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48 articles
Article
G.F. Watts’s ‘Satan’ and the Monte Cavallo ‘Horse tamers’
07/2022 | 1432 | 164
Pages: 664-671
related names
Author:
Gustin, Melissa L. (Gustin, Melissa L.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Satan, by George Frederic Watts. 1847–48. Oil on canvas, 198.1 by 132.1 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
10. Study for Satan, by George Frederic Watts. c.1847–48. Pencil on paper, pasted into a scrapbook album, 16.6 by 11.3 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
11. Studies of a classical head in multiple views on the margin of a design for ‘Adam and Eve listening to an angel’, by George Frederic Watts. Pen and ink on paper, pasted into a historic scrapbook album, 12.5 by 17.8 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
12. Studies of nude riders on horseback, by George Frederic Watts. Before 1858. Pencil on paper, pasted into a historic scrapbook album, 22.9 by 18.5 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
13. Aurora, by George Frederic Watts. Plaster over metal armature, height 243 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
2. Fountain of Monte Cavallo in the Palazzo del Quirinale, Rome. 1860– 70. Albumen silver print, 33.3 by 46.2 cm. (The J. Paul Getty Museum, Los Angeles; courtesy the Getty Open Content Program).
Attributed works:
3. Cast after the head of the left Monte Cavallo horse tamer, called ‘Pollux’. 18th century. Plaster, height 147 cm. (Royal Academy of Arts, London).
Attributed works:
4. Cast after the head of the right Monte Cavallo horse tamer, called ‘Castor’. 18th century. Plaster, height 147 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1847–48. Pencil on paper, (sheet) 9 by 14.5 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
6. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1844. Pencil on paper, (sheet) 7.5 by 11 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
7. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1847–48. Pencil on paper, 9 by 14.5 cm (page). (Watts Gallery– Artists’ Village, Compton).
Attributed works:
8. Sketch of the reclining male figure now called Dionysus from the east pediment of the Parthenon, by George Frederic Watts. c.1847–48. Pencil on paper, (sheet) 9 by 14.5 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
9. Study for Satan, by George Frederic Watts. c.1847–48. Pencil on paper, pasted into a scrapbook album, 18.3 by 11.6 cm. (Watts Gallery– Artists’ Village, Compton).
Article
A photograph of Ellen Terry by Julia Margaret Cameron
12/2021 | 1425 | 163
Pages: 1158-1161
related names
Author:
Busiakiewicz, Adam (Busiakiewicz, Adam)
Subjects
Illustrations
Attributed works:
1. Ellen ‘Nelly’ Terry, by Julia Margaret Cameron. 1864. Albumen print mounted onto card, 24 by 19 cm. (Private collection).
Attributed works:
2. Ellen Terry (‘Choosing’), by George Frederic Watts. 1864. Oil on strawboard mounted on Gatorfoam, 47.2 by 35.2 cm. (National Portrait Gallery, London).
Attributed works:
3. Ellen Terry, by Julia Margaret Cameron. 1864. Albumen print, 24 by 19 cm. (Sotheby’s).
Attributed works:
4. Sadness, by Julia Margaret Cameron. 1864. Albumen silver print, 22 by 17 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
5. Anne Greville, 4th Countess of Warwick. Photograph. (Warwick Castle Collection).
Attributed works:
6. The south west wind, by Julia Margaret Cameron. 1864. Albumen silver print, 25.4 by 21.6 cm. (Metropolitan Museum of Art, New York).
Article
Avatars of Antiquity II: Drapery as metaphor
12/2020 | 1413 | 162
Pages: 1056-1071
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 41 by 27.5 cm. (Royal Academy of Arts, London).
Attributed works:
10. Draped female torso, from the Acropolis, Xanthos. 470–460 BC. Marble, height 123.8 cm. (British Museum, London).
Attributed works:
11. Rebecca at the well, by Nicolas Poussin. 1648. Oil on canvas, 118 by 199 cm. (Musée du Louvre, Paris).
Attributed works:
12. Detail from Paul preaching at Athens, by Raphael. c.1516. Body colour on paper mounted on canvas, whole canvas 320 by 390 cm. (Royal Collection, on loan to the Victoria and Albert Museum, London).
Attributed works:
13. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 27.6 by 27.1 cm. (Royal Academy of Arts, London).
Attributed works:
14. Drapery study for the kneeling handmaiden in Semiramis founding Babylon, by Edgar Degas. 1860–62. Graphite with lead-white body colour and blue wash on paper, 24.4 by 31.1 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Cymon and Iphigenia by Frederic Leighton. c.1884. Oil on canvas, 162.6 by 327.7 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
16. Drapery study by Leonardo. c.1475–82. Brown-grey wash and lead white on linen prepared with a pale grey ground, 220 by 139 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
17. Detail of Virgin and Child, by Masaccio. 1426. Egg tempera on wood, whole panel 134.8 by 73.5 cm. (National Gallery, London).
Attributed works:
18. The penitence of Mary Magdalene, by Charles Le Brun. 1655. Oil on canvas, 252 by 171 cm. (Musée du Louvre, Paris).
Attributed works:
19. Heliodorus driven from the Temple, by Eugène Delacroix. 1855–61. Mural, 751 by 485 cm. (Chapelle des Anges, Saint-Sulpice, Paris)
Attributed works:
2. Detail of an Antique mural painting of a dancer, by Filippo Morghen after Camillo Paderni. Engraving, 38 by 48 cm. (page). (From Le pitture antiche d’Ercolano e contorni, I, Naples 1757).
Attributed works:
20. Ariadne on Naxos, by G.F. Watts. 1867–75. Oil on canvas, 75 by 94 cm. (Guildhall Museum, London).
Attributed works:
21. Divine figures from the east pediment of the Parthenon, Athens, believed to represent Venus reclining on the lap of her mother, Dione, by Phidias or associate. 438–432 BC. Marble, length 233 cm. (British Museum, London).
Attributed works:
22. Captive Andromache, by Frederic Leighton. c.1888. Oil on canvas, 195.6 by 406.4 cm. (City Art Gallery, Manchester).
Attributed works:
23. Detail of the figure of Amor in the chimneypiece made for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street, Manhattan, by Augustus Saint-Gaudens. c.1881–83. Limestone, height of chimneypiece 468.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
24. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710. Oil on canvas, 207.2 by 310.2 cm. (National Gallery, London).
Attributed works:
3. One of the ‘attitudes’ of Lady Hamilton, by Tommaso Piroli after Friedrich Rehberg. Engraving, 26.9 by 20.8 cm. (From F. Rehberg: Drawings Faithfully Copied from Nature at Naples, n.p. 1794, fig.7).
Attributed works:
4. Veiled and masked dancer. Alexandria(?), c.100 BC. Bronze, height 20.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Detail of Two dancers, after Antonio Canova. 1799. Tempera on paper. (Casa Canova, Possagno).
Attributed works:
6. Hebe, by Antonio Canova. 1816–17. Marble with gilt metal, height 158 cm. (Pinacoteca Civica, Forlì).
Attributed works:
7. Veiled woman (Allegory of Purity), by Antonio Corradini. 1717–25. Carrara marble. (Museo del Settecento Veneziano, Ca Rezzonico, Venice).
Attributed works:
8. Hebe, by Bertel Thorvaldsen. 1819–23. Marble, height 152.2 cm. (Thorvaldsen Museum, Copenhagen).
Western art unattributed:
9. Kore, from the Temple of Hera, Samos. 570–60 BC. Marble, height 192 cm. (Musée du Louvre, Paris).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Book Review
The Art of G.F. Watts. By Nicholas Tromans
05/2018 | 1382 | 160
Pages: 433-434
related names
Reviewer:
Huxtable, Sally-Anne (Huxtable, Sally-Anne)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
5. Self-portrait in a red robe, by George Frederic Watts. 1853. Canvas, 154.9 by 74.9 cm. (Watts Gallery, Compton).
Advertisements
Advertisements (front)
03/2018 | 1380 | 160
Pages: n.p.
Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Exhibition Review
G.F. Watts. Compton
10/2017 | 1375 | 159
Pages: 839-840
related names
Reviewer:
Potter, Matthew C. (Potter, Matthew C. )
Subjects
museums and institutions:
Reviewed Items
subjects:
G.F. Watts: England's Michelangelo at the Watts Gallery, Compton. | :
Illustrations
Attributed works:
76. Frederic, Lord Leighton, P.R.A., by George Frederic Watts. 1888 (Royal Academy of Arts, London; exh. Watts Gallery, Compton).
Attributed works:
77. Installation view of G.F. Watts: England's Michelangelo at the Watts Gallery, Compton.
Attributed works:
78. The good Samaritan, by George Frederic Watts. 1850 (Manchester Art Gallery; exh. Watts Gallery, Compton).
Exhibition Review
Brothers in Art: Drawings by Watts and Leighton. Compton. Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection. Ottawa & London
05/2016 | 1358 | 158
Pages: 387–89
related names
Reviewer:
Owens, Susan (Owens, Susan)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
56. Self-portrait study (known as 'Fear'), by George Frederic Watts. c.1835-36 (Watts Gallery, Compton)
Attributed works:
57. Portrait of Virginia Pattle, by George Frederic Watts. c.1849 (Watts Gallery, Compton)
Attributed works:
58. Study for 'The Return of Persephone': drapery for Demeter, by Frederic Leighton. c.1890 (Leighton House Museum, London; exh. Watts Gallery, Compton)
Attributed works:
59. King Pelles' daughter bearing the vessel of the Sanc Graal, by Frederick Sandys. 1861 (Lanigan Collection, Saskatoon; exh. Watts Gallery, Compton)
Attributed works:
60. Samson and Delilah, by Henry Holiday. c.1859-61 (Lanigan Collection, Saskatoon; exh. Watts Gallery, Compton)
Publication Received
An Artists’ Village. G.F. Watts and Mary Watts at Compton
08/2012 | 1313 | 154
Pages: 587
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
An Artists’ Village. G.F. Watts and Mary Watts at Compton | author: Bills, Mark
Publication Received
Watts Chapel. A Guide to the Symbols of Mary Watt’s Arts and Crafts Masterpiece
08/2012 | 1313 | 154
Pages: 587
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Watts Chapel. A Guide to the Symbols of Mary Watt’s Arts and Crafts Masterpiece | author: Bills, Mark
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