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22 articles
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
dates:
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Article
Innovation and empiricism: Delacroix’s ‘Taking of Constantinople by the Crusaders’
12/2022 | 1437 | 164
Pages: 1196-1209
related names
Author:
Lee, Simon (Lee, Simon)
Subjects
dates:
museums and institutions:
museums and institutions:
Illustrations
Attributed works:
1. Taking of Constantinople by the Crusaders, by Eugène Delacroix. 1840. Oil on canvas, 410 by 498 cm (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
10. Sketch for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Oil on canvas, 33 by 41 cm. (Musée Condé, Chantilly).
Attributed works:
11. Sketch for the Taking of Constantinople, here attributed to Eugène Delacroix. 1840. Oil on canvas, 65 by 81 cm. (Private collection; photograph courtesy of Collins Fine Art Ltd, New York).
Attributed works:
12. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Graphite on paper, 20.7 by 33.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 42753).
Attributed works:
2. Louis-Philippe and the royal family visit the Salles des croisades at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm (Musés des châteaux de Versailles et de Trianon).
Attributed works:
3. Detail of Fig.1, showing the group of the old man, woman and child.
Attributed works:
4. Detail of Fig.1, showing the group of Baudouin and the mounted crusaders.
Attributed works:
5. Detail of Fig.1, showing the group of women.
Attributed works:
6. Detail of Fig.1, showing a soldier assaulting an old man.
Attributed works:
7. Ptolemais delivered to Philippe-Auguste and Richard the Lionheart of England, 11th or 12th July 1191, by Merry-Joseph Blondel. 1840. Oil on canvas, 406 by 494 cm. (Grande Salle, Salles des croisades, Château de Versailles; Bridgeman Images).
Attributed works:
8. Detail of Fig.1, showing the reflection in the lid of the gold casket.
Attributed works:
9. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839-40. Graphite on paper, 18.1 by 27.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 9368).
Article
‘After the duel’: an early painting by Paul Delaroche
12/2022 | 1437 | 164
Pages: 1190-1195
related names
Author:
Bann, Stephen (Bann, Stephen)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1. ‘Salon de 1835, “Assassinat du duc de Guise”, tableau de M. Paul Delaroche’, by Andrew Best Leloir and Charles Émile Wattier. 1835. Engraving, 12 by 21.5 cm. (From Le Magasin Pittoresque 22, 1835, p.169).
Attributed works:
2. After the duel, by Paul Delaroche, 1825. Oil on canvas, 66 by 82 cm. (Private collection).
Attributed works:
3. Duel after the masquerade, by Jean-Léon Gérôme. 1857–59 (third version). Oil on canvas, 39.1 by 56.3 cm. (The Walters Art Museum, Baltimore).
Attributed works:
4. St Bartholomew scene, by R.J. Bingham after Paul Delaroche. 1857– 58. Albumen print. (From Oeuvre de Paul Delaroche, Paris 1858).
Attributed works:
5. A duel, by Pierre Roch Vigneron. 1829. Lithograph, 25 by 29 cm. (Private collection).
Attributed works:
6. Detail of St Vincent de Paul preaching to the court of Louis XIII on behalf of the abandoned children, by Zachee Prevost after Paul Delaroche. 1834 Salon. Engraving.
Attributed works:
7. The students of Baron Gros in 1820, by Louis Léopold Boilly, 1820. Black and white chalk on paper, 59.5 by 29.1 cm. (Musée Carnavalet, Paris; Alamy Stock photo).
Attributed works:
8. Study for the ‘Assassination of the duc de Guise’, by Paul Delaroche. c.1832 or before 1830. Pencil on paper, 13.5 by 24.2 cm. (Private collection).
Article
Hippolyte and Paul Flandrin at Saint-Séverin, Paris
12/2022 | 1437 | 164
Pages: 1178-1189
related names
Author:
Marchetti, Elena (Marchetti, Elena)
Author:
Paccoud, Stéphane (Paccoud, Stéphane)
Subjects
dates:
Illustrations
Attributed works:
1. The chapel of St John the Evangelist, Saint-Séverin, Paris, after restoration, 2022. (© Ville de Paris, COARC/Jean-Marc Moser)
Attributed works:
10. Composition study for the Baptism of Christ, by Paul Flandrin. c.1844. Graphite, black chalk and wash on paper, 63.3 by 30 cm. (Musée du Petit Palais, Paris).
Attributed works:
11. The Ollioules gorges, by Paul Flandrin. 1843. Oil on paper mounted on canvas, 25.5 by 35 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / Gérard Blot).
Attributed works:
12. The Ollioules gorges, by Paul Flandrin. 1843. Graphite and white chalk on brown paper, 31.3 by 23.4 cm. (Musée des Beaux-Arts de Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
13. Christ and the little children, by Hippolyte Flandrin. 1836–38. Oil on canvas, 313 by 441 cm. (Musée d’Art et d’Histoire, Lisieux; © Lyon MBA / Photo Martial Couderette).
Attributed works:
14. The Gulf of Gaeta, by Hippolyte Flandrin. 1838. Graphite and watercolour on paper, 6.9 by 18.6 cm. (Fondation Custodia, Collection Frits Lugt, Paris).
Attributed works:
15. Archangel Raphael, cartoon for a stained-glass window for the Chapel Saint-Ferdinand, Neuilly-sur-Seine, by Jean Auguste Dominique Ingres, 1842. Oil on canvas, 210 by 92 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / René-Gabriel Ojeda).
Attributed works:
16. Head of St John, by Hippolyte Flandrin. 1842. Oil on paper mounted on canvas, 21.9 by 17.6 cm. (Galerie La Nouvelle Athènes, Paris).
Attributed works:
2. Calling of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
3. St John on the Isle of Patmos, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
4. Last Supper, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
5. Martyrdom of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
6. Study of Hippolyte Flandrin’s arms for the Last Supper, by Paul Flandrin. 1840. Graphite on squared-up paper, 19.7 by 24.1 cm. (Sterling and Francine Clark Art Institute, Williamstown MA).
Attributed works:
7. Cartoon for the Martyrdom of St John, by Hippolyte Flandrin. 1840. Graphite and stump on squared-up paper, 99 by 90.8 cm. (Musée des Beaux-Arts, Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
8. Preaching of St John the Baptist, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Church of Saint-Séverin, Paris; © Ville de Paris, COARC/Emmanuel Michot).
Attributed works:
9. Baptism of Christ, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Saint-Séverin, Paris; © Ville de Paris, COARC / Emmanuel Michot).
Short Notice
Dunkirk, Delaroche and Delacroix
12/2022 | 1437 | 164
Pages: 1252-1255
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Jane (née Roberts) Jervis, first wife of Swynfen Jervis, by Paul Delaroche. c.1830 (dated 1829 by a later hand). Pastel on paper, 46.2 by 34.3 cm. (Cleveland Museum of Art).
Attributed works:
2. Mounted racehorses, by Eugène Lami. c.1830. Pen and ink on paper, 8.1 by 14.7 cm. (Private collection).
Attributed works:
3. A woodland scene, by Louis Francia. c.1830. Pencil with white heightening on paper, 19.1 by 12.8 cm. (Private collection).
Attributed works:
4. A standing man (possibly a portrait of Swynfen Jervis), by Eugène Delacroix. c.1830. Pen and ink on paper, 18.8 by 13.2 cm. (Private collection).
Article
Alfred Stevens, an art student in Florence, 1834–36
05/2019 | 1394 | 161
Pages: 388-397
related names
Author:
Sladen, Teresa (Sladen, Teresa)
Subjects
dates:
patrons:
places:
Illustrations
Attributed works:
1. Self-portrait at the age of fourteen, by Alfred Stevens. 1832. Canvas, 30.8 by 24.8 cm. (Tate).
Attributed works:
10. La Bella, after Titian, by Alfred Stevens. 1835. Watercolour on paper, varnish over face, 23 by 17 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Study of St James with two children by Andrea del Sarto, by Alfred Stevens. 1835. Graphite on paper, 21 by 14 cm. (Walker Art Gallery, Liverpool).
Attributed works:
12. Ligurian landscape with a hilltop building, by Alfred Stevens. 1836. Graphite on paper, 26 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
2. Self portrait, by Giuseppe Bezzuoli. 1839. Canvas, 81 by 64 cm. (Galleria degli Uffizi, Florence).
Attributed works:
3. Francis Kinloch, from his tomb in the Protestant cemetery in Rome, by Thomas Crawford. 1840. Marble. (Photograph the author).
Attributed works:
4. Copy of a fresco by Agnolo Gaddi in S. Croce, Florence, by Alfred Stevens. 1835–36. Graphite and watercolour with gold on paper, 41.5 by 31 cm. (British Museum, London).
Attributed works:
5. Self-portrait, by Alfred Stevens. c.1835–36. Graphite on paper, 28.9 by 22.9 cm. (National Portrait Gallery, London).
Attributed works:
6. Nude woman, by Alfred Stevens. c.1835. Graphite on paper, 30 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
7. Drawing of a man on horse and skeleton, by Alfred Stevens. c.1834–36. Graphite on paper, 26.8 by 18.8 cm. (Tate).
Attributed works:
8. L’Ammostatore, by Lorenzo Bartolini. c.1818. Marble, 128 by 43 by 41 cm. (State Hermitage Museum, St Petersburg; photograph Fratelli Alinari; Bridgeman Images).
Attributed works:
9. Page from a pocket sketchbook showing people in the street, by Alfred Stevens. c.1837. Graphite on paper, 10 by 14 cm. (Royal Institute of British Architects, London).
Western art unattributed:
13. The Temple of Vesta at Tivoli seen from the gorge. French, c.1800. Oil on paper laid on canvas, 28.7 by 18.7 cm. (The Gere Collection, on loan to the National Gallery, London).
Article
Russia, Rome and the tricky business of disaster painting
12/2018 | 1389 | 160
Pages: 996-1005
related names
Author:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
Illustrations
Attributed works:
1. Last day of Pompeii, by Karl Bryullov. 1830–33. Canvas, 456.5 by 651 cm. (State Russian Museum, St Petersburg).
Attributed works:
10. Ivan the Terrible and his son Ivan. 16th November 1581, by Ilya Repin. 1885. Canvas, 199.5 by 254 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
2. Destruction of Pompeii and Herculaneum, by John Martin. 1822. Canvas, 161.6 by 253 cm. (Tate, London).
Attributed works:
3. Earthquake in Rocca di Papa, near Rome, by Petr Basin. 1830. Canvas, 84 by 99 cm. (State Russian Museum, St Petersburg).
Attributed works:
4. Sketch for ‘Genseric’s invasion of Rome’, by Karl Bryullov. 1835–36. Canvas, 88 by 117.9 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
5. Siege of Pskov by King Stefan Batory of Poland in 1581, by Karl Bryullov. 1839–43. Canvas, 482 by 675 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
6. Death of Camilla, sister of Horatius, by Fedor Bruni. 1824. Canvas, 350 by 526.5 cm. (State Russian Museum, St Petersburg).
Attributed works:
7. The brazen serpent, by Fedor Bruni. 1834–41. Canvas, 565 by 852 cm. (State Russian Museum, St Petersburg).
Attributed works:
8. Sketch for ‘St Eustace Placidus in the Colosseum’, by Aleksei Markov. 1836–42. Canvas, 98 by 136.5 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
9. Morning of the execution of the Streltsy, by Vasily Surikov. 1881. Canvas, 218 by 375 cm. (State Tretyakov Gallery, Moscow).
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Article
Horace Vernet’s ‘Orient’: photography and the Eastern Mediterranean in 1839, part II: the daguerreotypes and their texts
06/2016 | 1359 | 158
Pages: 430-439
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
dates:
places:
Illustrations
Attributed works:
15. Pyramids of Geezeh, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, II, pl.24 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
16. Pyramid of Cheops, by Frédéric Goupil-Fesquet and Horace Vernet. 22nd November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
17. Pompey's Pillar, by Frédéric Goupil-Fesquet. 8th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
18. Pompey's Pillar, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.5 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
19. View of Luxor, by Frédéric Goupil-Fesquet (and Horace Vernet?) November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
20. View of the Ruins of Luxor from the Nile, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.16 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
21. Harem of Mehmet-Ali, by Frédéric Goupil-Fesquet and Horace Vernet. 7th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
22. View of Beirut by Frédéric Goupil-Fesquet (and Horace Vernet?). 31st January-1st February 1840. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
23. View of Nazareth by Frédéric Goupil-Fesquet (and Horace Vernet?). 23rd December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
24. View of Acre by Frédéric Goupil-Fesquet (and Horace Vernet?). 25th-28th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
25. View of Jerusalem by Frédéric Goupil-Fesquet (and Horace Vernet?). c.18th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
26. View of Jerusalem from the road leading to Bethany, by David Roberts. 8th April 1839. Lithograph by Louis Haghe from The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1842-45, I, pl.1 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
27. Study of Oriental dancers, by Horace Vernet. 1839 (Musée du Louvre, Paris)
Attributed works:
28. Study for Tamar, by Horace Vernet. 1840 (Musée du Louvre, Paris)
Attributed works:
29. Almée by Emile Vernet-Lecomte. 1869 (Courtesy Sotheby's, New York, sale 4th November 2010, lot 5)
Article
A ‘Delacroix’ by Pierre Andrieu from the Nicos Dhikeos collection
04/2016 | 1357 | 158
Pages: 272-275
related names
Author:
Varelias, Michalis (Varelias, Michalis)
Subjects
dates:
Illustrations
Attributed works:
45. Christ on the Cross, by Eugène Delacroix. 1835 (Musée des Beaux-Arts de Vannes)
Attributed works:
46. Christ on the Cross, after Eugène Delacroix, here attributed to Pierre Andrieu. 1965? (Makarios III Cultural Foundation Gallery, Nicosia)
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