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113 articles
Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
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Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
artists:
Michelangelo / Venusti, Marcello / Condivi, Ascanio
dates:
2020-2030
subjects:
Italian drawing / Italian art / Renaissance art / Sketches / Studies (visual works) / Correspondence / Poetry / Christian iconography / Late works / Cartoons (working drawings) / Colonna, Vittoria / Cavalieri, Tommaso de'
subjects:
Architectural drawings
Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
Article
A ‘crucifixion complex’: two newly discovered sketches attributed to Francis Bacon
03/2024 | 1452 | 166
Pages: 225–235
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Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
artists:
Bacon, Francis, 1909-1992 / Maistre, Roy de / Picasso, Pablo
collectors and dealers:
Sadler, Michael Ernest , Sir
dates:
1930-1939
museums and institutions:
Art Gallery of New South Wales, Sydney, Australia
subjects:
British art / British drawing / Sketches / Jesus Christ: Crucifixion
subjects:
Portraits / Triptychs
Illustrations
Attributed works:
1. Sketch, by Francis Bacon. c.1930. Pencil on tracing paper mounted on paper, 25.2 by 16.6 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin;).
Attributed works:
10. Studio Interior, by Francis Bacon. c.1936. Pastel and pencil on paper, 23.5 by 35 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
11. Sketch for triptych, here attributed to Francis Bacon. c.1933. Pencil. (Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
12. Three Studies for Figures at the Base of a Crucifixion, by Francis Bacon. 1944. Oil and pastel on fibreboard, each panel approx. 94 by 74 cm. (irregular). (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Tate).
Attributed works:
2. Two pencil sketches, here attributed to Francis Bacon. c.1933. Pencil on paper, 26 by 18.5 cm. (On the half-title page of A. Level: Picasso, Paris 1928; Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
3. Sketch of a Biomorph, by Francis Bacon. c.1936. Black, blue and darkbrown ink on lined paper, 16.7 by 12.1 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin).
Attributed works:
4. Abstraction from the Human Form, by Francis Bacon, c.1936. Medium and dimensions unknown. Destroyed by the artist. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024).
Attributed works:
5. Sketch for Portrait of M.E. Sadler [skull], here attributed to Francis Bacon. c.1933. Pencil and possibly wash. (Art Gallery of New South Wales; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of, Sydney; Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
6. Crucifixion [skeleton], by Francis Bacon. 1933. Oil on canvas, 62 by 48.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
7. ‘A candidate for Baptism’, detail of Baptism of Christ, by Piero della Francesca. (From R. Longhi: Piero della Francesca, Milan 1930).
Attributed works:
8. The Crucifixion [skull], by Francis Bacon. 1933. Oil on canvas, 111.5 by 86.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
9. Replica of Portrait of Michael Sadler, by Loris Rey. Bronze. (University College, University of Oxford).
Book Review
Luca Giordano: Maestro barocco a Firenze
03/2024 | 1452 | 166
Pages: 306–309
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Reviewer:
Volpi, Caterina (Volpi, Caterina)
Subjects
artists:
Giordano, Luca
buildings:
Palazzo Medici Riccardi, Florence, Italy
subjects:
Italian art / Sketches / Frescoes / Paintings
Reviewed Items
subjects:
Luca Giordano: Maestro barocco a Firenze Edited by Riccardo Lattuada, Giuseppe Scavizzi and Valentina Zucchi. 192 pp. incl. 105 col. + b. & w. ills. (Officina Libraria, Rome, 2023), €30. ISBN 978–88–336–7236–6. | :
Illustrations
Attributed works:
1. Installation view of Luca Giordano: Maestro barocco a Firenze at the Palazzo Medici Riccardi, Florence, 2023.
Attributed works:
2. Triumph of the Riccardi, detail of the Apotheosis of the Medici in the Galleria degli Specchi, Palazzo Medici Riccardi, by Luca Giordano. 1682–85. Fresco. (Palazzo Medici Riccardi, Florence).
Attributed works:
3. Apotheosis of the Medici, by Luca Giordano. 1682–85. Oil on canvas, 139 by 65.2 cm. (National Gallery London).
Exhibition Review
Rubens & Women
01/2024 | 1450 | 166
Pages: 75–79
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Reviewer:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
artists:
Rubens, Peter Paul
dates:
2020-2030
media:
Paintings / Sketches / Drawings
museums and institutions:
Dulwich Picture Gallery, London, Great Britain
subjects:
Flemish art / Women
Reviewed Items
subjects:
Rubens & Women. By Ben van Beneden and Amy Orrock, with contributions by Jennifer Scott. 191 pp. incl. numerous col. ills. (Dulwich Picture Gallery, London, 2023), £19.95. ISBN 978–1–898519–49–2. | :
subjects:
Rubens & Women Dulwich Picture Gallery, London 27th September 2023– 28th January 2024 | :
Illustrations
Attributed works:
17. Study of a female nude (Psyche), by Peter Paul Rubens. c.1609–12. Black and white chalk on paper, 58.1 by 41.2 cm. (© HM King Charles III; Royal Collection Trust; exh. Dulwich Picture Gallery, London).
Attributed works:
18. Three of Diana’s nymphs undressing, by Peter Paul Rubens after Jacob Cornelisz Cobaert. c.1598–1600. Pen and brown ink over black chalk on paper, 17.2 by 14.7 cm. (British Museum, London; exh. Dulwich Picture Gallery, London).
Attributed works:
19. Birth of the Milky Way, by Peter Paul Rubens. 1636–38. Oil on canvas, 181 by 244 cm. (Museo Nacional del Prado, Madrid; exh. Dulwich Picture Gallery).
Book Review
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2)
04/2023 | 1441 | 165
Pages: 476-477
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Reviewer:
Sancho Lobis, Victoria (Sancho Lobis, Victoria)
Subjects
art literature:
Catalogues
artists:
Rubens, Peter Paul / and workshop
subjects:
Flemish painting / Studies (visual works) / Oil sketches / Sketches / Attributions
works:
Corpus Rubenianum
Reviewed Items
works:
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2) By Nico Van Hout. 2 vols, 680 pp. incl. 150 col. + 340 b. & w. ills. (Brepols, Turnhout, 2021), £212.50. ISBN 978–1–912554–65–2. | :
Illustrations
Attributed works:
4. Reconstruction of the original support of Head study of a young man, looking down to the left (private collection); and Head study of a young man, looking up (Musée du Louvre, Paris), both by Peter Paul Rubens, with indication of the horizontal joint and the saw lines.
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
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Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
artists:
Delacroix, Eugène
dates:
1830-1839
museums and institutions:
Musée du Louvre, Paris, France / Musée Condé, Chantilly, France / Library of Congress, Washington, United States / Sotheby's, Paris, France
places:
Morocco / Andalusia / Tangier / Cádiz (province) / Seville / Meknès
subjects:
French art / Drawings / Sketchbooks / Notebooks / Studies (visual works) / Sketches
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Exhibition Review
Edward Lear: Moment to Moment
11/2022 | 1436 | 164
Pages: 1130-1132
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Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
Lear, Edward
dates:
2020-2030
museums and institutions:
Ikon Gallery, Birmingham, Great Britain
subjects:
Victorian art / Travel / Sketches / Watercolours
Reviewed Items
subjects:
Edward Lear: Moment to Moment Ikon Gallery, Birmingham 9th September–13th November | :
Illustrations
Attributed works:
1. Amada, by Edward Lear. 7.25 a.m. 12th February 1867. Watercolour, pen and brown ink and graphite, 9.2 by 17.8 cm. (Yale Center for British Art, New Haven; exh. Ikon Gallery, Birmingham).
Attributed works:
2. Santa Maura, by Edward Lear. 6 p.m. 19th April 1863. Watercolour over pen and ink, 21 by 32 cm. (Private collection; exh. Ikon Gallery, Birmingham).
Attributed works:
3. The Forest of Bavella, Corsica, by Edward Lear. 7.10 a.m. 29th April 1868. Pen and ink and watercolour on buff paper, 63.5 by 80 cm. (Private collection; photograph Woolley and Wallis Salerooms Ltd; exh. Ikon Gallery, Birmingham).
Article
G.F. Watts’s ‘Satan’ and the Monte Cavallo ‘Horse tamers’
07/2022 | 1432 | 164
Pages: 664-671
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Author:
Gustin, Melissa L. (Gustin, Melissa L.)
Subjects
artists:
Watts, George Frederic / Phidias
dates:
1840-1849
museums and institutions:
Watts Gallery, Compton , Great Britain
subjects:
British painting / Satan by GF Watts / Horse Tamers, Monte Cavallo, Rome / Casts (sculpture) / Greek (ancient) sculpture / Sketches / Drawings / Paintings
Illustrations
Attributed works:
1. Satan, by George Frederic Watts. 1847–48. Oil on canvas, 198.1 by 132.1 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
10. Study for Satan, by George Frederic Watts. c.1847–48. Pencil on paper, pasted into a scrapbook album, 16.6 by 11.3 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
11. Studies of a classical head in multiple views on the margin of a design for ‘Adam and Eve listening to an angel’, by George Frederic Watts. Pen and ink on paper, pasted into a historic scrapbook album, 12.5 by 17.8 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
12. Studies of nude riders on horseback, by George Frederic Watts. Before 1858. Pencil on paper, pasted into a historic scrapbook album, 22.9 by 18.5 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
13. Aurora, by George Frederic Watts. Plaster over metal armature, height 243 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
2. Fountain of Monte Cavallo in the Palazzo del Quirinale, Rome. 1860– 70. Albumen silver print, 33.3 by 46.2 cm. (The J. Paul Getty Museum, Los Angeles; courtesy the Getty Open Content Program).
Attributed works:
3. Cast after the head of the left Monte Cavallo horse tamer, called ‘Pollux’. 18th century. Plaster, height 147 cm. (Royal Academy of Arts, London).
Attributed works:
4. Cast after the head of the right Monte Cavallo horse tamer, called ‘Castor’. 18th century. Plaster, height 147 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1847–48. Pencil on paper, (sheet) 9 by 14.5 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
6. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1844. Pencil on paper, (sheet) 7.5 by 11 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
7. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1847–48. Pencil on paper, 9 by 14.5 cm (page). (Watts Gallery– Artists’ Village, Compton).
Attributed works:
8. Sketch of the reclining male figure now called Dionysus from the east pediment of the Parthenon, by George Frederic Watts. c.1847–48. Pencil on paper, (sheet) 9 by 14.5 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
9. Study for Satan, by George Frederic Watts. c.1847–48. Pencil on paper, pasted into a scrapbook album, 18.3 by 11.6 cm. (Watts Gallery– Artists’ Village, Compton).
Article
Becoming Hubert Robert: some new suggestions
03/2021 | 1416 | 163
Pages: 244-253
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Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Rayner, Kari (Rayner, Kari)
Subjects
artists:
Robert, Hubert / Cochin, Charles-Nicolas, II, 1715-1790
museums and institutions:
French Academy in Rome, Rome, Italy
subjects:
French art / Landscapes (visual works) / Capricci / Architectural paintings / Perspective / Early works / Techniques / Technical analysis / Underdrawings / Figure paintings / Sketches
Illustrations
Attributed works:
1. Arch of Septimius Severus, by Hubert Robert. 1756. Pen, grey and beige washes on paper, 73 by 52 cm. (Musée de Valence).
Attributed works:
10. Diagram of holes around the edges of Fig.8. The painting may have been mounted flush to a wall. A string (or multiple strings) may have been held between nails fixed to the two vanishing points at the positions shown here, and nails positioned in the holes.
Attributed works:
11. The old bridge, by Hubert Robert. 1760. Oil on canvas, 76.2 by 100.3 cm. (Yale University Art Gallery, New Haven).
Attributed works:
12. Studies of figures, by Hubert Robert. 1760. Black and red chalks on four sheets of paper mounted on a single sheet of paper, 45.2 by 34.8 cm. (Private collection).
Attributed works:
13. Composite sheet of eight figure studies, by Hubert Robert. 1760. Red chalk on paper mounted on a single sheet of paper, 45 by 33 cm. (Private collection).
Attributed works:
14. The column, by Hubert Robert. 1789. Oil on canvas, 242.6 by 194.6 cm. (Saint Louis Art Museum).
Attributed works:
15. Detail of Fig.14, showing the figures.
Attributed works:
16. Detail of figures in A hermit praying in the ruins of a Roman temple, by Hubert Robert. c.1760. Oil on canvas, whole painting 57.8 by 70.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
17. X-radiograph of Fig.11. (Courtesy Eric Stegmaier, Yale University Art Gallery, New Haven).
Attributed works:
18. The artist in his studio, by Hubert Robert. c.1759. Red chalk on paper, 33.3 by 44.1 cm. (Private collection).
Attributed works:
2a–b. Architectural capriccio with the Basilica of Constantine and Architectural capriccio with the Arco Degli Orefici next to San Giorgio in Velabro and the Arco di Giano. Bottom, left to right 2c–d. Architectural capriccio with the Temple of Faustina, the Arch of Titus and the walls of the Farnese Gardens and Architectural capriccio with the Temple of Venus, San Francesco Romano and the Basilica of Constantine beyond, by Hubert Robert. c.1754. Oil on canvas, each 75 by 99.5 cm. (Private collection).
Attributed works:
3. Colonnade and gardens at the Villa Medici with gentlemen sketching, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
4. Remains of the Palace of Pope Julius, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
5. Washerwomen in the ruins of the Colosseum, by Hubert Robert. Here dated c.1758. Oil on canvas, 45.1 by 57.8 cm. (Brooklyn Museum, New York).
Attributed works:
6. Infra-red reflectogram of Fig.5. (Conservation Department, Brooklyn Museum, New York).
Attributed works:
7. The obelisk, by Hubert Robert. 1789. Oil on canvas, 243.8 by 194.2 cm. (Saint Louis Art Museum).
Attributed works:
8. Infra-red photograph of a detail of Fig.7. (Courtesy Clare Walker Winfield, Saint Louis Art Museum).
Attributed works:
9. Ponte Salario, by Hubert Robert. c.1775. Oil on canvas, 91.3 by 121 cm. (National Gallery of Art, Washington).
Article
Picturing Mount Yandang: the travel paintings and landscape aesthetics of Yu Jianhua
10/2020 | 1411 | 162
Pages: 840-849
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Author:
Chan, Pedith (Chan, Pedith)
Subjects
artists:
Yu Jianhua
media:
Watercolours
patrons:
Jiang Shunan
places:
Mount Yandang (China)
subjects:
Chinese art / Landscapes (visual works) / Nature / Aesthetics / Mountains / Travel / Cultural tourism / Guidebooks / Illustrations / Photographs / Plein-air / Sketches / Brushwork / Albums / Art theory
Illustrations
Attributed works:
1. View of the Lingyan Temple, by Yu Jianhua. 1931. Ink and colour on paper, 30.6 by 22.5 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
10. Illustration of the Spirit Peak, Yan shan zhi, 15th−16th century. Blockprint. (Repr. in Gazetteer of Mount Yan, 1601).
Attributed works:
11. A view of the Spirit Peak, by Jiang Shunan. Photograph. (Repr. in Scenic China series X: Yen T’ang Shan, Shanghai 1917).
Attributed works:
12. Spirit Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
13. Jinzhu Brooks, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
14. View of Furong Village, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
15. Tandang Rock, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
2. Yangtianwo Studio, by Yu Jianhua, a section from the handscroll Yantianwo. 1931. Ink and colour on paper, 26 by 91.8 cm. Collection of Kyoto National Museum
Attributed works:
3. View of the Geese Lake and Baigang Summit, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 61.2 cm. (Collection of the Library of the Nanjing University of the Arts).
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4. Magnificent view of the Spirit Peak, by Yu Jianhua. 1931. Ink on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
5. Duxiu Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
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6. Duxiu Peak. Blockprint. (Repr. in Extended Gazetteer of Mount Yan-dang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
Attributed works:
7. Dragon Waterfall, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
8. Peaks in strange shapes, by Yu Jianhua. 1931, Ink on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
9. Peaks in strange shapes. China, late 18th century. Blockprint. (Repr. in Extended Gazetteer of Mount Yandang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
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