Passion and Fervour
LWL – Museum für Kunst und
Kultur, Münster
9th October 2020–
14th February 2021 |
:
Illustrations
Attributed works:
10. Study for a
self-portrait,
by Henry Fuseli.
1780s. Black-andwhite
chalk with
ink inscription,
27 by 19.4 cm.
(Victoria and
Albert Museum,
London; exh.
LWL – Museum
für Kunst und
Kultur, Münster).
Attributed works:
8. The fruit of love,
from the series
Love Scenes, by
Pauwels Franck,
called Paolo
Fiammingo. 1585–
89. Oil on canvas,
158.7 by 257.3 cm.
(Kunsthistorisches
Museum, Vienna;
exh. LWL –
Museum für
Kunst und Kultur,
Münster).
Himmlischer Glanz: Raffael, Dürer und Grünewald malen die Madonna |
institution: Gemäldegalerie
Illustrations
Attributed works:
76. The Madonna di Foligno, by Raphael. 1511–12. Canvas, transferred from panel, 301.5 by 198.5 cm. (Musei Vaticani, Vatican City; exh. Gemäldegalerie, Dresden).
Attributed works:
77. The Stuppacher Madonna, by Grünewald. 1516. Panel, 185 by 150 cm. (Kirchgemeinde Maria Krönung, Bad-Mergentheim-Stuppach; exh. Gemäldegalerie, Dresden).
Attributed works:
78. The Sistine Madonna, by Raphael. 1512–13. Canvas, 269.5 by 201 cm. (Gemäldegalerie, Dresden).
29. Standing Saint, by the Master of Wittingau. Pen and Wash, 20.4 by 8.6 cm. (National Gallery, Prague.) 30. Project for the Decoration of a Loggia, by Cherubino Alberti. Pen and Brown Ink, Brown Wash, Traces of Black Chalk, 23.9 by 19.8 cm. (Museo di Capodimonte, Naples.) 31. St John Beneath the Cross, Here Attributed to Hans Burgkmair. Black Chalk, 44.6 by 17.2 cm. (Hermitage, Leningrad.) 32. Youthful Head, Attributed to Grünewald. Black Chalk on Reddish Paper. (Kupferstichkabinett, Dresden.) 33. The Raising of Lazarus, from the School of Dürer. Water-Colour, 36 by 22 cm. (Pushkin Museum, Moscow.)
Attributed works:
34. Flagellation of Christ, by Hans Burgkmair. Black Chalk, 26.8 by 26.6 cm. (Muzeum Narodowe, Warsaw.)
Attributed works:
35. Urfahr on the Danube, by Wolf Huber. Pen and Bistre, 13.3 by 14.8 cm. (Museum of Fine Arts, Budapest.)
Attributed works:
37. Study of Hands, Here Attributed to Wolf Huber. Black and White Chalk on Reddish Paper, 18.8 by 27.3 cm. (Kupferstichkabinett, Dresden.)
Western art unattributed:
36. Martyrdom of a Female Saint. Leaf from a Sketchbook. Austrian School, c.1430. Pen and Indian ink, 12.9 by 18.8 cm. (National Gallery, Prague.)
10. Detail of Plants from St Elizabeth of Thüringen, Reproduced in Fig.2.
Attributed works:
2. Reconstruction of the St Thomas Altar-Piece Formerly in the Dominican Church at Frankfurt-am-Main, by a Follower of Dürer and (The Fixed Wings) by Mathis Gothardt-Neithardt, Called Grünewald.
Attributed works:
3. Detail from St Elizabeth of Thüringen Reproduced in Fig.2.
Attributed works:
4. Detail from Unknown Female Martyr Reproduced in Fig.2.
Attributed works:
5. X-Ray of the Sleeve and Hand of St Elizabeth of Thüringen Reproduced in Fig.2.
Attributed works:
6. X-Ray of the Head of Unknown Female Martyr, and Foliage, Reproduced in Fig.2.
Attributed works:
7. Detail from St Elizabeth of Thüringen Reproduced in Fig.2.
Attributed works:
8. Detail from Unknown Female Martyr Reproduced in Fig.2.
Attributed works:
9. Virgin Annunciate, by Grünewald. Black Chalk and Indian Ink. (Kupferstichkabinett, Berlin-Dahlem.)
25. St Elizabeth of Thüringen. Two Panels from the (Fixed) Wings of the Heller-Altar, Originally in the Dominican Church at Frankfurt-am-Main, by Mathias Gothardt-Nithardt, Called Grünewald. After Restoration. Grisailles: Left-Hand Panel, 95.8 by 42.8 cm; Right-Hand Panel, 101.2 by 43.7 cm. (Fürstl. Fürstenbergische Gemäldegalerie, Donaueschingen.)
Attributed works:
26. St Lucy. Two Panels from the (Fixed) Wings of the Heller-Altar, Originally in the Dominican Church at Frankfurt-am-Main, by Mathias Gothardt-Nithardt, Called Grünewald. After Restoration. Grisailles: Left-Hand Panel, 95.8 by 42.8 cm; Right-Hand Panel, 101.2 by 43.7 cm. (Fürstl. Fürstenbergische Gemäldegalerie, Donaueschingen.)