Fuseli and the Modern Woman:
Fashion, Fantasy, Fetishism
Courtauld Gallery, London
14th October 2022–8th January 2023 |
:
Illustrations
Attributed works:
16. Sophia Fuseli,
her hair in large
rolls, with pink
gloves, in front
of a brown
curtain, by Henry
Fuseli. 1790.
Graphite, brush
and watercolour,
heightened with
white opaque
watercolour on
paper, 31.6 by 19.7
cm. (Kunsthaus
Zürich; exh.
Courtauld
Gallery, London).
Attributed works:
17. Woman in a
sculpture gallery,
by Henry Fuseli.
1798. Pen and
black ink, brush
and watercolour
on paper,
over graphite,
heightened with
white opaque
watercolour,
41 by 24.7 cm.
(Kupferstichkabinett,
Staatliche
Kunstsammlungen
Dresden; exh.
Courtauld
Attributed works:
18. Kallipyga,
by Henry Fuseli.
c.1790–92? Pen and
brown ink, 16.3 by
9.4 cm. (Private
collection; exh.
Courtauld Gallery,
London).
1. The Palace of Labour, Kharkiv, designed by Ippolit Pretro and
completed in 1916, which has largely been destroyed in the Russian
bombardment of the city. (Photograph Stanislav Ostrous).
Art and Violence in Early Renaissance
Florence
By Scott Nethersole. 320 pp. incl. 233 col. +
b. & w. ills. (Yale University Press, New Haven and
London, 2018), 65. ISBN 978–0–300–23351–3. |
:
Illustrations
Attributed works:
2. Battle of the naked men, by Antonio del
Pollaiuolo. c.1470–90. Engraving, 38.4 by 58.9
cm. (Metropolitan Museum of Art, New York).
Passion and Fervour
LWL – Museum für Kunst und
Kultur, Münster
9th October 2020–
14th February 2021 |
:
Illustrations
Attributed works:
10. Study for a
self-portrait,
by Henry Fuseli.
1780s. Black-andwhite
chalk with
ink inscription,
27 by 19.4 cm.
(Victoria and
Albert Museum,
London; exh.
LWL – Museum
für Kunst und
Kultur, Münster).
Attributed works:
8. The fruit of love,
from the series
Love Scenes, by
Pauwels Franck,
called Paolo
Fiammingo. 1585–
89. Oil on canvas,
158.7 by 257.3 cm.
(Kunsthistorisches
Museum, Vienna;
exh. LWL –
Museum für
Kunst und Kultur,
Münster).
Theater of Operations: The Gulf
Wars 1991–2011
MoMA PS1, New York
3rd November 2019–1st March |
:
Illustrations
Attributed works:
28. Still from
Gulf War TV
War, by Michel
Auder. 1991,
edited 2017.
Hi8 video
and mini-DV
transferred to
digital video. 102
min. (Courtesy
the artist and
Martos Gallery,
New York; exh.
MoMA PS1, New
York).
Attributed works:
29. The fires
of Baghdad, by
Kareem Risan.
2003. Ink,
coloured pencil,
digital printing,
and collage on
paper; 13 folded
pages loose in
cover, in slipcase
32.5 by 59 cm.
(unfolded) (Azzawi
Collection,
London;
photograph
Anthony Dawton;
exh. MoMA PS1,
New York).
Attributed works:
30. Portrait of
Zain Habboo, by
Nuha Al-Radi.
1995. Painted
metal canister
and rock, 25.4
by 15.2 cm.
(Private
collection;
photograph Kris
Graves; exh.
MoMA PS1,
New York).
Exhibition Review
Jenny Holzer: Thing Indescribable. Guggenheim Bilbao
26. For Bilbao,
by Jenny Holzer.
2019. Projection,
site-specific
dimensions.
(Courtesy
the artist).
Attributed works:
27. Installation
for Bilbao, by
Jenny Holzer.
1997. Electronic
LED signs,
9 columns
site-specific
dimensions
(Courtesy the
artist and
Guggenheim
Bilbao).
Attributed works:
28. Ram, by
Jenny Holzer.
2016. Threesided
LED sign,
RGB diodes, 14
by 762 by 14
cm. (Courtesy
the artist and
Hauser & Wirth).
23. The guv’nors
in their Sunday
suits, Finsbury
Park, London,
by Don McCullin.
1958. Gelatin
silver print,
50.8 by 60.9 cm.
(Courtesy the
artist; exh. Tate
Britain, London).
Attributed works:
24. Grenade
thrower, Hue,
Vietnam, by Don
McCullin. 1968.
Gelatin silver
print, 49 by 61
cm. (Courtesy
the artist; exh.
Tate Britain,
London).
Attributed works:
25. Woods
near my house,
Somerset, by
Don McCullin.
c.1991. Gelatin
silver print, 30.7
by 41.5 cm. (Tate;
exh. Tate Britain,
London).
Book Review
Veronese in Murano: Two Venetian Renaissance Masterpieces Restored. By Xavier F. Salomon with Maichol Clemente and Claudia Vittori
1. A bat and two ears, by Jusepe de Ribera. Early 1620s. Red chalk, brush and red wash, 15.9 by 27.9 cm. (Metropolitan Museum of Art, New York; exh. Dulwich Picture Gallery, London).
Attributed works:
2. Apollo and Marsyas, by Jusepe de Ribera. 1637. Canvas, 182 by 232 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Dulwich Picture Gallery, London).
Attributed works:
3. Man bound to a stake, by Jusepe de Ribera. First half of the 1640s. Pen and brown ink with wash, 21.5 by 16.3 cm. (Fine Arts Museum of San Francisco; exh. Dulwich Picture Gallery, London).