate).
Attributed works:
8. First hour of the night, by Michelangelo Maestri. c.1800. Watercolour and gouache over engraved outline on card, 44.5 by 34 cm. (Private collection).
Attributed works:
9. Parnassus, by Raphael. 1511. Fresco, width 6.7 m. (Stanze della Segnatura, Apostolic Palace, Vatican).
Western art unattributed:
14. Decoration in the Promenade Gallery, now the East Gallery, Buckingham Palace, London, revealed during redecoration in 1981. (Photograph Louis Randall).
Western art unattributed:
3. Detail of The Scala Regia, Vatican, Rome. 1870. Engraving. (Liszt Collection; Bridgeman Images).
Exhibition Review
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur
02/2024 | 1451 | 166
Pages: 178–182
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
styles:
Reviewed Items
subjects:
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Kunstgewerbemuseum, Berlin 12th October 2023–11th February 2024 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur Roentgen-Museum Neuwied 13th August–12th November 2023 | :
Illustrations
Attributed works:
1. Roll-top desk, by José Canops. Madrid, c.1770–73. Mahogany, veneered with marquetry in various woods, mounts of gilded bronze, 120.3 by 168 by 98.5 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
2. Curtain by the royal embroidery workshop, Madrid, designed by Mattia Gasparini. c.1763–91. Silk, embroidered in coloured silks and silver thread, 482 by 248 cm. (Patrimonio Nacional, Palacio Real, Madrid; exh. Kunstgewerbemuseum, Berlin).
Attributed works:
4. Lean-to desk, by Johann Georg Barthel. Neuwied. c.1764–71. Softwood and oak, veneered with marquetry in various woods, mounts of gilded bronze, 110 by 107 by 53 cm. (Private collection; exh. Roentgen- Museum, Neuwied).
Western art unattributed:
3. Commode, by the royal cabinetmaking workshop, Madrid. c.1770– 75. Walnut and other woods, veneered with marquetry in various woods, mounts of gilded bronze, marbleveneered top, 92.5 by 132 by 63 cm. (Museo Nacional de Artes Decorativas, Madrid; exh. Kunstgewerbemuseum, Berlin).
Article
Four wooden ceilings from the Torrijos Palace, Toledo
12/2023 | 1449 | 165
Pages: 1272–1289
related names
Author:
McSweeney, Anna (McSweeney, Anna)
Author:
Rosser-Owen, Mariam (Rosser-Owen, Mariam)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Tile panel possibly from the Torrijos Palace. Attributed to Hernando de Loaysa, Talavera de la Reina, c.1600. Tin-glazed earthenware. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Attributed works:
19. Groundplan of the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 [1894], p.104; Biblioteca Nacional de España , Madrid).
Attributed works:
2. Opening page of the 1902 article on the Torrijos Palace, showing a plaster lintel above a door in the palace. (From ‘El Palacio de Torrijos’, Por Esos Mundos (April 1902), p.342; Victoria and Albert Museum, London).
Attributed works:
20. Exterior façade of the Torrijos Palace, showing the portal and one of the windows with a balcony. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.102; Biblioteca Nacional de España , Madrid).
Attributed works:
22. Staircase in the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.103; Biblioteca Nacional de España , Madrid).
Attributed works:
23. The groundplan shown in Fig.19, overlaid to show the location of the four ceilings, the main portal and the patio. (© Mariam Rosser-Owen). A. Ceiling from a room on the south-west side of Torrijos Palace, now in château de Villandry, Loire (Fig.12) B. Ceiling from a room on the north-west side of Torrijos Palace, now in the V&A (Fig.1) C. Staircase on the north-east side of Torrijos Palace (Fig.22) D. Ceiling from a room on the north-east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retamar (Fig.15) E. Ceiling from a room on the north-east side of Torrijos Palace, now in MAN (Fig.8) F. Portal on the east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retama (Fig.13) G. Courtyard of Torrijos Palace (Fig.4) H. Ceiling from a room on the south-east ceiling side of Torrijos Palace, now in Fine Arts Museums, San Francisco (Fig.5)
Attributed works:
25. The ceiling in Fig.8 shown in situ in the Torrijos Palace. Photograph, 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.344).
Attributed works:
27. The ceiling in Fig.12 shown in situ in the Torrijos Palace. Photograph. 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.346; Victoria and Albert Museum, London).
Attributed works:
29. Diagram of an interlace panel on a strapwork carpentry ceiling, by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
3. The ceiling shown in Fig.1 in situ in the Torrijos Palace. Photograph, 1905. (Victoria and Albert Museum, London, Archive, Central Inventory Register, 1905, MA/30/233).
Attributed works:
30. Diagram of cartabones by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
6. Plaster cast of the frieze originally below the ceiling shown in Fig.1, c.1910. Plaster, each section approx. 150 by 110 cm. (Victoria and Albert Museum, London).
Western art unattributed:
1. A ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; with modern plaster of Paris panels, width 6 m. (Victoria and Albert Museum, London).
Western art unattributed:
11. Friezes from the Torrijos Palace. c.1490. Plaster, 133 by 312 by 8 cm. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
12. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding, width approx. 5.5 m. (château de Villandry, Loire; photograph Frédéric Paillet).
Western art unattributed:
13. Portal from the Torrijos Palace. c.1490. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
14. Plinth for a statue of the Virgin on the altar of the chapel at Finca El Alamín, Santa Cruz del Retamar, made from part of the ceiling shown in Fig.15. Early sixteenth century, carved wood. (Photograph Peter Kelleher 2022).
Western art unattributed:
15. Ceiling from the Torrijos Palace. Early sixteenth century. Carved wood. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
16. Ceiling in the grandest room of the palace at Ocaña. 1475–80. Wood, probably pine, with painting and gilding. (Photograph Peter Kelleher 2022).
Western art unattributed:
17. Ceiling in the Throne Hall of the Comares Palace, Alhambra, Granada. 1350. Wood, including pine and cedar, with painting, 11.3 by 11.3 m. (Photograph Simon Lane).
Western art unattributed:
18. Portal of the Colegiata del Santísimo Sacramento, Torrijos. 1509–18. (Photograph Peter Kelleher 2022).
Western art unattributed:
21. Staircase in the palace at Ocaña. 1475–80. (Photograph Peter Kelleher 2022).
Western art unattributed:
24. Panel from a frieze in the Torrijos Palace. c.1490. Plaster, 38 by 55 by 4 cm. (Museo Santa Cruz, Toledo; photograph Mariam Rosser-Owen).
Western art unattributed:
26. Section of the frieze from the ceiling shown in Fig.8. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Western art unattributed:
28. Exterior of the ceiling shown in Fig.8. (Photograph Peter Kelleher 2022).
Western art unattributed:
4. Courtyard of the Torrijos Palace. Photograph, c.1904. (Instituto del Patrimonio Cultural de España, Ministerio de Cultura y Deporte, VN-10440).
Western art unattributed:
5. Ceiling from the Torrijos Palace. c.1490. Wood, including pine and walnut, with painting and gilding, width 5.72 m. (Museum of the Legion of Honor, San Francisco; Fine Arts Museums of San Francisco).
Western art unattributed:
7. Panel from the original frieze below the ceiling shown in Fig.1. c.1490. Plaster, 29.5 by 58 by 5.5 cm. (Victoria and Albert Museum, London).
Western art unattributed:
8. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; 5.5 by 5.5 m. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
9. Lintel and doorway from the Torrijos Palace. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Article
George I’s Kensington Palace: the sculptural dimension
11/2023 | 1448 | 165
Pages: 1196-1205
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
dates:
media:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Summer from Four Seasons, by Camillo Rusconi. c.1695. Marble, height (without pedestal) 74.9 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
10. Flora, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 159 cm.; 11. Apollo, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 165 cm.; 12. Mercury, by J.M. Rysbrack. 1724. Gilded lead, height 167 cm.; 13. Diana, by J.M. Rysbrack. 1724. Gilded lead, height 173 cm. (All © 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
14. Roman Marriage, by J.M. Rysbrack. 1723. Marble, 195 by 155 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
15. John Michael Rysbrack, by John Faber the Younger after John Vanderbank. 1734. Mezzotint, 35.4 by 25.2 cm (sheet). (National Portrait Gallery, London).
Attributed works:
16. Flora, by Sigismondo Betti. c.1710–30. Pencil drawing on paper, 57 by 48 cm. (Eton College Library, Windsor; reproduced by permission of the Provost and Fellows of Eton College).
Attributed works:
17. The Cupola Room, Kensington Palace. Photograph. c.1930. (© Historic Royal Palaces).
Attributed works:
18. Hermes Andros / Farnese, attributed to Andrew Carpenter. 1724. Lead, height 78 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
19. ‘Archimedes’, by Hubert Le Sueur. c.1637–38. Bronze, height 41 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
2. Kensington Palace: the King’s Gallery, by Charles Wild. 1816. Watercolour with touches of bodycolour over etched outlines, 19.8 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
20. Detail of Fig.7, showing a bust over the fireplace.
Attributed works:
21. Bust of an unknown woman. Early seventeenth century. Bronze, height 71 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
3. The King’s Gallery, Kensington Palace, looking east, with the paintings hung as in George I’s time, with Camillo Rusconi’s Four Seasons on the window piers. (© Historic Royal Palaces).
Attributed works:
4. Kensington Palace: Queen Caroline’s Drawing Room, by Charles Wild. c.1816. Pen and ink with watercolour and bodycolour, over pencil, 20.3 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
5. A Roman statue, by Elisha Kirkall. 1720s. Mezzotint, 36.5 by 21.5 cm. (British Museum, London).
Attributed works:
6. Kensington Palace: the Great Staircase, by Charles Wild. 1819. Pen and ink with watercolour and bodycolour, over etched outlines, 25.2 by 20.2 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
7. Kensington Palace: the Cupola Room, by Richard Cattermole. c.1817. Pen and ink with watercolour and bodycolour, over pencil, 20.4 by 25.3 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
8. Bacchus, by J.M. Rysbrack. 1724. Gilded lead, height 170 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
9. Ceres, by J.M. Rysbrack. 1724. Gilded lead, height 193 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Short Notice
Albanimania
11/2023 | 1448 | 165
Pages: 1214-1219
related names
Shorter Notice by:
Aymonino, Adriano (Aymonino, Adriano)
Subjects
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Cardinal Alessandro Albani: collezionismo, diplomazia e mercato nell’Europa del Grand Tour: Collecting, Dealing and Diplomacy in Grand Tour Europe (Studi sul Settecento Romano 37). Edited by Clare Hornsby and Mario Bevilacqua. 399 pp. incl. numerous col. + b. & w. ills. (Edizioni Quasar, Rome, 2021), €60. ISBN 978–88–5491–188–8. | :
subjects:
Villa Albani Torlonia: architetture, collezioni, giardino. Edited by Carlo Gasparri. 379 pp. incl. numerous col. + b. & w. ills. (Electa, Milan, 2022), €49. ISBN 978–88–918–2134–7. | :
subjects:
Villa Albani Torlonia: The Cradle of Neoclassicism. Photographs by Massimo Listri with texts by Salvatore Settis, Carlo Gasparri, Alvar González-Palacios and Raniero Gnoli. 335 pp. incl. numerous col. + b. & w. ills. (Rizzoli, New York, 2021). $150. ISBN 978–8–8918–3214–6. | :
Illustrations
Attributed works:
1. Cardinal Alessandro Albani, by Ludovico Mazzanti. c.1721–24. Oil on canvas, 96 by 73 cm. (Villa Albani Torlonia, Rome; © Fondazione Torlonia; photograph Massimo Listri).
Attributed works:
2. Casino Nobile, Villa Albani Torlonia, Rome. (© Fondazione Torlonia; photograph Massimo Listri).
Attributed works:
3. Loggia, Villa Albani Torlonia, Rome. (© Fondazione Torlonia; photograph Massimo Listri).
Attributed works:
4. Galleria del Parnaso, Villa Albani Torlonia, Rome. (© Fondazione Torlonia; photograph Massimo Listri).
Attributed works:
5. Antique bas-relief of Antinous, Sala di Antinoo, Villa Albani Torlonia, Rome. (© Fondazione Torlonia; photograph Massimo Listri).
Attributed works:
6. Detail of the Galleria del Parnaso, Villa Albani Torlonia, Rome, showing the marble and mosaic revetments. (© Fondazione Torlonia; photograph Massimo Listri).
Article
Below the surface of Braque's 'Pitcher, candlestick and black fish'
09/2023 | 1446 | 165
Pages: 968-75
related names
Author:
Dijkema, Desirae (Dijkema, Desirae)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Pitcher, candlestick, and black fish (Vase et poisson noir) (after treatment), by Georges Braque. 1943. Oil on canvas, 64.6 by 48.6 cm. (© Artists Rights Society, NY and DACS, London; Menil Collection, Houston).
Attributed works:
10. L’homme au foulard, by Georges Braque. 1929. Oil on canvas, 46 by 38 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959, III).
Attributed works:
11. Reflected infra-red image of the reverse of Fig.1, after lining removal; the image has been flipped so that the composition is seen as it would be when viewed from the front.
Attributed works:
12. Digital estimation of the third underlying composition of Fig.1.
Attributed works:
13. Detail of Fig.1, showing the lower-right corner.
Attributed works:
14. Detail of Fig.1, showing the lower-right corner and imaged under magnification.
Attributed works:
2. Detail of Fig.1, showing the lower-right quadrant.
Attributed works:
3. Reflected infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
4. Transmitted infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
5. Detail of Fig.4, showing the eyes.
Attributed works:
6. Woman at an easel (green screen), by Georges Braque. 1936. Oil on canvas, 92 by 73 cm. (© Artists Rights Society, NY and DACS, London; Art Institute of Chicago).
Attributed works:
7. Digital estimation of the composition immediately underlying Fig.1. (Menil Collection, Houston).
Attributed works:
8. Woman with a mandolin, by Georges Braque. 1937. Oil on canvas, 130.2 by 97.2 cm. (© Artists Rights Society, NY and DACS, London; Museum of Modern Art, New York).
Attributed works:
9. Femme, by Georges Braque. 1936. Oil on canvas, 65 by 54 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959).
Book Review
Great Irish Households: Inventories from the Long Eighteenth Century House and Home in Georgian Ireland: Spaces and Cultures of Domestic Life
09/2023 | 1446 | 165
Pages: 1038-40
related names
Reviewer:
Rowell, Christopher (Rowell, Christopher)
Subjects
Reviewed Items
subjects:
Great Irish Households: Inventories from the Long Eighteenth Century Edited by Tessa Murdoch. 436 pp. incl. 18 col. + 41 b. & w. ills. (John Adamson, Cambridge, 2022), £75. ISBN 978–1–898565–17–8. | :
subjects:
House and Home in Georgian Ireland: Spaces and Cultures of Domestic Life Edited by Conor Lucey. 216 pp. incl. 95 col. ills. (Four Courts Press, Dublin, 2022), £45. ISBN 978–1–80151–026–4. | :
Illustrations
Attributed works:
5. Sir Neil O’Neill, by John Michael Wright. 1680. Oil on canvas, 232.7 by 163.2 cm. (Tate).
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