Edward Lear: Moment to Moment
Ikon Gallery, Birmingham
9th September–13th November |
:
Illustrations
Attributed works:
1. Amada, by
Edward Lear.
7.25 a.m. 12th
February 1867.
Watercolour,
pen and brown
ink and graphite,
9.2 by 17.8 cm.
(Yale Center
for British Art,
New Haven; exh.
Ikon Gallery,
Birmingham).
Attributed works:
2. Santa Maura,
by Edward Lear.
6 p.m. 19th
April 1863.
Watercolour
over pen and
ink, 21 by 32
cm. (Private
collection; exh.
Ikon Gallery,
Birmingham).
Attributed works:
3. The Forest of
Bavella, Corsica,
by Edward Lear.
7.10 a.m. 29th
April 1868. Pen
and ink and
watercolour
on buff paper,
63.5 by 80
cm. (Private
collection;
photograph
Woolley and
Wallis Salerooms
Ltd; exh.
Ikon Gallery,
Birmingham).
Carlo Crivelli: Shadows on
the Sky
Ikon Gallery, Birmingham
23rd February–29th May |
:
Illustrations
Attributed works:
7. Vision of the
blessed Gabriele,
by Carlo Crivelli.
c.1489. Tempera
on panel, 141 by
87 cm. (National
Gallery, London;
exh. Ikon Gallery,
Birmingham).
Attributed works:
8. Installation
view of Carlo
Crivelli: Shadows
on the Sky at
Ikon Gallery,
Birmingham,
2022.
(Photograph
Stuart Whipps).
Attributed works:
9. St Roch, by
Carlo Crivelli.
c.1480. Tempera
on panel, 40 by
12.1 cm. (Wallace
Collection,
London; exh.
Ikon Gallery,
Birmingham).
Exhibition Review
'Hybrids'; Milhazes; Heilmann. Liverpool; Birmingham; London
60. Inverted Architrave, by Edward Allington. 1990. (Exh. Ikon Gallery, Birmingham).
Attributed works:
61. The Enclosure of Sanctity, by Shirazeh Houshiary. 1992-3. Mixed Media, (Lisson Gallery, London; Exh. Douglas Hyde Gallery, Dublin).
Attributed works:
62. New Touchstone, by Peter Randall-Page. 1991. Kilkenny Limestone, 36.5 by 32.8 by 31 cm. (Private Collection, Devon; Exh. Castlefield Gallery, Manchester).
Attributed works:
63. Once upon a Duchamp, by Cathy de Monchaux. 1992. Velvet, Leather, Brass, Ribbons and Enamel. (Galerie Jennifer Flay, Paris; Exh. Centre for Contemporary Arts, Glasgow).