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31 articles
Book Review
Josef Albers: Late Modernism, and Pedagogic Form
06/2023 | 1443 | 165
Pages: 670-671
related names
Reviewer:
Darwent, Charles (Darwent, Charles)
Subjects
Reviewed Items
subjects:
Josef Albers: Late Modernism, and Pedagogic Form By Jeffrey Saletnik. 320 pp. incl. 53 col. + 87 b. & w. ills. (University of Chicago Press, 2022), £32. ISBN 978–0–226–69917–2. | :
Illustrations
Attributed works:
6. Structural constellation: transformation of a scheme no. 23, by Josef Albers. 1951. Machine-engraved plastic laminate, 43.2 by 57.2 cm. (Josef and Anni Albers Foundation and Artists Rights Society (ARS), New York).
Exhibition Review
Friedl Dicker-Brandeis: Bauhaus- Schülerin, Avantgarde-Malerin, Kunstp dagogin / Bauhaus Student, Avant-Garde Painter, Art Teacher
07/2022 | 1432 | 164
Pages: 214-217
related names
Reviewer:
Shapira, Elana (Shapira, Elana)
Subjects
art literature:
museums and institutions:
places:
Reviewed Items
subjects:
Friedl Dicker-Brandeis: Bauhaus- Schülerin, Avantgarde-Malerin, Kunstpädagogin / Bauhaus Student, Avant-Garde Painter, Art Teacher Edited by Hemma Schmutz and Brigitte Reutner-Doneus. 252 pp. incl. 150 col. ills. (Hirmer, Munich, and Lentos Kunstmuseum Linz, 2022), €39.90. ISBN 978–3–7774–3846–7. | :
Illustrations
Attributed works:
15. Axonometric drawing of the study in an apartment for Stella Reymers- Münz, Vienna, by Friedl Dicker- Brandeis. 1930. Tempera and pencil on tracing paper, 33 by 50 cm. (Georg Schrom Archive, Vienna).
Attributed works:
16. The Interrogation, by Friedl Dicker- Brandeis. 1934. Gouache and collage, 46 by 33 cm. (University of Applied Arts Vienna).
Attributed works:
17. Woman in a car, by Friedl Dicker-Brandeis. 1940. Pastel on paper, 43.5 by 56 cm. (Jewish Museum, Prague).
Exhibition Review
Sculptures infinies: Des collections de moulages à l’ère digitale / Infinite Sculpture: From the Antique Cast to the 3D Scan
04/2021 | 1417 | 163
Pages: 364-366
related names
Reviewer:
Reynolds-Kaye, Jennifer (Reynolds-Kaye, Jennifer)
Subjects
art literature:
Reviewed Items
subjects:
Sculptures infinies: Des collections de moulages   l’ re digitale / Infinite Sculpture: From the Antique Cast to the 3D Scan Edited by Penelope Curtis and Pascale Le Thorel. 174 pp. incl. 54 col. + 27 b. & w. ills. (Beaux-Arts de Paris  ditions, 2020), €39. ISBN 978–2–84056–685–4. | :
Illustrations
Attributed works:
15. Casts from nature used to teach anatomy, at the Faculdade de Belas-Artes, University of Lisbon, 2020. (Photograph Carlos Azevedo).
Attributed works:
16. Cast from nature (edition 1 / 2), by Christine Borland. 2010–11. Plaster, steel and plastered cloth, variable dimensions. (National Galleries of Scotland, Edinburgh).
Attributed works:
17. Installation view of Infinite Sculpture: From the Antique Cast to the 3D Scan at the Ecole des Beaux-Arts, Paris, 2020. (Photograph Nicolas Brasseur).
Letter
The Warburg Institute
10/2019 | 1399 | 161
Pages: 801-802
related names
Author:
Hamilton, Alastair (Hamilton, Alastair)
Author:
Hope, Charles (Hope, Charles)
Author:
Kauffmann, C. M. (Kauffmann, C. M.; K., C. M.)
Subjects
art literature:
Article
Alfred Stevens, an art student in Florence, 1834–36
05/2019 | 1394 | 161
Pages: 388-397
related names
Author:
Sladen, Teresa (Sladen, Teresa)
Subjects
dates:
patrons:
places:
Illustrations
Attributed works:
1. Self-portrait at the age of fourteen, by Alfred Stevens. 1832. Canvas, 30.8 by 24.8 cm. (Tate).
Attributed works:
10. La Bella, after Titian, by Alfred Stevens. 1835. Watercolour on paper, varnish over face, 23 by 17 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Study of St James with two children by Andrea del Sarto, by Alfred Stevens. 1835. Graphite on paper, 21 by 14 cm. (Walker Art Gallery, Liverpool).
Attributed works:
12. Ligurian landscape with a hilltop building, by Alfred Stevens. 1836. Graphite on paper, 26 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
2. Self portrait, by Giuseppe Bezzuoli. 1839. Canvas, 81 by 64 cm. (Galleria degli Uffizi, Florence).
Attributed works:
3. Francis Kinloch, from his tomb in the Protestant cemetery in Rome, by Thomas Crawford. 1840. Marble. (Photograph the author).
Attributed works:
4. Copy of a fresco by Agnolo Gaddi in S. Croce, Florence, by Alfred Stevens. 1835–36. Graphite and watercolour with gold on paper, 41.5 by 31 cm. (British Museum, London).
Attributed works:
5. Self-portrait, by Alfred Stevens. c.1835–36. Graphite on paper, 28.9 by 22.9 cm. (National Portrait Gallery, London).
Attributed works:
6. Nude woman, by Alfred Stevens. c.1835. Graphite on paper, 30 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
7. Drawing of a man on horse and skeleton, by Alfred Stevens. c.1834–36. Graphite on paper, 26.8 by 18.8 cm. (Tate).
Attributed works:
8. L’Ammostatore, by Lorenzo Bartolini. c.1818. Marble, 128 by 43 by 41 cm. (State Hermitage Museum, St Petersburg; photograph Fratelli Alinari; Bridgeman Images).
Attributed works:
9. Page from a pocket sketchbook showing people in the street, by Alfred Stevens. c.1837. Graphite on paper, 10 by 14 cm. (Royal Institute of British Architects, London).
Western art unattributed:
13. The Temple of Vesta at Tivoli seen from the gorge. French, c.1800. Oil on paper laid on canvas, 28.7 by 18.7 cm. (The Gere Collection, on loan to the National Gallery, London).
Obituary
Iain Buchanan (1948–2018)
04/2019 | 1393 | 161
Pages: 359
related names
Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
Author:
Griffey, Erin (Griffey, Erin)
Subjects
places:
Illustrations
Attributed works:
1. Iain Buchanan in the 1970s. (Photograph Simon Buis).
Article
Philip and Peter Paul Rubens in Rome: newly discovered documents concerning their early careers
02/2019 | 1391 | 161
Pages: 120-127
related names
Author:
Paolini, Cecilia (Paolini, Cecilia)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Philip Rubens, by Peter Paul Rubens. c.1610–11. Panel, 68.6 by 52.7 cm. (Detroit Institute of Arts).
Attributed works:
2. Laocoön and his sons, by Peter Paul Rubens. Black chalk and bistre on paper, 47.5 by 47.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
3. Bust of Seneca, by Cornelis Galle after Peter Paul Rubens. Engraving, 30.9 by 19 cm. From L. Annaei Senecae philosophi opera by Justus Lipsius, 2nd ed., Antwerp 1615. (The British Museum, London).
Attributed works:
4. The crowning with thorns, by Peter Paul Rubens. 1602. Panel, 224 by 180 cm. (Cathedral of Notre-Dame-du-Puy, Grasse, Bridgeman Images).
Attributed works:
5. Archduke Albert VII of Austria, by Peter Paul Rubens. c.1618. Canvas, 105 by 74 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
6. Opposite Peter Paul Rubens, Philip Rubens, Justus Lipsius and Joannes Woverius (‘The Four Philosophers’), by Peter Paul Rubens. c.1611–12. Panel, 164 by 139 cm. (Palazzo Pitti, Florence).
Exhibition Review
Gainsborough’s Family Album. National Portrait Gallery, London; Early Gainsborough: ‘From the Obscurity of a Country Town’. Gainsborough’s House, Sudbury
02/2019 | 1391 | 161
Pages: 146-148
related names
Reviewer:
Shawe-Taylor, Desmond (Shawe-Taylor, Desmond)
Subjects
dates:
media:
Illustrations
Attributed works:
10. Mary and Margaret Gainsborough, by Thomas Gainsborough. c.1763–64. Canvas, 127.3 by 101.7 cm. (Worcester Art Museum; exh. National Portrait Gallery, London).
Attributed works:
8. Margaret Gainsborough, by Thomas Gainsborough. c.1777. Canvas, 76.6 by 63.8 cm. (Samuel Courtauld Trust; exh. National Portrait Gallery, London).
Attributed works:
9. Gainsborough Dupont, by Thomas Gainsborough. 1773. Canvas, 51.6 by 38.8 cm. (Waddesdon Manor, Buckinghamshire; exh. National Portrait Gallery, London).
Book Review
Une théorie universelle au milieu du XIXe siècle: La ‘Grammar of Ornament’ d’Owen Jones. By Ariane Varela Braga
02/2019 | 1391 | 161
Pages: 172-174
related names
Reviewer:
Van Zanten, David (Van Zanten, David; Zanten, David van)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
6. Osler’s Gallery, Oxford Street, London, by Owen Jones. c.1858–60. Ink and watercolour, 147.3 by 102 cm. (Victoria and Albert Museum, London).
Book Review
Live Form: Women, Ceramics and Community. By Jenni Sorkin
02/2019 | 1391 | 161
Pages: 174-175
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