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751 articles
Exhibition Review
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain
05/2025 | 1466 | 167
Pages: 494–7
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
Reviewed Items
subjects:
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain Estorick Collection, London 15th January–11th May | :
Illustrations
Attributed works:
13. Madrigale veneziano (Venetian madrigal) from Aeromusiche d’alfabeto in libertà: Marinetti Crali Cenisi, by Tullio Crali. 1944. (Private collection; exh. Estorick Collection, London).
Attributed works:
14. ishtar’s descent, by Dom Sylvester Houédard. 1971. Typed page 29.7 x 21 cm. (Courtest Lisson Gallery, London; exh. Estorick Collection, London).
Attributed works:
15. Untitled, by Dom Sylvester Houédard. 1967. Newspaper cuttings, fabric and PVC plastic, 35.7 by 33.7 cm. (Courtesy Lisson Gallery, London; exh. Estorick Collection, London).
Book Review
Kay Sage and Yves Tanguy: Ring of Iron, Ring of Wool
05/2024 | 1454 | 166
Pages: 521–523
related names
Reviewer:
McAra, Catriona (McAra, Catriona)
Subjects
art literature:
museums and institutions:
styles:
Reviewed Items
styles:
Kay Sage and Yves Tanguy: Ring of Iron, Ring of Wool Edited by Victoria Noel-Johnson and Marzina Marzetti. 176 pp. incl. 120 col + b. & w. ills. (Skira, New York, 2023), £48. ISBN 978–88–572–5061–8. | :
Illustrations
Attributed works:
15. Unicorns came down to the sea, by Kay Sage. 1948. Oil on canvas, 92.1 by 71.8. cm. (Philadelphia Museum of Art).
Attributed works:
16. Aux aguets le jour, by Yves Tanguy. 1939. Oil on canvas, 40.6 by 30.5 cm. (Private collection).
Attributed works:
17. Ring of iron, ring of wool, by Kay Sage. 1947. Oil on canvas, 137.2 by 97.2 cm. (Mint Museum, Charlotte).
Article
Denis Wirth-Miller’s studio collection
09/2023 | 1446 | 165
Pages: 976-87
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
dates:
places:
Illustrations
Attributed works:
1 and 2. Denis Wirth-Miller’s studio, Wivenhoe. 2014. (Photographs Ben Harrison).
Attributed works:
10. Study for ‘Dog in movement’, by Denis Wirth-Miller. c.1953. Oil on canvas. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
11. Dog; walking; mastiff. Dread, by Eadweard Muybridge. (From E. Muybridge: Animal Locomotion, Philadelphia 1887, plate 704).
Attributed works:
12. Dog, by Francis Bacon. 1952. Oil on canvas, 198.1 by 137.2 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Tate Britain, London).
Attributed works:
13. Part of the floor of Francis Bacon’s studio at 7 Reece Mews, London. 1998. Photograph by Perry Ogden. (© The Estate of Francis Bacon. All rights reserved, DACS / Artimage 2023).
Attributed works:
14. Francis Bacon working material, torn-out page, folded, attached to support and inserted in plastic bag, of ‘Pugilist. Striking a blow’ from E. Muybridge: The Human Figure in Motion, London 1901 (possibly), plate 63. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Dublin City Gallery The Hugh Lane).
Attributed works:
15. Detail of Fig.14, showing the folded page and two merged frames.
Attributed works:
16. Study from the Human Body (Man Turning on Light), 1973, by Francis Bacon. 1973. Oil and alkyd paint on canvas, 200.6 by 148.4 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; private collection).
Attributed works:
3. Denis Wirth-Miller, working material, page from Maxick (Max Sick): Muscle Control or Body Development by Will-Power, London 1949, pp.93– 94, Wivenhoe 112, 22 by 13.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
4. Denis Wirth-Miller, working material, cut and mounted blackand- white photographic reproduction showing two United Nations soldiers in a trench, from S. Simmons: ‘Pusan Beach–Head’, Picture Post (5th August 1950), p.15, no.724v. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
5. Denis Wirth-Miller, working material, fragment of a page, mounted on carboard, showing a single frame from the series ‘The Walk’, ‘Some phases in the Walk of a Dog from series 14’, from E. Muybridge: Animals in Motion, London 1899, p.63, Wivenhoe 49, 15.5 by 15.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco) .
Attributed works:
6. Denis Wirth-Miller, working material, cut-out image mounted on cardboard, from ‘The Defense of Europe’, TIME: The Weekly Newsmagazine, Atlantic Overseas Edition 55:2 (April 1950), p.15, Wivenhoe 106, 25 by 18 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
7. Walking man, by Denis Wirth-Miller. c.1954. Oil on canvas, 130 by 99 cm. (© The Estate of Denis Wirth-Miller; private collection).
Attributed works:
8. Denis Wirth-Miller, working material, fragment of a page mounted on cardboard, from TIME: The Weekly Newspaper Atlantic Overseas Edition (13th June 1949), p.16, Wivenhoe 174, 25.5 by 20.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
9. Reconstitution of Francis Bacon’s studio at 7 Reece Mews, London, at Dublin City Gallery The Hugh Lane. (Photograph © Leonard de Selva; Bridgeman Images).
Article
Below the surface of Braque's 'Pitcher, candlestick and black fish'
09/2023 | 1446 | 165
Pages: 968-75
related names
Author:
Dijkema, Desirae (Dijkema, Desirae)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Pitcher, candlestick, and black fish (Vase et poisson noir) (after treatment), by Georges Braque. 1943. Oil on canvas, 64.6 by 48.6 cm. (© Artists Rights Society, NY and DACS, London; Menil Collection, Houston).
Attributed works:
10. L’homme au foulard, by Georges Braque. 1929. Oil on canvas, 46 by 38 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959, III).
Attributed works:
11. Reflected infra-red image of the reverse of Fig.1, after lining removal; the image has been flipped so that the composition is seen as it would be when viewed from the front.
Attributed works:
12. Digital estimation of the third underlying composition of Fig.1.
Attributed works:
13. Detail of Fig.1, showing the lower-right corner.
Attributed works:
14. Detail of Fig.1, showing the lower-right corner and imaged under magnification.
Attributed works:
2. Detail of Fig.1, showing the lower-right quadrant.
Attributed works:
3. Reflected infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
4. Transmitted infra-red image of Fig.1. (Menil Collection, Houston).
Attributed works:
5. Detail of Fig.4, showing the eyes.
Attributed works:
6. Woman at an easel (green screen), by Georges Braque. 1936. Oil on canvas, 92 by 73 cm. (© Artists Rights Society, NY and DACS, London; Art Institute of Chicago).
Attributed works:
7. Digital estimation of the composition immediately underlying Fig.1. (Menil Collection, Houston).
Attributed works:
8. Woman with a mandolin, by Georges Braque. 1937. Oil on canvas, 130.2 by 97.2 cm. (© Artists Rights Society, NY and DACS, London; Museum of Modern Art, New York).
Attributed works:
9. Femme, by Georges Braque. 1936. Oil on canvas, 65 by 54 cm. (Current location unknown; from N. Worms de Romilly: Catalogue de l’oeuvre de Georges Braque, ed. N. Mangin, Paris 1959).
Article
Tanguy's titles
09/2023 | 1446 | 165
Pages: 932–45
related names
Author:
Mack, Stephen (Mack, Stephen)
Subjects
sources:
Illustrations
Attributed works:
1. Maman, Papa est blessé, by Yves Tanguy. 1927. Oil on canvas, 92.1 by 73 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Museum of Modern Art, New York).
Attributed works:
2. Dame à l’absence, by Yves Tanguy. 1942. Oil on canvas, 115 by 89.5 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; photograph by Walter Klein; Kunstsammlung Nordrhein- Westfalen, Dusseldorf).
Attributed works:
3. Inventions of the monsters, by Salvador Dalí. 1937. Oil on canvas, 51.4 by 78.4 cm. (© Salvador Dali, Fundació Gala-Salvador Dalí; DACS, London; Art Institute of Chicago).
Attributed works:
4. Poem-object, by André Breton. 1941. Carved wood bust of man, oil lantern, framed photograph, toy boxing gloves and paper mounted on drawing board, 45.8 by 53.2 by 10.9 cm. (© ADAGP, Paris and DACS, London; Museum of Modern Art, New York).
Attributed works:
5. Le Diaposin de satin, by Yves Tanguy. 1940. Oil on canvas, 99.1 by 81.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Metropolitan Museum of Art, New York).
Attributed works:
6. La Grue des sables, by Yves Tanguy. 1945. Gouache on paper, 46.1 by 31 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; Art Institute of Chicago).
Attributed works:
7. Terre d’ombre, by Yves Tanguy. 1927. Oil on canvas, 99.1 by 80.3 cm. (© Artists Rights Society, NY and DACS, London; Scala, Florence; |Detroit Institute of Art).
Book Review
A Life of Picasso IV: The Minotaur Years, 1933–1943. By John Richardson
12/2022 | 1437 | 164
Pages: 1301-1302
related names
Reviewer:
Green, Christopher (Green, Christopher)
Subjects
art literature:
artists:
dates:
Reviewed Items
subjects:
A Life of Picasso IV: The Minotaur Years, 1933–1943 By John Richardson. 310 pp. incl. numerous col. + b. & w. ills. (Alfred A. Knopf, New York, 2021), £35. ISBN 978–0–307–26666–8. | :
Exhibition Review
Surrealism Beyond Borders
06/2022 | 1431 | 164
Pages: 592-594
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
dates:
Reviewed Items
subjects:
Surrealism Beyond Borders Tate Modern, London 24th February–29th August | :
Illustrations
Attributed works:
1. A circus rider’s dream, by Yayoi Kusama. 1955. Gouache on paper, 74.9 by 64.5 cm. (Private collection; © Yayoi Kusama; courtesy David Zwirner, New York; Ota Fine Arts, Tokyo, Singapore and Shanghai; Victoria Miro, London and Venice; photograph Elisabeth Bernstein; exh. Tate Modern, London).
Attributed works:
2. The seven sons of Lautréamont (and his dutiful beautiful daughter), by Ted Joans, Heriberto Cogollo, Agustin Cárdenas, Jorge Camacho, Wifredo Lam, Roberto Matta, Hervé Télémaque and Joyce Mansour. 1970–79. Ink on paper with poem, 76.2 by 21.6 cm. (Private collection; © Ted Joans Estate; courtesy Laura Corsiglia; photograph Buddy Ratner; exh. Tate Modern, London).
Attributed works:
3. Ekrany (screens), by Erna Rosenstein. 1951. Oil on canvas, 48 by 64 cm. (© Muzeum Sztuki, Łódź; exh. Tate Modern, London).
Article
Picasso’s ‘Faun musician’: revealing the making, contextualising the meaning
03/2022 | 1428 | 164
Pages: 246-253
related names
Author:
Andral, Jean-Louis (Andral, Jean-Louis)
Author:
Casadio, Francesca (Casadio, Francesca)
Author:
Dahm, Kristi (Dahm, Kristi)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3.
Attributed works:
10. Infra-red reflectogram (IRR) composite image of Fig.3 (1.5-1.73 μm).
Attributed works:
11. Fig.10 with the black ink of the faun removed digitally, showing a vase of flowers beneath.
Attributed works:
12. Head, 6 June, 1947, by Pablo Picasso. 1947. Coloured crayon on the page opposite the colophon of the book Cinq sonnets de Pétrarque / avec une eau-forte de / Picasso / et les explications du traducteur, each page 33.4 by 25.7 cm. (Private collection).
Attributed works:
2. Photomicrograph of The faun musician (bottom), showing orange and pink media from an earlier composition visible through losses in the uppermost black ink layer.
Attributed works:
3. The faun musician, by Pablo Picasso. 7th–11th June 1947. Brush and black ink and gouache on cream wove paper, folded, 32.7 by 50.2 cm. (Art Institute of Chicago; © 2020 Estate of Pablo Picasso; DACS, London, 2022).
Attributed works:
4. Head of a woman – Françoise, by Pablo Picasso. 1945. Etching, aquatint and engraving on Arches wove paper, plate 13.9 by 11.9 cm., sheet (irreg.) 32 by 24.8 cm. (From Cinq Sonnets de Pétrarque, plate, fol.6.; Museum of Modern Art, New York; Scala; © 2020 Estate of Pablo Picasso; DACS, London, 2022).
Attributed works:
5. Vase with foliage and three sea urchins, by Pablo Picasso. 21st October 1946. Oleoresinous enamel paint and charcoal on paper mounted on reused canvas, 46 by 38 cm. (Musée Picasso, Antibes; © imageArt; photograph Claude Germain; © Succession Picasso 2022; DACS, London, 2022).
Attributed works:
6. The faun musician, by Pablo Picasso, open folio as it originally appeared as a frontispiece opposite the title page to Cinq Sonnets de Pétrarque. (© 2020 Estate of Pablo Picasso; DACS, London, 2022).
Attributed works:
7. Detail of a photograph by Michel Sima, showing ceramics and drawings by Pablo Picasso at the Atelier Madoura, Vallauris. 1948. (© Michel Sima Héritiers; Bridgeman Images).
Attributed works:
8. MA-XRF composite map of Fig.3, showing Prussian blue crayon (blue), gouache media containing titanium white (red) and cerulean blue gouache (green).
Attributed works:
9. Raking-light image of the verso of Fig.3, flipped horizontally.
Book Review
Giorgio de Chirico: Catalogo Generale. Volume 2: 1910–1975; Volume 3: 1913–1976; and Volume 4: 1913–1975. Edited by Fondazione Giorgio e Isa de Chirico
01/2020 | 1402 | 162
Pages: 83-84
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Giorgio de Chirico: Catalogo Generale Edited by Fondazione Giorgio e Isa de Chirico. Volume 2: 1910–1975. 520 pp. incl. approx. 500 col. + b. & w. ills. (Maretti Editore, Imola, 2015), £275. ISBN 978–889–885–559–9. Volume 3: 1913–1976. 472 pp. incl. 475 col. + b. & w. ills. (Maretti Editore, Imola, 2016), £275. ISBN 978–8–898–85578–0. Volume 4: 1913–1975. 512 pp. incl. 451 col. + 475 b. & w. ills. (Maretti Editore, Imola, 2018), £275. ISBN 978–88–9397–000–6. | :
Illustrations
Attributed works:
8. School of gladiators: the fighting, by Giorgio De Chirico. 1928. Oil on canvas, 160 by 240 cm. (Casa Museo Boschi Di Stefano, Milan; Bridgeman Images).
Publication Received
Ravens and Red Lipstick: Japanese Photography since 1945. By Lena Fritsch
03/2019 | 1392 | 161
Pages: 264
related names
Reviewer:
Stojković, Jelena (Stojković, Jelena)
Subjects
Reviewed Items
subjects:
Ravens and Red Lipstick: Japanese Photography since 1945. By Lena Fritsch | :
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