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53 articles
Exhibition Review
Howardena Pindell: A New Language
05/2023 | 1442 | 165
Pages: 559-562
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Reviewer:
Regan, Padraig (Regan, Padraig)
Subjects
artists:
Pindell, Howardena
dates:
2020-2030
museums and institutions:
Spike Island, Bristol, Great Britain
subjects:
African Americans / Black people / African American art / Mixed media / Videos
Reviewed Items
subjects:
Howardena Pindell: A New Language Spike Island, Bristol 18th February–21st May | :
Illustrations
Attributed works:
19. Parabia test #3, by Howardena Pindell. 1974. Ink on paper collage, 23.5 by 57.8 cm. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Attributed works:
20. Installation view of Howardena Pindell: A New Language at Spike Island, Bristol, 2023, showing Free, white and 21. 1980. U-matic, duration 12 minutes 15 seconds. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; photograph Dan Weill).
Attributed works:
21. Still from Rope/fire/water, by Howardena Pindell. Video, duration 16 minutes. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Exhibition Review
Cornelia Parker
09/2022 | 1434 | 164
Pages: 929-931
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Reviewer:
Lloyd, Kathryn (Lloyd, Kathryn)
Subjects
artists:
Parker, Cornelia
dates:
2020-2030
museums and institutions:
Tate Britain, London, Great Britain
subjects:
British art / Installations (visual works) / Videos
Reviewed Items
subjects:
Cornelia Parker Tate Britain, London 19th May–16th October | :
Illustrations
Attributed works:
(Jerusalem), by Cornelia Parker. 2012. Chromogenic print, 50 by 35 cm. (Private collection; courtesy the artist and Frith Street Gallery, London; photograph Steve White; exh. Tate Britain, London).
Attributed works:
29. Cold dark matter: an exploded view, by Cornelia Parker. 1991. Wood, metal, plastic, ceramic, paper, textile and wire, 400 by 500 by 500 cm. (Tate; exh. Tate Britain, London; photograph Oli Cowling).
Attributed works:
31. Embryo firearms, by Cornelia Parker. 1995. Two colt 45 guns in the earliest stage of production, each 19 by 13 by 2.4 cm. (Private collection; courtesy the artist and Frith Street Gallery, London; exh. Tate Britain, London).
Exhibition Review
Terrible Beauty: Elephant – Human – Ivory
11/2021 | 1424 | 163
Pages: 1061-1063
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Reviewer:
Vogt, Robert J. (Vogt, Robert J.)
Subjects
dates:
2020-2030
museums and institutions:
Humboldt Forum, Berlin, Germany
subjects:
Elephants / Ivory / Sculpture / Videos / Ivories / Installations (visual works) / Interviews
Reviewed Items
subjects:
Terrible Beauty: Elephant – Human – Ivory Humboldt Forum, Berlin 20th July–28th November | :
Illustrations
Attributed works:
6. Jewellery box. Ceylon, 16th century. Ivory with metal fittings, height 10.2 cm. (Museum für Asiatische Kunst, Staatliche Museen zu Berlin; exh. Humboldt Forum, Berlin; photograph Jürgen Liepe).
Attributed works:
7. Mammoth. 35,000 BC. Ivory, length 3.7 cm. (Archäopark Vogelherd, Archäologisches Landesmuseum Baden- Württemberg; exh. Humboldt Forum, Berlin; photograph Manuela Schreiner).
Attributed works:
8. Installation view of Terrible Beauty: Elephant – Human – Ivory at the Humboldt Forum, Berlin, 2021. (Photograph Robert Vogt).
Exhibition Review
Nero: The Man Behind the Myth
10/2021 | 1423 | 163
Pages: 937-939
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Reviewer:
Gardner-Dseagu, Christine (Gardner-Dseagu, Christine)
Subjects
dates:
2020-2030
media:
Sculpture / Film (cinema) / Videos / Frescoes / Mosaics
museums and institutions:
British Museum, London, Great Britain
subjects:
Nero, Emperor of Rome, 37-68 / Roman history / Historiography
Reviewed Items
subjects:
Nero: The Man Behind the Myth British Museum, London 27th May–24th October | :
Illustrations
Western art unattributed:
4. Nero. Roman, 50–100, with later additions. Marble, height 45 cm. (Musei Capitolini, Rome; exh. British Museum, London).
Western art unattributed:
5. Agrippina the Younger. Roman, 37–39. Chalcedony, height 9 cm. (British Museum, London).
Western art unattributed:
6. Fragments of a gilded stucco panel from the Domus Aurea, Rome, showing a pair of sphinxes among acanthus plants. Roman, 64–68. Plaster and paint, height 16.5 cm. (British Museum, London).
Exhibition Review
Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s. Museo Nacional Centro de Arte Reina Sofia, Madrid
03/2020 | 1404 | 162
Pages: 256-257
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Reviewer:
Tobin, Amy (Tobin, Amy)
Subjects
artists:
Seyrig, Delphine
dates:
2010-2019
museums and institutions:
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
subjects:
Feminism / Politics / Film (cinema) / Videos / Visual culture
subjects:
French art
Reviewed Items
subjects:
Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s Museo Nacional Centro de Arte Reina Sofia, Madrid | :
Illustrations
Attributed works:
30. Still from Last Year at Marienbad, directed by Alain Resnais. 1961 (exh. Museo Nacional Centro de Arte Reina Sofia, Madrid).
Attributed works:
31. Still from Calamity Jane and Delphine Seyrig: A Story, directed by Babette Mangolte. 1990 (exh. Museo Nacional Centro de Arte Reina Sofia, Madrid).
Exhibition Review
Martha Rosler: Irrespective. Jewish Museum, New York
03/2019 | 1392 | 161
Pages: 248-251
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Reviewer:
Slifkin, Robert (Slifkin, Robert)
Subjects
artists:
Rosler, Martha
dates:
1960-1969 / 1970-1979 / 1980-1989 / 1990-2009 / 2010-2019
media:
Photography / Videos / Installations (visual works)
museums and institutions:
Jewish Museum, New York, United States
styles:
American art / Conceptual art / Post-Modern
Illustrations
Attributed works:
22. First Lady (Pat Nixon), from the series House beautiful: bringing the war home, by Martha Rosler. c.1967–72. Photomontage, 50.8 by 61 cm. (© Martha Rosler; image courtesy the artist and Mitchell-Innes & Nash, New York; exh. Jewish Museum, New York).
Attributed works:
23. Installation view of Objects with no titles, by Martha Rosler. c.1973/2018. Mixed media. (© Martha Rosler; courtesy of the artist and Mitchell-Innes & Nash, New York; photograph Jason Mandella; exh. Jewish Museum, New York).
Attributed works:
24. Still from Vital Statistics of a Citizen, Simply Obtained, by Martha Rosler. 1977. Video, 40 mins. (© Martha Rosler; exh. Jewish Museum, New York).
Exhibition Review
Andy Warhol—From A to B and Back Again. Whitney Museum of American Art, New York
02/2019 | 1391 | 161
Pages: 158-161
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Reviewer:
Kachur, Lewis (Kachur, Lewis)
Subjects
artists:
Warhol, Andy
dates:
2010-2019
media:
Installations (visual works) / Paintings / Photographs / Screen prints / Prints / Drawings / Sketches / Wallpaper / Videos / Magazine covers / Sculpture
museums and institutions:
Whitney Museum of American Art, New York, United States
places:
United States / New York
subjects:
American painting (United States of America) / Pop art / Design / Graphic design / Television / Illustrations / Politics / LGBT / Portraits / Minimalism / Conceptual art
Illustrations
Attributed works:
25. Installation view of Andy Warhol—From A to B and Back Again at the Whitney Museum of American Art, New York (Photograph by Ron Amstutz; © 2018 The Andy Warhol Foundation for the Visual Arts).
Attributed works:
26. Mao, by Andy Warhol. 1972. Acrylic, silkscreen ink and graphite on linen, 448 by 347 cm. (Art Institute of Chicago;  © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Attributed works:
27. Christine Jorgenson, by Andy Warhol. 1956. Collaged metal leaf and embossed foil with ink on paper, 32.9 by 40.7 cm. (Sammlung Froehlich, LeinfeldenEchterdingen; © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Exhibition Review
Romanticism. Gallerie d’Italia and Museo Poldi Pezzoli, Milan
02/2019 | 1391 | 161
Pages: 151-154
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Reviewer:
Hecker, Sharon (Hecker, Sharon)
Subjects
artists:
Azeglio, Massimo Taparelli / Molteni, Giuseppe / Hayez, Francesco / Bagetti, Giuseppe / Caffi, Ippolito / Inganni, Angelo / Fergola, Salvatore / Vela, Vincenzo / Bartolini, Lorenzo / Monti, Raffaele / Corot, Jean-Baptiste-Camille / Turner, Joseph Mallord William / Friedrich, Caspar David / Induno, Gerolamo / Strazza, Giovanni
dates:
2010-2019
media:
Paintings / Sculpture / Marbles / Porcelain / Costume / Videos
museums and institutions:
Gallerie d'Italia, Milan, Italy / Museo Poldi Pezzoli, Milan, Italy
patrons:
Cavendish, William George Spencer, Sixth Duke of Devonshire, 1790-1858
places:
Italy / Milan
subjects:
Italian painting / Italian sculpture / Romanticism / Music / Opera / Literature / Landscapes (visual works) / Portraits / Allegory / Sublime / Busts / Nudes / Politics / Nationalism / Style
Illustrations
Attributed works:
14. Nocturne in Capri, by Salvatore Fergola. 1843. Canvas, 106 by 131 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Gallerie d’Italia, Milan).
Attributed works:
15. Spartacus, by Vincenzo Vela. 1847–50. Marble, 206 by 72.5 by 90 cm. (Museo d’arte della Svizzera italiana, Lugano; photograph Museo Vincenzo Vela / Mauro Zeni; exh. Gallerie d’Italia, Milan).
Attributed works:
16. Meditation, by Francesco Hayez. 1851. Canvas, 92.5 by 71 cm. (Galleria d’Arte Moderna ‘Achille Forti’, Verona; exh. Gallerie d’Italia, Milan).
Attributed works:
17. Veiled Vestal, by Raffaele Monti. 1845. Marble, 48 by 25.5 by 27 cm. (Castle of Racconigi, Cuneo; exh. Gallerie d’Italia, Milan).
Exhibition Review
Bruce Nauman: Disappearing Acts. Museum of Modern Art and MoMA PS1, New York
02/2019 | 1391 | 161
Pages: 140-143
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Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
art literature:
Riley, Bridget, London , Great Britain
artists:
Nauman, Bruce
dates:
2010-2019
media:
Videos / Photographs / Ceramics / Assemblages / Drawings / Sculpture / Installations (visual works)
museums and institutions:
Museum of Modern Art, New York, United States / MoMA PS1, New York, United States
places:
United States / New York
subjects:
Exhibitions / Critical Reception / Art literature / Psychology / Philosophy / Literature / Music
Illustrations
Attributed works:
1. Contrapposto studies, i through vii, by Bruce Nauman. 2015–16. Seven-channel video (© 2018 Bruce Nauman; Museum of Modern Art, New York, and Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
2. Still from Green horses, by Bruce Nauman. 1988. Video installation (© 2018 Bruce Nauman; Albright-Knox Art Gallery, Buffalo NY, and the Whitney Museum of American Art, New York; exh. MoMA PS1, New York).
Attributed works:
3. Sheet lead, by Bruce Nauman. 1966. Pencil, 27.9 by 21.6 cm. (© 2018 Bruce Nauman; Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
4. Wax impressions of the knees of five famous artists, by Bruce Nauman. 1966. Fibreglass and polyester resin, 39.7 by 216.5 by 7 cm. (© 2018 Bruce Nauman; San Francisco Museum of Modern Art; exh. Museum of Modern Art, New York).
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